Head of Creative Economy and Presidential Special Projects Dennis Itumbi disclosed that authorities had already identified several platforms allegedly distributing pirated films and television content to Kenyan audiences.

Speaking on the matter, Itumbi argued that illegal streaming sites had dealt a major blow to local content creators by denying them revenue and limiting opportunities to monetise their productions on legitimate global platforms.

He revealed that consultations with filmmakers and stakeholders in the creative sector had intensified in recent days as the government seeks lasting solutions to digital piracy.

“Just before recording this video, I got something from Filmmaker’s Hangout, who were asking for a meeting to give their contribution on this. I have received about 15 people who want to contribute, and I really appreciate it,” he stated.

Itumbi added that he had spent the past four days engaging industry players, reviewing proposals, and studying anti-piracy measures adopted in other countries, adding that the operation is being coordinated jointly with the Communications Authority of Kenya (CA) and the Ministry of ICT’s Standing Committee on Piracy.

Among websites identified in the crackdown are Goojara.co, ftmovies.co, 123Movies, and Streamx.sa, platforms Itumbi claimed attract millions of users searching for free movies and television series. “Some of them will break your hearts, but we have to do what we have to do to protect the creative economy,” he cautioned.

According to Itumbi, authorities have compiled a list of about 84 websites that could soon be blacklisted in Kenya.

The move follows mounting complaints from filmmakers who have long maintained that piracy continues to erode earnings from licensed streaming platforms, television distribution, and cinema screenings. Industry stakeholders argue that widespread unauthorised sharing of films discourages investment in the sector and undermines the sustainability of original Kenyan productions.

Itumbi disclosed that the government had already launched a pilot phase ahead of the anticipated shutdown of the targeted websites. “Because I have a job to save, the sites will go down,” he remarked.

Because I have a job to save, these movie piracy websites, including https://t.co/DCAszSWIhk, 123movies, will go down- Dennis Itumbi pic.twitter.com/HsHDlCTopJ

— Vantage Ke (@VantageKe) May 16, 2026

The proposed blacklist is likely to ignite debate among internet users, particularly consumers who rely on free streaming sites for entertainment.

However, authorities insist the action is necessary to safeguard intellectual property rights and support the growth of Kenya’s creative industry.

The latest developments come weeks after President William Ruto publicly challenged Itumbi to explain measures being taken to curb piracy. Speaking during the Kalasha International Film and TV Awards earlier this month, President Ruto issued a stern warning over the increasing theft of creative content in the country.

“And finally, I have a guy. I gave a job called Dennis Itumbi. I want Dennis to come right here,” the President said during the event.

“I gave you a job, and I told you what the job description was. I want you to answer something about piracy, to tell me and this audience, what is it that we are doing about piracy?” he posed.

We all love the idea of hosting a crew hangout. The laughter, the music, the inside jokes that somehow resurface months later, that’s the good stuff. What nobody enjoys is being stuck in the kitchen, constantly refilling drinks, or missing the very moments you planned the whole thing for. This is a guide to reclaiming the art of hosting with ease.

Set the mood

Every great hangout starts before the first guest arrives. The mood matters. Start with a playlist that grows with the night — easy-going at first, then slowly picking up energy as conversations get louder and people settle in.

Fun props like oversized sunglasses, themed cups, and playful stickers soften the mood and make people feel relaxed. Even the seating arrangement makes a difference. A cozy corner invites conversation while open spaces make mingling easier.

What are you serving?

Then comes the hosting hack that saves every party: sort the drinks before everyone arrives. Nobody wants to spend the entire night playing bartender. Sometimes the best cocktail serves are the simplest ones, no complicated ingredients, no intimidating mixology, just familiar, delicious combinations poured over ice. That’s the true spirit of effortless cocktail enjoyment.

One serve that has quietly remained a classic is the Captain & Cola. Smooth Captain Morgan Gold topped with chilled cola over ice delivers an easy, laid-back drink that works for almost any vibe. From weekend linkups and house parties to nyama choma sessions and those random “one drink” meetups that somehow end at 3 am, it’s consistently delicious and unbelievably simple to make.

For something lighter and more refreshing, the Captain Lemonade is another easy crowd-pleaser. Captain Morgan Gold mixed with cold lemonade and served over ice brings a bright citrus twist that feels perfect for daytime hangs, rooftop catchups, or warm Nairobi evenings. It’s crisp, refreshing, and easy enough for anyone to put together in seconds.

And if you want something that feels a little more elevated without adding effort, the Captain Mojito is a perfect middle ground. A refreshing mix of Captain Morgan, mint, lime, and soda water creates that fresh cocktail-bar feel while still keeping things relaxed and approachable.  

And of course, without food, hangout itaboo. These easy cocktails pair effortlessly with a range of bites: samosas, choma sausages, fish fingers, sliders, or even chicken wings glazed with a light rum-infused sauce. The vanilla and caramel notes in Captain Morgan Gold work especially well with smoky, fried, or mildly spicy foods, creating that perfect bite-and-sip balance without feeling overly curated.

Entertainment

Once the setup is sorted, shared experiences are what people remember most. A simple game of Jenga can instantly get everyone laughing, while conversation prompts, trivia, or even a side puzzle table naturally pull people together without feeling forced.

At the end of the day, epic hangouts are never really about perfection; rather, the laughter that lingers long after midnight, the stories that somehow get funnier every time they are retold, and people feeling relaxed enough to fully be themselves. 

The event drew high-level attention, with President William Ruto in attendance alongside leading industry figures and international delegates. More than 3,000 participants, over 100 exhibitors, and representatives from upwards of 30 countries turned up, reflecting the awards’ expanding global footprint.

This year’s ceremony marked a first, as a sitting Kenyan president attended the Kalasha Awards. Ruto used the platform to recognise the role of creatives in driving economic growth and social transformation.

“The creative economy lies at the heart of our transformation agenda – empowering our youth by unlocking talent, expanding opportunity, and driving inclusive growth,” he stated.

Attendees at the 14th Kalasha International Film and TV Awards, held on Saturday, May 2, 2026, at the Kenyatta International Convention Centre (KICC) in Nairobi. /PCS

The scale of participation and engagement further cemented Kalasha’s status as a leading platform for East and Central Africa’s creative industries, while also signalling Kenya’s growing influence in fostering international collaborations.

Organised annually by the Kenya Film Commission, the awards honour excellence in local film and TV productions aired on Kenyan platforms. Since launching in 2009 at Crowne Plaza in Upper Hill, Nairobi, Kalasha has recognised achievements across directing, acting, scriptwriting, production, and technical disciplines, while adapting categories to match industry evolution.

The 2026 edition, themed “Innovating Tradition, Re-inventing Storytelling One Frame at a Time,” marked the 14th instalment, with winners unveiled at KICC.

Earlier, nominations were announced on March 25 at Anga Sky Cinema, Panari Sky Centre, following 185 submissions reviewed by the commission. Each category had initially been pegged at a Ksh 200,000 prize, with MultiChoice Kenya leading nominations with 31 entries. To boost visibility, nominated films were screened for free at Anga Cinemas between April 6 and April 17.

Key Winners

The ceremony celebrated a wide range of talent across categories:

In film, Michelle Lemuya clinched Best Lead Actress for her role as Nawi in Nawi. The Turkana-born actress dedicated her win to her support system, noting she had exceeded expectations despite emerging from a region often overlooked in the industry.

In television, June Njenga secured Best Lead Actress in a TV Drama for portraying Shiku in Big Girl Small World, her debut Showmax project released in May 2024. Her role depicted a plus-sized professional rebuilding her life after a scandal, with Njenga using the moment to champion body representation and African storytelling on streaming platforms.

Omar Hamza took home Best Short Film Director for Sukari. The filmmaker, whose work has screened internationally in the Netherlands, at the Zanzibar International Film Festival, and in Silicon Valley, credited his team and partners, including DocuBox, the East African Documentary Film Fund, and Mombasa County, for backing the project.

In the TV drama category, Kash Money—a Kenyan crime series that premiered on Netflix on January 31, 2025—won Best TV Drama. Lenana Kariba earned Best Supporting Actor for his role as Njagi, while Amara Tari won Best Supporting Actress for playing Cate Njenga.

For film categories, Nawi, produced by Brizan Were, bagged Best Feature Film. Meanwhile, Sara, produced by Sarah Tenoi and her team, won Best Kenyan Indigenous Language Film.

Dinner for Three, directed by Brian Kabugza in collaboration with the MultiChoice Talent Factory, won Best Student Film.

Veteran filmmaker John Karanja received a Lifetime Achievement Award in recognition of his long-standing contribution to the industry.

Media personality Shiksha Arora was named Positive Impact Content Creator of the Year. She committed to donating Ksh 200,000 from her winnings to support someone in need.

Prize Boost and New Incentives

Initially, the Kenya Film Commission (KFC) had set prize money at Ksh 200,000 per winner, alongside additional perks including trips to Jambo Mutara Lodge or the Maasai Mara and makeup hampers.

However, Ruto announced an immediate increase in the cash award. “I know that the good people from KFC have given every winner Ksh200,000. And because I’m here, we are going to raise that to Ksh500,000 for every winner,” he declared.

He also pledged Ksh 10 million each toward introducing new award categories centred on affordable housing and health, including themes aligned with the Social Health Authority (SHA). The move is aimed at encouraging creatives to produce content aligned with national development priorities.

Government Push for Creative Economy

Ruto outlined several government initiatives designed to strengthen the creative sector. These include the formation of a State Department dedicated to the Creative Economy, signalling a more structured policy approach.

Additionally, a Creative Economy Office has been established at State House, with plans to appoint key officials, including a Director of Gaming, a Secretary for Film Services, and a Head of Music and Fashion.

Further measures include directing 30 per cent of government advertising expenditure toward creative platforms and accelerating the passage of the Creative Economy Bill 2026.

Together, these interventions point to a broader strategy of formalising and scaling Kenya’s creative industries, positioning them as a core pillar of economic growth while expanding opportunities for artists, filmmakers, and digital creators.

Shiksha Arora poses with her award for Positive Impact Content Creator of the Year at the 14th Kalasha International Film and TV Awards, held on Saturday, May 2, 2026, at the Kenyatta International Convention Centre (KICC) in Nairobi. /PCS

From impromptu auditions and deep undercover scenes to guns, stunts, and steamy deception, Anita opens up about her journey, her love for acting, and why playing a cop feels like destiny.

Who is Anita? 

That's a good question. Anita is a calm, chill person. Like, I love acting. I'm a marketer by profession and an actor. And the one fun thing about Anita is that I've always wanted to play the role of a cop. 

In Mizani, my character, Nimo, is an undercover DCI (Directorate of Criminal Investigations) who is recruited by the governor, Governor Philip. She comes low-key to investigate this syndicate that has been going on in the area where the governor is working.

One of her key people of interest is Solo (Jack Mutinda), and to get close, she pretends to fall in love with him. It’s all strategy, all work — and incredibly intense.

Photo collage of actress Anita Wawuda. /VANTAGE KE

In this show, you reunite with 'Jiji' co-star, Keith Chuaga. Tell us about this. 

Working with Keith again was amazing. This was our third project together, but with a totally different dynamic. In Jiji, he played my husband — full romance, chemistry, and closeness. In Mizani, he is my boss. I report to him. No hugging. No softness. Just orders.

It felt weird at first. I kept thinking, Wait, aren’t you supposed to hug me? But we quickly found our rhythm, and the transformation worked beautifully on screen.

What was your reaction when you found out you got this role?

Funny enough, I didn’t even audition for Nimo at first. I showed up for a completely different role. It was a last-minute decision. Then I got a callback: “We want you to audition for Nimo.”

I nearly screamed.

I’ve always dreamed of playing a cop. In another life, I swear I’d be a DCI agent. So, when they told me Nimo was a cop, I was all in. No hesitation. No fear. Just pure excitement.

What keeps motivating you to work with Daudi? 

Working with Daudi goes way back. I have seen his grind, his hustle, and his sacrifices, and I deeply admire his work ethic. 

Watching his journey from where we started to where he is now fills me with pride. Anytime Daudi calls me for an audition, I show up. No excuses. No matter how busy I am.

Our last project together before Mizani was a short film called White Doom, and trust me, I looked completely different in that one.

What was one of your highlights while shooting this show?

Some of my favorite scenes are when Nimo finally reveals who she really is. She drops the undercover act, pulls out her badge, gears up, and steps fully into DCI mode; guns, official suits, authority, power. Those moments made me feel unstoppable.

What did you do to prepare for the role?

I researched female DCI officers and FBI agents, studied how they dress, move, speak, and carry themselves.

I binge-watched crime shows and spoke to friends who actually work in DCI to understand the mindset. I wanted Nimo to feel authentic.

How was it working alongside Jack Mutinda, who is a stunt guy?

We have done a couple of stunts with him, but I think I felt like for us it came naturally. Like, because I have had some training with the gun training, like weapon shooting and all that. So at least I have a background, like some knowledge on how to hold a weapon, how to take out a magazine, fill it up with bullets, and all that. 

Where are you based?

I'm from Mombasa. I'm a coastarian. But right now, as I moved to Nairobi a couple of years ago, I live in Nairobi.

If you're not on set, where would we find you?

At the gym or in my kitchen, cooking

What’s your favorite meal? 

Seafood pasta.

Watch Anita in Mizani with new episodes every Saturday on Maisha Magic Plus

Teaser poster for 'Mizani' show. /SHOWMAX

Lynn Obel scooped the Academy Director’s Award, while Jamleck Lewis walked away with the Rising Star Award in Production Management, placing Kenya firmly at the centre of this year’s recognition list.

The duo emerged from a group of 19 graduates drawn from Kenya, Uganda, Tanzania, and Ethiopia, who completed a nine-month intensive programme aimed at sharpening skills across directing, producing, cinematography, scriptwriting, and editing.

Uganda’s Fredrick Mayiga also bagged the Academy Director’s Award, Ethiopia’s Nahom Bahru won the Technical Excellence Award, while Tanzania’s Kelvin Dennis was named Overall Best Student.

The ceremony capped off months of training that blended classroom learning with hands-on industry exposure under the guidance of experienced filmmakers, with students producing original content rooted in African storytelling.

Victoria Goro, OGW, Academy Director, MultiChoice Talent Factory (left), awards Fredrick Mayiga, recipient of the Academy Director’s Award for the MTF Class of 2025/26, as Timothy Owase, CEO, Kenya Film Commission (KFC), looks on during the MTF Class of 2025/26 graduation ceremony held at the MultiChoice Local Production Grounds in Nairobi. 

MTF Eastern Africa Academy Director Victoria Goro framed the milestone as a launchpad rather than a finish line.

“Today’s graduation marks not just an achievement, but a beginning of an exciting journey. Each of you carries the responsibility of shaping Africa’s creative future—through the stories you tell, the businesses you build, and the collaborations you nurture.

"Your success fuels local economies, inspires communities, and amplifies the voice of African storytelling on the global stage. Move ahead with courage, creativity, and conviction—the world awaits your story,” she stated.

The graduation lands at a time when East Africa’s film and TV sector is gaining momentum, driven by the surge in demand for local content and the rapid growth of streaming platforms.

In Kenya, the creative economy is increasingly becoming a serious player, contributing an estimated 5 to 5.6 per cent of GDP and supporting thousands of jobs.

Vincent Opiyo, a trustee at the MultiChoice Trust Foundation and Regional Finance Director at MultiChoice Group, pointed to the industry’s shifting dynamics and the company’s long-term play in the sector.

“At MultiChoice, we remain committed to fueling this growth by investing in local talent, expanding content distribution opportunities, and building platforms that enable African creators to thrive. As the industry evolves, we see growing demand for authentic African stories, innovative digital formats, and cross-border collaborations,” he stated.

Principal Secretary for Youth Affairs and Creative Economy Fikirini Jacobs linked the programme to the government’s broader youth empowerment agenda.

“The MultiChoice Talent Factory is a shining example of a programme that aligns strongly with our national priorities by nurturing and developing local talent. Platforms such as the MultiChoice Talent Factory play a critical role in driving this shift by demonstrating that creative excellence can translate into real opportunity,” he noted.

The academy runs in partnership with Kenyatta University, a collaboration that blends academic training with industry-facing skills development.

Vice-Chancellor Professor John Okumu highlighted the value of that link as graduates transition into the competitive film space.

“To our esteemed graduands, your achievements underscore the importance of partnerships, such as that between MTF and Kenyatta University, in nurturing talent and fostering growth within the arts. As you step into the world of filmmaking, may the lessons, networks, and inspiration nurtured in the MTF Academy propel you to reach for the stars,” he stated.

Since its launch in 2018, the MTF East Africa Academy has built a track record of producing filmmakers who go on to shape the industry, with some alumni already gaining continental recognition.

Among them is 2023 graduate Maurice Muendo, whose directorial debut, Bobo, earned recognition at the 2026 Africa Magic Viewers’ Choice Awards after premiering at the 2025 Joburg Film Festival.

Meanwhile, 2024 alumni Brian Kabogozza and Sihnemariam Abebe have also secured nominations at the 2026 Kalasha Awards in the Best Student Film category for Dinner for Three.

Following weeks of growing anticipation among fans, the event marked the first major live performance of the album, a project that has steadily become part of everyday listening for many Kenyans. From the moment gates opened, the energy in Meru was unmistakable, with fans turning up in large numbers to be part of the experience.

The night was headlined by Mejja, whose performance brought fan-favourite tracks such as Manifest and Siaka. The live renditions transformed familiar songs into a shared, high-energy moment, as the crowd sang along and fully immersed themselves in the music.

Supporting acts including Toxic Lyrikali, Dyana Cods, Jaysoul, and ZJ Heno kept the momentum going, while DJs DJ Mawinch, DJ Deewiz, DJ Bee, and DJ Daffy delivered seamless sets that carried the crowd through the night. MC Azeezah brought her signature charisma to the stage, tying the entire experience together.

Beyond the performances, Captain Morgan curated an interactive space including photobooths and game zones. In addition, brand mixologists served fun favourite cocktails such as the Captain Cola and Muckpit & Sprite. These elements added depth to the event, ensuring that the experience extended beyond the stage and into every corner of the venue.

 “This activation reinforced Captain Morgan’s commitment to creating bold, culture-driven experiences that resonate with its consumers” Victor Adada, Captain morgan Brand Manager said that evening.

Kanyi Kiuru, Captain Morgan Muckpit brand manager reflected, “I have loved seeing consumers enjoy the Captain Morgan Cocktails, having fun in the experience zones, Meru never disappoints.”

Mejja also commented, “Manze nibambika, wasee wa Meru, big up, thanks for the support, this was night to remember.”

As the night ended, one thing was clear, this was a celebration of consistency, growth, and connection, reflecting both Mejja’s journey and the audience that has grown with his music over the years.

Occasionally, an album comes through and quietly becomes part of your everyday life. For many Kenyan listeners right now, Mejja’s Mtoto wa Khadija is doing exactly that. After close to two decades in the industry, this project feels less like a release and more like a milestone.

One minute you’re casually listening, the next you realize different tracks have seamlessly worked their way into your routine and playlists. Mboka, Manifest, and Motion hit differently on your commute, setting the tone with motivation and good vibes. Mental, Vulai, and Kale ka Uoga feel right at home at the gym or while winding down after a long day.

There’s a certain ease to it, music that feels familiar, yet fresh enough to keep you coming back. And as more people continue to discover it, the conversation has naturally shifted from “have you listened?” to “when do we get this live?”

That moment is now taking shape. In partnership with Captain Morgan, the album is moving beyond headphones into shared experiences. An exclusive listening session set the tone, bringing together media, creatives, and industry players for a first listen in an intimate, laid-back setting.

Now, that energy expands to a bigger stage. On April 11th, 2026, Captain Mejja Spice takes over Kinoru Stadium in Meru for the first major live showcase of the album. He will be joined by Toxic Lyrikali and Dyana Cods, both of whom feature in the album. Jaysoul, ZJ Heno, DJ Mawinch, DJ Deewiz, DJ Bee, DJ Daffy, and MC Azeezah, all coming together to set the tone for an unforgettable night.

For fans who have had the album on repeat, this will be the first real opportunity to experience it live, loud, shared, and in an atmosphere that brings the music to life in a whole new way.

How to get in:

• Grab a quarter Captain Morgan Gold or Muckpit → get 1 ticket
• Go big with a mzinga → get 2 tickets

To make it even more exciting, fans can stand a chance to win tickets and exclusive Captain Mejja Spice merchandise by participating in a live trivia challenge on Radio 47 and Meru FM from April 8th to 10th.

The album is a reminder of consistency and growth, the kind that doesn’t always need to be loud to be felt. And maybe that is what makes this moment worth paying attention to: the journey behind it, and the chance to celebrate it together.

The Fisherman Pwani Experience, in partnership with Kenya Cane, turned the Easter weekend into a vibrant coastal celebration, drawing revellers to Wild Waters Nyali on Saturday, April 4, 2026 for a high-energy fusion of music, culture, and unforgettable moments.

Set against the backdrop of the ocean and the long holiday weekend, the atmosphere was lively from the start. Coster Ojwang and the Fisherman’s Band headlined the performances, with the crowd singing along to Wabiro, Jowi and Hera word for word. The energy peaked when Okello Max came on stage. Makadem brought his signature Nyatiti Jazz sound, while Shad Mziki kept the momentum going with his hit Wajue ni wewe.

Performances by Partraw and Osogo Winyo added a soulful touch to the lineup, creating a well-rounded musical experience. The connection between the artists and the audience was evident throughout, with the crowd fully engaged from start to finish.

Beyond the stage, Kenya Cane elevated the experience with its signature serves, with the Safari Sunset emerging as a crowd favourite. Attendees also enjoyed curated chill spaces set against the ocean breeze, adding to the overall coastal experience.

“Seeing the crowd connect so deeply with the performances and the Kenya Cane experience is exactly what we set out to achieve,” said Victor Adada, Kenya Cane Brand Manager.

Reflecting on his performance, Coster Ojwang shared, “The energy from the crowd was incredible. This is what the Fisherman’s Experience is about, mziki ya kustaarabu and people enjoying the moment. This one is for the books.”

The Fisherman’s Pwani Experience delivered a memorable Easter weekend highlight, reinforcing the show as a must-attend music and cultural moment.

From the moment the evening began, the atmosphere shifted in a transformative way. Friends, colleagues, and newcomers merged into a vibrant crowd that exuded both energy and intention. The music, masterfully curated by Mwalimu Rachel along with DJs DJ Xclusive and DJ Chunky, established a captivating rhythm that flowed seamlessly throughout the night, enhancing the social experience without overshadowing the meaningful connections being made.

Instead of hosting a typical high-energy party, the Hangout focused on a more nuanced experience. It fostered an atmosphere for conversation, laughter, and what many referred to as "real moments." This approach reflects the brand's ongoing campaign that promotes more authentic ways to connect.

Participants engaged in various conversations and dance circles, periodically pausing to enjoy signature beverages. Among these, the newly introduced Gilbey’s Berry Bramble RTD cocktail quickly gained popularity among attendees, enhancing the overall experience of the event.

A photo of Gilbeys Brand Ambassadors

Visually, the space carried a subtle but striking red theme woven through outfits, lighting, and décor, giving the night a cohesive identity without overwhelming its relaxed tone.

Lilian Mbugua, the brand manager, said the intention behind the Hangout is rooted in shifting how people experience social spaces. She noted that the focus is increasingly on creating environments where people can engage more meaningfully, rather than simply attending.

“The Gilbey’s Hangout is about celebrating the moments that truly matter, the ones shared with friends, full of laughter and real connection. Through this platform, we are creating experiences that are not only memorable but also accessible, staying true to our commitment of delivering quality and value to our consumers,” said Lilian Mbugua, the Brand Manager, Gilbeys.

The event also quietly reinforced the brand’s effort to remain accessible, with ongoing offers that make premium experiences feel within reach for a broader audience.

As the night wrapped up, it became clear that what mattered most wasn’t just the music or the decor, but the warm atmosphere that filled the space. This vibe reflected a subtle change in Nairobi's social scene. Known for its vibrant nightlife, the Gilbey’s Hangout showed us that some of the best moments come from being relaxed and genuine.

In a video shared online, Obinna revealed that the President applauded the Vurugu Bout Night and commended the youth who took part.

The showdown between Portifas Odipo, alias Majembe, and Ferdinand Omondi, alias Mbavu Destroyer, had built massive hype, attracting a packed audience at the Kasarani Indoor Arena on April 4. The fight had already drawn the President’s interest, with a pledge of Ksh1 million to each boxer made ahead of the event.

Portifas Odipo (Majembe) and Ferdinand Omondi (Mbavu Destroyer) pose ahead of their highly anticipated boxing match. /GOOGLE

Obinna indicated that Ruto is reviewing his schedule with plans to host the boxers, referees, and other key contributors at State House to celebrate the event’s success and acknowledge those involved.

He cautioned Kenyans against politicising the planned visit, framing it as an opportunity for the participants rather than a political move.

“When I take the boxers to go and meet the president, please do not politicise the whole thing. I know how you all think, but do not block their blessings. I want everyone who was in the ring, everyone who made it possible, to visit the State House and meet the president,” he said.

Obinna further disclosed that during the call, he pushed for all participating boxers to receive about Ksh1 million, noting their current compensation did not match their effort.

He also proposed that referees and officials be awarded Ksh300,000 in recognition of their contribution to the event’s success.

In the video, he expressed appreciation to all involved—fighters, referees, organisers, and fans—for ensuring the event ran smoothly.

“We showed the world that it is possible for Kenyans to organise something for themselves by themselves,” he said, hailing the match as the biggest sporting event in Eastern Africa.

Obinna also thanked government officials who attended, adding that he declined to allow politicians to exploit the event for publicity and instead required them to pay for entry.

He revealed that eight governors and nearly all Members of Parliament had reached out to commend the event and share feedback.

Looking ahead, Obinna plans to expand the boxing showcase to counties such as Busia, Mombasa, and Uasin Gishu, giving more young people a chance to compete professionally.

He added that early plans for the next event are already in motion, including a potential rematch featuring Majembe against a Somali boxer, alongside other possible bouts involving Alfayo.

A photo of Majembe vs Mbavu Destroyer during the highly anticipated bout at the Kasarani Gymnasium on April 4, 2026. /BABU OWINO

Hosted by popular radio duo Mwalimu Rachel and DJ Xclusive, joined by DJ Chunky, the Gilbey’s Hangout experience promises the best of beats and moments perfect for you and your crew.

The Gilbey’s Real Moments campaign celebrates authentic connections and invites consumers to share their unfiltered moments with their “day ones”.

Date: Friday, 3rd April 2026

Venue: Burudani Address, Juja City Mall

Time: 5:00p.m till late

Hosts & Entertainment: Mwalimu Rachel, DJ Xclusive and DJ Chunky

Dress Code: A touch of Red

Entry: A 750ml bottle of Gilbey’s purchased upon entry

Please drink responsibly. Alcohol is not for sale to persons under the age of 18.

Comedian Oga Obina, one of the event’s main organisers, confirmed the development in an Instagram post shared on April 2.

The bout, dubbed Vurugu Fight Night, is slated for Saturday, April 4, at the Kasarani Indoor Arena, a venue capable of hosting thousands, with more than 2,000 tickets already up for grabs.

DJ Afro, born James Mwangi and also known as James Muigai or DJ Amingos, has built a cross-generational fanbase across Kenya and Tanzania.

A photo of DJ Afro during a past event. /FILE

He rose to prominence by dubbing and narrating international action, kung-fu, and Indian films in Swahili, Sheng, and Kikuyu, transforming foreign productions into content that feels distinctly Kenyan and highly entertaining.

His brilliance extended beyond translation. DJ Afro often reimagined entire plots using local slang and humor, recasting Hollywood and Bollywood characters into relatable figures that resonated with everyday audiences.

Catchphrases like "Pozi tena pozi kabisa" became embedded in daily speech, underscoring how deeply his work influenced a generation raised on his Video Compact Discs (VCDs) in neighborhood video halls.

Before the streaming era, his low-cost VCDs served as a primary gateway to entertainment for millions, with many young Kenyans saving lunch money just to catch a DJ Afro narration after school.

Beyond the commentary spectacle, the fight itself has drawn significant political interest, with prominent figures financially backing the viral amateur boxers.

President William Ruto pledged Ksh1 million to each fighter, totaling Ksh2 million in direct support, a commitment delivered publicly through Lang’ata Member of Parliament (MP) Jalang'o. Notably, the president emphasized that he backs both competitors.

Meanwhile, businessman Oketch Salah, linked to the late former Prime Minister Raila Odinga, contributed Ksh200,000 in cash, while Kasarani MP Ronald Karauri reportedly escalated the stakes with a Ksh2 million pledge.

The showdown has also attracted dozens of brands eager to secure sponsorship deals. In a standout move, one sponsor unveiled a brand-new Toyota Noah as the grand prize for the winner after officially coming on board as a primary partner.

With DJ Afro on the mic, backing from top political players, and millions already poured into the event, the Majembe versus Mbavu Destroyer clash is shaping up to be one of Kenya’s most electrifying live spectacles this year.

President William Ruto reacts during the Maendeleo Ya Wanawake meeting, State House, Nairobi, on April 1, 2026. /PCS

Fresh off its world premiere at the 81st Venice International Film Festival, where it won the prestigious UNESCO Fellini Medal, The Fisherman has quickly become one of the most celebrated African comedies on the international festival circuit.

The film has since earned Best Feature at the American Black Film Festival, Best Ghanaian Film at the REFFA Awards, and a NAACP Image Award nomination for Outstanding International Motion Picture.

Blended with magical realism, heart, and laugh-out-loud comedy, The Fisherman follows Atta Oko, a retired fisherman who dreams of finally owning his own boat and becoming the envy of his village. But when he forms an unlikely partnership with a sarcastic talking fish, his quiet life spirals into a wildly unexpected adventure that takes him from his coastal home into the chaos of the modern city of Accra.

From Left: Writer/Director The Fisherman, Zoey Martinson, renowned film stars Ricky Adelayitar, viral dance star Endurance Grand, actor William Lamptey and Ghanaian producer Kofi Owusu-Afriyie at the movie pre-screening event of The Fisherman in a cinema in Nairobi.

What begins as a simple dream soon becomes a hilarious journey about ambition, friendship and the courage it takes to chase a new future no matter how strange the path may be.

Speaking to the press at the Pre-screening of The Fisherman in Nairobi, Kenya, Writer-director Zoey Martinson expressed her excitement ahead of the official premiere of the film in East Africa. 

“The Fisherman has come a long way to reach this milestone. Seeing the culture and heritage of Ghana being told in a humorous and sensational way and seeing Kenyans being able to relate to it is just astounding”, Martinson said. 

“The film speaks of dreaming bigger beyond your circumstances, and sometimes the universe sends help in the most unexpected form, even if it’s a talking fish.” She added.

Writer-director Zoey Martinson, whose work spans film, television and international theatre, brings her signature comedic voice to the screen. Martinson has previously directed projects for Hulu/Disney+, HBO Max, A24/Showtime, and Mzansi Magic (DStv).

Seasoned Ghanaian producer, Kofi Owusu-Afriyie present at the pre-screening also noted that bringing the film to East Africa and Kenya in particular was in line with strengthening the film sector in Africa and making African-made and produced films accessible to all.

“We choose to start with Kenya and Zambia as they proved to have a thriving and established film industry, as seen by the large numbers of people who watch and support locally and African produced films. With government-backed support from commissions like the Kenya Film Commission and the Zambia National Broadcasting Corporation, we see great potential for The Fisherman in East Africa, and by creating platforms where locally produced films are accessible, we hoped to foster collaborations and boost production of African based films.”

Present at the pre-screening was also the renowned film stars Ricky Adelayitar who played Atta Oko, William Lamptey as Kobina and viral dance star Endurance Grand as Shasha.

Produced by Luu Vision Media with producers Kofi Owusu-Afriyie and Korey Jackson, The Fisherman continues its global theatrical rollout across Africa following successful festival and theatrical runs worldwide.

Audiences in Nairobi, Mombasa, and Lusaka can experience the comedy adventure in cinemas beginning April 3, 2026.

Launched in February, B2B is a new, bold career accelerator platform designed to support fast-rising Kenyan artists and help propel them to the next level of their musical journey, backed by Kenya Breweries Limited (KBL) through the Tusker brand, in partnership with music star Bien as principal mentor. 

The six artists, initially part of a shortlisted 30, were voted in by the select members of the public as well as industry experts during a live showcase event held at the Tusker Brew House.

Commenting on the announcement, Christine Kariuki, Head of Mainstream Beer at KBL, said, “Since the launch, we have been eager to witness the six artists in action, and we look forward to tracking the impact of this initiative on their growth and development."

"We want to support them every step of the way as they elevate their careers. As Tusker, this is who we are, celebrating talent, fostering growth, and strengthening Kenya’s music and cultural scene," Kariuki added.

Base to Billboardz Unveils Its Inaugural Six Finalists

Muringi is known for her popular song Managī, Manasseh for Dark Brown Eyes, Zawadi for Jua Tua, Chris Barr for Hamu, Peter Njuguna for Delulu, and Ras Amor for Hawa Wasichana. 

The unveiling of the inaugural six artists now signals the start of this deliberate journey that will not only focus on visibility but on longevity, ownership, and strategic growth in an increasingly competitive music landscape.

B2B is not a music competition or a raw talent from the grassroots search, nor does it offer a winner-takes-all cash prize. The platform is intentionally structured as a career accelerator for homegrown artists who already demonstrate clear momentum through the release of bodies of work such as an album or EP, live performance experience, at least One Million career streams, and a growing online audience of over 10,000. Through B2B, the artists will get the right support system and structure to break into stardom. 

Over the next six months, the artists will work closely with Bien and five additional coaches through weekly workshops on vocals, songwriting, and dance/movement, alongside monthly masterclasses covering the business of music, from branding and publishing to distribution, contracts, monetisation, and international scalability.

Commenting on the artists, Bien said, “I am quite optimistic about the level of talent and originality we are seeing from the artists in this programme. Each of them brings a unique sound and perspective that reflects the richness of Kenya’s music scene. I am excited about what lies ahead because with the right mentorship, structure, and commitment to the craft, they have the potential to grow into artists who can compete and thrive on bigger stages, both locally and globally.”

The programme will culminate with the six artists forming a new collective and releasing a joint album, to be released through a high-profile launch event marking their official debut as a unified musical force.

Despite the growing appetite for homegrown Kenyan music, many semi-established artists still struggle to convert momentum into long-term success due to limited mentorship, fragmented industry structures, and insufficient commercial backing. Base to Billboardz is intentionally designed to bridge this gap. 

Tusker has consistently championed Kenyan music through platforms such as Tusker Project Fame, Nexters, and Oktoberfest, and Base to Billboardz builds on this legacy by shifting focus from short-term wins to long-term artist development.

With barely 30 dermatologists serving over 54 million people, access to specialized care remains a distant reality for most Kenyans, particularly those outside Nairobi, Mombasa, and other major towns, according to the Kenya Association of Dermatologists (KAD).

Most people instead rely on general practitioners, pharmacists, or personal judgment to manage conditions that often demand expert care. The effects are visible: acne, eczema, and hyperpigmentation are on the rise, especially among urban youth.

Pollution, stress, diet changes, and constant sun exposure are turning these conditions from occasional annoyances into persistent health challenges. Left untreated, they worsen, becoming more complex and costly to manage.

Dr. Roop Saini, an internationally recognized board-certified Consultant Dermatologist and Kenya Association of Dermatologists (KAD) Committee member, speaks on the various skincare challenges facing consumers in Kenya, including acne and eczema that are prevalent among the youth population and children respectively.

“Skin is not just about appearance; it is the largest organ in the body and serves as a critical protective interface between us and the external environment,” said Dr. Roop Saini, a KAD committee member.

In the absence of specialists, self-treatment is skyrocketing, often guided by viral trends on social media rather than medical advice.

Skincare routines featuring harsh exfoliants and multiple active ingredients are increasingly common—but can do more harm than good.

“Many patients today are using multiple active ingredients at the same time and inappropriate viral trends,” Dr. Saini warned. “Most skincare problems today are caused by doing too much and too often.”

When the skin barrier is compromised, it becomes more sensitive, reactive, and slower to heal, leading to ongoing issues like moisture loss, irritation, and infection.

People with darker, melanin-rich skin are particularly prone to post-inflammatory hyperpigmentation, leaving behind persistent dark marks that affect both appearance and confidence.

Experts say this shortage isn’t just a treatment gap—it’s an information gap. Many Kenyans lack access to basic, medically sound guidance on skin care.

“From a dermatologist’s perspective, good skincare is actually preventative medicine,” Dr. Saini emphasized. Simple routines—gentle cleansing, proper moisturization, and daily sunscreen—can prevent many common conditions before they start.

Despite this, misconceptions persist. Over-washing, chasing viral routines, or layering too many products often worsens problems.

Kenya’s skincare market is slowly shifting toward science-backed solutions. Pharmacy-led guidance is bridging the gap between self-care and specialist treatment, and clinically developed dermo-cosmetic brands like Avène and Ducray are entering the market, offering products that strengthen the skin barrier and complement medical care.

Still, experts caution that products alone are not enough. Solving Kenya’s skin health crisis will require expanding dermatology training, improving access outside major cities, and increasing public education on proper skin care.

The incident came to light through his wife, gospel singer Linet Munyali, popularly recognised as Size 8 Reborn. She posted an emotional message online, thanking God that her husband survived the violent ordeal near the Kenol area.

Reports indicate that DJ Mo had been travelling through the busy Kenol junction when the assailants struck. The attackers reportedly targeted his valuables, leaving the entertainer injured after the frightening encounter.

In her message, Size 8 revealed that the attackers were armed with pangas and managed to escape with Muraya’s phone before fleeing, leaving the DJ wounded but alive following the tense incident along the highway corridor.

“Today, I post to give God glory for safeguarding my husband's life, DJ Mo. He was in Kenol when thieves attacked him with a panga and took his phone," she said.

Despite the frightening ordeal, Size 8 maintained that she remained grateful her husband survived the attack, stressing that his life had been spared. “Dear God, thank you for life,” she wrote.

DJ Mo sustained injuries to his arm, which videos circulating online suggest included deep cuts from the panga attack. It remains unclear whether he suffered additional physical injuries.

Over the years, DJ Mo has grown into one of the most recognisable figures in Kenya’s gospel entertainment industry, playing a major role in elevating gospel DJing into a respected craft capable of competing with mainstream secular entertainment.

After breaking onto the scene around 2010, he steadily built a strong following through his distinctive music mixes and large audiences.

Through his talent platform System Unit, Muraya has also mentored upcoming DJs and dancers, helping shape a new generation of performers influencing gospel-inspired entertainment across Kenya and the wider East African region.

His long-standing role as resident DJ on the gospel show Crossover 101 on NTV Kenya between 2011 and 2021 further boosted local gospel music by giving emerging artists a national television platform that helped many reach audiences far beyond church congregations.

Muraya has also advocated for more creative approaches in gospel music, encouraging artists to embrace modern sounds and styles so their message resonates with younger listeners navigating today’s rapidly evolving digital entertainment landscape.

Following news of the attack, fans, members of the gospel fraternity, and figures from the comedy industry flooded social media with messages wishing him a quick recovery.

Among those who sent their well-wishes were gospel singer Guardian Angel, comedian Millie Chebby, and entertainer Kabi Wa Jesus.

An Instagram post screengrab of DJ Mo receiving treatment after an attack, with fans and celebrities wishing him a quick recovery. /SIZE 8 REBORN

The intimate event brought together media personalities, industry stakeholders, creative collaborators, and select fans for a curated preview of what promises to be one of the year’s defining Kenyan music projects.

Set against the vibrant backdrop of The Microbrewery, the evening blended music, culture, and celebration, reflecting Mejja’s unmistakable energy and authenticity.

The album, which has been eagerly anticipated by fans across the country and diaspora, marks a powerful new chapter for the celebrated hitmaker. Known for his storytelling, streetwise wit, and ability to capture everyday Kenyan life through music, Mejja’s latest body of work showcases both artistic growth and signature flair.

Speaking at the event, Mejja shared his excitement about finally sharing the project, “This album is very personal to me. It represents growth, not just as an artist, but as a person."

"I’ve taken time to craft something that reflects where I am right now. Having people experience it for the first time in a room like this, feeling the energy together, that means everything," he added.

The listening party was hosted in partnership with Captain Morgan, reinforcing the brand’s continued commitment to championing bold self-expression and authentic cultural moments. As Mejja’s brand ambassador, Captain Morgan has supported his journey as an artist who embodies confidence, originality, and fearless creativity.

Victor Adada, Brand Manager for Captain Morgan, emphasized the importance of investing in homegrown talent and meaningful cultural experiences.

“At Captain Morgan, we believe in celebrating originality and the courage to own your story. Mejja represents that spirit perfectly. This listening party was not just about music; it was about bringing together culture, community, and creativity in an authentic way. We are proud to walk this journey with him as he unveils this new chapter," remarked Adada.

Throughout the evening, guests experienced a carefully curated playback session, exclusive insights into the creative process behind the album, and immersive brand moments that elevated the experience beyond a typical music preview.

With anticipation now at a fever pitch following Thursday’s preview, fans can expect the official album release to make a significant impact on Kenya’s music landscape.

As Mejja continues to redefine his sound and expand his cultural footprint, this listening party served as a powerful reminder of his influence and the exciting era ahead.

Musyimi on Tuesday, March 3, confirmed this while speaking to Viral Tea, revealing that she will host the station’s premier entertainment programme, Club 1 Extra, every Friday from 4:30 PM to 7 PM.

"I am the new host of the show, as the show has been rebranded. It's a music show with a touch of celebrity interviews, gossip, and many other segments," she explained.

The high-energy entertainment programme has long been a go-to for audiences seeking a blend of music and celebrity updates.

Kalondu is set to make her debut on Friday, March 6, taking over a prime-time slot designed to capture the city’s “Friday pulse” as the weekend kicks off.

The show is celebrated for its interactive format, regularly featuring segments that invite audience participation. These include #HitOrRun, where viewers share their opinions on the latest music releases; Question of the Day, which discusses trending topics; and Celebrity Spotlights, featuring interviews with prominent Kenyan artists and media figures.

Music remains at the heart of the programme, with a focus on R&B and African hits, often delivered through live mixes with a DJ.

The national broadcaster KBC is emphasizing social media engagement to enhance this new era of Club 1 Xtra, a move viewed as part of efforts by the government entity to capture a vibrant youth population, the biggest population demographic in Kenya.

For Musyimi, this opportunity marks a significant career milestone, which she describes as “just the beginning” of her journey with the station.

Her skills in digital entertainment journalism, combined with her new role as lead host on national television, signal an exciting new phase for both the presenter and the broadcaster.

Kalondu’s media journey began modestly with a photography role in Nairobi’s CBD before she transitioned into radio. Her breakthrough came at Radio Africa Group (RAG), where she landed her first presenting contract.

She has since demonstrated her versatility on television, appearing on NTV’s Teen Republik, TV47’s Beats Plug, and KBC Y254’s Mashariki Show. In addition, Kalondu has earned a reputation as a sought-after red carpet host and for her engaging, quickfire celebrity interviews, which have a way of making stars more relatable to fans.

Rooted in her Christian and Catholic faith, she proudly embraces her Kangemi upbringing. Kalondu favors a natural style—short hair, neatly polished short nails—and describes herself as hardworking and dedicated.

As a showbiz host, Kalondu gets to interact with some of the most influential celebrities and media personalities in Kenya to the extent of testing their thinking capacity and level of opinion on certain issues involving their lives, lifestyles, and current trends.

She is your go-to girl when it comes to celebrity gossip interviews and exclusive, bold personality stories, something she attributes to having good networks with celebrities and understanding the job as well as keeping a professional distance while at it.

Entertainment journalist Kalondu Musyimi posing with her awards from Pulse Influencer Awards 2025. /INSTAGRAM.KALONDU MUSYIMI

According to the Global Mind Health in 2025 report released by Sapien Labs, Kenyans aged 18 to 34 recorded a Mind Health Quotient (MHQ) score of 63, placing the country among the top performers globally. Ghana and Nigeria took the first two positions, with the top five countries all coming from sub-Saharan Africa.

The report draws on data collected from nearly one million respondents across 84 countries. It found that 41 per cent of internet-enabled young adults globally are experiencing mental health challenges of clinical significance, affecting their emotional, cognitive, social, and physical functioning.

Kenya’s performance stands in contrast to trends in higher-income regions, including North America, Europe, and parts of Asia, which ranked near the bottom.

A photo of Kenyan youth during a past event. /CAPITAL GROUP

Researchers linked Kenya’s strong showing to several protective factors. The country ranked 14th globally in youth spirituality, a measure strongly associated with improved mental health outcomes. It also ranked 73rd in ultra-processed food consumption among young adults, placing it in the lower third globally for intake levels.

The study further indicates that Kenyan youth tend to adopt smartphones later compared to peers in wealthier nations, with an average first-use age of 16.9 years. Early smartphone exposure is cited in the report as one of the contributors to declining mental health outcomes globally.

However, the data also highlights emerging concerns. Family closeness among young Kenyans appears to be declining. While 78 per cent of adults aged 55 and above reported strong family bonds, only 60 per cent of those aged 18 to 34 reported the same. The younger group ranked 47th globally on family closeness, compared to 28th for older adults.

Older Kenyans recorded significantly stronger mental health outcomes overall. Those aged 55 and above posted an average MHQ score of 107, well above the 63 recorded among young adults. This generational gap mirrors a global pattern identified in the report.

“As of the early 2000s, this age group enjoyed ‘the greatest well-being of all age groups’; today, the trend has reversed,” the report notes.

“The mind health crisis appears to be a progressive slide from generation to generation and goes far beyond rising rates of depression and anxiety,” explained Tara Thiagarajan, founder and chief scientist at Sapien Labs and lead author of the report.

“We assessed a wide range of capacities essential for navigating life’s challenges and found that many young adults are struggling. Alongside depression and anxiety, they often experience challenges across emotional control, handling relationships with others, and their ability to focus.”

The report identifies four primary factors driving the global decline in youth mental health: early smartphone adoption during childhood, increased consumption of ultra-processed foods, weakening family bonds, and reduced spirituality.

Researchers noted that the generational gap in mental health outcomes began emerging before 2020 and widened significantly during the COVID-19 pandemic. Over the past five years, the gap has remained largely unchanged.

The findings point to significant regional disparities, with sub-Saharan Africa outperforming wealthier nations despite lower income levels. However, the consistent trend across all countries shows that younger adults continue to fare worse than older generations.

The report warns that the long-term economic and social implications could be significant if large numbers of young people enter the workforce with compromised mental well-being.

Long queues of job seekers in their hundreds wait to hand in their documents at county hall in Nairobi, Kenya. /NATION MEDIA GROUP

The 2026 Discover List recognises emerging talent across five categories—Educators, Foodies, Icons, Innovators, and Originators—featuring creators from countries including the United States, Kenya, Nigeria, Brazil, France, Indonesia, Italy, England, Mexico, Australia, Japan, Israel, and South Africa.

Were, known online as @saute_with_trevor, is a self-taught chef with 194,000 followers who turns simple, everyday meals into creative, flavour-packed dishes.

Through his content, he motivates audiences to elevate their cooking with easy recipes and inventive ideas shared from his home kitchen.

A collage of content creators Trevor Were (left) and Cherie Kihato (Right), both selected for the TikTok Discover List 2026. /VIRAL TEA KE

Kihato, who runs @cheriekihato, is a creative entrepreneur and founder of Savannah Space, a Kenyan design studio and showroom that celebrates heritage through furniture, art, and interiors. With 46,000 followers, she has gained recognition for spotlighting African design on a global stage.

According to TikTok, the selection process combined global oversight and community input, with creators assessed based on output, viewership, follower growth, engagement, audience interaction, and their ability to spark conversations over the past six months.

"Our global team nominated creators, and we evaluated which creators have been making a significant impact on and off the app over the past six months.

"Measurement levers included (but were not limited to): video creations, views, account growth, likes, comments, interactions with followers, and content that has sparked global conversations," TikTok stated.

In 2025, only one Kenyan—Roy Kanyi—made the list, earning a spot in the Educators category for simplifying complex tech concepts and building a following of over 400,000 users.

Other African creators featured this year include Nigeria’s Olawale Ogunlana in the Educators category, as well as South Africa’s Wayne Chang and Tamia Nontsikelelo, recognised for their culinary and entrepreneurial content.

Being named to the Discover List offers creators global exposure, credibility, and expanded opportunities, including invitations to exclusive events like the Hot List x Discover List showcase in New York.

A creator is recognised as one of the most influential rising talents shaping global culture and trends. It signals that their content is making a significant impact both on and off the platform, beyond just local or niche audiences.

The recognition elevates a creator’s credibility, positioning them as a serious digital force. While not a formal guarantee, those featured often gain increased visibility through platform spotlighting and wider exposure, which can accelerate follower growth and engagement.

In practical terms, inclusion on the list can unlock major opportunities. Creators may attract high-value brand partnerships, sponsorships, and collaborations with global companies. They also gain access to exclusive industry events and networking spaces that connect them with other top creators and decision-makers.

Ultimately, the Discover List acts as a career catalyst, helping creators expand into long-term ventures such as businesses, product launches, media appearances, and other sustainable professional pathways.

Meanwhile, data from the Media Council of Kenya shows TikTok’s rapid growth locally, with over 18 million users in 2026—an increase of more than 3 million from 2025—surpassing Facebook’s 17 million users and X’s 2.3 million.

The ODPC ruling found that the influencer shared and processed a complainant’s personal data without proper consent, violating the Data Protection Act.

According to the ruling obtained by Viral Tea, the complaint was filed by Ian Itolondo Mutoro, who claimed that Cera Imani posted a video on her social media accounts, including TikTok and Instagram, featuring his name and image without his permission or awareness.

Mutoro argued that his personal information had been processed and made public without any lawful justification. Under Kenya’s Data Protection Act, personal data covers any information that can identify an individual, including names, photos, and other identifying details.

The ODPC ruled that Cera Imani failed to show she had obtained consent from the complainant before posting his personal data online. The regulator also found no other lawful basis to justify the processing and publication of the information.

Imani, in a statement shared exclusively with Viral Tea, took note of the ODPC's determination, which at the time of publishing, had amassed significant public attention as of Wednesday, February 25.

"Upon careful review, we clarify that the determination addresses specific compliance and procedural considerations under applicable data protection laws. It does not make any finding of intentional wrongdoing, bad faith, or unlawful conduct on the part of Eshe or any individuals associated with the organisation," the statement read in part.

The clarification came amid mounting online commentary and media scrutiny, much of it directly tying Cera to the controversy. According to the statement, sections of the coverage have “mischaracterised both the scope and implications of the determination,” fuelling narratives she insists are inaccurate.

Cera also signalled that all involved parties are on the same page about how the matter should proceed — through established legal and regulatory channels, not trial by social media.

"All parties involved are aligned in their intention to address the issues raised through the appropriate legal and regulatory channels. In this regard, there is a shared position that this matter should be handled with the necessary discretion and without undue media amplification, in order to preserve the integrity of the process and protect the rights and reputations of those concerned," the statement added.

"We remain committed to full compliance with the Data Protection Act and continue to engage constructively with the relevant authorities to ensure that all regulatory expectations are met and, where applicable, enhanced."

Cera further urged media outlets, bloggers, and members of the public to avoid speculative or prejudicial coverage, insisting that due process must be allowed to run its course.

Ian, on his part, weighed in on the matter, stating that the matter was currently being handled through the appropriate legal and regulatory processes so that the situation is addressed accurately and fairly within the proper channels, and prevent any unintended misunderstandings.

Kenya’s Data Protection Act, 2019, sets out rules for collecting, storing, sharing, and processing personal data. It applies to both private individuals and corporate entities, requiring that data be handled lawfully, transparently, and with respect for individuals’ rights. Consent must be clear, specific, and demonstrable, and publishing personal data without it can trigger regulatory action.

In this case, the ODPC ordered Cera Imani to pay Ksh50,000 in compensation to the complainant. No additional administrative fines were reported. Compensation under the Act is designed to remedy harm caused by unlawful processing of personal data, with amounts determined by the severity of the violation.

The ruling underscores the legal obligation to obtain proper consent and handle personal information responsibly, highlighting the risks influencers and others face when posting identifiable data without authorization.

Waithera Imani posing for a photo on March 4, 2024. /INSTAGRAM.CERA IMANI

This success with African travellers contributed to Dubai’s tourism industry achieving a record-breaking 19.59 million international visitors in 2025, marking a 5% year-on-year increase. While Western Europe led with 21% of total visitors, the Gulf Cooperation Council (GCC) and Middle East and North Africa (MENA) regions contributed a combined 26% of total arrivals.

The GCC, which includes Bahrain, Kuwait, Oman, Qatar, Saudi Arabia, and the UAE, accounted for 15% (2.99 million visitors), while MENA, encompassing countries like Egypt, Morocco, and Jordan, contributed 11% (2.17 million visitors).

December 2025 marked a historic milestone for Dubai, as the city welcomed 2.04 million international overnight visitors in a single calendar month for the first time. This growth was bolstered by major events like the Dubai Shopping Festival and the Dubai Fitness Challenge, which saw a record-breaking 3 million participants, up from 2.7 million in 2024.

His Excellency Issam Kazim, CEO of the Dubai Corporation for Tourism and Commerce Marketing (Visit Dubai), reflected on this achievement, stating: "With powerful momentum after surpassing the 2 million figures for a single month in December for the first time, we are committed to creating exceptional guest experiences and strengthening Dubai’s position as a leading global destination."

He added, "Guided by visionary leadership, Dubai’s record international visitation is a testament to global confidence in the destination and the effectiveness of policies aligned with the Dubai Economic Agenda, D33. This milestone reflects the collective strength of partnerships across sectors and communities that define our city."

The city’s diversified destination strategy, supported by partnerships with over 3,000 international stakeholders, is closely aligned with the Dubai Economic Agenda, D33, which aims to double the size of the emirate’s economy by 2033. Tourism and hospitality remain key drivers of economic growth, contributing significantly to Dubai’s GDP and supporting its ambition to become the world’s leading city for business, leisure, and investment.

Kazim emphasized the importance of collaboration in achieving these results, stating: "In partnership with stakeholders across the public and private sectors, we remain dedicated to sustained investment in capacity, infrastructure development, and initiatives to make Dubai the world’s best city to visit, live, and work in."

Dubai’s success in attracting tourists, including African travellers, can be attributed to several key factors. Campaigns like "Visit Dubai" and partnerships with African influencers and tour agents have helped debunk misconceptions about Dubai, addressing concerns around alcohol availability, nightlife, dress codes, and Ramadan restrictions. Its reputation as one of the world’s safest cities has further enhanced its appeal to African families and solo travellers.

In 2025, Dubai was ranked among the top 10 safest cities globally in Numbeo’s Safety Index, with high scores for personal safety and for women feeling safe walking alone at night. Additionally, Dubai became the first Certified Autism Destination in the Eastern Hemisphere, showcasing its commitment to accessibility and inclusivity.

For African travellers, Dubai offers a wide variety of experiences, from the thrill of Hatta Wadi adventure park to world-class dining and nightlife on the 44th floor of iconic skyscrapers. Its gastronomy scene, influenced by nearly 200 nationalities, has also gained global recognition. In 2025, Dubai restaurants like Trèsind Studio and Orfali Bros earned spots on the World’s 50 Best Restaurants list, further solidifying the city’s reputation as a global culinary capital.

Dubai’s hotel and accommodation sector has also played a key role in supporting tourism growth. By the end of 2025, Dubai’s hotel inventory reached 154,264 rooms across 827 establishments, with an average occupancy rate of 80.7%, up from 78.2% in 2024. New property openings, such as the world’s tallest hotel, Ciel Dubai Marina, and the Jumeirah Marsa Al Arab, further enhanced Dubai’s reputation as a global leader in hospitality.

As Dubai continues to enhance its global competitiveness, African tourists are expected to play a growing role in the city’s tourism success. The UAE’s Year of the Family in 2026 will reinforce values of inclusivity and shared heritage through authentic cultural experiences and community gatherings. Major infrastructure projects, such as the expansion of Al Maktoum International Airport and the construction of the Dubai Metro Blue Line, will make the city even more accessible and welcoming.

With rising food prices, transport costs, and overall expenses squeezing disposable income, traditional date options such as fine dining and luxury experiences are becoming less accessible for a large section of city residents. As a result, a growing number of couples are turning to creative, low-cost alternatives that prioritise connection over extravagance.

Below are some of the most practical and romantic Valentine’s date ideas in Nairobi that can comfortably fit within a Ksh 1,000 budget.

Picnic Dates Gain Popularity

Urban green spaces such as Karura Forest are emerging as go-to spots for couples seeking affordable yet intimate experiences.

With entry fees ranging from Ksh 100 to Ksh 200 per person, couples can enjoy expansive greenery, quiet picnic sites, and walking trails. Many are opting to carry homemade meals and drinks to cut costs further.

The setting offers privacy and a break from the city’s fast pace, making it an ideal location for meaningful conversations and relaxed bonding.

Couples Flock to Ngong Hills for Scenic Views

Ngong Hills continues to attract couples looking for a more adventurous yet cost-effective date.

The site, known for its sweeping views and strong winds, offers opportunities for hiking and sunset watching at relatively low cost. Entry for residents is approximately Ksh 232, with additional spending mainly going towards transport and light snacks.

For many, the experience delivers a premium feel without the associated expense.

Home Movie Nights Replace Costly Cinema Dates

A noticeable shift is also being seen in how couples consume entertainment, with many opting to recreate cinema experiences at home.

By using streaming platforms and preparing simple meals, couples are managing to stay within budget while still enjoying a curated, intimate atmosphere. The trend reflects a broader move towards personalised experiences over commercial outings.

Cultural Dates on the Rise

Cultural venues such as the Nairobi National Museum are also gaining traction among couples seeking affordable yet engaging date options.

With entry fees averaging Ksh 200 to Ksh 300, visitors can explore exhibitions on Kenya’s history, art, and heritage. The experience often extends to the surrounding botanical gardens, offering added value at minimal cost.

Street Food Culture Redefines Romantic Dining

In a departure from traditional restaurant dates, many couples are embracing Nairobi’s vibrant street food scene.

Areas within the Central Business District (CBD) offer a variety of affordable options, including smokies, mutura, roasted maize, and chips. The informal setting allows couples to share meals and spend time together without the pressure of high bills.

Game Nights Offer Low-Cost Entertainment

Game-based dates are also becoming increasingly popular, particularly among younger couples.

Whether at home or in budget-friendly arcade spots, activities such as board games, cards, and video games provide interactive entertainment at little to no cost. The approach is seen as both engaging and effective in strengthening social bonds.

Affordable Café Dates Remain a Staple

Despite the shift towards low-cost experiences, café dates continue to hold appeal, particularly in smaller, less commercial establishments.

With a budget of between Ksh 300 and Ksh 700, couples can enjoy coffee and light snacks in a relaxed setting. The simplicity of the date often allows for extended conversations without significant financial strain.

Public Parks Attract Budget-Conscious Couples

Public spaces such as Uhuru Park and Central Park remain key destinations for couples seeking completely free or low-cost outings.

These locations provide open spaces for walks, casual seating, and shared moments, with optional spending limited to snacks and drinks. Their accessibility makes them particularly attractive during peak occasions like Valentine’s Day.

Cooking at Home Emerges as a Romantic Alternative

More couples are also embracing do-it-yourself (DIY) cooking dates as a way to combine affordability with creativity.

By preparing meals together using ingredients costing between Ksh 500 and Ksh 800, couples are able to create personalised dining experiences that rival restaurant outings.

Bookstore Visits Offer a Quiet Escape

Bookstore dates are carving out a niche among couples looking for calm and intellectually engaging experiences.

Locations such as the Text Book Centre allow couples to browse, share recommendations, and occasionally purchase affordable titles, all within a controlled budget.

Shift Reflects Changing Attitudes Towards Romance

The growing preference for low-cost Valentine’s date ideas reflects a broader shift in how Nairobi residents approach relationships.

Rather than focusing on high spending, many couples are prioritising intentionality, creativity, and shared experiences. Analysts note that this trend is likely to persist beyond Valentine’s Day, as economic pressures continue to shape consumer behaviour.

Ultimately, the evolving dating culture in Nairobi suggests that meaningful connections are increasingly being defined not by financial investment, but by the quality of time spent together.

The clips, which gained traction on Friday, February 13, showed the content creator approaching women at random in public spaces like malls and supermarkets. After swapping contacts, he would reportedly invite them to his short-term rental apartment, where he continued filming their time together before allegedly sleeping with them.

Although the videos did not contain explicit content, some Kenyans argued that such escapades could not be entirely dismissed as innocent.

As debate swirled over the moral and social implications of his actions, concerns emerged about the way foreign nationals treat Kenyan women. Veteran journalist Ferdinand Omondi noted that the TikToker had violated the women’s privacy by recording them without clear consent.

Photo of adult filming taking place. /STANDARD DIGITAL

"Adults make personal choices every day, but no such personal decision cancels the right to privacy, and grants one permission to secretly record and expose someone. Consent to sex is not consent to filming. Consent to filming is not consent to publication," he remarked.

Omondi also took issue with Kenyans who resorted to victim-blaming and mocking the women involved, warning that such reactions blur ethical lines and help normalize exploitation.

Others questioned why the women agreed to visit the influencer’s home, especially amid rising femicide cases in the country.

On the other hand, some Kenyans suggested the TikToker might simply have been seeking companionship, with no harm intended. “He probably just needs company. I would not mind if he invited me next, though; he does not seem that bad to me,” commented a user named Zoe.

New findings revealed that the same individual, identified as Yaytseslav, had reportedly pulled similar stunts in Nigeria, South Africa, Uganda, Tanzania, and Ghana.

What The Law Says About Filming Without Consent

The Kenyan legal landscape in 2026 provides robust protection against the unauthorized recording and publication of personal images. Under Article 31 of the Constitution and the Data Protection Act, every individual has a fundamental right to privacy, which includes the right to control their likeness.

Legal precedents and guidance from the Office of the Data Protection Commissioner (ODPC) have clarified that an individual’s face and voice constitute personal data. Therefore, any content creator—including foreign nationals—must obtain express, informed, and specific consent before filming someone and, crucially, a separate consent before publishing that footage online.

The consequences for "clout-chasing" without permission are severe under the current regulatory framework. The ODPC is empowered to impose administrative fines of up to Ksh 5 million or 1% of an entity's annual turnover for data breaches.

Furthermore, the Computer Misuse and Cybercrimes (Amendment) Act of 2025 has introduced even stricter penalties for cyber harassment and the non-consensual sharing of information that causes distress. If a recording takes place in a private setting where there is a "reasonable expectation of privacy," such as a short-term rental or Airbnb, the offender could face up to 10 years in prison or a fine of Ksh 20 million.

Foreign content creators are also subject to the Films and Stage Plays Act (Cap 222), which is strictly enforced by the Kenya Film Classification Board (KFCB). Any person filming for public exhibition or commercial gain is required to possess a valid filming license and, in the case of foreigners, must be facilitated by a registered local film agent.

Recording "incognito" or under the guise of private companionship to later publish the content for a global audience is a violation of these licensing requirements. This can lead not only to the immediate confiscation of equipment and deletion of the footage but also to potential deportation and blacklisting from the country.

Victims of such unauthorized filming have clear avenues for recourse in 2026. They can formally lodge a complaint with the ODPC using "Form DPC 1" to initiate an investigation into the misuse of their personal data. Additionally, reporting the incident to the Directorate of Criminal Investigations (DCI) Cybercrime Unit allows for the prosecution of criminal elements related to harassment or illegal recording.

As the digital economy grows, the Kenyan government has made it clear that "clout" does not supersede the law, and the right to privacy remains a non-negotiable protection for all citizens.

A photo of the city of Moscow in Russia. /PLANETÉ ENERGIES

According to figures recently released by Spotify, heartbreak-related listening in Kenya has increased by 62 per cent between 2023 and 2025, underscoring a growing shift away from traditional, celebratory expressions of Valentine’s Day.

At the same time, love-themed listening rose by more than 80 per cent, pointing to a dual reality where romance and heartbreak are unfolding side by side.

The trend suggests that while some Kenyans are celebrating love, many others are navigating its aftermath, with music emerging as a key outlet for emotional expression.

Spotify logo on a phone. /BRITANNICA

Playlist Culture on the Rise

The emotional shift is further reflected in how listeners are preparing for the season. Between January 1 and February 4, 2026, playlist creation increased by 58 per cent, as users curated music to match different emotional states ahead of February 14.

In Kenya, playlists containing the word “yearn” rose by approximately 302 per cent over the same period, significantly higher than the global increase of 170 per cent.

Globally, Valentine’s-related playlist creation has nearly quadrupled over the past three years, while “Galentine’s” playlists alone have grown by 389 per cent between 2022 and 2025.

The data indicates that Valentine’s Day is no longer confined to a single day but has evolved into a longer emotional period, with listeners actively preparing for both its highs and lows.

Gen Z Leading the Shift

Young people, particularly those aged between 0 and 29, are driving these trends. This group has emerged as the most emotionally engaged, using music to navigate modern relationships, including undefined connections often referred to as “situationships.”

Since 2023, love song streaming among this demographic has increased by 84 per cent. They also dominate playlist creation, accounting for 78 per cent of “simp” playlists, 89 per cent of “rizz” playlists, and 92 per cent of “yearn” playlists on the platform.

Their preferred artists reflect a more introspective tone. Acts such as Billie Eilish, Lord Huron, and Tate McRae are among the most streamed, with music that leans towards subdued, reflective storytelling rather than high-energy breakup anthems.

Even Split Across Genders

The data also shows that emotional listening is not confined to one gender. Women account for 51 per cent of heartbreak streams, while men account for 47 per cent, with love-related listening showing a similar balance.

This near-even split highlights that emotional engagement during Valentine’s season is widely shared.

Romance Becomes More Measured

Despite the surge in heartbreak content, love remains present but is increasingly expressed in more subtle ways.

Among older listeners, genres such as Quiet Storm and Vocal Jazz have become the most streamed in 2026, suggesting a shift towards calmer, more intentional expressions of romance.

Locally, Bien’s Chikwere is among the leading love tracks, while international artists such as Celine Dion and Westlife are seeing renewed interest, indicating that listeners are turning to familiar music to navigate complex emotions.

Spotify Launches ‘The Blend Date’

In response to the changing dynamics, Spotify has partnered with Kenyan content creator Kevin Maina (MainaMind) to launch “The Blend Date,” a short-form digital series built around shared music experiences.

The series features Maina interacting with artists, creators, and fans to explore compatibility through Spotify’s Blend feature, with guests including Njerae, Wixx Mang’utha, and South African creator King.grrrr.

Episodes will be released weekly on Instagram Reels and TikTok.

A Changing Valentine’s Season

The data points to a broader cultural shift in how Valentine’s Day is experienced in Kenya.

Rather than being defined by grand gestures, the occasion is increasingly becoming a period of reflection, where music plays a central role in helping individuals understand, process, and, in some cases, move on from love.

As a result, Valentine’s Day is evolving from a single-day celebration into a multi-week emotional season, beginning in early January and peaking around February 14.

A man surprising a woman on Valentine's Day. /NAIROBI NEWS

The selected teams are Kinjal Shekh and Muskaan Shaikh (Digital), Michelle Shingi and Nidhi Buty (Film), and Gichimu Ikua and Victor Mureithi (Design).

The competition, held from February 6 to 8, 2026, at the Tusker Microbrewery, brought together 42 young creatives drawn from the digital, design, and film disciplines. Participants were assessed on their ability to deliver innovative and compelling creative solutions under strict time constraints.

Design category winner Victor Mureithi described the victory as a defining moment for Kenya’s emerging creative talent.

Setting during the Cannes Lions Kenya 2026 Competition at Tusker Microbrewery in Nairobi. /PHOTO

“Winning the Cannes Young Lions Kenya competition is an incredible honour. I’m filled with joy and gratitude. This moment proves that bold ideas, hard work, and believing in your voice truly matter.

"I’m proud to represent a new generation of Kenyan creatives ready to dream bigger, go further, and really looking forward to flying the Kenyan flag high in the Cannes Lions Festival of Creativity 2026 in France,” Mureithi noted.

Corporate partners backing the initiative framed the competition as a strategic investment in the country’s creative economy. Safaricom PLC Head of Brand and Marketing Zizwe Awuor pointed to the platform’s role in preparing young talent for global competition.

“At Safaricom, we believe that the future of Kenya’s digital economy lies in the hands of our young creatives. Young Lions Kenya gives them the opportunity to think differently, collaborate, elaborate, and turn their creativity into solutions that can make them compete anywhere in the world,” Awuor stated.

The second edition of the competition was supported by the East African Breweries Limited (EABL), MB 96, and The Quollective. Kenya Breweries Limited Managing Director Andrew Kilonzo highlighted the global exposure the initiative offers Kenyan creatives.

“Tusker is proud to support Young Lions Kenya, a platform that continues to empower the next generation of Kenyan creatives as they prepare to represent the country at Cannes Lions Festival, carrying our stories, culture, and creativity to the world,” Kilonzo observed.

“Our partnership aligns with our longstanding commitment to championing creativity and innovation with an aim to ensure Kenya has a strong voice on the global stage.”

Creative agency The Quollective emphasised the importance of structured opportunities for regional talent. Emuron Alemu, the Chief Creative Officer at The Quollective, highlighted that the partnership with Young Lions Kenya is aimed at opening up opportunities for creative talent by developing platforms that support collaboration, mentorship, and meaningful growth within the industry.

The winning teams will now proceed to compete against top young creatives from across the world at Cannes Lions 2026, positioning Kenya on one of the most influential global creative platforms.

Cannes Lions International Festival of Creativity

The Cannes Lions International Festival of Creativity is one of the world’s most prestigious events celebrating excellence in advertising, marketing, and creative communications.

Held annually in Cannes, France, it brings together thousands of professionals, including creative directors, designers, marketers, and innovators, to showcase groundbreaking work, share ideas, and discuss trends shaping the global creative industry.

The festival hosts competitions across multiple categories, including film, digital, design, media, and social impact, with the coveted Lions awards recognizing the most innovative and impactful campaigns. Beyond the awards, Cannes Lions serves as a hub for networking, mentorship, and thought leadership, attracting industry leaders and emerging talent from around the world.

It also features workshops, seminars, and talks from global creative icons, offering insights into emerging technologies, storytelling techniques, and strategies that drive audience engagement.

Scenes at the Cannes Lions International Festival of Creativity on June 27, 2015 in Cannes, France. /BILLBOARD

The findings were unveiled on Thursday, February 5, at the Pride Inn Azzure Hotel in Nairobi by PAWA 254 Executive Director Njeri Mwangi. The report highlights the government’s use of repressive laws, including the Computer Misuse and Cybercrimes Act 2018, to target “artivists” and curtail their constitutional right to free expression.

Conducted across seven counties, the study details instances of censorship, surveillance, and arrests, noting that the National Cohesion and Integration Act has been “invoked selectively,” pointing to possible political motives.

“The government paints over our murals,” one artist interviewed in the study said, reflecting the frustration of creatives whose work challenges or critiques political narratives.

PAWA 254 Executive Director Njeri Mwangi (second from left) holds a copy of the Report on the Role of Artivism during its launch on February 5, 2026. /PHOTO

Artivism

Artivism, a blend of art and activism, is the use of creative expression to drive social or political change.

Instead of traditional protests or policy debates, artivists use murals, music, theater, poetry, dance, and digital media to raise awareness, challenge authority, and amplify marginalized voices. It is a way to communicate complex issues in an emotional, relatable, and memorable form, often reaching communities that formal civic channels cannot.

In Kenya, artivism has taken many forms. Murals and street art in Nairobi, created by artists and collectives, highlight corruption, gender-based violence, and civic participation, turning city walls into spaces for dialogue.

Music and hip-hop also play a role, with artists like Octopizzo and Khaligraph Jones addressing youth empowerment, inequality, and governance in their lyrics, sparking debates on issues such as police brutality.

Theater and performance art groups stage interactive plays about human rights and social justice, while digital art and social media campaigns spread messages rapidly, especially among young Kenyans. Poetry and spoken word also amplify civic issues, reaching audiences beyond traditional platforms.

The report underscores the growing influence of artivism—the fusion of artistic expression and civic activism—in amplifying marginalized voices, boosting civic participation, and shaping governance. It also highlights persistent challenges, including weak legal protections, limited funding, and lack of institutional recognition.

Speaking at the launch, Njeri Mwangi said: "We need to link creativity to civic power, where we move art beyond expression to influence. This report reminds us of three hard truths: First, artivism is doing governance work long before policy arrives.

"Secondly, creative expression often reaches communities that formal civic processes never do. Third, despite its impact, artivism remains structurally under-recognised, under-protected, and under-funded," she added.

The event featured a panel discussion on artivism’s role in digital civic engagement, youth and women inclusion, and the sustainability of Kenya’s creative economy. Senator Crystal Asige, also a performing artist, encouraged creatives to leverage their platforms for social change: "No one else can inspire change the way artists do," she remarked.

Among its recommendations, the report calls for integrating artivism into national and county development plans, strengthening legal safeguards for artivists, expanding inclusive creative infrastructure, and unlocking sustainable funding.

PAWA 254 says the findings aim to spark dialogue, inform policy reforms, and foster cross-sector collaboration, positioning artivism as a legitimate and transformative force in Kenya.

The report warns that continued repression risks eroding the country’s cultural landscape and democratic space.

Photo showing an example of artivism in Kenya. /MUUNGANO WA WANAVIJIJI

The two brands, owned by French pharmaceutical group Pierre Fabre Laboratories, were launched amid rising skin-health awareness across East Africa, a trend that has driven rapid growth in the dermo-cosmetics segment, outpacing the wider beauty and personal care market.

Consumers are increasingly shifting toward clinically tested, fragrance-safe products distributed through pharmacies and recommended by dermatologists.

“Kenya is the anchor market for dermo-cosmetics in East Africa. Its strong dermatology community, established pharmacy network, and informed consumers make it an ideal gateway for scaling responsibly across the region,” noted Pierre Behnam, Director of International Strategic Partnerships at Pierre Fabre Laboratories.

Dr. Roop Saini, a committee member of the Kenya Association of Dermatologists (KAD), makes her presentation during the official launch of Avène and Ducray in Kenya on Thursday, February 5, 2026.

Fernando Junoy, International Head at Pierre Fabre Laboratories, linked the expansion to broader changes in consumer demand across the continent.

“Our expansion into Kenya reflects the growing demand across Africa for dermatologist-endorsed, medical-grade skincare. We look forward to working closely with Kenya’s healthcare community to deliver solutions designed for high-sun, high-humidity environments,” he explained.

Industry data highlights the scale of the challenge the brands are targeting. According to the Kenya Association of Dermatologists (KAD), acne and post-inflammatory hyperpigmentation affect up to 46 per cent of young adults in urban East Africa, while eczema, dryness, and atopic dermatitis account for nearly a quarter of dermatology consultations. KAD also indicates that up to 60 per cent of pigmentation cases are triggered by sun exposure, increasing the risk of uneven skin tone and premature ageing.

Rosemary Ayieko, Head of East Africa at Groupe Ethica, emphasised the significance of the partnership in addressing these gaps.

“Partnering with Pierre Fabre allows us to bring advanced, dermatologist-backed skincare to East African consumers at a time when demand for clinically tested pharmacy-led solutions is rapidly growing. This collaboration is set to strengthen the region’s dermo-cosmetic landscape and deliver products tailored for sensitive, and melanin-rich skin,” she observed.

Dermatologists have also welcomed the entry of the brands, citing growing environmental and lifestyle-related skin risks. Speaking during the launch, Dr Roop Saini, a committee member of the Kenya Association of Dermatologists, highlighted the need for long-term, evidence-based care.

“Across Kenya, we are seeing high rates of acne, eczema, pigmentation disorders, and hair loss, many of which require long-term management. At the same time, cumulative sun exposure is driving a rise in UV-related skin conditions, highlighting the urgent need for accessible and effective photo-protection,” Dr Saini remarked.

“The arrival of Avène and Ducray is therefore timely, providing dermatology-backed solutions that address these challenges and support healthier skin outcomes for Kenyans.”

Avène is introducing products focused on sensitive-skin care, including its Thermal Spring Water, Cleanance range for acne-prone skin, Cicalfate+ for skin repair, and Ultra Fluid SPF 50+ sunscreen formulated for equatorial UV exposure.

Ducray is rolling out targeted treatments for acne, eczema, hyperpigmentation, hair loss, and chronic scalp disorders, including Keracnyl, Dexyane, Melascreen, and Neoptide.

The products are now available through leading pharmacies and approved medical retail outlets across Kenya, expanding access to clinically validated skincare tailored to the country’s climate and diverse skin needs.

Select Avène and Ducray products on display at the official launch in Nairobi.

The North Coast development also emerged runner-up for Best Conference Hotel, signalling its growing pull beyond leisure travel and into the corporate and MICE space, a segment Kenya is aggressively courting.

The awards ceremony, recently held at the Argyle Grand Hotel in Nairobi, brought together key players from the tourism and hospitality sector. The Kenya Tourism Awards recognise excellence, innovation, and sustainability across the industry, while spotlighting brands shaping Kenya’s competitiveness on regional and global stages.

“Winning Best Golf Resort for the second year in a row is a strong endorsement of the standards we have set across golf and sustainability,” Vipingo Ridge CEO Alex Horsey remarked during the ceremony.

Alex Horsey, CEO of Vipingo Ridge, poses with the Best Golf Resort award, won for the second year running at the Kenya Tourism Awards 2025 held at Argyle Grand Hotel, Nairobi. /PHOTO

“Recognition in the conferencing category also reflects the progress we are making as we expand Vipingo Ridge’s offerings and attract a diverse mix of travellers across the world. Our focus remains on building a destination that delivers exceptional experiences while contributing to Kenya’s tourism growth.”

Located in Kilifi County, Vipingo Ridge hosts Africa’s only PGA-accredited golf course, a distinction that has placed it firmly on the international golf tourism map. 

The course offers professional-grade facilities for training, tournaments, and elite play, drawing both local and international golfers while elevating Kenya’s profile as a serious golf destination.

Beyond golf, the resort has invested heavily in conferencing infrastructure, positioning itself as a hybrid destination where business and leisure intersect.

Industry observers view the latest recognition as a signal of shifting tourism trends, with high-end travellers and corporate clients increasingly seeking integrated experiences outside traditional urban hubs.

Golf Tourism

Golf tourism is a niche segment of the travel industry where visitors plan trips primarily to play golf, often combining their rounds with sightseeing, hospitality, and other leisure experiences.

Golf tourists typically spend significantly more per trip than average tourists—around $3,200 (Ksh412,814) per visit in Kenya, nearly three times the spending of regular leisure travelers. This makes the sector a high-yield market for the country, with visitors contributing heavily to accommodation, food, transport, and local services.

In Kenya, golf tourism is growing but remains an emerging market compared to established destinations like South Africa, Morocco, or Spain.

The country has over 40 golf courses, several of which host international and regional events, including the Kenya Open on the European Tour circuit. Strategic efforts by the Kenya Tourism Board to market the country as a golf destination, along with exposure from tournaments, have increased interest from Europe, the Middle East, and other key markets.

While there are no official figures isolating revenue from golf tourism, industry estimates highlight its economic potential. With each golf tourist spending an average of $3,200, attracting 100,000 golf visitors annually could generate over Ksh50 billion (around $380 million) in direct revenue.

By comparison, Kenya’s total tourism earnings in 2024 were approximately Ksh452 billion ($3.5 billion), with forecasts pointing to over KSh650 billion ($5 billion) in 2025 as the sector continues to recover and grow.

Globally, golf tourism is expanding at an estimated 3–9 percent per year, driven by trends in luxury, experiential, and sports-focused travel. Kenya is tapping into this growth by improving infrastructure, developing world-class courses, and hosting international events, all aimed at attracting higher-spending visitors.

Overall, golf tourism in Kenya represents a high-value, fast-growing niche that has the potential to significantly boost the country’s tourism revenues while enhancing its global profile as a multi-dimensional travel destination.

As Kenya pushes to diversify its tourism offering, Vipingo Ridge’s back-to-back win underscores a broader shift: luxury, sustainability, and multi-purpose destinations are no longer optional—they are the new baseline.

A man plays golf next to a giraffe at Vipingo Ridge. /CNN

The initiative, unveiled this week, positions itself as a career accelerator rather than a music competition. It targets artists who already show measurable traction, including released albums or EPs, live performance experience, at least one million cumulative streams, and a growing online following of more than 8,000 fans. The programme does not feature a cash prize or a winner-takes-all format.

According to KBL, B2B is designed to address structural gaps that have historically hindered the growth of Kenyan musicians beyond the early stages of visibility. While local music has gained traction across digital platforms and live performance circuits, many artists struggle to sustain careers due to limited mentorship, weak industry structures, and a lack of commercial support.

Speaking during the launch, KBL Head of Mainstream Beer Christine Kariuki framed the programme as a long-term investment in Kenya’s creative economy.

Some of the participating artists, Tusker brand representatives at Kenya Breweries Limited (KBL), and Base to Billboardz (B2B) campaign organisers on the first day of the campaign launch on Wednesday, February 4, 2026, at the Tusker Microbrewery. /PHOTO

“Our goal is to grow homegrown talent from local stages to global platforms, reflecting Tusker’s spirit of unity, celebration, and cultural pride. By bringing artists together, we strengthen Tusker’s iconic legacy and champion the rise of Kenya’s next music stars,” she noted.

The selection process began with 30 artists drawn from across the country. The initial shortlist was compiled by Bien, working alongside industry experts from diverse musical backgrounds. Public participation and further expert evaluation then reduced the list to six artists, who will form the inaugural Base to Billboardz cohort.

The selected artists will embark on a six-month development programme running from February to July 2026. The programme will be anchored on mentorship, training, and industry exposure, led by Bien and supported by three additional coaches.

Weekly workshops will focus on vocals, songwriting, and dance and movement, while monthly masterclasses will cover key areas of the music business, including career management, branding, and commercial strategy.

Participants will also gain access to professional studio sessions, industry listening forums, and curated exposure opportunities aimed at sharpening performance skills and preparing them for larger stages.

At the conclusion of the programme, the six artists will be brought together to form a collective, a central outcome of the initiative. The collective will release a joint album, which will be unveiled through a high-profile launch event. The artists will also be featured in the Oktoberfest 2026 lineup, touring various towns across the country.

Bien described the project as an opportunity to address challenges he encountered during his own career.

“Having walked the music journey myself, Base to Billboardz is deeply personal. It represents the opportunities I wished for when starting out.

"Many of these artists are already established, but what they need is that next level of recognition. This platform allows me to give back, share my lessons, and help nurture the next generation to reach heights they once only dreamed of,” he explained.

Over a career spanning more than two decades, from his time with Sauti Sol to his solo work, Bien has remained actively involved in artist development through platforms such as Sol Generation and Sol Fest, which have helped launch acts including Bensoul, Nviiri the Storyteller, and Watendawilili.

Tusker’s involvement builds on its long-standing association with Kenyan music through initiatives such as Tusker Project Fame, Nexters, and Oktoberfest. However, B2B represents a shift in focus from short-term exposure to sustained artist development.

KBL indicated that the success of the programme will be measured through tangible artist growth, including improvements in musical output, performance quality, audience engagement, and visibility. Additional indicators will include bookings, partnerships, and post-programme opportunities, alongside broader cultural impact and brand alignment.

Beyond the six-month training period, Tusker plans to continue supporting select participants, with longer-term partnerships to be considered based on performance and growth outcomes.

From L-R: Simon Maina, Head of Talent, ACE, Mark Mugisha, Director Marketing and Innovation at Kenya Breweries Limited (KBL), Bien, Base to Billboardz campaign lead, Chiki Kuruka, Dance and Choreography Coach, and Marek Fuchs, CEO and Co- Founder, ACE. /PHOTO

The three-day contest runs from February 6 to 8 at the EABL Microbrewery, bringing together rising stars in advertising and communications for a 48-hour creative sprint judged against global standards.

This year, 42 creatives under the age of 30, grouped into 21 teams, will battle it out across design, film, and digital categories. Eight teams will compete in design, six in film, and seven in digital, with a panel of 30 industry judges assessing their work based on innovation, storytelling, and strategic depth.

Winners earn a coveted ticket to represent Kenya at the Cannes Lions Festival in France, widely seen as the world’s most influential stage for creative and marketing excellence.

Outside Tusker Microbrewery along Thika Road in Nairobi.

“As a brand deeply rooted in Kenya’s cultural fabric, we are proud to once again host the Young Lions Kenya Competition,” noted Christine Kariuki, Head of Mainstream Beer.

“This platform gives young creatives the opportunity to showcase their skills, benchmark themselves against global standards, and gain exposure at the world’s most prestigious celebration of creativity.”

The renewed partnership lands as Kenya’s creative economy continues to gain weight. According to the Economic Survey 2023, the arts, recreation, and entertainment sector accounts for about five per cent of the country’s GDP, highlighting the growing economic value of creative talent.

For participants, the competition is more than a trophy chase. It is a rare pipeline to global exposure in an industry where visibility often defines careers.

For Kenya, it is another attempt to turn raw creative energy into global relevance, with Tusker once again placing its brand at the centre of that ambition.

The two-day tournament drew crowds eager for high-intensity sport, culture, and lifestyle, with the lawns of the Nairobi Polo Club doubling as a stage for fashion and social gatherings.

Guests embraced the classic polo aesthetic, with accessories and style taking centre stage alongside the action on the pitch.

Tusker Malt, which has partnered with the Nairobi Polo Club for five years, offered fans an interactive craft station, giving attendees a look at the malt brewing process while mingling with players and spectators.

Tusker Malt Anchors the Chairman’s Cup at Nairobi’s Polo Season Finale. /PHOTO

Speaking at the event, Rediet Yigezu, Senior Brand Manager Premium Beer, said: “It has been a proud moment to partner with Nairobi Polo throughout this season, as polo has provided us with a platform that elevates the Nairobi social scene through premium experiences, connections, and interactions with our customers and partners."

"As the curtains fall for the season, our promise is to deliver a memorable experience and give our customers a glimpse into the delicate artistry behind the distinct taste of the beer.”

The tournament also capped a season of Tusker Malt-sponsored polo events, including the Lagos Incoming Tour for the Simon Kuseyo Memorial Cup and the Kenya International Cup in September 2025, featuring top teams from Kenya and South Africa.

Alongside the sport, collaborations with Nyandisa Styling and Epica Jewellery added a fashion and design element, with interactive stations highlighting craftsmanship in jewellery and styling.

The Chairman’s Cup weekend combined competitive polo with a social and lifestyle experience, underscoring the growing appeal of the sport in Nairobi’s social calendar.

In a public notice dated February 2, 2026, the Bank highlighted that folding, gluing, taping, stapling, or pinning banknotes damages the currency and renders it unfit for circulation.

CBK explained that such practices interfere with the operation of ATMs, cash-counting, and sorting machines, leading to increased rejection of notes and the premature withdrawal and replacement of currency at a cost to the public.

Central Bank of Kenya (CBK) building in Nairobi. /FILE

"In many instances, banknotes are folded, rolled, glued, taped, stapled, pinned, or otherwise affixed using adhesives and fastening materials. Such practices compromise the integrity of Kenya Shilling banknotes and render them unsuitable for circulation," stated CBK in part.

"The use of adhesives, pins, staples, and similar materials damages banknotes and interferes with the efficient operation of cash-handling and processing equipment, including automated teller machines (ATMs), cash counting machines, and sorting equipment. This results in increased rejection of banknotes during processing and leads to the premature withdrawal and replacement of currency, at an avoidable cost to the public and the Bank."

CBK clarified that while the use of cash as a gift is acceptable, any action that alters or defaces banknotes is prohibited under Section 367 of the Penal Code.

The regulator urged the public to adopt non-damaging methods when presenting monetary gifts to safeguard the integrity of the national currency.

"CBK wishes to remind the public that Section 367 of the Penal Code (Cap. 63, Laws of Kenya) prohibits the defacement, mutilation, or impairment of currency notes. Any person who willfully defaces, mutilates, or in any way impairs any currency note issued by lawful authority commits an offence under the Penal Code," added CBK.

"CBK therefore urges the public to refrain from practices that compromise the integrity of Kenya Shilling banknotes and to adopt alternative, non-damaging methods when presenting monetary gifts."

CBK's statement comes barely two weeks before Valentine's Day, marked on February 14 every year, and which is a celebration of love, affection, and thoughtful gestures.

Money bouquets have emerged as one of the most eye-catching Valentine’s Day trends, reflecting a shift in how couples are choosing to express affection.

Instead of traditional flowers, partners are gifting bouquets made from folded currency, often paired with chocolates, perfumes, or personalised notes. Florists and small businesses have increasingly offered the arrangements in the days leading up to February 14, citing growing demand from younger consumers.

The trend points to a more practical approach to romance, with many viewing cash gifts as both thoughtful and useful amid rising living costs.

While some critics argue that the gesture commercialises love, supporters maintain it reflects financial awareness and changing social values around relationships and gift-giving.

The initiative, named the Sisi Kwa Sisi campaign, kicks off on February 10 and will bring together celebrities, athletes, creatives, and media figures from across the country.

Omondi met with Mombasa Governor Abdulswamad Shariff Nassir to outline the plan, which will see participants walking daily from 6 am to 6 pm over four consecutive days.

The walk marks the latest chapter in Omondi’s grassroots philanthropic movement, which has raised over Ksh72 million since 2024 for community projects nationwide.

Comedian, activist, and philanthropist Eric Omondi (left), with Mombasa Governor Abdulswamad Shariff Nassir on January 31, 2026. /ABDULSWAMAD NASSIR

Governor Abdulswamad expressed his support, promising to join the team for the final 2-5 kilometres upon their arrival in the coastal county on Valentine’s Day.

"This is what Sisi Kwa Sisi truly means; Kenyans coming together, walking together, and lifting each other up," the governor wrote on his Facebook page.

The journey will conclude with a lively event at Mama Ngina Waterfront on February 14, featuring comedians, DJs, and musical performances celebrating generosity.

Omondi launched Sisi Kwa Sisi in 2023 when he transitioned from comedy to activism, citing Kenya’s issues as “politically created” and requiring direct action.

The campaign is known for its inclusivity, often encouraging contributions as small as one shilling to show how collective efforts can make a difference.

In early 2026, the initiative expanded with the Inua Mama program, which focuses on funding school fees for children of single mothers and widows across Kenya.

Past successes include raising over Ksh800,000 for a grandmother who tried to pay her grandchildren’s fees with six chickens from her small farm.

The program has also built homes for homeless individuals like James Ongoya, refurbished classrooms in Siaya County, and mobilised Ksh6.4 million for medical care.

During the 2024 protests, Sisi Kwa Sisi raised substantial funds for the family of blogger Albert Ojwang, who died in police custody under contentious circumstances.

However, concerns about sustainability remain, as some beneficiaries, including Victor Juma from Mathare, have complained about the lack of follow-up support after the initial campaign assistance ended.

A photo of comedian, activist, and philanthropist Eric Omondi. /ERIC OMONDI

The high-level showcase held on Friday, January 30, featured 160 award-winning wines from 44 producers spanning 11 of Italy’s most celebrated wine-growing regions.

The roadshow attracted top importers, distributors, hospitality executives, and wine professionals, with discussions extending beyond tastings into portfolio strategy, provenance, and long-term business opportunities for East Africa’s Hotels, Restaurants, and Catering (HoReCa) sector.

The event came at a critical moment for Kenya-Italy trade ties. Italian wine imports into Kenya hit USD 2.67 million (Ksh347.4 million) in 2023, before growing by another 12 per cent in 2024. Italy now controls 11 per cent of Kenya’s wine import value, ranking as the third-largest supplier after South Africa and France.

Restaurateurs and wine enthusiasts attend a masterclass session at the 3rd edition of the Gambero Rosso Top Italian Wines Roadshow on January 30, 2026 at Shamba Café, Nairobi. /HANDOUT

Italian Ambassador to Kenya, Vincenzo Del Monaco, stressed that wine plays a deeper diplomatic and cultural role beyond commerce.

“Wine is a gateway to deeper engagement and a medium for intercultural exchanges and strengthening bonds. It embodies culture, territory, and national identity. This showcase highlights the quality and diversity of Italian wines while reinforcing the strong economic and diplomatic ties between Italy and Kenya, a priority partner for Italy across business, science, culture, and investment,” he noted.

Italy exports roughly 400 million Euros (Ksh61.7 billion) worth of goods to Kenya annually, highlighting the strength of the broader economic partnership between the two nations.

Industry experts also point to fast-rising demand driven by Kenyan consumers becoming more globally exposed and culturally curious. Victoria Mulu-Munywoki, Wine Consultant, Radio Co-Host and Wine & Spirits Judge, linked the roadshow’s consistent return to strong producer confidence in Kenya’s market potential.

“This event has grown alongside Kenya’s wine scene, with recorded growth of 33% in 2024 and 44% in 2025 of Italian Wine imports, driven primarily by a more informed and curious consumer base shaped by travel and cultural exposure. Part of that is due to the success of the three editions of the " Gambero Rosso Top Italian Wine Roadshow”, she noted.

She added that Nairobi now ranks alongside global cities hosting similar showcases, strengthening Kenya’s standing in the international wine trade.

Italian wine diversity took centre stage through guided tastings and masterclasses led by Marco Sabellico, Editor and Food & Wine Expert at Gambero Rosso’s Guida Vini d’Italia. The sessions highlighted Italy’s heritage of hundreds of native grape varieties and its deeply rooted food-wine culture.

Event organisers VinPodium, working alongside Mulu-Munywoki, highlighted Nairobi’s shift from an emerging wine market into a regional trendsetter for East and Central Africa.

“We are seeing a steady expansion of Italian wine varieties beyond restaurants and lounges and into the retail and grocery spaces, blending the huge Italian wine heritage with local cuisine and Kenyan consumption patterns”, noted VinPodium Co-Founder Mark Artivor.

Top Wine Places

The roadshow also recognised top culinary and wine establishments serving Italian cuisine across Nairobi and the Coast, including Solo Grano, La Terrazza, Lucca at Kempinski, Roberto’s Mombasa, Sunset Watamu, and Visiwa.

The Wine Box emerged as Best Wine Shop in Kenya, while Enoteca, Liv Vin, and Wine & More Kenya (Diani) also received recognition. In a new retail category, Roberto’s Urban Market earned honours for excellence in Italian food retail.

Now firmly positioned as a flagship industry event, the Gambero Rosso Top Italian Wines Roadshow continues to connect Italian producers with East Africa’s professional wine trade ecosystem, reinforcing Kenya’s role as a strategic gateway for Italian exports into the region.

About Gambero Rosso

Gambero Rosso is a leading authority in Italian food and wine, with nearly 40 years of global influence through its Guida dei Vini, TV channel, and international academies. Starting in 1986 as a newspaper insert, its first wine guide launched in 1988, followed by dozens of publications.

In 1999, the Gambero Rosso Channel began broadcasting, and the brand expanded with Città del Gusto sites and worldwide academies offering culinary, wine, and hospitality courses. Today, it hosts over 40 global events and is publicly listed on the stock market.

Attendees sample wines during the 3rd edition of the Gambero Rosso Top Italian Wines Roadshow on January 30, 2026 at Shamba Café, Nairobi. /HANDOUT

According to healthcare reporting on dermatological trends in Kenya, skin-related issues like acne, eczema, hyperpigmentation, and dryness account for roughly 10–30 percent of all outpatient dermatology visits nationwide, a striking share that signals a widespread problem, not a niche concern.

In western Kenya, a cross-sectional health survey found that about 11.2 percent of people overall have acne, with sharp increases (28–38 percent) seen among urban adolescents, pointing to environmental and lifestyle triggers.

At a major dermatology clinic in Kiambu, eczema was diagnosed in more than a quarter (25.5 percent) of all patients, further underscoring how many Kenyans live with chronic skin irritation or inflammation.

Put together, these figures suggest that as many as one in every three Kenyans experiences some form of skin condition at a given time; a number that rises in urban centres where pollution, intense sun exposure, diet changes, and stress converge.

While skin disorders affect billions globally, Kenya’s equatorial climate, rapid urbanization, and limited access to specialized dermatology services are amplifying the local impact.

Dermatologists say many patients delay seeking professional care, often relying on over-the-counter products or social media advice until symptoms worsen.

A recurring issue is damage to the skin barrier, leaving skin sensitive, reactive, and slow to heal. This has increased demand for dermo-cosmetic products — formulations developed with pharmaceutical-grade standards and recommended by skin specialists rather than driven purely by cosmetic appeal.

The increasing demand for international dermatology brands such as Avene and Ducray, which focus on skin and scalp conditions reflect a broader shift in how Kenyans are approaching skin health. 

Increasingly, consumers are seeking science-backed, dermatologist-endorsed solutions that address underlying skin and scalp conditions rather than masking symptoms. Beyond physical discomfort, persistent skin problems often affect confidence, work life, and mental well-being. 

As awareness grows, health experts stress that skin and scalp health should be treated as medical and lifestyle concerns, shaped by environment, routine, and long-term care; not just beauty trends.

For many Kenyans, the conversation is slowly changing: from quick fixes to informed care, and from cosmetic promise to clinical credibility.

Photo of a woman applying lotion to her skin. /SIMPLICOSMETICS.CO.KE

Joyce, affectionately known as Joy, passed away in the early hours of Monday, January 26, 2026, at 3 a.m. Her journey over the past year had been marked by resilience and courage. 

She underwent a kidney transplant mid-last year, facing several medical challenges afterward. Though she battled an infection toward the end of 2025, she briefly returned home before being re-admitted in recent weeks for further care.

She leaves behind her husband Karumba and their three children: Toria, Riri, and Imani. The family, united in grief, released a heartfelt statement that reads: "While we are deeply saddened by this profound loss, we find comfort knowing she is now at perfect peace."

Dj Karumba Ngatia (Krowbar) and his beloved wife, Joyce Wanjiru Karumba. /STANDARD DIGITAL

"As we navigate this difficult time, we kindly ask for your prayers, your love, and your respect for our privacy as we gather to make arrangements for her final journey. We will share further details regarding the arrangements in due course," the statement read in part.

Joy is remembered as a woman of immense faith, love, and resilience, whose legacy will live on through her family and the countless lives she touched.

The family has expressed gratitude for the overwhelming support from friends, fans, and the community during this painful time. Further, the family announced that support for funeral arrangements can be made via M-PESA as follows:

Name: Joy Wa Karosh Farewell
Paybill: 4815005
Account: Your Name

The Karumba family has urged everyone to keep them in prayers as they mourn and honor Joy’s memory, quoting Psalms 31:5 that reads "Into your hands I commit my spirit; deliver me, LORD, my faithful God."

Joy’s death follows a difficult two-year battle with kidney disease that placed immense strain on her family. During this period, the award-winning gospel DJ publicly sought financial support as her health worsened.

DJ Krowbar had shared on social media that his wife required a kidney transplant, revealing that she was in the final stages of treatment—a process that demanded substantial funds.

Throughout her illness, he lauded her courage, calling her a hero for the way she fought the disease. In an emotional video, he recounted her diagnosis with kidney failure and reflected on the challenging journey they had faced together.

Dj Karumba Ngatia (Krowbar) and his beloved wife, Joyce Wanjiru Karumba. /GHAFLA KENYA

This growing moderation mindset is not about stepping away from alcohol altogether, but about redefining enjoyment on one’s own terms.

From wellness-led communities and daytime social plans to longer, more layered occasions that stretch from afternoon into evening, consumers are seeking options that allow them to stay present without overindulging. As a result, the alcohol category is beginning to reflect a broader spectrum of needs, creating room for lighter, more sessionable choices that complement modern lifestyles.

Brands are increasingly recognising that moderation is no longer a niche behaviour, but a mainstream consideration. It sits alongside conversations around mental clarity, productivity, fitness, and social connection, especially among urban consumers who want flexibility without feeling excluded from shared experiences.

A photo of chilled White Cap Crisp

Within this context, White Cap Crisp has found relevance by offering an option that fits naturally into moderation-led moments. Rather than positioning itself as a replacement or alternative to traditional beer experiences, the brand supports consumers who want to pace themselves while still participating fully in social occasions.

Commenting on this shift, Faith Musyoka, White Cap Crisp Brand Manager, said: “We are seeing more consumers who want to be intentional about their drinking without disconnecting from the moments that matter. Moderation today is about choice and flexibility, and our role is to ensure there are options that allow people to enjoy responsibly while still feeling part of the occasion.”

This approach reflects a broader recalibration within the industry; one that acknowledges that enjoyment does not have to be tied to intensity. For many consumers, the value lies in refreshment, rhythm, and the ability to engage longer with friends, activities, and conversations.

As moderation continues to shape social behaviour, brands that understand this nuance, meeting consumers where they are rather than telling them how to drink will remain relevant. The future of social enjoyment, it seems, is less about extremes and more about balance.

Tourism and Wildlife Cabinet Secretary Rebecca Miano explained that the State deliberately stayed in the background, giving Kenyans room to shape the streamer’s experience in line with what online audiences wanted to see.

Speed toured Kenya in early January 2026 during his 28-day “Speed Does Africa” journey, which kicked off on December 29, 2025.

His Kenya livestream ranked among his strongest outings, pulling in over 8.5 million live viewers and netting more than 500,000 new YouTube subscribers, while pushing back against long-standing negative narratives about Africa on a massive global stage.

Tourism CS Rebecca Miano during an engagement with the United Nations Industrial Development Organization (UNIDO) on January 22, 2026. /REBECCA MIANO

Miano noted that the government engaged Speed’s management team shortly after he announced the Africa tour, fully aware that Kenyans were expecting a standout visit.

"When he announced his visit to Africa, we knew that he would still come to Kenya, and the special bit about Kenya is the expectation we saw online. There was a lot of pressure; what would the government do about it? How will he be welcomed?

"So we reached out to the managers and organisers, and they came to the office. We started discussing his tour, how he will come to Kenya, and what he will be able to do. We synchronised their calendar and what we think would meet Kenya's expectations, but the government only took a facilitative role," she disclosed.

"We saw he should ride in a matatu, do ice-skating, this was a programme that was curated mostly by the Kenyan youth. As the government, we ensured that everything would run smoothly, and there is enough security. It was a tight programme, he was in Nairobi between noon and 5 pm," she added. 

"We must work in an ultra-modern animal orphanage. That will fulfil the needs of people who want to see the animals very quickly without necessarily taking a long game drive."

From noon to 5 pm on January 11, Speed moved through a packed itinerary that included Kenyatta Market, Mukuru, and the Nairobi National Park orphanage. At Kenyatta Market, he tasted ugali and chapati, took part in preparing local meals, and engaged with huge crowds that showed up to welcome him.

He also settled purchases via M-Pesa, Kenya’s mobile money service, a moment that left him impressed by the country’s level of technological innovation.

“The tour of Kenyatta Market, the activities that were there, and going to see Mukuru. He negotiated for the prices, then he paid with M-Pesa. You know, many countries don't even have mobile money,” Miano explained.

During his visit to the Nairobi National Park orphanage, Speed named a baby rhino “Rhinaldo” in tribute to football icon Cristiano Ronaldo. The gesture struck a chord with Kenyans, with Miano noting hopes that more international guests will come back to name other baby elephants and rhinos.

On January 21, while livestreaming from Lagos, Speed hit 50 million YouTube subscribers, becoming the first Black creator to reach the milestone on his 21st birthday.

He concluded his Nigeria leg on January 22 before travelling to Benin, ending a brief but standout stay in Lagos that featured market visits, Nigerian food, and traditional dance experiences.

Speed’s 28-day “Speed Does Africa” tour began on December 29, 2025, spanning roughly 20 countries, including Kenya, where he received a beaded bracelet that he has continued to wear throughout the trip.

With one in six Kenyans reportedly using at least one substance of abuse, the national conversation is shifting, from whether action is needed, to how drinking itself should be reimagined.

At the heart of this debate lies an often-overlooked tool: alcohol education, particularly the kind embedded in wine culture, as a pathway toward moderation rather than excess.

While the most abused alcohol in Kenya remains beer at 56 percent, according to historical data, followed by spirits at 22 percent, wine drinkers, who account for a marginal two percent, tend to demonstrate more disciplined habits, often approaching drinking as a social and sensory experience rather than a pursuit of intoxication.

Globally, wine occupies a distinctly different cultural space from spirits and illicit brews. It is commonly consumed with food, enjoyed slowly, and contextualized through origin, craftsmanship, and tradition.

This distinction is significant. In societies with deeply rooted wine cultures, alcohol consumption is less about intoxication and more about experience and appreciation.

Kenya’s growing wine scene reflects these global patterns. Platforms such as Gambero Rosso, a globally respected authority in wine education and culinary culture, illustrate how alcohol literacy can coexist with commercial growth. Italy, for instance, sustains one of the world’s largest wine industries while recording comparatively low levels of alcohol abuse.

This outcome is largely attributed to early exposure to wine education, food-centred consumption, and social norms that discourage excess by shifting behaviour away from quantity-driven drinking toward quality and experience-led choices. An understanding of alcohol content, serving sizes, and responsible pacing equips consumers to make more informed decisions.

Formal wine education plays a central role in shaping these behaviours. Training programmes emphasize tasting, pairing, and appreciation; subtly discouraging binge drinking while promoting restraint. By prioritizing knowledge, certification, and culture, wine is framed as a social good rather than a party stimulant, aligning closely with the government’s call for responsible consumption.

The Hotel, Restaurants, and Café (HoReCa) sector, including sommeliers or certified wine experts, remains critical to this transition.

A trained sommelier does more than suggest a bottle; they encourage moderation through portion control, thoughtful food pairing, and appropriate wine selection. In established wine markets, this professional gatekeeping has proven effective in normalizing responsible drinking without diminishing social enjoyment.

As Kenya tightens regulation and enforcement, education around choice and consumption may be the missing link.

A moderated but thriving wine culture alone will not resolve addiction, but when applied as part of a broader public health strategy, it offers a credible alternative, one where enjoyment, economic opportunity, and responsibility can exist side by side.

At the crossroads between sherehe and sheria, Kenya’s future drinking culture may ultimately depend less on restrictions and more on knowledge.

Victoria Mulu-Munywoki, Wine Consultant, Radio Co-Host and Wine & Spirits judge, delivering a Wine masterclass at the 2nd edition of The Gambero Rosso Top Italian Wine Roadshow on January 30, 2025, in Nairobi, Kenya. /HANDOUT

Speaking during a public forum at Crawford International School in Tatu City, the Kenyan sprint star unpacked the realities of elite athletics, noting that his name and accolades come from years of intense, disciplined training—not impromptu entertainment stunts.

Omanyala outlined that his routine demands up to seven hours of training a day for most of the year, making casual race challenges a serious professional gamble.

What happens when I race IShowSpeed and God forbid I get an injury? What do I tell my management or sponsors?- Ferdinand Omanyala#ViralVideos pic.twitter.com/I84uCKaQAr

— Viral Tea Ke (@ViralTeaKe) January 20, 2026

“Imagine me putting in seven hours of training every day for months, 44 weeks in a year, then someone comes, and we race, and you pay me with streams and likes. Is it fair?” he posed.

He further explained that agreeing to such an event would force him to pause his structured training for several days, sharply raising the risk of injury just weeks before scheduled competitions.

Omanyala underlined that any injury picked up in a promotional race would be indefensible to his sponsors and management, who have already committed resources to his upcoming meets through travel arrangements and appearance fees.

“For you guys, it’s entertainment, right? But for me, it’s an input. I need to prepare for that for like an hour. I need to stop my training for like three days,” he explained.

He wrapped up by stressing the importance of self-worth in professional sport. “When you get to a place where you know your value, that’s the most important thing that you can ever carry with you,” Omanyala stated, underscoring that his choice was about safeguarding both his career and the brand he has built through years of work.

Ahead of the streamer’s visit, talk had swirled about a potential face-off between IShowSpeed and Africa’s fastest man, a challenge Omanyala flatly turned down on professional grounds.

Reports indicated that Omanyala laid out firm terms for the YouTuber, including a participation fee exceeding KSh6 million for what he described as an exhibition race.

He had previously clarified that he has no issue racing anyone, provided there is proper engagement and the required payment is made.

Despite the race not happening, Omanyala maintained that he was still open to meeting the streamer, giving him a tour of Nairobi, and introducing him to various Kenyan delicacies.

IShowSpeed, born Darren Watkins Jr., visited Kenya from January 11, during which time he interacted with several high-profile figures, among them Tourism Cabinet Secretary Rebecca Miano and javelin thrower Julius Yego.

The streamer has built a reputation around challenging elite athletes and public figures to sprint races. In recent outings, he has raced world champion Letsile Tebogo over 200 metres in Botswana and, in 2024, took on Olympic 100-metre champion Noah Lyles in a 50-metre dash reportedly worth over KSh10 million, a contest Lyles won.

IShowSpeed flying over the Talanta Stadium during his visit to Kenya on January 11, 2026. /ISHOWSPEED

In a statement dated January 15, the regulator flagged a growing trend in which some tour operators are ferrying tourists along public roads and highways using open-sided Land Cruisers, a move it termed illegal.

TRA clarified that open-sided Land Cruisers are licensed solely for game drives and photography within designated wildlife zones, including national parks, national reserves, and registered conservancies.

An open-sided Land Cruiser at the Maasai Mara National Reserve. /FACEBOOK

"These vehicles are not designed nor approved for use on public roads and highways, as their open configuration and limited protective features expose passengers to heightened safety risks," the Authority stated.

To curb the practice, tourists and clients were advised not to request or push for the use of open-sided Land Cruisers for transfers or travel outside approved wildlife areas.

Tour operators were also directed to comply strictly with their licensing terms by limiting the use of such vehicles to parks, reserves, and conservancies, and only for their authorised purposes.

TRA cautioned that operating open-sided Land Cruisers on public highways amounts to a breach of licensing and safety standards under Kenyan law.

"The use of such vehicles on public highways constitutes non-compliance with licensing and safety requirements and may attract regulatory action in line with the Tourism Act, 2011 and applicable regulations," TRA stated.

It added, "This directive is issued in the interest of safeguarding visitor safety, promoting responsible tourism operations, and preserving the integrity and reputation of Kenya's safari experience."

What The Law States

Under the Tourism Act of 2011, TRA holds the mandate to suspend a tourism licence where a business violates the law, with repeated breaches risking outright revocation.

Operators who flout licensing or safety rules also risk fines of up to Ksh100,000, a jail term of up to 18 months, or both.

Back in December 2025, the Kenya Wildlife Services (KWS) launched bus shuttle services at Nairobi National Park, Aberdare National Park, and Lake Nakuru National Park for the festive season. According to a notice from the service, operations began on November 16, 2025.

Primarily running on weekends and public holidays, the shuttles provide visitors with the opportunity to enjoy game drives without needing their own vehicles.

While running clubs and wellness collectives have existed in Nairobi for years, 2024/2025 saw the rise of large, organized, and inclusive running communities from neighbourhood morning runs to city-wide themed marathons. This growing tribe of conscious living socially engaged individuals mirrors the exact ethos of White Cap Crisp: light, refreshing, and made for those who move with purpose.

White Cap Crisp has leaned into a powerful truth: running is not just about fitness, it’s about belonging. By partnering with some of Nairobi’s most influential running crews, wellness collectives, and event organizers, the brand has become a natural fit in spaces where people gather to challenge themselves, celebrate small wins, and embrace moderation.

Through tailored hydration points, post-run hangout experiences, co-branded merchandise, and presence at major weekly runs, White Cap Crisp is actively shaping what modern Kenyan wellness looks like. 

Kenya Breweries LTD running club members.

What sets White Cap Crisp apart is its understanding that culture is built over time, through consistency and genuine presence. The brand isn’t merely appearing at events; it is embedding itself into the rhythm of the city, showing up every weekend where the runners are, and curating experiences that make every stride worth it.

By aligning with the rising demand for mindful socialization and active lifestyles, White Cap Crisp has positioned itself at the sweet spot where wellness meets celebration. This presence signals a larger movement towards balanced living, a narrative that consumers resonate strongly with. As the running culture continues to flourish, White Cap Crisp’s role goes beyond brand visibility. It’s about encouraging moderation without compromise and redefining social culture through activity-driven engagement.

White Cap Crisp isn’t simply sponsoring runs; it’s empowering a lifestyle. By standing firmly at the intersection of wellness, community, and Kenyan culture, the brand is carving out a new identity for what it means to be a modern social drink: refreshing, intentional, and aligned with an entire generation’s pursuit of better living.

As Nairobi’s pavements, parks, and streets fill with runners every weekend, one thing is clear: The running culture is here to stay, and White Cap Crisp is running right beside it.

Speed is in the country as part of his 28-day “Speed Does Africa Tour” and hit the milestone after pulling in more than 360,000 new subscribers during his time in Kenya alone.

The content creator livestreamed his entire first day, from landing at the airport to touring multiple locations around Nairobi, drawing massive online and physical crowds.

American streamer IShowSpeed in Kenya. /ISHOWSPEED

Based on the turnout in the city, IShowSpeed acknowledged that the Kenya stop had been the most intense so far, even though he had only spent a few hours in the country at the time.

“I love you all so much. We gained 360,000 subscribers and reached 48 million. Kenya, we will never forget you. Kenya is number one right now,” Speed stated while celebrating the achievement.

His livestream attracted over 200,000 viewers in real time, ranking among the highest live audience figures ever recorded by a YouTuber.

Hype regarding Speed's Kenya tour sparked a huge conversation on social media, with his famous name mentioned over 142,000 times on X by Sunday afternoon.

During the tour, he stopped at Upper Hill High School, the Mukuru affordable housing project, Kenyatta International Convention Centre (KICC), Kenyatta Market, Uhuru Park, and Nairobi National Park.

At Upper Hill High School, Speed linked up with Olympic javelin champion Julius Yego. While in Nairobi’s Central Business District (CBD), he joined the Safari Rally experience by riding in one of the rally cars and also sampled the city’s iconic matatu culture.

Day one wrapped up with a helicopter ride over Nairobi, where he spotted the under-construction Talanta Stadium, which is set to be renamed Raila Odinga Stadium.

Ahead of his arrival, the Kenyan government rolled out a warm welcome. The Tourism Ministry encouraged him to explore the country, with President William Ruto personally addressing the streamer.

“Jambo, IShowSpeed, welcome to Kenya, karibu Kenya,” the President noted. “Kenya is not just another country; Kenya is a pulse, a feeling. Kenya is home. This is magical Kenya, the origin of wonders.”

Government presence was also visible on the ground, with Tourism Cabinet Secretary Rebecca Miano briefly interacting with Speed at the KICC rooftop before his helicopter tour.

Kenya is one of several African stops on his tour, following visits to South Africa, Angola, Botswana, Eswatini, Rwanda, Zambia, Zimbabwe, and Mozambique. Upcoming destinations include Senegal and Nigeria.

Profile

Born Darren Watkins Jr, IShowSpeed rose to prominence globally in 2021 due to his explosive gaming streams, viral barking antics, and a well-documented obsession with football superstar Cristiano Ronaldo. 

Speed first gained fame streaming NBA 2K, but his explosive reactions, unfiltered humor, and dramatic live moments quickly made him a viral sensation.

By 16, he was a millionaire and had since ventured into music and sports, racing top athletes and collaborating with stars like Tom Brady, Randy Orton, and Kevin Durant.

His African streams have challenged stereotypes about the continent, highlighting its welcoming communities and vibrant cultures to international audiences.

The 28-day IRL (in-real-life) expedition, dubbed Speed Does Africa, marks one of the most ambitious live streaming projects of his career, combining fan interaction, daring stunts, and cultural immersion.

Kicking off in Angola, Speed quickly drew attention when a fan recreated his iconic “my mom is kinda homeless” meme in the sand. Amused and impressed, he asked his viewers if it actually resembled him, laughing at the reach of his online persona.

The tour has since moved rapidly across the continent, with Speed engaging with locals, meeting creators, and performing high-energy stunts that continue to dominate headlines, an event that has even Kenyan celebrities and content creators going wild, most of whom are in a heated debate with each other.

American YouTube star Darren Watkins Jr., known worldwide as IShowSpeed, during his recent tour of Angola. /SPORTSKEEDA

The tour, structured with backing from major sponsors, is planned to cover 20 African countries, including Algeria, Angola, Benin, Botswana, Egypt, Eswatini, Ethiopia, Ghana, Ivory Coast, Kenya, Liberia, Morocco, Mozambique, Namibia, Nigeria, Rwanda, Senegal, South Africa, Zambia, and Zimbabwe. Despite potential travel adjustments, the itinerary has remained largely consistent.

In Eswatini, Speed was initiated as a warrior of the Umbutfo tribe and given the honorary name Logijimako—“The One Who Runs”—at the Kubutseka ceremony in Ngabezweni. Donning traditional Swati attire, he joined in tribal performances and learned the sibhaca dance, blending his signature energy with local traditions.

In South Africa, he streamed live from Cape Town and Johannesburg over the festive season, drawing millions of viewers as he explored urban and township life, local wildlife, and cultural sites. One standout stunt saw Speed racing a fully grown cheetah, sustaining minor injuries in the process but finishing the challenge undeterred.

Mozambique offered a different angle, with Speed balancing high-octane antics with genuine cultural appreciation. From dancing with locals and sampling spicy foods to visiting villages, heritage sites, and street performances, his streams highlighted both adrenaline and tradition, showcasing the country’s tourism potential to a global audience.

Kenya Tour

As his Kenyan stop approaches, anticipation is high. Creatives and commentators are weighing how best to use his massive influence to present the country.

On X, one user urged, “This is not the time to take him to slums, children’s homes, ama akakule goat heads na mutura, smocha, etc, as our main attraction. They should take him to the very best Kenya has to offer, our beauty, culture, wildlife, modern spaces, innovation, and world-class experiences.”

Content creator Terrence Creative suggested using Speed’s visit as an opportunity for knowledge exchange: “Let him meet creators even for an afternoon for a masterclass, teach us a few tricks of growth, something that can help creators grow brand-wise.”

Meanwhile, X personality Edgar Wabwire criticized local influencers for prioritizing exclusive circles over everyday fans, evidence of how celebrities in Kenya could be intent on using Speed's influence for their selfish gain.

One of the most anticipated moments in Kenya may be a sprint against Africa’s fastest man, Ferdinand Omanyala, following Speed’s viral races elsewhere. Omanyala jokingly responded, “I will whoop him by the third step.”

Profile

Born Darren Watkins Jr, Speed first gained fame streaming NBA 2K, but his explosive reactions, unfiltered humor, and dramatic live moments quickly made him a viral sensation.

By 16, he was a millionaire and had since ventured into music and sports, racing top athletes and collaborating with stars like Tom Brady, Randy Orton, and Kevin Durant.

His African streams have challenged stereotypes about the continent, highlighting its welcoming communities and vibrant cultures to international audiences.

With daily live streams planned for nearly a month, Speed Does Africa promises more unpredictable, high-energy stunts, cultural immersion, and sports challenges, solidifying IShowSpeed’s role not just as a content creator but as an unofficial ambassador for the continent.

American YouTube star Darren Watkins Jr., known worldwide as IShowSpeed. /PULSE KENYA

However, it is often said that New Year's Eve night presents one of the most dangerous nights ever in Nairobi. Here, the risks increase due to a mix of overcrowding, infrastructure challenges, and limited enforcement, making careful planning and vigilance essential for anyone hitting the city’s nightlife that night.

Usually, the city's hotspots such as Westlands, Kilimani, and the CBD pull massive crowds, creating higher chances of fights, theft, and accidents.

Traffic chaos adds another layer of risk, with frustrated drivers and reckless maneuvers sometimes causing crashes. Heavy drinking, combined with unlicensed taxis, late-night walking, and poor planning, increases the likelihood of incidents, while ride-hailing surges and scams can leave revelers stranded or exposed to unsafe situations.

Crowded streets and parking areas also attract pickpockets, and with the city so packed, emergency response can be delayed.

Thus, beyond the fireworks and champagne toasts, this night comes with clear rules, logistical realities, and safety considerations that partygoers ignore at their own risk.

This explainer breaks down what to expect and how to navigate a night out in Nairobi on December 31.

Planning is no longer optional

Unlike regular weekends, New Year’s Eve in Nairobi operates largely on pre-booked access. Most high-end clubs, rooftop lounges, and entertainment venues require advance tickets or table reservations. Walk-ins are increasingly rare, particularly in Westlands and Kilimani, where venues routinely hit capacity hours before midnight.

Event organizers often introduce tiered pricing, with early-bird tickets selling out days or weeks in advance and last-minute tickets going at a premium. Revelers who fail to secure entry early often find themselves locked out, regardless of how early they arrive at the door.

Age restrictions are also strictly enforced. Entry into clubs and bars is limited to patrons aged 18 and above, and security teams are known to demand national IDs or passports.

Dress codes and access control

Dress codes remain a defining feature of New Year’s Eve nightlife in Nairobi. Many premium venues enforce smart-casual or party attire, with management reserving the right to deny entry based on appearance.

While enforcement varies, casual outfits that may pass on ordinary weekends can result in denial on New Year’s Eve, particularly at upscale locations.

Security checks are also tighter. Expect bag searches, metal detectors, and visible private security presence. These measures, while time-consuming, are aimed at managing the unusually large crowds and reducing the risk of incidents.

Safety takes center stage

Safety concerns dominate New Year’s Eve planning in Nairobi, especially after the midnight crossover. Authorities and nightlife operators consistently urge revelers to avoid walking alone at night, particularly in unfamiliar areas. Group movement is strongly advised, both for personal safety and logistical ease.

Ride-hailing services such as Uber and Bolt remain the preferred transport option, though users should brace for heavy demand and surge pricing. Booking rides earlier in the evening or pre-arranging transport is increasingly recommended, as securing a car after midnight can be both expensive and time-consuming.

Patrons are also urged to remain vigilant with their drinks. Leaving beverages unattended or accepting drinks from unknown individuals poses risks, especially in packed venues where movement is constant and oversight is limited.

Emergency preparedness is another critical factor. Emergency hotlines such as 999 or 112 should be saved in advance, alongside trusted contacts. Sharing live location details with friends or family is now a common practice among seasoned partygoers.

Crowds, traffic, and timing

Traffic congestion is one of the defining features of New Year’s Eve in Nairobi. Roads leading to nightlife hubs—including Waiyaki Way, Ngong Road, Lang’ata Road, Nairobi Expressway, and parts of the CBD—often gridlock from early evening until well after midnight.

Security roadblocks and increased police patrols add to the delays. As a result, timing becomes critical. Late arrivals frequently miss entry windows or countdown moments, while early departures help avoid hours spent in post-midnight traffic jams.

Inside venues, crowd control is strictly enforced. Once capacity limits are reached, doors are closed, regardless of ticket demand outside. This has made early arrival a strategic advantage rather than a preference.

Members of the public usher in the New Year 2017 during the Pamoja Concert at Eldoret Sports Club on January 1, 2017. /NAIROBI NEWS

Payments and spending expectations

Cashless payments dominate Nairobi’s New Year’s Eve economy. Mobile money platforms, particularly M-PESA, remain the most widely accepted payment method, followed by debit and credit cards. Some venues discourage cash transactions altogether to reduce handling risks and speed up service.

Patrons are advised to budget carefully. Prices for drinks, food, and services are often higher than usual in this period, reflecting demand and extended operating hours. Ride-hailing fares also spike significantly, sometimes doubling or tripling standard rates.

Driving and parking realities

For those choosing to drive, parking remains a major challenge. Designated parking spots near popular venues fill up early, while street parking poses security risks and enforcement concerns. Illegally parked vehicles are vulnerable to towing or damage, especially in high-traffic areas.

Alcohol consumption and driving remain a serious legal and safety issue. Police conduct sobriety checks during the festive period, and penalties for drunk driving are severe.

After-parties and late-night movement

As official countdown events wind down, after-parties become common, particularly in quieter neighborhoods such as Karen and Ngong.

However, late-night movement increases exposure to fatigue, impaired judgment, and transport challenges. Informing someone of post-midnight plans is widely considered a basic safety step.

Health and public order considerations

While large-scale public health restrictions have eased in recent years, some venues still maintain hygiene protocols, including sanitization points.

Revelers are also expected to comply with public order rules, including respecting security personnel and avoiding confrontations in crowded spaces.

Overall, New Year’s Eve in Nairobi delivers unmatched energy, but it demands preparation. Tickets, identification, transport planning, and safety awareness are no longer optional extras; they are prerequisites.

Those who plan enjoy the biggest celebration of the year. Those who do not often spend the night stuck outside venues, in traffic, or dealing with avoidable problems.

In a statement released on Friday, December 26, KWS announced that the offer will run until Wednesday, December 31, as part of its Boxing Day group discounts.

The promotion allows families of five visiting sanctuaries and marine parks to receive free entry for one child aged between 6 and 17 years.

KWS further said that in a five-seater vehicle carrying five passengers, one child will be admitted free of charge.

Groups travelling in a fully occupied 25-seater bus will benefit from free entry for two adults. Meanwhile, those using a seven-seater van or an eight-seater Land Cruiser will receive complimentary entry for one adult.

In addition, visitors booking park accommodation for three nights will be entitled to a fourth night at no extra cost.

“As we unwrap the season’s wildest gift, gather your family and friends and enjoy special group offers across Kenya’s parks, sanctuaries, and marine parks,” KWS said.

The wildlife agency, however, noted that the offers are exclusively available to Kenyan citizens and are subject to terms and conditions.

This announcement comes a week after KWS launched bus shuttle services at Nairobi National Park, Aberdare National Park, and Lake Nakuru National Park for the festive season. According to a notice from the service, operations began on Tuesday, November 16.

Primarily running on weekends and public holidays, the shuttles give visitors the chance to enjoy game drives without needing their own vehicles.

"Starting this weekend, 20th December, we’re bringing back the bus shuttle service on weekends and public holidays only through the festive season as part of the Jiachilie in Kenya Parks holiday campaign," KWS announced.

"Discover our parks with ease at Nairobi National Park, Aberdare National Park, and Lake Nakuru National Park. Affordable, convenient, and perfect for family adventures this holiday season," the service added.

The festive shuttle packages are also part of KWS’s broader push to boost tourism, coming shortly after Deputy President Kithure Kindiki revealed plans to expand in-park facilities to meet growing demand.

Upgrades include increasing bed capacity from 1,800 to 4,000, a move expected to generate jobs and support local communities living near the parks.

In a heartfelt statement on his Instagram stories, the award-winning artiste, who headlined the concert, remarked that he was “devastated” by the events that unfolded during the concert, describing the loss as deeply painful and unacceptable.

“My heart goes out to the family. friends, and loved ones of Karen Lojore,” Asake wrote, vowing that “I pledge to support and do my best to understand what happened. Those responsible should be held accountable.”

The singer, whose high-energy performances have earned him a massive global following, stressed that music has always been his way of spreading love and joy, making the tragedy even harder to process.

Collage of Asake and crowds at Nyayo National Stadium in Nairobi, Kenya on December 20, 2025. /VIRAL TEA KE

“It breaks my heart that anyone had to experience such loss,” he added. “My thoughts are with everyone grieving, and I pray that Karen rests in peace. God bless Kenya.”

Event Organisers Issue Statement

Event organisers Tukutane Entertainment released a statement confirming that the fatal incident occurred during the concert, expressing sorrow over the loss of life and extending condolences to the bereaved family.

“Our hearts are with the family, friends, and loved ones affected by this devastating loss,” the statement read in part. Tukutane Entertainment emphasised that safety remains a top priority and said it is fully cooperating with emergency responders and relevant authorities as investigations continue.

“The safety and well-being of everyone who attends our events is something we take very seriously,” the statement read. “Out of respect for the family and the ongoing investigation, we will not speculate on the circumstances surrounding the incident.”

The organisers added that they are committed to transparency and accountability and will share further updates in coordination with authorities as more details emerge.

The confirmed fatality from the chaotic scenes was identified as Lojore, described as being in her mid-20s. She was allegedly trampled and was pronounced dead on arrival at the hospital. Her body was taken to the City Mortuary.

According to friends of the deceased, Karen had a valid ticket and sustained fatal injuries while trying to get into the venue as the situation spiralled out of control. 

Her grieving mother had shared a photo of Karen in a viral Instagram post on Sunday, December 21, pouring out her anguish and demanding that those responsible, including the organisers, should be held to account.

“Karen, why? What happened? You had that damn ticket. What happened to my child? Why her, why? I want justice for my child. Please bring back my child,” she wrote.

Citizen TV journalist Immanuel Ndungu also gave his account of the events leading to the stampede, which was not a sudden accident, but the direct result of a predictable and preventable chain of failures in crowd management.

The situation had intensified as huge crowds formed at the main entrance. Security had set up two lines—one for men and a slightly longer one for women—but the narrow entry and inadequate crowd control quickly led to problems.

Entry was temporarily stopped for about 30 minutes, which heightened tensions as more people continued to arrive. Police reportedly intervened to restore order, allegedly using force, which worsened the chaos.

Attempts by stewards to let small groups of around 10 people in at a time only fueled more pushing as the crowd struggled to get through.

The stampede occurred after hundreds of people without tickets reportedly stormed the venue during the concert headlined by Afrobeats sensation Asake. Witnesses stated that the chaos erupted after security was overrun, enabling non-ticket holders to enter the stadium freely, with some allegedly spilling into the VIP area.

The confirmed fatality from the chaotic scenes was identified as Lojore, described as being in her mid-20s. She was allegedly trampled and was pronounced dead on arrival at the hospital. Her body was taken to the City Mortuary.

Collage of Asake and crowds at Nyayo National Stadium in Nairobi, Kenya on December 20, 2025. /VIRAL TEA KE

According to friends of the deceased, Karen had a valid ticket and sustained fatal injuries while trying to get into the venue as the situation spiralled out of control.

Her grieving mother shared a photo of Karen in a viral Instagram post on Sunday, December 21, pouring out her anguish and demanding that those responsible, including the organisers, should be held to account.

“Karen, why? What happened? You had that damn ticket. What happened to my child? Why her, why? I want justice for my child. Please bring back my child,” she wrote.

Although the event organizers have yet to issue an official statement confirming the death or the disorder, concertgoers criticized the event as poorly organized, leaving several attendees who had even paid for VIP access frustrated and disappointed.

Attendees also pointed to long delays in ticket processing at the entrance, which stretched for hours, creating a restless crowd and contributing to chaos in the VIP area.

Citizen TV journalist Immanuel Ndungu also gave his account of the events leading to the stampede, which was not a sudden accident, but the direct result of a predictable and preventable chain of failures in crowd management.

The situation had intensified as huge crowds formed at the main entrance. Security had set up two lines—one for men and a slightly longer one for women—but the narrow entry and inadequate crowd control quickly led to problems.

Entry was temporarily stopped for about 30 minutes, which heightened tensions as more people continued to arrive. Police reportedly intervened to restore order, allegedly using force, which worsened the chaos.

Attempts by stewards to let small groups of around 10 people in at a time only fueled more pushing as the crowd struggled to get through.

Neither the police nor the Directorate of Criminal Investigations (DCI) has released an official statement regarding the incident. Lojore's death has since shocked the nation, triggering public outrage and reigniting discussions on crowd management and safety at large entertainment events.

Even before the incident, there was already a red flag raised for attendees after popular music collective Kodong Klan withdrew from the concert, merely hours before showtime.

Past Asake Concert Stampede

The Nairobi incident echoes a comparable tragedy at an Asake concert in December 2022 at London’s O2 Academy in Brixton.

On that night, what was meant to be one of three sold-out shows by the Nigerian Afrobeats star turned deadly after massive crowds, including many without tickets, overran the venue’s entrances. Fans later recounted scenes of panic and confusion as crowds pressed against the venue’s narrow entrances.

The Guardian reported that many people gained access without proper ticket checks, leaving genuine ticket holders stuck outside in dangerously overcrowded conditions. One attendee described a sudden surge that left people “suffocated” and “hemmed in,” with minimal visible security.

As the chaos escalated, police were called, and the concert was stopped shortly after starting. A member of Asake’s team reportedly informed the crowd that thousands had “breached” the doors, leading to the show’s cancellation for safety reasons.

The Brixton tragedy resulted in the deaths of Rebecca Ikumelo, a 33-year-old mother of two, and Gaby Hutchinson, a 23-year-old security guard, while another woman suffered critical injuries.

Photo of a past concert in Kenya. /BUZZROOM KENYA

Prominent reports reveal that one woman was among three people who lost their lives, with dozens injured during the chaos that unfolded at the event headlined by Nigerian Afrobeats star Asake.

According to Ndungu, who narrated the ordeal on his social media pages, the stampede was not a sudden accident, but the direct result of a predictable and preventable chain of failures in crowd management. The critical breakdown began at the outermost security perimeter, where a fundamentally inadequate entry system was in place.

For the high-profile event attracting thousands, a rare scenario of a concert held within one of the country's major stadiums, the organizers funneled the entire crowd through a single, small, one-person gate. 

Collage of crowds at Nyayo National Stadium in Nairobi, Kenya on December 20, 2025. /VIRAL TEA KE

Compounding this bottleneck was a complete lack of basic crowd control infrastructure; there were no barriers or serpentine lines to organize the flow. Attendees were simply told to line up on the road, a system that relied entirely on patience and good order, which are always finite resources in a dense, waiting crowd.

"The security had set out two lines of women and two lines of men, all funneling into this one small, single-man gate in the middle. Now, for men, there were about two lines of 40 people, so it wasn't too bad. I just joined the back. But for the women, there were a few 100, at least a couple of 100 women who were waiting to get in," he recounted.

The situation escalated due to a baffling and unexplained decision by security personnel. After a period of slow movement, the flow of people through this solitary gate was completely halted for a prolonged period of 30 to 45 minutes. This stoppage, without clear communication, transformed orderly queues into a large, frustrated, and restless mob numbering in the hundreds.

As people naturally tried to advance or form new lines, the security response was tragically counterproductive. Police officers began using their batons, hitting people in the midst of the densely packed crowd. This use of force did not restore order; instead, it instilled panic, causing surges as people tried to escape the blows.

Ndungu noted that this was the first moment where a dangerous push and crush dynamic began, with attendees themselves warning each other about the risk of a stampede.

"So it got to the point where they eventually started funneling people in. They would open this small one-person gate, allow like 10 people through, and then try and close it again. But every time they opened it, there was a massive rush to get forward. And now the men's and women's lines were mixing together to try and get through this gate. So they did this process a few times, until eventually I started getting a lot closer to the gate itself. 

"And this is the moment I started hearing way more screams. It was much tighter. People saying, I can't breathe. People are just panically screaming anyways. And there were a few guys who would try and come backwards, saying 'No, I can't do this'. Like, it's you actually can't breathe down there," he continued.

Faced with literal suffocation, the crowd at the front made a collective decision born of survival instinct. Recognizing that the official process was now the primary threat to their safety, they deliberately breached the gate and overwhelmed the security.

Ndungu was emphatic that this was not a case of gate-crashing by non-ticket holders, but a desperate act of self-preservation by paying attendees who felt they had no other option to survive.

This breach, while a breakdown of security, likely averted an even greater tragedy at that location. However, the danger simply shifted to a second choke point inside the stadium complex: the tunnel leading to the pitch itself.

The surge of people who breached the outer gate immediately ran into another sealed barrier at this tunnel. With hundreds of people pressing from behind, a second and potentially more severe crush occurred here.

"Now there's a big gate in front, and everyone starts banging on it, saying, 'Let us in. Let us in'. And obviously, people are getting crushed, left, right, and center. This section here was now a lot more rowdy, where people were now just angry, 'let us in, let us in, let us in'. And I believe this is the place that the paramedics had to attend to at least one person.

"And as you would walk past, you would see people lined up on the side, mainly girls, just crying, and shoes everywhere, belongings everywhere, that people are just left behind because they just wanted to get out of that situation," he went on.

According to police, the incident occurred while fans were waiting to enter the stadium, but the show continued.  Frustration in the crowd, attributed to long delays, heavy rainfall, and poor communication from event officials, reportedly built throughout the evening. The situation reached a breaking point when fans pushed open a gate, causing the stampede that resulted in people being trampled.

Police stated that the woman was declared dead on arrival at a hospital, with other injured attendees reported in stable condition at various facilities.

Nairobi Regional Police Commander George Seda confirmed that investigations are underway. The event organisers had yet to issue a statement, even as Asake, known for hits including Lonely At The Top, Remember, PBUY, and MMS, continued his performance uninterrupted.

The group was slated to perform as a key supporting act for the Nigerian superstars on Saturday, December 20. However, mere hours before showtime, they dropped a bombshell statement on Instagram, announcing their withdrawal and exposing behind-the-scenes chaos.

The statement paints a picture of repeated broken promises and a final, unacceptable incident during the crucial soundcheck.

According to Kodong Klan, their team faced direct "interference from another performer's team" while event organizers failed to step in and resolve the conflict.

A photo of Kodong Klan during a past performance. /PULSE KENYA

“We will not be performing today,” the collective declared, revealing that “This follows a consistent pattern of disrespect and disregard for agreed-upon standards, culminating in unacceptable treatment of our artist and team during soundcheck this evening.”

The message is a fierce defense of artistic integrity, framing the walkout as a necessary stand. In their words, "Respect for the art, the people behind it, and the work required to deliver excellence is non-negotiable for us. Performing under these conditions would signal that such treatment is acceptable, and it is not."

The statement released mid-morning sparked outrage by this afternoon on social media platforms; some users demanded that the organisers either address the situation with urgency, or refund them their tickets.

Singer Bien-Aimé commended them for the move, saying, “Go where you’re celebrated, not tolerated.” Bien is part of the acclaimed Kenyan Afropop band Sauti Sol, which is hosting a concert of their own just kilometres away on the same night.

Organisers Respond

The organisers, in response, released a statement clarifying that they duly contracted the group to provide musical performance services for the event.

"We confirm that the group was paid in full, and that all contractual and logistical obligations on the part of Tukutane Entertainment were fully met in accordance with agreed terms and applicable professional standards," the organisers' statement read.

"The decision by Kodong Klan to withdraw from the event was made independently by the group, citing concerns relating to their experience with some of the other artists during sound check. While we respect their position, we wish to clearly state that Tukutane Entertainment bears no responsibility or liability for this withdrawal."

Still, the incident raises immediate questions about the treatment of supporting local acts at major concerts and the professionalism of the event's organization.

As thousands of ticket holders head to Nyayo Stadium tonight, the atmosphere is now charged not only with anticipation for Asake & Gabzy, but also with a heated conversation about dignity, contracts, and the value of Kenyan artistry on its own soil.

Asake Concert

The festive season's major musical event, "Tukutane Presents Asake & Gabzy Live in Nairobi," was set to headline Nigerian stars Asake and Gabzy at Nyayo Stadium.

An 18+ event with sponsorship from brands like Kenya Airways, Martell, and Coca-Cola, it was also highly anticipated for featuring the popular local collective, Kodong Klan, alongside the international acts.

Kodong Klan is a notable ensemble of leading Kenyan male artists. Its members are prominent figures in the industry, including Okello Max, Bensoul, Mordecai Dex, Charisma, Ywaya Tajiri, Coster Ojwang, and Onyach Pala.

Photo of a past concert in Kenya. /BUZZROOM KENYA

In a ruling delivered on Thursday, December 18, Justice Lucy Gacharu stated that the court would proceed with the matter until it is conclusively determined.

Justice Gacharu held that the concerns raised by the petitioner — including claims that the development blocks a wildebeest migratory corridor in the Maasai Mara National Reserve — are substantive and cannot be abandoned without thorough scrutiny and a formal court decision.

Photo of the Ritz-Carlton Safari Camp in Maasai Mara. /BOOKING.COM

The court further observed that other issues cited in the petition, such as environmental protection and sustainable development, fall squarely within the realm of public interest rather than private dispute.

“Given the nature of the concerns raised and the level of public interest generated, this Court will not allow the notice of withdrawal,” the judge ruled.

Dapash’s advocate had confirmed on Wednesday, December 17, that an application had been made to withdraw the case. No reasons were provided, although some reports suggested the environmentalist’s concerns may have been addressed.

“The petitioner herein wishes to withdraw the entire suit instituted by way of petition dated 8th August 2025 with orders as to cost,” Dapash’s lawyer told the court.

In the petition, the environmentalist accused the lodge of interfering with the migration corridor linking the Maasai Mara National Reserve and Tanzania’s Serengeti National Reserve.

The corridor plays a critical role in allowing wildlife to move between the two reserves in search of pasture during the annual wildebeest migration.

Dapash also questioned whether the camp was legally established and compliant with environmental regulations, further alleging that the project infringed on the rights of indigenous communities.

The suit also lists the Narok County Government, the National Environment Management Authority (NEMA), and three other parties as respondents.

The hotel faced intense public backlash last month after videos emerged online showing distressed wildebeest near the facility.

However, in a statement issued on Thursday, November 27, the Kenya Wildlife Service (KWS) dismissed the footage as misleading, saying it was intended to damage the reputation of certain camps within the reserve.

KWS maintained that the hotel is located within a designated low-use tourism investment zone, as provided for under the Maasai Mara National Reserve management framework.

In a letter dated Tuesday, Deputy DPP Jacinta Nyamosi instructed the Directorate of Criminal Investigations (DCI) to open a probe and submit its findings within seven days.

The directive follows a formal request by the singer’s mother, Joyce Wairimu, who raised concerns over what she described as unresolved issues surrounding her daughter’s death.

A photo of the late Betty Bayo and her mother. /BETTY BAYO

Wairimu had earlier petitioned the DPP to order an inquest, stating that Bayo showed no signs of illness in the days before she died.

Read also: Betty Bayo's Mother Demands Exhumation Of Body, Claims Husband Assaulted Her

The family also said their concerns deepened after they were allegedly denied access to her postmortem report, despite claims that the singer had no known underlying medical condition.

According to official records, Betty Bayo, born Beatrice Wairimu Mbugua, died on Monday, November 10, following a battle with cancer.

However, her family has questioned reports around her leukaemia diagnosis, saying her condition rapidly worsened at the beginning of November under circumstances they consider suspicious.

They further criticised the handling of her burial, with her mother alleging it was rushed to potentially obscure key evidence related to her death.

The DPP has indicated that the investigation is intended to establish the actual circumstances that led to the passing of the ‘11th Hour’ hitmaker.

Concerns about Bayo’s health first became public in August 2025 when she was hospitalised and shared a photo on social media wearing an oxygen mask.

At the time, she attributed her condition to cold weather but did not disclose details of her cancer treatment.

Days before her death, additional questions emerged after reports claimed a hospital declined to admit her without a Ksh200,000 deposit. The hospital has since dismissed the allegations.

Surging to between 28 and 38 percent among urban adolescents, this is attributed to factors such as pollution, high-glycemic diets, and intense equatorial UV exposure that exacerbate breakouts and post-inflammatory scarring. 

Dr. Roop Saini, an internationally recognized board-certified Consultant Dermatologist and Kenya Association of Dermatologists (KAD) Committee member notes that there is a presently growing need for dermatology-led skincare solutions in East Africa. 

“East Africa's equatorial challenges demand barrier-focused active ingredients like thermal water and azelaic acid, proving more effective than standard products in humid weather. These ingredients restore the skin's microbiome and inhibit melanin production without irritation, offering sustainable relief from acne flares, eczema itch, and stubborn acne hyperpigmentation marks,” she said.

Dr. Roop Saini, an internationally recognized board-certified Consultant Dermatologist and Kenya Association of Dermatologists (KAD) Committee member, speaks on the various skincare challenges facing consumers in Kenya, including acne and eczema that are prevalent among the youth population and children respectively. /PHOTO

Globally, acne impacts 9.4% of the world's population, peaking at about 85 percent in young adults aged 12 to 25 years, this according to the Global Burden of Disease (GBD) study. However, Kenya's tropical climate and urban stressors amplify local rates, driving 10 to 30% of national outpatient skin consultations, as captured in the National Institutes of Health 2025 report. 

According to a 2024 study conducted at Kiambu Level 5 Hospital's dermatology clinic involving 1,183 patients, eczema was the most common skin condition diagnosed, with a prevalence of 25.5 percent. The majority of the patients favored the use of non-conventional products such as bar soap and milking jelly as routine skincare products.

The study also showed that hyperpigmentation affects up to 30 to 40 percent of clinical acne cases on account of post-inflammatory marks, intense ultraviolet light, and scarring effects.

The Kenya skin care market consists mainly of face creams, moisturizers, sunscreens, facial masks/packs/washes, body lotions & oils, lip balms & scrubs; anti-aging creams & serums; makeup removers; toners and cleansers, among others.

For about seven years, 28-year-old Joyline Wairimu from Gatanga in Murang’a County has battled severe acne that scarred her skin and fueled deep insecurities, leading to extreme discomfort, especially in social settings. Despite regularly trying on-the-shelf products ranging from supermarket moisturizers to bleaching creams, her breakouts worsened under Kenya's humid equatorial sun, leaving post-inflammatory hyperpigmentation.

“I’m often asked why my face has so many dark spots. It’s a question that can be unsettling and has, at times, shaken my confidence. For a long time, I struggled to manage it, until I finally found products in the market that helped ease the problem,” says Joyline. Her experience mirrors that of countless Kenyan youth, for whom acne remains a leading skin concern, accounting for an estimated 11 to 38 per cent of dermatology clinic visits nationwide.

These three conditions not only burden youth psychologically, but their prevalence has seen a rise in demand for dermo-cosmetics (specialized cosmetic formulations designed for specific skin conditions), with Kenya now seen as a key market for clinical skincare solutions. 

“As Kenya leads East Africa’s skincare revolution, we are seeing evidence-based treatments transform lives and empower a confident generation, making the future bright for skin and economy alike,” echoed Dr. Karimi Murage, Marketing Manager for Consumer Health at Groupe Ethica.

Groupe Ethica is the exclusive African partner of Pierre Fabre, one of the world’s leading dermo-cosmetic and pharmaceutical groups, which announced entry into the East African Market in November with their brands Avène and Ducray.

Poised to reach an estimated value of USD 125 million by 2026, the skin care market in Kenya is further projected to grow at a high growth rate of 11 percent by 2027. This growth can be attributed to increasing disposable income levels, rising consumer awareness, improved specialist access, and the availability of a wider range of products at affordable prices, alongside favorable government policies. 

With its strategic location, a burgeoning middle class, and a growing dermatological healthcare sector, the prognosis for the Kenyan skincare market remains highly positive. 

The country’s dermo-cosmetics sector is expected to continue its double-digit growth, driven by greater access to dermatological care, increased consumer education, and the emergence of other local and international players. 

The move follows BNN’s public announcement that it is open to a sale, setting the stage for what could become one of the most notable shake-ups in the regional digital media space. The gossip-driven platform is owned by controversial blogger Edgar Obare.

If successful, the acquisition would significantly strengthen SPM Africa’s position in online news and content production, consolidating audiences across multiple platforms and accelerating its growth strategy in a fast-evolving media landscape.

While financial details of the potential deal remain under wraps, industry watchers opine that the bid signals rising consolidation in Africa’s digital media sector as platforms race to scale, diversify revenue streams, and lock in loyal audiences.

A screen grab of SPM reception. /DEM WA FACEBOOK.THE KENYA TIMES

"SPM Africa (parent company to SPM Buzz and SPM Africa Studios) board approves a resolution authorising management to place an offer to acquire BNN, following the platform’s announcement that it is up for sale," SPM Buzz announced in an Instagram post on Wednesday, December 17.

SPM Africa has yet to expound on the timeline or terms of the proposed offer, but the development alone has already sparked intense speculation about the future of BNN and the broader media market.

What Will This Mean?

SPM Africa’s move to potentially acquire BNN is more than just a business transaction—it signals a major shake-up in the digital media landscape in Kenya as well as in Africa.

At a basic level, if the deal goes through, SPM Africa will expand its portfolio of platforms, integrating BNN’s audience, content, and resources with its own operations through SPM Buzz and SPM Africa Studios. This would not only increase the company’s reach but also give it a stronger foothold in diverse media segments, from online news to entertainment content production.

For consumers, the merger could mean a more consolidated news experience. Audiences may see enhanced content offerings, cross-platform storytelling, and possibly improved technology for content delivery, such as mobile apps or interactive digital experiences.

BNN’s existing audience could benefit from more investment in platform infrastructure, higher production values, and potentially broader coverage across Africa and even globally.

On the business side, the acquisition reflects the growing trend of consolidation in African digital media. As competition for audience attention intensifies, companies are seeking scale to improve revenue through advertising, subscriptions, and content partnerships.

SPM Africa could leverage BNN’s assets to increase ad inventory, boost influencer collaborations, and attract larger corporate clients looking for pan-African reach.

However, there are risks. Integration of teams, cultures, and systems can be challenging, and some online audiences might resist changes to BNN’s existing style or editorial voice. Regulatory approval and financial structuring of the deal could also influence its success.

In simple terms, there are fears by BNN's followers that the acquisition could take away what it was well known for, for years: unfiltered gossip and exposés, though some of the content has landed Obare in trouble with the law.

Still, the potential acquisition is a clear signal that Africa’s media sector is maturing and that players like SPM Africa are positioning themselves to dominate the digital space. For BNN, it’s an opportunity to scale faster, and for SPM Africa, it’s a strategic move to cement its place as a leading media powerhouse in the region.

Comedian Eddie Butita owns the platform and opened the media house's headquarters in 2021 as a media entity offering platforms for young creatives in terms of acting, videography, TV Hosting, radio shows, and podcasts.

This move comes after Obare announced that he was selling the BNN platform, revealing that the sale covered the company’s entire digital footprint, including social media accounts, brand identity, data, and registered trademarks.

“FOR SALE: BNN LTD – all digital assets, brand, data, and trademarks. Serious inquiries only. Deposit required,” read the post, emphasising that only genuine buyers would be entertained.

Obare had suffered a significant legal blow. On November 7, the High Court ruled against him in a defamation suit brought by model Bernice Nunah and another plaintiff, directing him to pay Ksh6 million in damages and issue a public apology.

The court found him responsible for a defamatory post he published in December 2022. Many online users claimed that the order had prompted him to sell his platform to pay the legal damages.

The festival brought an unforgettable wave of energy, with show-stopping performances from some of Kenya’s most exciting homegrown acts. Fans were treated to dynamic sets from Coaster Ojwang, Tipsy Gee, Masauti, Dede, Kabuda, Mwashumbe, Yollo, and high-voltage mixes by DJ Most Wanted and DJ Shacky, who kept the crowd dancing well into the early hours. The event showcased not just music but the vibrancy and unity that define the modern Kenyan cultural experience, an essence deeply aligned with Kenya Cane’s longstanding heritage.

Speaking after the event, Victor Adada, Brand Manager, Kenya Cane, emphasized the significance of the celebration, saying: “Jamhuri Festival was much more than a concert, it was a powerful expression of who we are as Kenyans. Kenya Cane has always stood for heritage, resilience, and community, and last night we saw that spirit come alive on stage and in the crowd. Bringing people together to celebrate our culture and amplify local talent is at the heart of what The True Kenyan Spirit represents.”

The festival drew revellers from across the Coastal region, reaffirming Voi’s growing reputation as a cultural hotspot and reinforcing Kenya Cane’s commitment to platforms that elevate Kenyan artistry and authentic shared experiences. From the electric performances to the vibrant atmosphere, the Jamhuri Festival delivered a memorable night of celebration, proof that when Kenyans come together in the spirit of heritage and joy, the rhythm is unmatched.

In a statement issued on Tuesday, November 16, KWS said the service will kick off on Saturday, December 20, aimed at making park visits easier and more accessible.

The buses will operate at Nairobi National Park, Aberdare National Park, and Lake Nakuru National Park.

At Nairobi National Park, the shuttles will make two trips daily between 9 am and 2 pm, with pick-up points at Nagol Ivory Park and the park’s main gate. 

Photo of a KWS bus. /KENYA WILDLIFE SERVICE

Kenyan citizens and East African Community (EAC) nationals will pay Ksh 1,500 for adults and Ksh 750 for children. Non-Kenyan resident adults will be charged Ksh 2,000, while children will pay Ksh 1,000.

For Aberdare National Park, adult citizens and EAC nationals will be charged Ksh 1,000 and Ksh 750 for children, while residents will pay Ksh 1,500 for adults and Ksh 1,000 for children. The park will have one daily trip departing at 9 am from Nyeri Post Office.

At Lake Nakuru National Park, buses operate twice daily at 9:00 a.m. and 2:00 p.m. Fares are set at Ksh 1,750 for adult citizens/EAC nationals and Ksh 850 for children, while resident adults will pay Ksh 2,000 and Ksh 1,000 for children. Pick-up will be at Railways near the police station.

KWS noted that the shuttle services, which operate mainly on weekends and public holidays, are designed to allow visitors to enjoy game drives without using private vehicles.

“Starting this weekend, 20th December, we’re bringing back the bus shuttle service on weekends and public holidays only through the festive season as part of the Jiachilie in Kenya Parks holiday campaign,” KWS stated.

“Explore our parks with ease at: Nairobi National Park, Aberdare National Park, Lake Nakuru National Park. Affordable, convenient, and perfect for family adventures this holiday season,” it added.

The announcement comes a day after the government stated that it would intensify surveillance along major transportation corridors to enhance safety during the festive season.

The orders on Thursday, December 11, came as a significant personal triumph for Lemaletian, bringing a much-needed closure to a breakup that had escalated into fear, anxiety, and public scrutiny.

The case, presided over by Magistrates Terer, arose from what had initially been a hopeful engagement between the senator and Musa Hussein Lenyumpa—a relationship she had once embraced openly before her family advised her to end it earlier this year.

She subsequently returned the Ksh 100,000 traditional courtship token, believing the matter would quietly fade away. Unfortunately, she was wrong.

A photo of the Milimani Law Courts in Nairobi. /FILE

The senator had disclosed to the court that the breakup led to harassment, threats, and defamatory remarks that made her feel unsafe in spaces that should have offered comfort—her home and workplace. Close associates noted the heavy emotional toll, particularly for a young leader juggling public responsibilities alongside a deeply personal heartbreak.

In a ruling that visibly relieved her supporters, the court issued permanent orders restraining Lenyumpa from threatening, harassing, assaulting, or interfering with Senator Hezena’s peace.

This includes barring him from approaching the senator and accessing her residence or office. He was also prohibited from spreading false or defamatory statements about her, directly or via social media.

The Milimani Law Courts’ decision ensures her safety and protects both her personal and professional life. Known nationally as the “Queen of the North” and celebrated for advocating for women, youth, and pastoralist communities, Senator Hezena now has formal affirmation of her right to safety and dignity.

While her public persona has often appeared unshakable, this case revealed a vulnerable side of a leader who faced private challenges with courage.

With the orders in effect, Senator Hezena can finally reclaim her peace, set boundaries, and return focus to her legislative duties—carrying the quiet strength of someone who fought for her safety and won.

In October 2024, Lemaletian revealed her engagement during a traditional ceremony and shared the happy news on social media. She had praised Lenyumpa as “a fine top brain” and affirmed her dedication to their relationship, a social media post she had revealed on May 16, 2025, that she deeply regretted.

At the time of the announcement, Lemaletian, nicknamed the most beautiful Kenyan politician, posted a video from her engagement ceremony, featuring a convoy of luxurious cars heading toward a stunning mansion nestled in a peaceful, tree-lined village. 

She had openly declared her love for her partner, vowing to honour and respect him. She playfully described him as one-of-a-kind, joking that he was made from a fabric that did not even exist.

Lemaletian first teased details of her relationship during a 2023 interview with NTV, where she responded to a comment on how men were willing to slide in her Direct Messages (DMs), saying, "Just keep throwing those pickup lines. The good thing is it won't be me reading my inbox...the password is out there somewhere."

Since exploding into the limelight on December 10, 2021, during her public address at the Azimio La Umoja National Convention held at Kasarani Stadium, she has won over thousands of men countrywide, among others who have been instrumental in her rise from the Queen of the North to the Senate seat.

Raburu’s lawyers told the press on Wednesday morning, December 10, that he has sought urgent intervention from the High Court after what they described as a clear breach of contract by the regional brewer.

They argued that Raburu, through his company, entered into a valid agreement with EABL and fully delivered on his obligations. Despite this, he has allegedly not received any payment or communication from the company since December 7, 2024.

Willis Raburu (next to lawyer Danstan Omari) and his legal team outside Milimani Law Courts on December 10, 2025. /WILLIS RABURU

The lawyers further claimed that EABL is now attempting to distance itself from the deal by arguing that the contract was never formally signed on their end.

They countered that the law upholds agreements where offer, acceptance, and performance are evident, which, in their view, makes payment mandatory.

Raburu’s team said the dispute has caused more serious damage beyond the unpaid dues, exposing him to pressure from suppliers and artists who assume he was paid but withheld their share.

“This has caused him not only financial loss but also the reputation of his brand is at the mercy of EABL owing to the fact that they have a stronger financial muscle over artists,” the lawyers noted.

Addressing the media, Raburu framed the court battle as part of a wider push for creatives’ rights in Kenya. He said he had tried for over a year to resolve the matter quietly and professionally before resorting to legal action.

“People must begin to respect the creators of this country. This is the big corporations, the SMEs, everybody must begin to respect the creators of this country,” Raburu stated.

Notably, he had opened up on this matter through a video he shared on his Instagram page, one which went viral and led to an outpouring of reactions from fellow creatives who shared similar sentiments.

Raburu acknowledged the difficult optics of challenging a major corporation that sponsors multiple industries, including media, but insisted that wrongdoing should not be ignored.

“That does not mean that because of that we cower away in fear because injustice is injustice,” he said, urging creatives facing similar issues to pursue legal remedies.

His lawyers warned of a growing trend in which powerful brands enter agreements with artists but fail to honor payments, pushing the creative sector into financial strain.

They cited recent consumer data showing the rise of Kenyan music and argued that artists should not continue being treated as “the lowest in the food chain.”

“We are calling upon them to act right and respect each and every one's rights. No one is above the law, irrespective of your financial muscle, irrespective of the brand that you have,” the legal team emphasized.

The court heard that Raburu’s team went all in on the assignment, creating more than 60 promotional reels, over 100 static posts, driving social media reach past one million users, and managing the entire event rollout — from influencers and security to media and logistics.

But despite delivering in full, the defendants allegedly “failed, neglected, and refused” to pay anything, pushing his communications company into financial strain.

The outcome of this case could have an impact on the creative industry in Kenya, as, for a long time, creatives have voraciously complained about late or even non-payments from corporates that contract them to market their brands.

“We are delighted to welcome guests to Ciel Dubai Marina, Vignette Collection, a visionary landmark that redefines innovation, luxury, and creativity at every level,” said Heinrich Morio, Managing Director of Ciel Dubai Marina. “This extraordinary hotel reflects Dubai’s status as a global destination for tourism and business, offering an experience that is as elevated as it is unforgettable. Our team of dedicated professionals are ready to welcome guests with genuine warmth and care, creating an atmosphere of heartfelt hospitality from the moment they arrive.”

Boasting 1004 rooms and suites, rising 82 floors and reaching 377 metres, Ciel Dubai Marina is an architectural and experiential landmark, where guests are invited to discover new dimensions through a multi-sensory and immersive stay. A dramatic exhibition of contrasts - east meets west, city meets sea, large-scale meets intimate, Ciel Dubai Marina is designed to leave guests with more than souvenirs, every visit tells a story. From the sky-high infinity pool to a vibrant array of dining destinations, each detail is carefully crafted to balance drama, depth, and substance. The interiors move with natural rhythm, where soft lines and serene tones evoke calm, warm hues and dynamic lighting bring energy, and organic textures provide grounding. The result is a space that feels both luxurious and deeply connected to nature, offering an immersive experience that lingers long after departure.

To celebrate its grand opening, the hotel invites guests to experience an exclusive limited time Opening Offer that includes breakfast for two, early check-in from 11:00 AM, and late check-out until 2:00 PM. Guests will also enjoy a complimentary room upgrade to the next category and receive a 25% discount on food and beverages at Risen, East14, West 13, and Nuage. The Opening Offer starts from AED 1050 and can be booked here. IHG One Rewards members can also earn double points when booking the Advance Purchase rate. This exclusive member-only offer applies to both business and leisure stays.

The hotel is home to eight destination dining venues, each designed to deliver exceptional culinary journeys. West 13 offers a vibrant Mediterranean experience, showcasing handmade pasta, gyros, tacos, mezze, and artisanal bakery creations. East 14 takes guests on an Asian buffet adventure, featuring live ramen, pho, sushi, dim sum, curries, and fresh Asian specialties. Risen Café and Artisanal Bakery serves breakfast, lunch, and an all-day menu filled with classic and specialty confectioneries, delicious café-style dishes, freshly baked pastries and award-winning barista coffee.

Adding a dramatic layer to the dining experience is Tattu, the award-winning, UK-born modern Asian concept, set to unveil a bold, multi-level destination. Tattu Dubai comprises Tattu Restaurant & Bar, Tattu Sky Pool and Tattu Sky Lounge. Each space tells its own story through dramatic interiors, boundary-pushing cuisine and sensorial moments that blur the line between fantasy and reality. The Tattu Dubai story begins on level 74, where the restaurant welcomes guests into a dramatic world of ancient mythology, modern mastery and contemporary Chinese and Japanese cuisine.

On level 76, the Tattu Sky Pool rises to 310m and is a must-visit destination, offering plush daybeds, Japanese-fusion bites and an energy that evolves from daytime relaxation to sunset DJ sets. The crescendo of the Tattu Dubai experience is on level 81, where the Sky Lounge & Terrace combines sophistication, music, cocktails and breathtaking 360° views to create an unforgettable rooftop experience.

Guests can rejuvenate at the spa on Level 61, opening in February 2026, where advanced beauty rituals meet time-honored traditions to create transformative experiences. The 24-hour state-of-the-art gym offers inspiring skyline views for an energizing workout. Guests can also enjoy seamless access to Soluna Beach Club on Palm Jumeirah, where they can unwind by the private pool or relax along the pristine shoreline. Families are warmly welcomed, with dedicated spaces and activities for children, including a Splash Pad, Kids Club, child-friendly menus, and thoughtful amenities at check-in. For business travelers and Executive Club guests, Nest located on Level 16 offers refreshments, skyline views, and stylish meeting spaces equipped with cutting-edge technology and personalized service.

Managed by The First Group Hospitality, the property offers immediate access to Dubai Marina with world-class dining, shopping, stunning beaches, and renowned attractions. Just minutes from Palm Jumeirah and Uptown Dubai, it serves as the perfect starting point to experience the city’s vibrant spirit and sophistication. Nearby, the bustling JBR beachfront and the dynamic Bluewaters lifestyle destination, home to iconic landmarks such as The Walk and Ain Dubai, the world’s tallest observation wheel, provide even more opportunities for discovery. The hotel also features direct access to the Marina boardwalk with its water taxis, as well as convenient connections to Dubai Marina Mall and the city’s tram and metro services.

The landmark property is the most ambitious project to date of The First Group, Dubai’s leading developer, and is part of IHG’s Vignette Collection, a family of one-of-a-kind, exclusive hotels curated for guests seeking rich and varied stay experiences. The brand allows owners of world-class independent hotels to retain their distinctive identity while benefiting from IHG’s global scale and luxury and lifestyle expertise.

Vignette Collection, IHG’s first collection brand, represents a family of one-of-a-kind hotels in destinations to remember. It combines each property’s individual identity with the brand’s collective vision to offer a more authentic travel experience through the key hallmarks of ‘Memorable Rituals’ and ‘A Means For Good’.

Memorable Rituals – bespoke to each Vignette Collection property, connects guests with the hotel’s unique identity, locality and cultural landscape. Ciel Dubai Marina’s Morning Hydration Ritual blends vitality and elevated hospitality. Each morning guests can enjoy OneShot-blended waters at the pool and gym, a simple yet uplifting gesture reflecting the hotel’s commitment to wellness and vibrant living in Dubai Marina.

A Means for Good – sees each Vignette Collection hotel with a chosen non-profit organisation partnership. Ciel Dubai Marina reinforces its dedication to nurturing future talent through a strategic partnership with the International Centre for Culinary Arts (ICCA). This collaboration focuses on training and developing the next generation of culinary professionals. From hosting monthly training workshops led by the hotel’s expert team to providing essential career opportunities for aspiring chefs, the initiative serves as a vital stepping stone, enabling students to achieve their full potential and drive innovation in the hospitality industry.

In a letter dated December 9, 2025, submitted by Omenke Andeje & Co. Advocates on behalf of her mother, Joyce Wairimu Mbugua, the family argues that the official narrative about how she died does not hold together.

Medical reports indicate the 39-year-old succumbed to advanced blood cancer—acute myeloid leukemia. Her family, however, rejects this explanation, maintaining that Betty had no known medical issues and had never shown symptoms linked to such an illness.

Joyce Mbugua says the family remains devastated, unable to reconcile how their daughter, “who never exhibited any illness, would just die mysteriously.”

A photo of the late Betty Bayo and her mother. /BETTY BAYO

Gaps flagged in her cause of death

In their petition, the family outlines several red flags they believe suggest foul play.

They argue that Betty had no medical background, pointing to leukemia or any other long-term condition. The letter notes she had never been on prolonged treatment or diagnosed with anything serious.

They also claim they were denied access to an autopsy report despite multiple requests. Without a postmortem, they insist, there is no way to confirm the true cause of death.

Another issue raised is that the singer was “hurriedly buried,” which the family believes may have been an attempt to hide crucial information or compromise potential evidence about her final days.

They further say they were blocked from obtaining her complete medical records, including details of any treatment she received and doctors’ observations. This lack of transparency, they argue, has only intensified their doubts.

Call for an urgent inquest

The family is asking the DPP to direct the Inspector General of Police to immediately open an inquest, beginning with exhuming Betty Bayo’s body for a proper, independent postmortem.

They argue that only a fresh forensic review can resolve their lingering questions and determine whether negligence, a cover-up, or foul play occurred.

They say the circumstances surrounding her death violate her constitutional rights under Articles 26(3), 35, and 157(4), and warn that failing to investigate further would deny them justice. “The family expresses their utmost disdain,” the lawyers state, insisting the truth must come out.

As the DPP evaluates the request, pressure is mounting from relatives and close friends who say the official explanation for Betty Bayo’s death does not align with her known health history. 

If granted, the inquest could mark a turning point in uncovering what happened to the young musician, whose sudden death continues to stir unsettling questions.

Speaking on Tuesday, December 5, at the launch of the Tsavo West Rhino Sanctuary in Ngulia, Taita Taveta County, Ruto defended the call for higher park charges, arguing that the measures will channel more income to both local communities and the state.

In a move that is likely to trigger pushback from conservation groups, the President also signed off on the development of premium hotels to host tourists within the park.

President Ruto announces construction of high-end hotels in Tsavo West Rhino Sanctuary, says tourists to pay between $500 & $1,000 a night#ViralVideos pic.twitter.com/obSrDxYRy0

— Viral Tea Ke (@ViralTeaKe) December 9, 2025

To support this shift toward high-end tourism, Ruto instructed that tourists be billed between Ksh64,625 (USD500) and Ksh129,250 (USD1,000) per day.

He further disclosed that, after consultations with the Kenya Wildlife Service (KWS) and other stakeholders, the government had agreed that no lodge inside the park would be permitted to charge below Ksh3,000 for accommodation.

"All tourists will now pay top dollar, which will be at an additional rate from the current rates. I have been briefed by the KWS that there will be 5 new hotels that will be built within this park," he announced.

"Those will be high-end hotels that would mandate visitors to pay between USD 500 to USD 1000 per day. That is what will be paid and is also currently being paid in the Maasai Mara.''

Adding "We have agreed in my directives to the KWS that there will be no hotels here to pay Ksh2,000 or Ksh3,000. We want to top our revenue so that it can reach the local community."

KWS and the Tourism Ministry are expected to roll out the directives, ensuring the new facilities conform to global standards.

Ruto also instructed the two agencies to craft a comprehensive carbon-trading blueprint for Tsavo East and West, aimed at unlocking new revenue streams for surrounding communities.

The plan will also cover the state-owned Galana Kulalu irrigation scheme as part of a unified carbon-credit zone.

"I also direct that the necessary team develop a carbon credits trading plan covering Tsavo East and West, Galana Kulalu to be made into a single zone so that we can have a harmonised zone to get carbon credits so that the locals can benefit," he said.

The policy shift is expected to reposition Tsavo alongside other high-end destinations such as the Maasai Mara, with KWS overseeing both construction and compliance with conservation standards.

The government intends to reinvest earnings from park fees and carbon trading into wildlife protection and infrastructure upgrades across the Tsavo ecosystem, including wildlife corridors and drought-resilience dams.

A photo of tourists admiring elephants at Tsavo National Park. /KENYA SAFARI HOLIDAYS

Building on the impact of previous seasons, this season of PAA ventures into the urgent conversations young people struggle to start but desperately need. It addresses the growing pressure to vape, alongside central themes of contraceptive awareness and reproductive health, including the HPV vaccination. 

It offers an unflinching look at the darkest issues affecting young women daily. Every episode is designed to empower girls to stay true to themselves, make informed choices, and recognise early warning signs in unhealthy dynamics.

This season also confronts, for the first time, the devastating realities of sexual pressure, manipulation, and grooming by older predators; addressing ‘paedophilia’ and the abuse of power that leaves young girls vulnerable. 

Official statistics underscore the drive behind the storyline. Per the State Department for Social Protection, nearly half of females (45.9%) experienced childhood violence, while among those who experienced childhood sexual violence, almost two-thirds (62.6%) suffered multiple incidents before age 18. 

Audience during the screening of PAA Season 4. /PHOTO

Svetlana Polikarpova, Country Director for SKY Girls Kenya, emphasizes the urgency: “The reality on the ground is stark: sexual pressure often comes from much older men. With one in six girls becoming a victim of sexual violence before age 18, we could not ignore this. PAA equips girls with the knowledge and the lingo to recognise manipulation and speak up to a trusted adult. Our goal with season 4 was to turn harrowing statistics into survival skills across some of the most pressing issues, including contraception, peer pressure, and vaping, as well as sexual coercion”.

SKY Girls Kenya aims to use Season 4 to spark nationwide conversations by collaborating with schools, educators, parents, and guardians who are often the first line of support. PAA acts as a safe doorway into these conversations, offering language, perspective, and representation that speak directly to teens. These episodes open critical lines of communication between teens and their parents and foster necessary dialogue between teachers and their students.

Norah Mogismo, a 19-year-old SKY Girl, has been actively engaged with SKY for the past three years. For this season, she contributed to story development, sharing what would be most relatable to young girls like herself. 

She notes, “The storyline felt really real because I’ve seen it happen, people I know have been victims of paedophilia. I related most to the scene where Abura (the leading character) opened up to her teacher. It showed me that if she had that opportunity and took it, other girls could also speak out. It tells every girl: your voice matters. PAA empowers us, giving us the confidence and the words we need to break the silence."

SKY Girls, Form 3 Student Moi Girls added, “What I really love about SKY is that the scenarios are just like the things we go through as girls every day. It feels real, and it shows me step by step how I can handle those situations better.”

At a private screening on December 4 at Cinemax, Sarit, government representatives, educators, youth advocates, influencers, and partners previewed the season and engaged in a moderated discussion. The event highlighted the importance of protection, advocacy, and strengthening momentum for the mission.

Speaking at the event, Diana Akinyi, psychologist at Usikimye, a Kenyan NGO that provides immediate intervention, psychological support, and legal aid to survivors of Gender-Based Violence (GBV), highlighted,

“What we see in PAA is not just a story, it’s the daily reality in our offices. Paedophiles are not monsters lurking in dark alleys; they are normal people close to us – often trusted individuals. They groom, they operate in familiar environments, and they prey on emotional vulnerability.

"This show is critically important because it teaches parents and caregivers to be vigilant and curious about their children's behaviour, and it empowers the child to know that their safety is paramount. We must call this what it is: paedophilia, and this series is what society needs to address the danger that is often hiding in plain sight," Akinyi remarked.

In a standout milestone for the local creative industry, PAA Season 4 was produced by an all-women production team, ensuring that every frame reflects an authentic understanding of the girl experience. Cast members include Mwende Kingori, Brian Ogolla, Peter Kamau, and Maureen Muthoni.

The series is now publicly available on the SKY Girls Kenya YouTube channel.

Toxic Lyrikali secured two of the evening’s most coveted trophies—Male Artist of the Year and Song of the Year for Chinje—cementing his status as one of the most influential voices in the current wave of Kenyan hip-hop.

Wakadinali also registered a strong showing, receiving Group of the Year and Album of the Year for Victims of Madness 2.0, while Scar Mkadinali added to the collective’s tally with a win in the Lyricist of the Year category.

Octopizzo rounded out the night’s dominant performers, taking home Alternative Artist of the Year and Video of the Year for Kadi.

Celebratory Atmosphere and High-Profile Attendance

The ceremony, hosted by Corine Onyango, began later than scheduled but quickly settled into an upbeat rhythm, featuring live performances, speeches, and surprise appearances.

KevTheDJ—later named DJ of the Year—opened the night with a set that shaped the tone of the event. The audience included nominees and industry figures such as Elisha Elai, Jimmy Truth, Mwafreeka of Iko Nini, Vallerie Muthoni, Breeder LW, and Elsy Wameyo.

A photo of the three awards won by Octopizzo in the Unkut Hip Hop awards 2025. /OCTOPIZZO

Veteran acts, including STL, Abbas, and Mbithi, also attended in a show of support for the current generation of artists.

Notable Moments and Impactful Speeches

The Changemaker of the Year Award, won by the Octopizzo Foundation, delivered one of the night’s defining speeches. Jimmy Truth, receiving the award on the foundation’s behalf, stated: “This is the biggest and most important award of the night."

"Giving back to the community is something that my brother and I have always felt intuitively we should do after growing up through all that hardship and finally getting some form of success."

Lowki the Great won Breakthrough Artist of the Year after a tightly contested category and delivered a speech marked by both humor and emotion, repeatedly saying “It is about damn time!” as he acknowledged his supporters.

Producer of the Year recipient Beat Kidd used his moment to challenge the corporate sector for what he described as a lack of investment in local music. “Tuseme ukweli, mbona corporate haiko hapa? (let's be honest, why aren't the corporates here?),” he remarked, before urging artists to remain committed to their work.

A poignant point in the programme came during the Lifetime Achievement Tribute, where Habib, brother to the late E-Sir, accepted the posthumous honor. “Long live the memory of E-Sir and what he did for Kenyan music,” he said, earning a prolonged ovation.

Toxic Lyrikali’s Defining Night

Toxic Lyrikali’s double win was widely viewed as the evening’s headline moment. In his acceptance speech for Male Artist of the Year, he said: “Those who doubted us can now realize they only did so in vain."

"My team and I have been putting in the hard work and going the extra mile, and this award proves exactly that. Mboka Doba to the world.”

His ascent, just three years into his career, was interpreted by industry observers as an indicator of shifting dynamics in Kenyan hip-hop.

FULL LIST OF WINNERS – UNKUT HIPHOP AWARDS 2025

Hip Hop & R&B Collaboration of the Year – Tonight Remix – Nikita Kering & Lilmaina
Graffiti Artist of the Year – Mutua Arts
Video Director of the Year – Omoke
Lyricist of the Year – Scar Mkadinali
Breaker of the Year – Legitz Movement & Arts Foundation
Producer of the Year – Beat Kidd
DJ of the Year – KevTheDJ
Album of the Year – Victims of Madness 2.0 – Wakadinali
Hip Hop Radio Show of the Year – Hip Hop Republik with Curtis (Ghetto Radio)
Fashion Brand of the Year – Nairobi Nnoize
Alternative Media Brand of the Year – Iko Nini
East African Hip Hop Artist of the Year – Fridah Amani (Tanzania)
Alternative Hip Hop Artist of the Year – Octopizzo
EP/Mixtape of the Year – The Book of Jones 1st Chapter – Khaligraph Jones
Song of the Year – Chinje – Toxic Lyrikali
Honorary Award – FANISI
Collaboration of the Year – Jitu – Nyashinski x Khaligraph Jones
Change Maker of the Year – Octopizzo Foundation
Content Creator of the Year – Comedian Mwirigi
Video of the Year – Kadi – Octopizzo
Breakthrough Artist of the Year – Lowki the Great
Group of the Year – Wakadinali
Best Female Artist – Femi One
Best Male Artist – Toxic Lyrikali

A flag of the late E-Sir on display during the Unkut Hip Hop awards 2025. /MONOCUTS

Joyce says she does not believe the reported cause of death—advanced leukemia—and insists the real cause must be determined.

In an interview with US-based Kikuyu influencer Shiru wa Oakland on Saturday, November 6, Joyce further claimed Betty had been suffering domestic abuse from her partner, Hiram Gitau, known as Tash. 

She said the two had ended their relationship three months before the singer’s death because of his violent behaviour.

A photo of the late Betty Bayo and her mother. /BETTY BAYO

“Betty Bayo was being assaulted by her husband, and she wrote a long, bitter message last Friday before she died. She cried and asked me why I had left her with him,” Joyce said, describing the toll her daughter endured.

Joyce also cast doubt on the leukemia diagnosis, arguing the timeline did not add up. “As a family, we are still in shock over what caused her death. Which cancer kills a person within two weeks? There should be a post-mortem on Betty’s body to determine the cause of her death,” she demanded.

Concerns over children and the estate

She further accused Tash of refusing to release Betty’s two children, aged 10 and 13, despite an earlier agreement on custody and management of the artist’s estate.

“He refused to attend the second family meeting about how we should handle these issues. He told us to go to court if we want the children’s custody,” Joyce lamented.

She alleged that Tash is attempting to control Betty’s assets, including registering her death certificate under his name and holding onto her identity card.

Joyce also suggested that Betty’s former husband, Pastor Victor Kanyari, should take custody of the children, arguing that Tash has not acted in their best interest. She said she is prepared to go to court if necessary.

During Betty’s burial, President William Ruto and Deputy President Kithure Kindiki donated a combined Ksh10 million—Ksh5 million each—for the children’s welfare. However, Joyce claims she has not received any of the money and is now appealing to Kenyans for help with legal expenses.

Tash ‘has another wife’

Joyce also stated that Tash and Betty were not formally married, saying their visit to her home amounted only to an introduction. “Customarily, he had not completed all the steps required for Betty to be legally married according to Agikuyu traditions,” she argued.

She further claimed that Tash has a wife in the United States and two daughters with her. “He could not have taken Betty to live in the United States because he already has another wife and two daughters there,” she added.

Silence from Tash and friends

As of publication, Tash had not responded to Joyce’s claims. Close friends of the late singer—among them gospel artists Shiru wa GP, Ben Githae, and Ngaruiya Junior—have also not commented.

Joyce stressed that her daughter’s final message documented the abuse she went through. “Betty Bayo was being assaulted by her husband, and she wrote a long, bitter message last Friday before she died. She cried and asked me why I had left her with him,” she reiterated.

She maintained that Betty’s children and estate must be protected. “He refused to attend the second family meeting about how we should handle these issues. He told us to go to court if we want the children’s custody,” Joyce said.

On matters of Betty’s property, she added, “He has also refused to hand over my Identity Card. I want Betty’s death certificate to be under my name!” stating that the children’s well-being is her priority.

Photo of the late gospel artist, Betty Bayo. /VIRAL TEA KE

The company will pay US$72 billion — about Ksh 9.3 trillion — to acquire Warner Bros.’ film and streaming divisions, including its extensive movie catalogue and the HBO Max service.

Netflix outbid Comcast and Paramount Skydance after a prolonged battle. The acquisition brings with it heavyweight franchises such as Harry Potter and Game of Thrones.

If approved, the deal would significantly reshape Hollywood at a moment of industry instability. It must still undergo rigorous regulatory review in the United States (US) and other markets.

A photo of a water tower with Warner Bros. logo. /TECHWEEZ

Netflix co-chief executive Ted Sarandos expressed that the company is “highly confident” regulators will clear the transaction and that it is moving “full speed” toward completion.

He argued that blending Warner Bros’ library with Netflix’s originals — including the hit-series Stranger Things — would “give audiences more of what they love and help define the next century of storytelling.”

Warner Bros. Discovery chief David Zaslav called the merger an alliance of “two of the greatest storytelling companies in the world,” saying the move would ensure global audiences “continue to enjoy the world’s most resonant stories for generations to come.”

The deal values WBD shares at US$27.75 (Ksh3,588.08) each, giving the company an enterprise value of about US$82.7 billion — roughly Ksh 10.7 trillion.

Both boards unanimously approved the agreement. Netflix expects the acquisition to expand its production capacity and accelerate investment in original content.

The takeover will be completed after WBD proceeds with its plan to split into two publicly traded entities in 2026, with Netflix set to acquire the Warner division while the Discovery Global arm retains international news channel CNN and other cable networks.

How This Deal Will Benefit Kenyan Users

1. One place for way more premium content

If the Netflix–Warner Bros. Discovery deal is approved, viewers globally — including in Kenya — will see a major consolidation of high-value entertainment.

Netflix would gain access to Warner Bros.’ extensive catalogue, from Harry Potter and DC films to Game of Thrones and HBO’s award-winning series. This means users would no longer need to juggle multiple platforms to access top-tier content; instead, much of it would be available on a single service.

2. More consistent access to HBO content

HBO programming has often been difficult to access reliably in many markets, Kenya included.

With Netflix absorbing HBO Max’s assets, HBO shows and films could become available more consistently and more quickly. This would eliminate regional delays and gaps that previously limited access to prestige titles.

3. Faster global releases

Netflix already operates on a unified global distribution model, offering simultaneous or near-simultaneous releases in most countries.

Integrating Warner Bros.’ output into this system could streamline international access to new movies and series, cutting down regional licensing barriers that often delay rollouts outside the US.

4. Better user experience

Netflix’s platform infrastructure is among the best in the streaming industry. Bringing Warner Bros.’ content under Netflix’s technology would ensure higher streaming quality, stronger personalization, and a more reliable user interface, improving the overall viewing experience for audiences worldwide.

5. Stronger investment in new shows and movies

Netflix has indicated it will increase spending on original productions after the acquisition. With Warner Bros.’ studio capacity added to Netflix’s existing pipeline, audiences can expect more high-budget series, international co-productions, and a generally expanded slate of fresh titles.

6. Potentially better pricing stability

The combined entity expects to save between US$2–3 billion by eliminating duplicated support and technology functions.

While pricing decisions remain uncertain, reduced operational costs could slow the pace of subscription price increases, offering some relief to consumers.

7. African and Kenyan creators might get a bigger runway

Netflix has been investing in African storytelling for several years. With additional studio muscle, the platform could broaden its appetite for original productions from the continent.

This may translate into more opportunities for Kenyan filmmakers, writers, and actors to access global audiences.

8. A more predictable ecosystem

As the streaming landscape consolidates, users may ultimately pay for fewer subscriptions while accessing more content.

For viewers, this means less fragmentation and simpler decisions about where to watch major film and TV releases.

Delivered on November 7, 2025, by Hon. Hosea Mwangi Nganga in Civil Case No. E6364 of 2022, the decision underscores the high legal risks tied to defamatory content published online.

The court granted the two plaintiffs Ksh4 million in general damages (Ksh2 million each) and Ksh2 million in exemplary and aggravated damages (Ksh1 million each).

Beyond the monetary award, Obare has been ordered to issue a full, unconditional apology, correct and withdraw the defamatory publication dated December 22, 2022, and comply with a permanent injunction stopping him from issuing further defamatory statements about Nunah.

A photo of model Bernice Nunah. /INSTAGRAM.BERNICE NUNAH

Nunah is a well-known figure in Kenya’s fashion and media scene, recognised as a leading runway and commercial model. She rose to wider prominence after placing second runner-up in the Miss World Kenya pageant for the 2019–2021 cycle.

She also runs a growing personal brand as an entrepreneur and content creator focused on luxury lifestyle, fashion, and travel.

Obare, a prominent Kenyan digital creator operating through Instagram, the BNN web, and Telegram channels, has faced multiple lawsuits over his reporting. However, this marks one of the few cases against him that have turned out to be a success.

At the time of publishing this story, the blogger was reported to have appealed to followers for financial support as he sought to file an appeal, presumably against the ruling. 

The judgment sends a clear warning to bloggers and digital publishers about the legal consequences of spreading false or harmful allegations online.

What The Law Says About Defamation In Kenya

Kenyan law primarily treats defamation as a civil issue, rather than a criminal one. The Constitution protects freedom of expression, but it draws a hard line at statements that unjustifiably damage someone’s reputation. After a 2017 High Court ruling struck down the Penal Code section that criminalised defamation, the country now relies almost entirely on civil law to resolve these disputes.

The Defamation Act outlines the basics: defamation can be either libel (written or published content) or slander (spoken words). For a claimant to succeed, they must show that the statement was published to someone else, that it referred to them, and that it harmed their reputation. In libel cases, the law doesn’t require proof of financial loss — the harm to reputation is enough.

Kenyan courts also recognise several defences. Truth is an absolute defence, so if the statement is factual, the claim collapses.

Fair comment offers another shield, covering opinions made in good faith on matters of public interest. Qualified privilege can also apply in situations where someone has a legal, moral, or social duty to share certain information.

However, for this case, online defamation falls under a separate framework in the Computer Misuse and Cybercrimes Act (CMCA) of 2018. Section 23 criminalises the deliberate posting of false information on digital platforms if that content is likely to damage someone’s reputation.

The offence attracts steep consequences: individuals found guilty can be fined up to Ksh5 million, jailed for up to 10 years, or face both penalties. In effect, the law brings back the possibility of imprisonment for reputational harm committed through online channels.

Overall, Kenya’s legal framework pushes people — especially digital creators — to be careful with allegations, because civil liability for reputational harm is very real.

A past photo of blogger Edgar Obare. /THE KENYA TIMES

In an emotional update to fans, Sandra announced that Bilal passed away early Wednesday morning, December 3, following diabetes-related complications.

“It is with profound sorrow that I announce the untimely passing of my colleague @webster_jnr this early morning due to diabetes complications. Bilal was a GREAT TALENTED ACTOR! We’ve lost one of the best in the industry.

“Burial date is set for Friday (tomorrow) 5/11/2025 at his rural home in Machakos. Kindly keep the family in your prayers. May God rest his soul in eternal peace.”

Collage of the late renowned actor Bilal Wanjau, aka Webster. /VIRAL TEA KE

Although it is not yet officially known, the exact cause of death, reports indicate he had been battling the complications for several months.

To many Kenyans, the sharp-witted, effortlessly funny actor was a defining figure of their childhood, thanks to his standout role on Citizen TV’s Tahidi High.

After Tahidi High ushered in new faces, Bilal expanded his craft, taking on recurring roles in productions such as Lies that Bind, Pepeta, and the hit comedy Jela 5 Star.

Wanjau’s legacy remains firmly rooted in Kenya’s entertainment story. Most Kenyans first encountered him in the classic Utahama Lini ads of the early 2010s, where his sharp humour and standout on-screen charisma quickly cemented his place in households nationwide.

Yet his impact stretched well beyond advertising. Bilal went on to craft a strong and respected acting career, featuring in several of Kenya’s most popular productions.

The acclaimed actor and director also built a strong presence in film and theatre. Beyond local projects, Bilal broke into international screens with an 18-rated adult drama titled 4Play.

The series explores the intertwined lives of four friends navigating relationships, loyalty, and personal struggles in modern-day Nairobi.

Bilal’s death leaves a real gap in Kenya’s creative scene — a loss that fans, peers, and everyone who worked with him are feeling hard.

His range, sharp humour, and honest, grounded performances made him one of the most relatable and genuinely loved actors of his era. Friends and colleagues say he will be laid to rest at his rural home in Machakos on Friday, December 5.

Photo of the late renowned actor Bilal Wanjau, aka Webster. /X

The Head of State stirred nationwide debate on Saturday, November 29, through his remarks made during the wedding ceremony of Qillian Ndeso Saiya and Moses Budamba Mudavadi, Prime Cabinet Secretary Musalia Mudavadi's son. It was here that Ruto urged young men not to shy away from marriage and taking up family responsibilities.

"The foundation of a nation is the firm foundation of a family. A nation is as strong as the families we put together, and therefore, as parents, we must do whatever it takes, encourage our children, as I do here, all the men in this room, those of you who are above the age of 25, get married," Ruto said amid laughter from the audience.

Those of you who are above the age of 25, get married. Stop club-hopping- President Ruto#ViralVideos pic.twitter.com/aaAhUsMaWK

— Viral Tea Ke (@ViralTeaKe) November 29, 2025

"Wacha kuzunguka hapa, unatoka kwa club hii inaingia kwa club hiyo, unatoka kwa club hiyo unaenda kwa club hiyo ingine (stop hopping from one club to another)." 

Ruto further criticised single men in Kenya for being afraid of courting women in the country for the purposes of marriage, particularly the women they love.

However, Gachagua, who spoke on Wednesday, December 3, while unveiling the newly elected DCP MCAs in Nairobi, accused the Head of State of being out of touch with reality.

According to the former Deputy President, the current state of the economy has made it difficult for young men to acquire their own residences where they can live and thrive comfortably with the women of their dreams...happily ever after.

"I heard William Ruto shouting at our youth and insulting them, 'oh these young people, they are cowards, they want to marry girls, ooh, they are fearing girls, why can't they marry', these boys cannot marry because they have nowhere to take the girls," Gachagua ranted.

"How do our young people marry a girl, and he has no salary, no job, no home to take the girl? I think our young people are very responsible for saying, 'I cannot take somebody's daughter anywhere'. How do you marry a young girl and you have no food to feed the young girl?"

Gachagua challenged President Ruto to "give them jobs. Fix the economy, these young people are ready to marry, but where will they take the girls?"

The President's remarks rattled the country to the point that some government officials came up with suggestions. Nairobi County’s Chief Officer for Citizen Engagement and Customer Service, Geoffrey Mosiria, urged President Ruto to roll out a dedicated “Starter Life Kit” to help Kenyans aged 25 and above get married and establish themselves during their first year of family life.

Mosiria appealed in a social media statement dated November 30, 2025, expressing support for President Ruto’s call encouraging young people to marry. 

He argued that financial constraints remain the biggest barrier preventing many youth from taking that step, and asked the President to channel the proposed support fund through the Ministry of Youth.

Mosiria argued that such support would steady young adults, push them toward more responsible lifestyles, and help curb the growing nightlife culture.

He also reflected on his time in the Nairobi County Environment Department, where he regularly carried out night inspections in clubs across the city. According to him, the number of women frequenting the nightlife scene far outnumbered the men.

"This is something I personally witnessed during my late-night operations back when I served in Environment. I went to nightclubs. While the boy child is at home, the girl child is in the club dancing like she discovered Nairobi Night Economy," Mosiria wrote.

A man putting a wedding ring on a woman's finger. /FILE

The entry of the two dermatology powerhouses marks a major milestone in East Africa’s fast-growing skincare sector and is endorsed by the Kenya Association of Dermatologists (KAD), who attended a healthcare professional launch event held on November 27, 2025.

The partnership brings Pierre Fabre’s global dermatological expertise into the Kenyan market through Groupe Ethica, strengthening the continent’s access to clinically validated, dermatologist-backed skincare solutions.

The global dermo-cosmetics skin care products market was valued at approximately USD 52.12 billion in 2021, and is projected to expand to around USD 92.83 billion by 2030, representing a compound annual growth rate (CAGR) of about 7.5 % from 2022 to 2030.

The Kenyan skin-care sector has been growing at double-digit levels as demand for science-led, dermatology-informed skincare rises, supported by improved specialist access and a rapidly health-aware youth demographic.

Dr. Karimi Murage, Marketing Manager for Consumer Health at Groupe Ethica, making her presentation during the launch of Eau Thermale Avène and Ducray dermo-cosmetics in Kenya. 

“Kenya is one of the most dynamic dermatology markets on the continent, making Pierre Fabre’s partnership with Groupe Ethica a significant step forward for dermo-cosmetics in Africa. The endorsement from the Kenya Association of Dermatologists also affirms the relevance of Avène and Ducray for Kenyan consumers seeking high-quality, evidence-based skincare,” said Rosemary Ayieko, the Head of East Africa, Groupe Ethica.

Kenya has emerged as East Africa’s anchor market for medical-grade skincare, with pharmacies, dermatology clinics and hospitals playing a central role in category adoption. Together, Avène and Ducray bring more than three centuries of dermatological science, medical collaboration, and pharmacy-led innovation to Kenyan consumers. 

Avène, the world’s No.1 dermo-cosmetic brand for sensitive skin in European pharmacies, enters East Africa with its 275-year heritage rooted in its legendary Thermal Spring Water and over 150 clinical studies.

“Kenya is one of Africa’s most exciting and fast-evolving skincare markets for us. We are committed to offering clinically proven solutions that soothe, repair, and protect sensitive and reactive skin especially in warm, humid equatorial conditions,” said Marcello Alagna, Marketing & Exports Director for Africa, Middle East and Turkey (AFMET) at Pierre Fabre Group.

The Kenyan market will receive hero ranges extensively validated for local climatic needs and common skin-health concerns, including four Avène brands, Cleanance, Hydrance, Cicalfate+, and the award winning TriAsorB™ SPF 50+. 

Ducray, founded in 1930, is globally recognised for its medical-grade solutions for acne, eczema, hyperpigmentation, hair loss, and scalp disorders. The Ducray range includes Keracnyl, Dexyane, Icytane, Anaphase+, and Melascreen.

“For nearly a century, Ducray has advanced dermatological science to help people live comfortably and confidently. Our expansion into Kenya responds to growing demand for targeted, dermatologist-endorsed skincare and we look forward to ground breaking collaboration with healthcare professionals across the region,” added Alagna.

Immediately available from leading pharmacies and selected hospitals across Kenya, the launch ensures wide and safe access to dermatologist-approved skincare products for patients and consumers throughout the country.

Both brands reaffirmed their long-term commitment to Kenya’s skin-health ecosystem including partnerships with beauty practitioners, dermatologists, pharmacists, hospitals, medical institutions, and professional associations, to strengthen skin-health literacy and ensure safe, effective skincare pathways for all consumers.

The three-day gathering brought together policymakers, entrepreneurs, and innovators from over 20 African countries to address the opportunities and challenges facing the continent's filmmakers, musicians, fashion designers, and tourism professionals - with Kenya featuring prominently in discussions about digital transformation and cross-border collaboration.

For young Kenyans navigating an increasingly competitive global market, the forum's sessions on artificial intelligence, virtual reality, and streaming platforms offered a roadmap for scaling their work beyond local boundaries.

Kevin Okeyo, founder & CEO of Mediakits, highlighted the digital platform’s approach to addressing financial barriers that have long constrained cross-border trade across Africa.

AfCFTA Director for Trade In Services Ms. Emily Mburu-Ndoria (2nd right) takes part in a panel discussion during the Creatives Connect Afrika forum held in Accra, Ghana, which ran from November 24-26, 2025. /PHOTO

“Our platform offers a digital credit scoring system, automated income pooling, AI-driven financial management tools, and interoperable cross-border payment systems - all designed to ease business operations under the AfCFTA framework,” he said. 

The forum's digital transformation sessions highlighted how Artificial Intelligence (AI) is revolutionizing content creation, video editing, marketing, and predictive analytics, while Virtual Reality (VR) technologies are opening new possibilities for immersive storytelling, virtual exhibitions, and innovative tourism experiences.

For the continent’s growing tech-savvy creative community, these tools represent practical pathways to compete on continental and global stages.

And as Khadijat El-Alawa, Head of Music and Talent for AfroFuture, pointed out, African songs often gain global recognition before reaching neighbouring countries due to weak intra-African connectivity and fragmented licensing systems.

The forum emphasized the need to strengthen local platforms that can retain revenue within the continent, rather than allowing value to flow exclusively to international services. Notably, over 85% of Africa’s 1.4 billion population discovers music through YouTube, and over 70% through TikTok, underscoring the dominance of visual content.

"We can't leave money on the table," El-Alawa stressed, calling for Africa to build its own systems - from metadata integrity to streaming regulation - to keep value on the continent. “If we connect our markets, strengthen our platforms, and build what speaks to us, we can protect our culture, scale our artists, and secure the future of African music,” she stated.

The forum placed significant emphasis on the AfCFTA's Trade in Services protocol, which offers artists unprecedented access to a continental market of 1.3 billion people.

In his keynote address, AfCFTA Secretary-General H.E. Wamkele Mene outlined the protocol’s specific benefits, including frameworks for protecting intellectual property rights, accelerating digital trade, facilitating cross-border mobility for artists, and removing barriers to market access.

“The creative sector is a priority frontier for intra-African trade,” he noted, adding that “a unified African market is essential for scaling creatives.”

These policies are particularly relevant for Kenya, whose relatively small domestic market has historically limited the commercial viability of large-scale creative projects.

Under AfCFTA, filmmakers, musicians, and fashion designers can now structure their work for regional distribution from the outset, dramatically expanding their potential audience and revenue streams.

Several speakers at the forum highlighted how countries with smaller populations - including Botswana and Ghana - are already leveraging AfCFTA protocols to expand markets for their creators, offering a model for other countries to adapt.

Additionally, experts noted the critical linkage between creative industries and tourism as interconnected economic drivers. Participants emphasized the need to deploy film, music, and fashion to strengthen Africa's soft power globally, in the process attracting investment and expanding export opportunities. However, significant barriers remain.

Olayiwola Awakan, Director General of Nigeria's Tourism Development Authority, cautioned that "until we talk about and break the barriers of visa restrictions, we cannot do tourism at its best in Africa".

This mobility challenge directly affects countries’ ability to host continental festivals, film productions, and creative collaborations - areas where Kenya has natural competitive advantages but remains constrained by regional travel difficulties.

For Kenya's young creatives, embracing digital tools, understanding intellectual property rights, and positioning their products for continental markets emerged as clear areas for immediate action.

“This is the core of our work as the AfCFTA Secretariat, and under the protocols for trade in services, intellectual property, and digital trade, we have brought together the cultural, creative, and tourism sectors to ensure that they are protected and able to thrive,” said Emily Mburu-Ndoria, Director of Trade in Services at the AfCFTA Secretariat.

Creatives Connect Afrika conveners (seated L-R) Rex Omar - Blackstar Experience, Emily Mburu-Ndoria - Director, AfCFTA Secretariat, and Kwakye Donkor - CEO, Africa Tourism Partners with delegates during the inaugural forum held in Accra, Ghana, which ran from November 24-26, 2025. /PHOTO

The wildebeest migration, celebrated globally, was recently recognized by the World Book of Records (UK) as the world’s greatest annual terrestrial wildlife migration and by the World Tourism Market (London) as Africa’s top tourism experience. KWS emphasized that Kenya continues to lead in sustainable wildlife conservation.

Addressing public concerns, KWS clarified that the Ritz-Carlton Safari Camp is located in a designated low-impact tourism zone, as outlined in the Maasai Mara National Reserve Management Plan (2023–2032). These zones were determined through decades of scientific research, ecological assessments, and spatial planning.

Photo of the Ritz-Carlton Safari Camp in Maasai Mara. /BOOKING.COM

"The integrity of the wildebeest migration corridors has been scientifically verified. The movements of migrating wildebeest in Maasai Mara have been mapped using more than two decades of GPS collar data collected from migratory wildebeest between 1999 and 2022," KWS revealed.

"The dataset indudes GPS tracks from over 60 collared migratory wildebeest. Each GPS fix typically represents herds ranging from 2,000 to 100,000 animals. The long-term wildebeest collar data indicate that the entire Maasai Mara National Reserve is a general dispersal area for the wildebeest."

KWS added that long-term wildebeest collar data clearly points to the fact that migrating wildebeest are utilizing the entire breath of the Kenya-Tanzania border within the Reserve (approximately 68 kilometres wide), without a specific preferred route or corridor.

The wildlife service further revealed that Masai Mara National Reserve is served by the Mara River, Sand River and Talek River, along which lodges and campsites are established and wildlife including wildebeest and zebra have historically moved across these rivers without any serious incidences.

"Along the Sand River alone, there are five (5) permanent safari camps and over two (2) seasonal camps and none has received such negative publicity like Ritz Carlton Safari Camp is receiving now.

"Therefore, the long-term monitoring data conclusively indicates that the location of the Ritz-Carlton Safari Camp and the other five safari camps along the Sand River camps do not fall within, obstruct, or interfere with any wildebeest migration corridors," KWS found.

KWS reaffirmed its commitment to preserving the wildebeest migration for future generations while balancing responsible tourism and community development.

A video that went viral in late November appeared to show wildebeest hesitating and turning back during their migration, with some critics claiming the safari camp was obstructing their path.

In the footage, dozens of wildebeest could be seen pausing near what looked like a man-made barrier, while some retreated. People were also visible on the property, seemingly within a former open wildlife corridor, appearing to chase the animals away.

The video reignited criticism from conservationists and local leaders, who argue that the development disrupts a crucial migration route between the Maasai Mara and Tanzania’s Serengeti.

In August 2025, Meitamei Olol Dapash, director of the Maasai Education, Research and Conservation Institute, filed a lawsuit challenging the development.

The case accused the lodge developer and Kenyan authorities of failing to carry out a proper Environmental Impact Assessment and alleged that the project violates the Maasai Mara National Reserve Management Plan, which calls for a pause on new tourism accommodation developments until 2032.

KCB on Tuesday, November 25, announced a collaboration with Sauti Sol Group Limited aimed at enhancing the festival experience for thousands of attendees expected at this year’s fifth edition of the event, now recognised as one of Africa’s leading showcases of music, culture, and creative expression.

The collaboration consists of a Ksh8 million sponsorship package that stands out as one of this year’s biggest corporate boosts to Kenya’s creative industry and is expected to significantly elevate the upcoming festival’s scale and operations.

What This Deal Entails

Under the partnership, Kenyans attending the concert will be able to purchase tickets using KCB Cards and make on-site payments for goods and services through KCB Tills and POS terminals, positioning SolFest 2025 as a largely cashless event. The bank says the move reflects its broader plan to deepen investment in Kenya’s creative economy.

Sauti Sol members pose with a dummy cheque capturing the Ksh8 million sponsorship deal with KCB on November 25, 2025. /KCB

KCB Bank Director of Digital Financial Services, Angela Mwirigi, underscored the bank’s commitment to supporting the country’s creative sector. “Kenya’s creative industry is a powerful engine for innovation, entrepreneurship, and youth empowerment," she remarked.

Adding "Our partnership with Sauti Sol reflects our commitment to investing in homegrown talent and creating opportunities for creatives to thrive. SolFest 2025 will not only be a celebration of music and culture but also a platform for economic participation and community impact.”

On her part, KCB Group Marketing and Communications Director, Rosalind Gichuru, reiterated the bank’s focus on strengthening community engagement. 

“KCB has always been centered on enabling progress for the communities we serve. Partnering with Sauti Sol allows us to extend that promise into the creative space, supporting talent, powering experiences, and building meaningful connections with the next generation.

"SolFest 2025 is a chance to show how financial solutions can elevate culture, convenience, and customer experience in one moment," she weighed in.

The high-profile influencers, most of whom wield significant followings on various social media platforms, flew to Israel in what appeared to be a state-funded tour during the ongoing conflict with Palestinians. 

The group includes Kambua as well as Kalekye Mumo, Kestin Mbogo, Evelyn Wanjiru, Mimo Karanja, Sarah Njoroge, Susan Grace, Mwende Macharia, Anjili Laura, GadWilliam Kiragu Kimani, and Caleb Kiragu.

Viral Tea has been perusing through their content, and a majority of them have been openly tagging the Israeli Embassy in Kenya, a signal that the influencers' expedition is officially supported or facilitated by the Israeli government.

A post of Kambua sharing her trip to Israel. /KAMBUA

"I am standing in the heart of Israel. This is Jerusalem. I am looking at where Jesus died and was buried. And then we will go to where he ascended to heaven. I am telling you this space and the atmosphere is so real, so fresh, it is like the way I read it in the Bible. I feel goosebumps.

"I cannot wait to share with you the journey of our tour here. Guess what, the Israeli embassy did that thing. Thank you for bringing us on this tour, we are so excited and looking forward to sharing," Evelyn shared when she took to her TikTok page to share her excitement about touring the country.

Several participants have described the visit as a “Christian homecoming” or pilgrimage to the Holy Land, but the branding has stirred fierce criticism back home. Many Kenyans online say the trip feels tone-deaf and amounts to a Public Relations (PR) stunt that ignores the humanitarian catastrophe unfolding in Palestine.

A major flashpoint is the clash between the trip’s religious framing and the political implications of joining a state-backed delegation. While pilgrimages to biblical sites hold deep meaning for many Kenyan Christians, critics argue that a state-sponsored tour inevitably comes across as endorsing Israel’s conduct in the conflict.

“It’s funny that most are Christians and are tagging the campaign as a Christian homecoming trip while Israel is an ethnostate that doesn’t support Christianity,” one user observed, pointing out the gap between the region’s religious heritage and the modern Israeli state.

The harshest criticism has targeted influencers known for humanitarian work. Figures like Kambua and Kalekye Mumo are being singled out as examples.

What is even surprising is that on Monday, in the midst of Kambua's posts, Al Jazeera broke the news that at least four Palestinians were killed by Israeli fire in Gaza despite a ceasefire being in place.

Exposure

As of Tuesday, November 25, details emerged that the influencers would not receive any 'monetary incentive' and that the trip was "a wonderful opportunity to explore Israel", according to an invitation sent to one of the influencers and seen by Viral Tea.

The full communication reads as follows:

We're organizing a fully sponsored influencer trip to Israel from 22nd to 28th November, and we'd love to have you join us. The trip will cover your flights, accommodation, and three meals a day-the only thing we ask in return is that you create and share authentic content about your experiences while in Israel.

There's no monetary incentive, but it's a wonderful opportunity to explore Israel, connect with other creatives, and experience its vibrant culture and innovation firsthand. Please let me know by the end of today if you're interested and available to travel, and kindly share a short bio so we can include your details in the delegation list

This has added fuel to the fire, with many Kenyan netizens expressing their shock at the personalities agreeing to embark on a fully-sponsored trip in exchange for selling Israel to the world through their social media accounts, without earning any income from doing so and instead being offered 'exposure'.

But what we did discover was shocking: a report by US-based publication Responsible Statecraft claimed that Israel is compensating a group of 14–18 influencers roughly $7,000 (Ksh906,500) per post to help boost its image among Americans.

The initiative, dubbed the “Esther Project,” is reportedly being handled by a newly formed agency operating from a Capitol Hill rowhouse known as Bridges Partners, and is expected to continue through November.

Nonetheless, detractors who have opposed this expedition say the Kenyan influencers' apparent alignment with Israel—at a time when thousands of Palestinian children have died in airstrikes—directly contradicts their public advocacy for human rights.

The outrage largely stems from claims that the influencers chose a sponsored trip over standing by universal humanitarian principles. The defence of some of the influencers over the trip as observed by responses to thousands of Instagram comments, has done nothing to calm the situation.

The incident highlights a recurring dynamic in geopolitics: governments leveraging cultural and religious connections as soft power. By hosting well-known personalities from countries such as Kenya, Israel aims to shape favorable international perceptions and counter negative coverage of the conflict.

But in Kenya—where public opinion broadly favors Palestine, often linking the struggle to Africa’s own liberation history—the influencers’ involvement is widely seen as a breach of regional and moral solidarity.

The dynamic has also been taken up by foreign embassies, which have chosen leading online personalities for tours of their own to infuse a touch of their cultures into Kenya’s identity and showcase the lesser-known treasures of their countries to the world.

On Saturday, November 15, Office of the Fourth President spokesperson Kanze Dena visited Bayo’s home to deliver Kenyatta’s condolences and present a contribution of Ksh1 million to her children, her husband, Huram Gitau, and close relatives.

A statement from Kenyatta’s office said the Ksh1 million was meant to ease funeral expenses and pay tribute to Bayo’s impact as a minister and musician.

Betty Bayo died on Monday, November 10, following a battle with leukaemia. Her family reported that her condition worsened sharply a week before her death.

Office of the Fourth President spokesperson Kanze Dena signing a condolence book during her visit to Betty Bayo's home on November 15, 2025. /OFFICE OF THE 4TH PRESIDENT

In his tribute, Kenyatta remembered her as “an extraordinary minister of the gospel whose music uplifted countless hearts and inspired hope across the nation.”

He added that “Betty’s legacy will endure through her children, her music, and the many lives she touched,” according to the statement issued by his office.

Ben Gitae had earlier disclosed that Kenyatta planned to give Ksh1 million and had requested the names of Bayo’s children so their education could be supported through the Kenyatta Foundation. Musician Ngaruiya Junior estimated the funeral budget at roughly Ksh3 million.

Her memorial will take place at Christian Foundation Fellowship (CFF) on Kiambu Road, a church she often ministered in through her music.

Earlier this month, Kenyatta hinted at his own health struggles, sparking speculation that this may have deepened his empathy toward Bayo’s battle.

Throughout her illness, Bayo chose to keep her condition private, reportedly asking friends not to organise fundraisers. A close friend said she wished to “die with respect.”

Her former partner, pastor Victor Kanyari, said he did not know how severe her illness had become, which he said made the loss even more painful.

Who Was Betty Bayo?

Betty Bayo rose to fame over a decade ago with “11th Hour,” a song that quickly became an anthem of hope and faith among gospel lovers across Kenya and beyond. Her distinct voice, coupled with heartfelt lyrics, made her one of the most influential female gospel singers of her generation.

Over the years, she released several other popular tracks, including “Wendo,” “Anabadilisha,” and “Thiiri.” Through her music, Bayo inspired thousands with messages of redemption, perseverance, and unwavering faith.

The news of her passing left fans and fellow musicians in deep shock. Tributes flooded social media, with many remembering her as a passionate minister through music who never shied away from sharing her personal struggles and faith journey. Her humility, strength, and authenticity earned her a loyal following within Kenya’s gospel scene.

Bayo’s influence stretched far beyond her music. She was part of a generation of gospel artists who successfully bridged the gap between church audiences and mainstream listeners. 

Her artistry demonstrated that gospel music could remain spiritually grounded while still being commercially successful. Many described her as a trailblazer who opened doors for younger female artists in a male-dominated industry.

In the grievance submitted by lawyer Francis Wanjiku, Blankets & Wine and its partner company, GoodTime Africa, are accused of failing to deliver the premium experience advertised for the event, which was headlined by Nigerian Grammy-nominated singer-songwriter Tems (Temilade Openiyi).

Wanjiku claimed that despite earning millions from ticket sales, vendor payments, and major sponsors, the show underperformed, especially for fans who bought high-end packages.

When the issue went public in October, CAK director-general David Kemei confirmed to Nation.Africa that the Authority was “reviewing” the complaint as part of initial checks.

Muthoni Ndonga, Creative Director of Blankets & Wine, shares insights on the evolution of the festival during a panel conversation held on October 29, 2025 at the Stakeholder breakfast. /CITIZEN DIGITAL

A letter sent to the lawyer this week had indicated that CAK officially summoned the organisers—MDQ included—as the probe into the event that sparked widespread public backlash gains momentum. 

“We will provide an update once the preliminary assessment of your complaint is finalised,” read the letter signed by Ronald Okong’o of the CAK Consumer Protection Department.

Wanjiku, on his part, took to X on Friday, November 14, to announce that Blankets and Wine organisers were summoned to appear before it. However, he went on to state that "That's why they have decided to release the lineup for the December edition."

Coincidentally, the developments came on the same day the event organisers released the musical lineup for its upcoming December 21, 2025 edition. This includes local artists such as Iyanii, Okello Max, Matata, Bridget Blue, Ssaru, and Shad Mziki, followed by Kenyan-born Australia’s Elsy Wameyo (ELSY), South Africa’s Mi Casa and Scorpion Kings, Tanzania’s Marioo, and Donae’o from the United Kingdom (UK).

Also Read: Blankets & Wine Admits Fault For Flopped September 28 Concert, Vows Major Changes

Two weeks ago, MDQ told reporters at Nairobi Street Kitchen that she had not been contacted. “We have officially not received any legal summons. We learned of this information through the media. Should we receive any notice from the Authority, we will follow due process,” she revealed.

“Our legal team reached out to the Competition Authority, and they said they received thousands of vexatious claims. When you make a complaint, you have to back up your complaint, and they give you time. Yesterday was the lapse of 30 days. They don’t have a full-on complaint, so there’s no investigation and there’s no suing,” adding that anyone who felt short-changed had every right to pursue redress.

The festival founder also criticised sections of the media for what she termed as “intentional misrepresentation” of facts, claiming that some reports had amplified the issue without verifying details.

Even though she acknowledged that dissatisfied attendees have a right to seek redress, MDQ questioned the framing of reports suggesting Blankets & Wine was being sued for millions of shillings. She then concluded by linking the controversy to what she had viewed as a wider societal problem—an online environment quick to condemn rather than engage constructively.

“There's something I find quite strange about that. Our desire, our takedown culture. We're gonna take you down. We want you to suffer, we want to punish you,” she said, describing the public’s tendency to sensationalise issues instead of pursuing dialogue and accountability.

Wanjiku had urged CAK to investigate the matter under Section 9 of the Competition Act (Cap. 504), arguing that paying attendees endured a substandard experience that failed to meet the advertised premium expectations. He called for both accountability and compensation for what he described as a “shoddy” event experience. 

The authority's findings are typically made public, and with the reported updates, this could still result in significant reputational damage for the organisers. The fallout could also affect their ability to attract sponsorships, partnerships, or secure permits for future festivals.

The agency on Thursday, November 13, reported a rising trend in cases where criminals pose as romantic prospects on dating apps and social media, build trust with victims, and then lure them into private homes or unfamiliar locations.

Once there, many victims — including both Kenyan citizens and foreign nationals — are ambushed, robbed, and in some instances physically assaulted.

According to investigators, the scheme typically involves emotional manipulation, rapid trust-building, and carefully crafted profiles designed to mask inconsistencies.

The DCI warns that individuals who appear “too perfect” or whose stories do not add up should be treated with suspicion.

"Avoid sharing any sensitive details, particularly financial information, with individuals you've only met online. Fraudsters are particularly skilled at creating emotional connections, which they then exploit to extract personal data that could lead to financial or personal harm," DCI stated in part.

The DCI further advises that all first meetings should occur in public, well-lit locations such as cafés, restaurants, or shopping centres, noting that private residences and secluded areas significantly heighten the risk of attack.

Members of the public are encouraged to inform a trusted contact of their movements before meeting someone from an online platform and to keep their phones charged and location-sharing enabled.

"Before you head out to meet someone, inform a trusted friend or family member about your plans, including whom you are meeting, where you will be, and the time of your meeting.

"Additionally, keep your phone charged and, if possible, share your live location with someone you trust," added DCI.

The DCI also urges anyone who feels unsafe or encounters suspicious behaviour to disengage immediately and report the incident to the nearest police station.

"The DCI remains deeply committed to the safety of all citizens, residents, and visitors in Kenya. Our teams are actively pursuing individuals and groups involved in these crimes, and we urge anyone with relevant information to come forward," added the statement.

One of those hospitals, AAR Hospital, has released a statement confirming that the beloved Kikuyu gospel artist, whose real name was Beatrice Wairimu Mbugua, was admitted for two days in its facility.

It was here that she received emergency and critical care before her family decided to transfer her to another facility for specialized treatment, Kenyatta National Hospital (KNH), where she would eventually pass on.

The hospital had clarified details of her admission while dismissing the wave of speculation and falsehoods spreading online about her final days.

AAR Hospital along Kiambu Road. /AAR HOSPITAL

“We are aware of various claims circulating on social media regarding this case. While we appreciate the public’s concern, we wish to emphasize that many of these reports are inaccurate and misleading,” AAR stated in part.

Nonetheless, AAR hospital expressed deep regret over the loss of the celebrated gospel artist, extending condolences to her family, friends, and fans. “We share in their sorrow and respectfully honour her memory,” the statement continued.

AAR also noted that out of respect for medical ethics and patient confidentiality, it would not release personal or clinical details about Bayo’s treatment.

“We assure the public that AAR Hospital remains committed to the highest standards of patient care, professionalism, and transparency,” the management added.

Bayo’s death triggered an outpouring of grief across Kenya’s gospel and entertainment scenes, with fans remembering her powerful voice and unwavering faith as tributes continue to flood social media.

The suspect, identified as Samira Mumbi Kiarie, alias Samira, had reportedly spent weeks charming the foreigner on social media, painting a picture of love, luxury, and loyalty, DCI said in a statement.

But when the Brit finally jetted into Mombasa to meet her in person, he had no idea he was walking straight into an elaborate setup.

According to investigators, moments after the man arrived at Samira’s posh apartment for their “dream date,” the door burst open. Two men stormed in — one pretending to be her enraged husband, the other posing as a police officer.

The so-called husband accused the foreigner of “ruining his marriage,” while the fake cop threatened to arrest him for adultery. Cornered and terrified, the man was forced to transfer Ksh800,000 to mobile numbers dictated by the gang.

"Once the cash landed, the trio calmly escorted their victim out before vanishing into Mombasa's humid night like ghosts after payday," stated DCI.

"But the honeymoon didn't last. Acting on forensic intelligence, detectives launched a stealth pursuit, arresting Samira and one of her accomplices, Paul Webster Mangeni, aka Paulo."

Preliminary findings revealed that the two are part of a wider romance scam syndicate that targets foreigners on dating apps, lures them to Mombasa, and robs them inside rented Airbnbs.

Both suspects are now in police custody, with authorities closing in on their third accomplice, who remains on the run.

Police are warning tourists and locals alike to be extra cautious when meeting online partners, saying “love scams” like this are on the rise across Kenya’s coastal region.

Cases of Kenyans running romance scams against foreigners have surged in recent months, especially along the Coast. Back in April, another British national reportedly lost Ksh14 million in a “bride scam.”

The victim, a 69-year-old man from Leiston, Suffolk, opened up to the BBC about how he wired his entire life savings to a Kenyan woman known as Anita, believing she was his future wife.

He said he had fallen in love for the first time since losing his wife, Pauline, in 2019, after meeting Anita online.

Convinced their love was real, he agreed to relocate to Nairobi to marry her and began sending money for what he thought was their new home. But when he finally arrived in Kenya, Anita had vanished — along with his savings.

Viral Tea has seen a post from her official Facebook page published on Sunday, November 9, at 8.30 am, with the caption reading "I can do all things through Jesus Christ, who strengthens me."

This was accompanied by a photo of her in a beautiful, long, red dress, posing at what looked like a church compound.

Last photo of Betty Bayo published on Facebook on November 9, 2025 before her death the following day. /BETTY BAYO

Meanwhile, a family spokesperson on Monday, November 10, shared new details about the late Bayo’s illness and her final moments before her untimely death.

The Attela Beach Resort was transformed into a scenic celebration of beer and culture featuring an all-star entertainment lineup and live music performances by hitmakers Bensoul and Fathermoh, and Harry Craze. The electrifying atmosphere was sustained by an impressive ensemble of top DJs: Gordo, Ves, Daffy, and Dimore, who kept the party at peak energy. The night was seamlessly hosted by crowd favorite MC Gogo and Kisumu’s own Hype Amollo, ensuring the grand finale was nothing short of legendary.

MC Gogo seized the stage early, igniting the crowd with a powerful opening performance that set the tone for the entire night. Harry Craze then commanded the stage, leading the crowd in an energetic dance frenzy before an exciting surprise: he brought Fathermoh out to perform their chart-topping collaborations. The unforgettable night concluded on a high note with a captivating and soulful final set by Bensoul.

The vibrant fusion of great beer, homegrown music, and an enthusiastic crowd reaffirmed Tusker Oktobafest’s position as East Africa's premier beer and culture festival.

Commenting on the spectacular success of the final leg, Brigid Wambua, Senior Brand Manager for Tusker, said, “We set out to reach as many consumers as possible with the Oktobafest experience this year, and we have successfully done that. Oktobafest exists to provide a platform for the celebration of Kenyan beer and culture every year. We have enjoyed the enthusiasm and support of our consumers and partners across the regions, and Kisumu has delivered a truly exceptional finale to our nationwide festival.”

Tusker Showstoppers pose for a photo at the Tusker Oktobafest in Kisumu.

Launched in September, the sixth annual edition of the celebrated beer festival promised an expanded, nationwide celebration of Kenyan beer and culture, featuring authentic local experiences. The nationwide festival featured a series of regional events, including:

• Nairobi Edition: October 4 at Carnivore Grounds
• Rift Edition: October 11 at Baniyas, Eldoret
• Coast Edition: November 1 at Big Tree, Mombasa
• Mountain Edition: November 1 at The Stinger Lounge-Kinyuki, Nanyuki

In addition to the main festivals, Tusker Oktobafest was supported by over 200 on-trade activations nationwide. Beer enthusiasts across the country enjoyed flash sales and exciting discounts on their favorite KBL beers, including lagers, stouts, ciders, and malts on ke.thebar.com and select e-commerce partner platforms.

Tusker extends its deepest gratitude to all consumers, talent, and partners who made the nationwide Tusker Oktobafest tour and its Kisumu Grand Finale an overwhelming success, reaffirming its dedication to celebrating Kenyan music, beer, and culture across every region of the country.

For more details on the festivals and ongoing promotions, follow @TuskerKenya on Instagram and Facebook.

The beloved Kikuyu gospel artist, whose real name was Beatrice Wairimu Mbugua, passed away on Monday, November 10, 2025, while undergoing treatment at Kenyatta National Hospital in Nairobi. According to reports, she had been battling cancer for a lengthy period before her demise.

Betty Bayo’s former partner, Pastor Kanyari, who shares two children with the gospel singer, confirmed her death after his team visited Kenyatta National Hospital on Monday, where she had been undergoing treatment.

Through his official social media page, Kanyari posted, “R.I.P Mama Sky, the mother of my kids.”

Photo of the late gospel artist, Betty Bayo. /VIRAL TEA KE

Several of Betty Bayo’s industry peers, including the well-known Bishop Benson Gathungu Kamau, have taken to social media to express their grief.

Bishop Kamau noted that the gospel artist had been battling advanced blood cancer (Leukemia). “Living a life of praising God and business, the mother of two has been a jovial artist until lately when she was diagnosed with blood cancer (Leukaemia) at an advanced stage,” he stated.

“She leaves behind a legacy of a great contribution in the growth of the Gospel Music industry, friendship, and a soul that maximised its full potential. She has rested after serving. My condolences to your Mum, Husband, Siblings, Friends, the Music industry, and to your beautiful children. Rest in Peace, Betty Bayo. Cancer will also die one day.”

Inooro TV News Anchor Wakarura Wa Nyutu also paid tribute, sharing that she had spent time with Bayo as recently as Monday, November 3. "Last Monday I was at your place. We stayed until almost midnight, we laughed, we talked, and I truly hoped you would be well. And now you’re no more," she wrote.

Who Was Betty Bayo?

Betty Bayo rose to fame over a decade ago with “11th Hour,” a song that quickly became an anthem of hope and faith among gospel lovers across Kenya and beyond. Her distinct voice, coupled with heartfelt lyrics, made her one of the most influential female gospel singers of her generation.

Over the years, she released several other popular tracks, including “Wendo,” “Anabadilisha,” and “Thiiri.” Through her music, Bayo inspired thousands with messages of redemption, perseverance, and unwavering faith.

The news of her passing has left fans and fellow musicians in deep shock. Tributes have flooded social media, with many remembering her as a passionate minister through music who never shied away from sharing her personal struggles and faith journey. Her humility, strength, and authenticity earned her a loyal following within Kenya’s gospel scene.

Bayo’s influence stretched far beyond her music. She was part of a generation of gospel artists who successfully bridged the gap between church audiences and mainstream listeners.

Her artistry demonstrated that gospel music could remain spiritually grounded while still being commercially successful. Many have described her as a trailblazer who opened doors for younger female artists in a male-dominated industry.

Her untimely death has also sparked renewed discussions around the need for better health support systems for musicians in Kenya. As tributes continue to pour in, fans are celebrating her legacy as a woman of deep faith who used her voice to uplift others, even in her own moments of pain.

Health Concerns

Betty Bayo’s passing is a heartbreaking reminder that even those who dedicate their lives to inspiring hope can face silent battles. Her music, however, will live on—continuing to touch hearts and remind Kenyans of the power of faith in life’s darkest moments.

A photo of the late gospel musician Betty Bayo. /BETTY BAYO

Following successful editions in Nairobi, Eldoret, Mombasa, and Nanyuki, the final stop promises an unforgettable celebration of Kenyan beer, music, and culture at the stunning Attela Beach Resort.

The Kisumu finale boasts a star-studded entertainment lineup including Bensoul, Fathermoh, and Harry Craze alongside top DJs Gordo, Ves, Daffy, and Dimore. The festival will be hosted by dynamic hype masters MC Gogo and Kisumu’s own Hype Amollo, promising an ecstatic night for attendees.

Access to the experiences will be by purchasing tickets at the venues for 1,000 KES, redeemable for either five bottles of Tusker Lager, Pilsner, or Balozi, or four bottles of Whitecap, Manyatta, Tusker Cider, Tusker Malt, Tusker Lite, or Guinness.

Launched in September, the sixth annual edition of the celebrated beer festival promised an expanded, nationwide celebration of Kenyan beer and culture, featuring authentic local experiences. The Kisumu finale offers an opportunity to explore how enthusiasts in the lakeside city celebrate their unique beer culture.

For more details on the festivals and ongoing promotions, follow @TuskerKenya on Instagram and Facebook.

According to court filings, Azziad argues that she risks losing her home despite having cleared all outstanding loan arrears.

She contends that she legally acquired the property through a mortgage arrangement with a deposit-taking savings and credit cooperative.

The influencer accuses the financial institution of attempting to recall the full loan amount and instructing an auctioneer to dispose of the apartment—valued at about Ksh20.3 million—in what she describes as an “unlawful and premature process.”

A photo of Platinum Oak Residency in Kileleshwa, Nairobi. /RAVI HOMES

In her plaint, Azziad says she joined the institution as a member, made consistent monthly contributions, and later qualified for a loan facility.

“Consequently, the 1st Defendant prepared the charge dated June 12, 2024, over the Suit Property to secure the disbursement of the agreed amount to the vendor of the Suit Property,” court papers state.

She further cites the loan agreement, noting: “The court will note that recital ‘B’ of the charge expressly states that the 1st Defendant, as the chargee, would not call for, sue for, or require the repayment of the loan under the charge outside the time specified by the charge.”

Court documents show that in April 2024, Azziad identified the Kileleshwa apartment she wished to purchase and was granted a Ksh20,389,720 loan to finance the acquisition.

The deal was formalized on April 16, 2024, and the property was charged to the lender in June 2024, after which it was transferred to her name.

By the time of the dispute, she had begun repayments totaling Ksh897,924.68. “However, like most Kenyans, the Plaintiff fell into arrears in repaying the loan due to the current economic hardships, with the arrears amounting to Sh1,510,035 as of September 2025,” the court documents read.

Azziad claims the institution later deducted Ksh2.45 million from her savings account on September 19, 2025, clearing all arrears. But just days later, on September 24, 2025, an auction notice was published, announcing the sale of her property on October 8, 2025, over an alleged balance of Ksh21,881,979.35.

The TikTok star argues that this move violates the loan agreement and the legal charge, especially since the arrears had already been settled.

Additionally, Azziad accuses the lender of undervaluing her property, allegedly listing it as a three-bedroom instead of a four-bedroom unit—something she says could lead to it being sold below market value.

She insists that the required statutory notices under the Land Act were never properly served, making the auction process “illegal and unlawful.”

Azziad is now asking the court for:

1. A declaration that she is not in loan arrears and that the auction notice dated September 24, 2025, is “illegal, unlawful, and therefore null and void.”
2. A permanent injunction restraining the lender and the auctioneer from selling or interfering with the apartment.
3. Damages for breach of contract and costs of the suit.

She maintains that she still resides in the apartment and plans to continue making repayments as per the agreed schedule.

Her upscale home at Platinum Oak Residency in Kileleshwa, Nairobi, was officially put up for sale by Okuku Agencies Auctioneers.

According to a notice on local dailies and previously obtained by Viral Tea, the public auction was to take place on Wednesday, October 8, 2025, at 11:00 AM, at the Jeevan Bharati Building, 7th Floor, Harambee Avenue, Nairobi.

Units at the Ravi Apartments, where Azziad’s residence is situated, are valued between Ksh 24.5 million and Ksh 29.5 million. Reports indicated that she defaulted on a Ksh 25 million mortgage, a move that eventually triggered the auction.

A building housing The Judiciary in Nairobi. /THE JUDICIARY

Speaking during a media briefing at Nairobi Street Kitchen on October 29, 2025, Ndonga, alias Muthoni Drummer Queen (MDQ), addressed the widespread speculation that followed the September 28 edition of the event, which attracted heavy online criticism. She clarified that despite the online chatter, no formal case had been filed against the company.

“We actually saw someone on Twitter (X) said they had filed a complaint to the Competition Authority, I believe?” Ndonga said, explaining how the rumour started.

“And so, we waited to hear from the Competition Authority, we waited to hear what the complaint is, and we haven't heard what the complaint is.”

Muthoni Ndonga, popularly known as Muthoni Drummer Queen (MDQ), during a past event. /FILE

According to the celebrated Kenyan rapper, drummer, songwriter, and cultural entrepreneur, the alleged complaint to the CAK never materialised into a formal investigation.

“They (CAK) receive thousands of vexatious complaints, and if you do make a complaint, you have to back up your complaint, and in 40 days or 30 days. Today was the lapse of the 30 days, so they don't have a full-on complaint, there is no investigation, there is no suing,” she clarified.

Also Read: Why Blankets & Wine Risks Hefty Fines Over September 28 Concert That Angered Fans

The festival founder also criticised sections of the media for what she termed as “intentional misrepresentation” of facts, saying some reports had amplified the issue without verifying details.

Even though she acknowledged that dissatisfied attendees have a right to seek redress, Ndonga questioned the framing of reports suggesting Blankets & Wine was being sued for millions of shillings.

“I think what's pissing me off about this story is the intent behind it. And there's intent on multiple parts,” she revealed, questioning the motives of those spreading the narrative, adding “But the person who then reports that story leads to this kind of perception, that we're (Blankets & Wine brand) being sued for millions and millions of shillings, um, I wonder what the intent there (was)."

Ndonga concluded by linking the controversy to what she views as a wider societal problem—an online environment quick to condemn rather than engage constructively.

“There's something I find quite strange about that. Our desire, our takedown culture. We're gonna take you down. We want you to suffer, we want to punish you,” she said, describing the public’s tendency to sensationalise issues instead of pursuing dialogue and accountability.

The Blankets & Wine founder maintained that the festival remains operational and that no legal action has been initiated against it.

Ndonga's remarks followed a formal complaint lodged with CAK by city lawyer Francis Wanjiku, who accused the organizers of unfair trade practices over the poorly managed Kasarani event. Wanjiku urged CAK to investigate the matter under Section 9 of the Competition Act (Cap. 504), arguing that paying attendees endured a substandard experience that failed to meet the advertised premium expectations.

He called for both accountability and compensation for what he described as a “shoddy” event experience. CAK has begun preliminary investigations into the event, with organisers reported to be facing the risk of penalties running potentially into millions of shillings.

The organisers released a lengthy statement admitting to multiple shortcomings during the September 28, 2025, edition, pledging major improvements ahead of the December 21, 2025, “Kenyan Summer” show.

Also Read: Blankets & Wine Admits Fault For Flopped September 28 Concert, Vows Major Changes

Meanwhile, CAK had yet to respond to Ndonga's remarks by the time this story was published. The authority's findings are typically made public, which could still result in significant reputational damage for the organisers. The fallout could also still affect their ability to attract sponsorships, partnerships, or secure permits for future festivals.

Describing the incident as “a blatant disregard for road safety,” MAK called on the Office of the Director of Public Prosecutions (ODPP) to step in and ensure Bahati faces legal consequences.

“The viral video showing a musician licking his spouse’s foot while driving is a clear display of recklessness and disregard for road safety,” the association said in a statement.

The clip, reportedly recorded as the couple marked their wedding anniversary, captured Bahati driving a moving vehicle while Marua, seated in the passenger seat, stretched her legs across onto him. The artist was seen fondling her legs as the car remained in motion.

The video quickly blew up online, drawing backlash from critics who accused Bahati of pulling reckless stunts — commonly known as ragebait — to boost engagement on social media.

In its statement, MAK condemned the act as both “morally questionable” and a violation of traffic laws under Section 49 of the Traffic Act, which penalises anyone driving “without due care and attention.”

“Such behaviour constitutes distracted and dangerous driving – serious offences under traffic law. Failure to act sets a dangerous precedent that may embolden others to engage in life-threatening theatrics behind the wheel,” MAK warned.

“Driving is not a playground; it is a responsibility that demands full attention and respect for the lives of others on the road,” the statement added.

The incident comes amid growing public scrutiny of high-profile figures caught breaking traffic laws.

Just last week, Kibra MP Peter Orero issued an apology after his driver was fined for a road rage incident that went viral.

The footage showed Orero and his driver, George Oduor, hurling insults at CNN journalist Larry Madowo, who had blocked their attempt to drive on the wrong side of the road.

Oduor was arraigned at the Milimani Law Courts in Nairobi, where he was accused of obstructing other motorists and driving on the wrong side of the road, actions that led to the heated exchange with the journalist.

The song, titled “Pumzika Baba”, celebrates Odinga’s legacy, highlighting his immense contribution to Kenya and the African continent.

In the track, Shusho commends Raila’s dedication, courage, and the lasting mark he left through his political journey.

Listen to it below:

In a statement released on Friday, October 17, Shusho extended her condolences to Kenyans, describing the country as her second home.

“Kenya is my second home. My Ministry has immensely grown through the support of my Kenyan family. I stand with you as we celebrate this great son of Africa, ⁦Raila Odinga⁩. I had to do this for Kenyans,” she said.

Her song added a spiritual tone to the growing wave of musical tributes across the region as Africa mourns one of its most influential leaders.

Raila Song Tributes

Shusho joined other artists who have honoured Odinga through music.

Kenyan rapper King Kaka recently released a touching song in his memory, while Benga star Prince Indah also paid tribute through a heartfelt composition.

Music was a central part of Odinga’s life, often featuring in his public appearances. One of his favourite songs was Harry Belafonte’s “Jamaican Farewell,” which carries the poignant line, “But I am sad to say, I'm on my way, won’t be back for many a day…”

On Friday, October 17, during Raila's state funeral, President William Ruto led thousands of mourners in singing the song.

“Fellow mourners, one of the Honourable Raila Odinga’s favourite songs was ‘Jamaica Farewell’ by Harry Belafonte — a melody of longing and gentle sorrow. He often broke into a dance, and with a big smile, sang along,” President Ruto said as the song began to play.

Visibly emotional, Ruto joined the crowd in singing the opening lines, moving many to tears. Mourners, including Mama Ida Odinga, the Odinga family, and leaders from across Africa, stood in reflection.

Ruto noted the song’s message of farewell and homecoming mirrored Raila’s journey, calling him a man who had “sailed many seas for the sake of his country.”

President Ruto sings Raila Odinga’s favourite song “Jamaica Farewell” by Harry Belafonte during State Funeral#ViralVideos pic.twitter.com/aEG8Klv6dN

— Viral Tea Ke (@ViralTeaKe) October 17, 2025

In a notice dated Thursday, October 9, Justice Stephen Onjoro scheduled the hearing for October 23, 2025, and ordered all parties involved to appear in person. The judge further warned that failure to comply with the court’s directives would attract legal penalties.

The case stems from a defamation suit filed by Burale on Wednesday, October 8, in which he is seeking Ksh20 million in damages over claims made in an interview featuring Alex and Rozina.

Milimani Law Courts in Nairobi. /NUSOJ

During the viral YouTube interview, Rozina shared a deeply personal account of her one-year marriage to Burale, describing it as the darkest period of her life and calling it her biggest mistake.

She accused the preacher of emotional neglect and financial struggles within their marriage, further alleging that she had discovered distressing information after accessing his personal email documents.

In his court filings at the Milimani Law Courts, Burale argued that the statements made by his ex-wife were false, malicious, and intended to tarnish his public image. He also accused Alex of failing to exercise journalistic responsibility by publishing the interview without verifying the claims.

Burale now wants the court to compel the Mwakideus to delete the YouTube video and bar the public from reposting or sharing the content across other platforms.

"Pending the hearing and determination of this application inter parte, an injunction be and is hereby granted restraining and prohibiting the sharing or posting of any type of interaction regarding the defamatory publication," read part of the application.

"Pending the hearing and determination of this application and suit, an order of injunctions be and is granted, legally compelling the defendants to publicly withdraw and acknowledge the falsehood of the defamatory verbatim in the video."

The petition also seeks to prohibit anyone — including the defendants and members of the public — from storing, sharing, or commenting on the video or any of its excerpts.

So far, the interview has attracted more than 651,000 views on YouTube, with clips from the conversation spreading widely across social media platforms.

Radio personality Alex Mwakideu and his sister, Rozina Mwakideu. /ROZINAH MWAKIDEU

In a statement issued by his management on Thursday, Obinna explained that the move was prompted by widespread allegations from online bloggers, whom he accused of exploiting the tragedy for social media engagement.

"This decision follows persistent defamation by online bloggers and social media users who have weaponised acts of kindness for views, likes, and engagement," Obinna stated.

"What began as genuine efforts to uplift those in need has been met with fabricated stories, malicious trolling, and profound ingratitude that seeks to destroy rather than appreciate."

In his strongly worded statement, Obinna clarified that ending one-on-one assistance does not mark the end of his charitable efforts, which have long been part of his brand.

He noted that three of his key initiatives would continue as planned, including the Obinna TV Studios CSR programs.

Obinna added that the Obinna TV Foundation — his official platform for organized charity work — would remain active, alongside his business and professional engagements.

However, he emphasized that all forms of personal or direct aid to individuals would stop, including responses to random requests for help or any unstructured charitable efforts outside the foundation.

Addressing the ongoing accusations, Obinna revealed that he is preparing to file a defamation suit against those publishing what he described as false and damaging statements.

"Individuals, bloggers, and content creators publishing unwarranted, unverified, or defamatory remarks will face legal action. We have tolerated baseless accusations long enough. Documentation is underway, and accountability will be pursued to the fullest extent of the law," he added.

Shalkido, born Paul Koigi Mungai, died following a horrific motorcycle crash along Thika Road on the morning of Sunday, October 5.

After parting ways with the media personality and heading home following an event in Thika, Shalkido was involved in the fatal accident, which Obinna was the first to report.

Many Kenyans took to social media to criticize Obinna, questioning why he allowed Shalkido to ride his motorbike instead of offering him a lift in his car.

The tragedy occurred just a few months after Obinna had hosted Shalkido on his YouTube show, where the artist opened up about his financial struggles. His story moved Kenyans, and through Eric Omondi’s Sisi Kwa Sisi initiative, well-wishers came together to buy him a motorbike.

Sadly, the former Sailors Gang member, who had planned to use the bike for a boda boda business, lost his life in an accident involving that same motorbike barely a month later.

In his complaint, Francis Wanjiku argued that attendees who paid for what was marketed as a premium experience were subjected instead to a poorly organised and chaotic event.

Wanjiku is now calling on CAK to investigate the organisers for unfair trade practices and to ensure that attendees are compensated for what he described as a “shoddy and misrepresented” event experience.

“Today, I have filed a formal complaint regarding the Blankets and Wine event held on 28th September 2025 at Kasarani – Laureate Grounds.

Nigerian global sensation Tems delivered an electric performance that lit up the Blankets & Wine stage on September 28, 2025. /VIRAL TEA KE

"I have requested the Competition Authority of Kenya to conduct an investigation under Section 9 of the Competition Act (Cap. 504) due to unfair trade practices and consumer welfare concerns,” Wanjiku announced on his X account on Tuesday, October 7.

What Could Happen?

If the Competition Authority of Kenya (CAK) proceeds with an investigation and finds merit in the complaint, several outcomes are possible under the Competition Act (Cap. 504).

Should CAK determine that the event organisers engaged in misleading marketing, false advertising, or failed to deliver services as promised, the festival could be found to violate the consumer protection and fair trade provisions of the law. This would establish that attendees were subjected to unfair trade practices or deceptive conduct.

In such a case, the organisers could face administrative penalties, including fines of up to 10 percent of their annual turnover, depending on the seriousness of the misconduct and the financial scale of the event.

CAK could also order corrective action, compelling the organisers to refund or compensate affected consumers for the poor experience. This may include partial reimbursements or other forms of restitution for ticket holders.

The Authority may further issue cease-and-desist orders to stop misleading advertising or similar practices in future events. Such directives are often accompanied by requirements to improve transparency in ticket pricing, advertising, and event management.

CAK’s findings are typically made public, which could result in significant reputational damage for the organisers. The fallout could affect their ability to attract sponsorships, partnerships, or secure permits for future festivals.

However, if the Authority finds insufficient evidence of wrongdoing, the organisers could be cleared of all allegations, and the case would be closed with no penalties.

Overall, the possible outcomes range from public reprimands, financial penalties, and compensation orders to complete exoneration, depending on what CAK uncovers during its investigation.

What Actually Happened

The festival, headlined by Nigerian Grammy-nominated singer-songwriter Tems (Temilade Openiyi), was riddled with technical failures, including distorted sound, delayed performances, and acts performing out of order — leaving many revellers frustrated. Most notable was a last-minute change to the performances' schedule, which saw Ugandan musician Joshua Baraka surrender his slot to Tems, making him the last main act of the event.

Away from the stage, the situation worsened as the bars opened late, creating long queues and near-stampede incidents within the venue. 

However, network issues, as we found out while covering the event, were arguably the most frustrating, with a majority of revellers reporting being unable to make and receive phone calls, complete their payments via mobile money transactions, and log onto the internet to share minute-by-minute updates of the highly anticipated event.

Also Read: EXPLAINED: Can Too Many People At A Concert Cause A Network To Fail?

The event drew close to 20,000 fans and, other than Tems, featured acts such as Baraka, Willis Chimano, We Are Nubia, Toxic Lyrikali, and Zaituni. It made a comeback after its June edition was cancelled over security concerns ahead of nationwide demonstrations on Wednesday, June 25, 2025.

The organisers are yet to release an official statement on the matter at the time of publishing this story.

Joshua Baraka and Bien in a surprise collaboration on a special rendition of “Nana.” during their performance on September 28, 2025. /BLANKETS & WINE

The accident, which took place in the early hours of Sunday morning, has shocked the entertainment industry, with fans and fellow artists flooding social media with emotional tributes.

Reports indicate that Shalkido was heading back to Nairobi from a late-night gig in Thika when he lost control of his motorcycle around 4 a.m. Witnesses described a gruesome scene, saying the crash left him with severe head injuries, with some speculating that a hit-and-run vehicle may have been involved.

He was rushed to the Kenyatta University Teaching, Referral and Research Hospital (KUTRRH), where he was admitted to the ICU with a brain hemorrhage and a fractured left leg.

Tragically, in a video posted on TikTok, his cousin confirmed that Shalkido succumbed to his injuries at around 6:30 p.m., standing alongside the artist’s father.

“Hello, guys, it is a sad evening. We are here with Shalkido’s father, and we have just received a report from the doctor that Shalkido died at 6:30, just a few minutes ago. So, guys, let us come together and stand with this family. Everything will be okay,” the cousin said.

Held on Saturday, October 4, at the Carnivore Grounds, the night was a resounding, nostalgic tribute to the golden era of Kenyan music, perfectly blending local beer and vibrant culture.

The event marked the first major stop in the deconstructed festival’s nationwide tour and delivered on its promise to bring the biggest hitmakers of the decade onto one epic stage.

The air was electric as thousands of attendees gathered to witness performances from the artists who defined a generation.

The lineup was stacked with Kenyan music royalty. Attendees were treated to performances from Nameless and Wahu, the industry’s first couple, delivering their iconic hits; pioneering hip-hop group Kalamashaka; chart-topping ensemble P-Unit; the legendary trio Kleptomaniax; Genge maestro Jua Cali; classic hitmakers Big Pin, Mr. Lenny, and Prezzo; the influential duo Necessary Noize; and the soulful Sainapei.

Iconic Hip-hop trio Kleptomaniax reunite on stage for a thrilling performance during the Tusker Oktobafest x Kulture event at Carnivore Grounds on Saturday, 4th October.

The night’s soundtrack was expertly curated by Kenya's most celebrated DJs, ensuring an uninterrupted flow of nostalgia. Crowd favourites DJ Pinye, DJ John Rabar, and DJ Nijo commanded the decks.

Keeping the energy high and guiding the audience through the night were charismatic hosts Muthoni Bwika and the legendary Jimmi Gathu, who broke the norm by MCing the event in a dynamic radio show format.

“Working with Tusker to bring this experience to life has been amazing. The 2000s defined a uniquely Kenyan sound, and seeing the massive turnout proved that the music and the culture are timeless,” said Fakii Liwali from the Kulture team.

The Senior Brand Manager, Tusker, Brigid Wambua, added that “The Kulture night wasn't just a concert; it was a cultural reunion. Witnessing artists who shaped a generation share the stage and feeling the passion from the attendees confirmed that Kenyan heritage is alive and thriving. This is exactly the spirit we want to carry across the country as Tusker Oktobafest connects with local communities and celebrates what makes our beer and music truly Kenyan.”

The revelers also had an opportunity to experience the premium taste of Johnnie Walker, the event’s key sponsor, at its flavour lounge, where guests sampled an array of signature cocktails served for free. The brand’s participation underscored its continued investment in Kenya’s creative economy, supporting platforms that celebrate music, culture, and local talent.

Tusker Oktobafest is set to continue its regional journey throughout October and early November, bringing the celebration closer to beer lovers across Kenya. Don't miss these upcoming festival stops:

• Rift Edition: October 11 at Tamasha, Eldoret
• Coast Edition: October 18 at New Big Tree, Bamburi
• Lake Edition: October 25 at Atella Beach Resort, Kisumu
• Mountain Edition: November 1 at The Stinger Lounge-Kinyuki, Nanyuki

In addition to the main festivals, Tusker Oktobafest will be supported by over 200 on-trade activations nationwide. Beer enthusiasts can also look forward to flash sales and exciting discounts on their favourite KBL beers, including lagers, stouts, ciders, and malts. These exclusive offers will be available on ke.thebar.com and through select e-commerce partners.

For more details on the festivals and ongoing promotions, follow @TuskerKenya on Instagram and Facebook.

KBL's Josephine Katambo and Christine Kariuki pose for a photo during the Tusker Oktobafest x Kulture event at Carnivore Grounds on Saturday, 4th October.

We're celebrating the best of Kenyan beer and culture with the biggest 2000s hitmakers, all on ONE stage, for ONE epic night! Come pay homage to the legends, groove to iconic tunes, and toast to the good ol’ days with fantastic beer, and bold, iconic experiences powered by Johnnie Walker.

Don't miss out! Tickets available at getaticket.co.ke Event starts 2 PM till late.

See poster for full details or check out Tusker Kenya / Kulture experience

The details of the event are as follows:

When:        Saturday, 4th October 2025

Where:      Carnivore Grounds

Time:          2:00PM till late

The final lineup is stacked with some of Kenya’s most dynamic entertainers. Fans can look forward to explosive live performances from Mejja, Iyanii, Maandy, and Tipsy Gee, with high-energy hosting from hype machines MC Gogo and Azeezah. To keep the decks blazing, DJ Gibbz Tha Daqchild, DJ Malaika, and DJ Bash will be joined by Nakuru’s very own talents DJ Ruby, DJ Jomba, and Jussneera. Adding extra spice to the experience, TikTok sensation Collo Blue will bring his unmatched online energy to the live stage.

The takeover will also feature interactive brand experiences, bold surprises, and unforgettable Captain Morgan cocktails crafted to keep the vibe flowing all night. Consumers will also enjoy sizzling treats from the Captain’s Grill station, making this event more than just a party, it’s a full-on adventure in spice and flavour.

“We are excited to bring the Captain’s Yard experience to Nakuru, a city that knows how to celebrate life with energy and style. Captain Morgan is all about unleashing boldness, fun, and unforgettable moments, and this takeover will be no different. We are looking forward to creating lasting memories with our consumers as they enjoy great music, spiced cocktails, and unique experiences at Rift Valley Sports Club.” Said Victor Adada, Brand Manager, Captain Morgan.

To join the Captain’s Yard Takeover, consumers will need to purchase a 750ml bottle of Captain Morgan for 2 tickets or a 250ml bottle for 1 ticket. Gates open at 2pm, and fans are encouraged to come ready to unleash their spice, However you spice Spice On.

The festival, which brought together an eclectic mix of international and Kenyan acts across its Live and DJ (Onja Onja) stages, unfolded with artistic pomp and glamour on Sunday, September 28, 2025, as a number of artists made their Blankets & Wine debuts to enthusiastic festivalgoers. 

Thousands of fans gathered to witness a bold fusion of African talent, global artistry, and cultural innovation that has defined sounds at the festival for over 16 years. Headliner Tems delivered a commanding set that merged alluring and intimate vocal moments with high-energy crowd interactions.

Rising artists Joshua Baraka, Willis Chimano, We Are Nubia, Toxic Lyrikali, and Zaituni each defined the day with their own signature performances that lit up the live stage, reinforcing Blankets & Wine’s reputation for drawing international acts with emerging Pan-African talent. 

The night hit a high when Joshua Baraka brought out Bien for a surprise collaboration on a special rendition of “Nana.” Their effortless chemistry and soulful harmonies left the crowd both emotional and electrified, turning the stage into a celebration of East African talent and unity. /BLANKETS & WINE

Coming on at 9.20 pm, resplendent in all white, Tems closed the Live Stage with an hour's set that balanced slow, affectionate moments with her fuller, more anthemic numbers, drawing sustained crowd sing-alongs with her vocal control and stage presence. 

“I love you, Nairobi. This is the most enthusiastic welcome I have received anywhere in Africa. Thank you for the love”, she said to her thousands of singing, chanting, and cheering fans.

Closing the night was Joshua Baraka, whose equally anticipated performance did not disappoint, with highly engaged crowds dancing and singing along. Baraka's polish on stage, songwriting, and charisma shone through, translating into a strong emotional connection with fans in several of his mid-tempo and up-tempo numbers.

“Festivals like Blankets & Wine give us consistent exposure and credibility as performers. That’s what builds careers. Blankets & Wine is not just a festival but an honoured institution that will continue to professionalize and globalize East Africa’s music scene into the future,” said Joshua Baraka during an earlier interview, as he reflected on the thrill of performing on the Blankets & Wine stage once again.

More than entertainment, Blankets & Wine has, since its inception, mirrored the transformation of Kenya’s live music and festival landscape. From a laid-back Sunday afternoon concert, Blankets & Wine has grown into a continental cultural force, shaping audience expectations and musical palates.

From innovations such as “Lipa Pole, Pole” fan-friendly ticket payment options to staging world-class musical entertainment and lifestyle events that celebrate experimental and genre-pushing musicians, Blankets & Wine continues to grow into a cultural powerhouse and launchpad for African musical talent. 

“As audiences have grown more diverse, digitally savvy, and culturally proud, Blankets & Wine has evolved alongside them, transforming into a vibrant celebration of Africa’s appetite for live music. Today, that appetite is being fueled by generational shifts, bold experimentation in African genres, rising technical excellence, and the growing impact of digital platforms in curating audiences,” said Justine Mbugua, Head of Festivals at GoodTimes Africa.

Additionally, the vibrant Onja Onja stage showcased performances from Akoth Jumadi, Itendera, Santa Currie, Bune, Corinne Kahi, and Mr Lu, with the electrifying B3B set comprised of Ghedi, DJ Paps, and Hiribae bringing a unique fusion of beats and dynamic creativity to the festival.

Integral to the festival’s unique atmosphere, the renowned Onja Onja market offered a vibrant platform for SMEs and artisans, showcasing the diversity in Kenyan food, crafts, and culture. The marketplace not only enriched the festival experience but also highlighted Blankets & Wine’s commitment to uplifting small businesses within the creative economy.

Back on the live stage, Willis Chimano, making his Blankets and Wine debut, delivered a powerfully charged show, belting some of the crowd’s favourite jams by Sauti Sol alongside his new material. Fans swayed to his signature vocal runs and emotive performance, which earned applause after applause. 

Earlier in the day, the live stage had played host to up-and-coming acts, Flier, Toxic Lyrikali, Billy Black, Zaituni, and We Are Nubia. Flier took to the stage with a measured intensity, unveiling tracks like “Wazungu wako Ulaya” that drew close attention from a crowd keen to connect with his introspective, romantic sound. 

Billy Black followed with a more expansive, high-energy presence, his smooth vocals and commanding stage energy earning immediate acclaim while bringing the festival magic with his ability to shift from mellow to powerful vocal moments.

Zaituni stood out with her soulful delivery and charismatic presence. Backed by her strong vocal control and audience rapport, she moved and connected with the crowd for an impressive Blankets and Wine stage debut. 

The ‘We are Nubia’ duo of Margaret Atieno and Gloria Munga, also marking their first appearance at Blankets & Wine, gave their unique blend of Nairobi and regional sounds with a set that included both fan favourites and collaborative moments that reinforce the group’s growing reputation for bringing lush harmonies and communal stage energy. 

A notable on-stage moment came when We Are Nubia shared the stage with Zaituni for a collaborative performance. The energized exchange between the acts, with vocal interplay and call-and-response segments, in a show that not only amplified both acts’ profiles but also created one of the festival’s most energetic and memorable moments.

Another standout act, Toxic Lyrikali delivered one of the most arresting sets of the day, grounding the festival’s polished lineup with raw lyricism and street-sharp delivery that resonated deeply with fans. His performance fused biting social commentary with crowd-friendly hooks, drawing chants and call-backs that quickly turned casual listeners into active participants. 

By the end of his set, it was clear that Lyrikali had not only introduced himself to the Blankets & Wine faithful but had also staked a claim as one of Kenya’s most compelling new rap voices to watch.

“Blankets & Wine has always been intentional about creating space for artists who are not afraid to innovate, blending ancestral roots with modern expression. That is the true spirit of our festival – a bold, fearless, and authentic celebration of African creativity,” said Creative Director, Muthoni-Drummer Queen-Ndonga (MDQ). 

A staple of East Africa’s Music festival culture, amplifying local sounds and elevating them onto global stages, Blankets & Wine is renowned for spotlighting the Future of African Music in its artists. Artists like Akoth Jumadi embodied this renaissance, delivering performances infused with ancestral sounds and modern sonic experimentation, resonating deeply with audiences seeking authenticity and cultural pride. 

The Blankets & Wine September 2025 edition, stretching beyond the stage, underscored Blankets & Wine’s role as both a cultural mirror and a creative compass. Coming just days after the successful international debut in the United Kingdom (UK) of Blankets & Wine - Bradford Edition, held on September 6, 2025, the festival continues to expand its footprint by creating bridges between African artistry and global audiences.  

Bringing the authentic Blankets & Wine experience to audiences in the UK, the Bradford edition featured a full day and evening of live music, DJ sets, and the warm Blankets & Wine festival atmosphere. The lineup included some of Kenya’s most exciting artists, such as Bensoul, Boutross, Njerae, Elsy Wamweyo, DJ Euggy, Tina Ardor, Blinky Bill, Coster Ojwang, alongside Muthoni Drummer Queen herself. 

This milestone reflects Blankets & Wine’s ongoing commitment to cultural exchange and artistic collaboration in showcasing African creativity on a global stage while shaping the region’s creative economy through live music shows and performances. 

The next Blankets & Wine-Kenyan Summer Edition is scheduled for December 2025.

Toxic Lyrikali kept the energy sky-high with rapid-fire delivery and unapologetic charisma, igniting the crowd with his gritty sound and streetwise storytelling. His performance was a powerful nod to Nairobi’s vibrant underground music culture. /BLANKETS & WINE

According to the Kenya Wildlife Service (KWS), the revised charges were approved following the publication of the Wildlife Conservation and Management (Access, Entry and Conservation) (Fees) Regulations 2025, under Legal Notice No. 160 of 2025.

The regulations, endorsed by Parliament on September 25, are designed to boost conservation funding, enhance visitor experiences, and ensure Kenya’s parks remain competitive on the global stage.

"The Wildlife Conservation and Management (Access, Entry and Conservation) (Fees) Regulations 2025 (Legal Notice No. 160 of 2025), governing entry and access to Kenya's National Parks, Reserves, and Sanctuaries, will officially come into effect on Wednesday, 1st October 2025," a statement from KWS said. 

KWS stated that Tourism and Wildlife Cabinet Secretary Rebecca Miano fully supported the new tariffs, emphasizing her ministry’s commitment to ensuring their rollout is smooth and transparent.

KWS Director General Erustus Kanga further assured visitors that any payments already made via the eCitizen platform before the fee revision would remain valid.

The Kenya Wildlife Service (KWS) has announced that there will be no free entry to Lake Nakuru on Saturday, September 27, despite its inclusion in the highly publicized free access initiative.

"Kenya Wildlife Service (KWS) wishes to provide an update on the free entry to National Park, Reserves and Sanctuaries earlier communicated through the Public Notice dated 23rd September 2025," KWS stated in part.

"The public is hereby notified that there shall be no free entry to Lake Nakuru National Park, tomorrow Saturday, 27th September 2025."

Entrance to Lake Nakuru National Park. /FACEBOOK.MUHAMMED YOUSUF

KWS added that only visitors with prepaid eCitizen tickets will be allowed in, and they can only use the Nderit Gate between 6:00 am and 6:00 pm. The main Flamingo Gate and Lanet Gate will remain closed for the day.

KWS, however, did not reveal the reasons behind the scrapping of the national park from the list of the parks included in the free entry offer, which still stands for all other KWS-managed national parks, reserves, and sanctuaries across the country — including crowd favorites like Amboseli, Hell’s Gate, and Chyulu Hills.

"The public is further advised that all other KWS-managed National Parks, Reserves, and Sanctuaries across the country shall remain open and accessible tomorrow, Saturday, 27th September 2025, under the free entry initiative for Kenyan citizens," added the statement.

KWS has urged visitors to strictly observe park rules and regulations during their visits.

It is believed that KWS's decision to exclude Lake Nakuru from the free-entry program was informed by logistical challenges, but likely an attempt to avoid reigniting protests linked to unresolved grievances, particularly the case of Brian Odhiambo.

Before the announcement, Odhiambo's family appealed to Kenyans to join in the search for their kin, taking advantage of the free entry initiative. "When you come to Nakuru on the 27th, come in large numbers to help us look for our son," Odhiambo's mother urged in a video released on social media platforms.

Odhiambo, a 31-year-old fisherman, disappeared on January 18, 2025, after being arrested by KWS rangers for illegal fishing inside Lake Nakuru National Park.

Witnesses alleged he was beaten unconscious during the arrest in the Vietnam area and later seen loaded into a KWS vehicle. His body surfaced in the lake a month later, sparking suspicions of a cover-up.

Court testimony from fellow fishermen indicated Odhiambo was unresponsive in the rangers’ vehicle and was never booked at Bondeni Police Station, unlike others arrested that day.

Although officers claimed he escaped, six rangers — Francis Wachira, Alexander Lorogoi, Isaac Ochieng, Michael Wabukala, Evans Kimaiyo, and Abdulrahman Suli — were later interdicted and charged with abduction. They deny killing him.

The case has become a flashpoint over alleged KWS brutality against local fishermen, who accuse rangers of using excessive force to enforce the fishing ban.

Odhiambo’s death triggered violent protests in January 2025, with locals torching parts of the park fence and demanding justice.

This year, Tusker Oktobafest embraces a deconstructed, nationwide approach, bringing the celebration closer to beer lovers across Kenya. The festival will kick off with a special treat for Nairobi fans: a nostalgic "Kulture" experience at Carnivore Grounds on October 4, featuring a throwback to 2000s Kenyan music.

Addressing the attendees, Marketing Manager Mark Mugisha outlined the brand's vision for this year's festival. "In the six years of providing a platform to celebrate Kenyan beer and culture, we have built a phenomenal property with Oktobafest," he stated.

"Even as the brand evolves and the format varies to meet the needs of our consumers, our commitment to celebrating how we do beer and culture remains unwavering. This year, we are taking the festival to our consumers, allowing us to truly meet them where they are and deepen our social and economic impact across the country."

Musician and Songwriter Mbithi performs the Oktobafest anthem during the launch of the 6th Edition of the Tusker Oktobafest at the Tusker Brew House on Thursday, September 25

The Ag. KBL Commercial Director, Edward Kimathi, also spoke, highlighting the business strategy behind the new format. "This year's deconstructed approach is about creating richer, more authentic experiences that resonate with our consumers," he said. "It also allows us to open up our value chain to a wider network of local service providers and talent. As a proud Kenyan brand, KBL remains committed to growing and supporting the local economy."

The launch event provided a first glimpse into the festival’s exciting calendar, which will feature a series of regional events designed to offer unique, localized experiences:

1. Nairobi Edition: October 4 at Carnivore Grounds
2. Rift Edition: October 11 at Tamasha, Eldoret
3. Coast Edition: October 18 at New Big Tree, Bamburi
4. Lake Edition: October 25 at Atella Beach Resort, Kisumu
5. Mountain Edition: November 1 at The Stinger Lounge-Kinyuki, Nanyuki

In addition to the main festivals, Tusker Oktobafest will be supported by over 200 on-trade activations nationwide.

Beer enthusiasts can also look forward to flash sales and exciting discounts on their favourite KBL beers, including lagers, stouts, ciders, and malts. These exclusive offers will be available on ke.thebar.com and through select e-commerce partners.

For more details on the festivals and ongoing promotions, follow @TuskerKenya on Instagram and Facebook.

On Wednesday night, September 24, she took to her social media handles, sharing a 2:44 video clip, with fans anticipating that she would formally address the matter, but she didn't; instead, she took a rather unusual route.

“There is something I respect, my online followers and my family, my social media family, because we have been on this journey for a very long time," she began.

Azziad, who first went viral five years ago by uploading a video clip of her taking part in the Utawezana challenge, shared the clip of herself in her own residence making a cup of tea.

"Now, one thing I’ve been seeing this evening and afternoon in my calls and in my DMs is that you want 'tea'. Guess what, we are going to make that, so let’s go.” 

She prepared her tea while continuing with her sarcastic response, adding, “Funny thing is, I love flavoured tea. When I make my tea, it is like a cocktail.

"Once I make sure that the sugar has dissolved, we drink the tea. You wanted tea, here is tea, but remember, never let the tea get cold, drink it while it’s hot," she continued.

Azziad’s witty response went viral, drawing divided reactions. While some applauded her for using humour to rise above the backlash and not letting the scandal drag her down, others demanded she come clean about the reasons behind the house auction.

The development came on the heels of growing claims from individuals who alleged that Azziad borrowed money from them and failed to pay them back. 

Her upscale home at Platinum Oak Residency in Kileleshwa, Nairobi, was officially put up for sale by Okuku Agencies Auctioneers. According to a notice on local dailies and previously obtained by Viral Tea, the public auction will take place on Wednesday, October 8, 2025, at 11:00 AM, at the Jeevan Bharati Building, 7th Floor, Harambee Avenue, Nairobi.

The notice states: “All that property known as L.R. NO. NAIROBI/BLOCK 13/4/4/65 APARTMENT NO. A-17-A PLATINUM OAK RESIDENCY registered as a leasehold interest I.N.O. Azziad Nasenya of P.O. Box 86222-00200 Nairobi. The subject property is a 4-bedroom apartment, all en-suite, with a servant’s quarter located on Block A along Oloitoktok Road and next to its T-junction with Ole Odume Road in Lavington, Nairobi. It measures approximately 256 square meters.”

The auctioneers further note that the property is “owner-occupied and suitable for residential use. Mains services water, electricity, and sewer are connected to the subject property, and other social services and amenities are available within the neighborhood.” Interested bidders will have to meet strict conditions to participate in the sale.

“All interested bidders will be required to make a refundable deposit of KSh 100,000 to obtain a bidding number. A deposit of 10% must be paid in electronic funds transfer, banker’s cheque, or cash at the fall of the hammer and balance paid within 90 days to the Chargee," adds the notice.

The sale is also “subject to reserve price and Land Control Board Consent (where applicable),” with viewing arrangements available upon prior notice to the auctioneers.

The development comes on the heels of growing claims from individuals who allege that Azziad borrowed money from them and failed to pay them back. 

The controversy has now taken a sharp turn as her upscale home at Platinum Oak Residency in Kileleshwa, Nairobi, was officially put up for sale by Okuku Agencies Auctioneers.

According to a notice on local dailies and obtained by Viral Tea, the public auction will take place on Wednesday, October 8, 2025, at 11:00 AM, at the Jeevan Bharati Building, 7th Floor, Harambee Avenue, Nairobi.

A photo of Platinum Oak Residency in Kileleshwa, Nairobi. /RAVI HOMES

The notice states: “All that property known as L.R. NO. NAIROBI/BLOCK 13/4/4/65 APARTMENT NO. A-17-A PLATINUM OAK RESIDENCY registered as a leasehold interest I.N.O. Azziad Nasenya of P.O. Box 86222-00200 Nairobi. The subject property is a 4-bedroom apartment, all en-suite, with a servant’s quarter located on Block A along Oloitoktok Road and next to its T-junction with Ole Odume Road in Lavington, Nairobi. It measures approximately 256 square meters.”

The auctioneers further note that the property is “owner-occupied and suitable for residential use. Mains services water, electricity, and sewer are connected to the subject property, and other social services and amenities are available within the neighborhood.” Interested bidders will have to meet strict conditions to participate in the sale.

“All interested bidders will be required to make a refundable deposit of KSh 100,000 to obtain a bidding number. A deposit of 10% must be paid in electronic funds transfer, banker’s cheque, or cash at the fall of the hammer and balance paid within 90 days to the Chargee," adds the notice.

The sale is also “subject to reserve price and Land Control Board Consent (where applicable),” with viewing arrangements available upon prior notice to the auctioneers.

With the auction date just around the corner, Azziad’s situation has sparked heated conversations online, with many questioning whether the TikTok star is experiencing a serious financial collapse or simply caught in a temporary setback.

"Azziad getting auctioned is crazy. She was living like someone who'd been a millionaire for at least a decade," an X influencer sparked a conversation with her post. 

"She probably took it when she was getting random government appointments, then things went south,” added another.

She is yet to respond to the auction developments by the time of publishing this story. In February, Azziad shared a hopeful message amidst claims she was defaulting on debt. In a post on her Instagram, she reflected on her situation and voiced optimism that better days and brighter moments lie ahead.

“Can you see the sun? Can you see how bright it is? And you know that is how life is. Sometimes it is dark, it is going to be stormy but at the end of the day the light will shine, and the good things will take course,” stated Azziad.

This development follows recent claims by fellow TikToker Mary Musyoka, who accused Azziad of failing to repay a KSh 300,000 debt. Mary alleged that Azziad had taken her money under false pretenses and used it to fund her lifestyle.

Prior to Mary’s public accusation, blogger Edgar Obare had shared messages from anonymous sources claiming Azziad had borrowed large amounts of money and failed to repay.

In the wake of these claims, old interview clips resurfaced online showing Azziad insisting that she does not rely on financial help.

TikTok star Azziad Nasenya. /AZZIAD NASENYA

In a statement issued on Tuesday, September 23, the state corporation noted that online promotions are reaching youth more aggressively than conventional forms of advertising.

It further explained that the recently launched National Policy for the Prevention, Management and Control of Alcohol, Drugs and Substance Abuse aims to shield children from these harmful influences.

“Think influencer marketing is harmless? Think again. It reaches young Kenyans with a speed and precision that TV ads can’t match. This direct pipeline to our youth is a serious vulnerability,” NACADA stated.

“The National Policy for the Prevention, Management and Control of Alcohol, Drugs and Substance Abuse is our nation’s proactive defence. It severs this direct line to harm, creating a safer digital space for our children to grow. Awareness is the first step to action. Retweet if you stand for protecting the next generation from targeted substance abuse promotions."

This statement is likely to bring the agency into another collision course with influencers and threatens to escalate into a civil war between them and NACADA, especially after the government agency's policy threatened to impose a ban on celebrities and social media influencers from promoting alcoholic beverages.

NACADA's policy to ban celebrity and influencer endorsements was viewed as effectively prohibiting alcohol brands from using celebrities, media personalities, influencers, or sports figures in promotional content. This drew uproar in the Kenyan showbiz space with a section of celebrities, including Femi One, accusing the government of frustrating a major source of income for this sector. 

The policy was among many others that drew nationwide backlash, even though NACADA would reveal in a subsequent statement that the proposals were just that- proposals- and not an outright ban as initially reported.

The NACADA report focused on curbing misleading alcohol advertising and protecting minors from exposure to harmful content. A key proposal was the Watershed Ban, which would restrict alcohol advertisements on audio-visual platforms between 5:00 a.m. and 10:00 p.m.—a rule that also would apply to foreign broadcasts. Additionally, anyone featured in these adverts must be at least 25 years old.

The report also proposed a ban on Lifestyle Marketing, which links alcohol consumption to success, attractiveness, popularity, or social standing. 

Strict limits were also proposed on digital advertising, including a ban on online and social media promotions of alcohol—whether local or foreign—something that would exterminate a major source of income for digital media platforms.

However, Kenyan comedian and scriptwriter, Eddie Butita, slammed the proposals through a statement released on Wednesday, July 30, hours after the authority released its National Policy for the Prevention, Management and Control of Alcohol, Drugs and Substance Abuse (2025) report.

Butita expressed concern about the move despite what NACADA terms as a valid intent to curtail alcohol abuse across the country, arguing that  "the approach taken is misguided, uninformed, and fails to involve key stakeholders, especially content creators."

He went on to outline that the main problem was not influencer marketing but rather the lack of regulation for the countless unmonitored posts promoting alcohol online, with the rising numbers on the internet that will not stop.

Butita argued that banning trained creators only removes structured, responsible messaging from the conversation and ends vital public sensitisation efforts. He further slammed the authority for failing to consult the creators before moving ahead with publishing the proposals.

Tourism Cabinet Secretary Rebecca Miano explained that the gesture is part of the annual United Nations World Tourism Day celebrations.

She further noted that the initiative ties into this year’s theme, “Tourism and Sustainable Transformation,” which underscores tourism’s role in fostering social and economic progress.

"To honour this significant occasion, I am thrilled to announce that the Government of Kenya is offering free entry to all Kenyan citizens to visit Kenya Wildlife Service (KWS)-managed national parks, reserves, and sanctuaries," Miano said.

CS Rebecca Miano speaking during a visit to the Kenya Wildlife Service (KWS) headquarters on September 30, 2024. /REBECCA MIANO

The move offers Kenyans a unique opportunity to experience the country’s stunning wildlife and strengthen their commitment to conservation.

The CS highlighted that granting free access to parks was intended to encourage greater appreciation of Kenya’s diverse ecosystems and nurture a sense of collective duty to safeguard them for future generations.

The move cements her as one of the few African artists whose music will now be heard by millions of gamers across PlayStation, Xbox, PC, and mobile worldwide.

Nzau, whose breakout hit Mwaki propelled her to international fame, revealed that the track has been included in the EA Sports FC 26 soundtrack, which also features global icons like Ed Sheeran, Koffee, Idris Elba, and Tom Grennan.

Gamers eagerly awaiting the title’s release on Friday, September 26, 2025, will get to hear Nzau’s song as part of the game’s massive lineup of 91 tracks.

Listen to it below:

“So proud to announce that “Your Love (Antdot Remix) is featured on EA Sports FC 26!” Nzau said in an Instagram post.

Adding “Such an amazing moment for Kenyan music and the culture. Our sound is reaching the world. Thank you to EA Sports FC and everyone who keeps pushing this journey forward."

This milestone comes hot on the heels of her historic performance at Tomorrowland in Belgium, where Nzau became the first Kenyan artist to grace the festival’s stage, performing alongside EDM legends like Steve Aoki.

Her European tour also included a sold-out Amsterdam show and a slot at Germany’s Open Beatz Festival, drawing over 15,000 fans.

Sofiya Nzau Story

Sofiya Nzau, whose full name is Sofiya Wanjiku, was born on February 20, 1993, in Miruri, Murang’a County. Before breaking into the music scene, she made a living in Thika between 2015 and 2020, working as both a street vendor and a housemaid.

Following the onset of the COVID-19 pandemic in Kenya, she decided in December 2020 to pursue songwriting full-time, a move she was able to make with the support of her husband, a music producer.

Nzau’s global rise began with the viral hit “Mwaki”, her collab with Brazilian DJ Zerb, which has racked up over 300 million Spotify streams and made her the first East African artist to surpass 10 million monthly listeners on the platform.

She later followed up with “Wacuka” alongside German producer Avaion, a track now streaming past 60 million plays.

Nzau’s music is written in Kikuyu and fuses elements of electronic dance, house, and progressive house. While the genre leans global, her sound remains deeply Kenyan, weaving in local language and traditional storytelling.

The announcement of her EA Sports FC feature has sparked massive buzz online, with fans hailing it as another major win for Kenyan music.

EA’s iconic soundtrack has long been a launchpad for global artists, and Nzau now joins a star-studded lineup that includes Ed Sheeran, The Cure, and BLACKPINK’s JENNIE. The full playlist is already live on Spotify.

With her music now set to echo in living rooms, arenas, and gaming headsets worldwide, Sofiya Nzau isn’t just representing Kenya—she’s rewriting the global map for African artists. By securing a spot on the soundtrack, Nzau follows in the footsteps of Kenyan group Matata, whose track Not Today was featured in the FC 24 soundtrack.

Kenyan artist Sofiya Nzau performing with international EDM DJ Steve Aoki. /SOFIYA NZAU

The list, unveiled on Thursday, September 11, featured attractions from only 15 countries worldwide, with Kenya among just two African nations represented.

The prestigious Edge List highlights hotels, resorts, and cruises that push the limits of travel experiences, evaluated on four core principles. Selections were made through on-site reviews by Forbes Travel Guide’s undercover inspectors or editorial team, alongside extensive research and inspection data.

Solio Lodge was recognised in the ‘Animal Encounters’ category for its rare access to Africa’s endangered rhino population. The lodge sits on the 45,000-acre Solio Game Reserve, nestled between Mount Kenya’s foothills and the Aberdare National Park.

Photo of Solio Lodge. /THE SAFARI COLLECTION

“Few encounters are as majestic as the ones you’ll have with East Africa’s endangered rhinoceros,” Forbes noted.

“Solio provides access to more than 200 black and white rhinos. Set out on game drives in the morning, afternoon, or evening with meals in the bush, or see the wildlife from horseback, mountain bike, or the hotel’s private helicopter,” it added.

Meanwhile, Giraffe Manor in Nairobi was highlighted for its unique wildlife experiences, especially its close interactions with Rothschild’s giraffes.

Originally built as a hunting lodge in the 1930s, the manor has since become world-famous for offering guests the chance to share breakfast with the giraffes and feed them, all while enjoying luxury accommodations and a serene environment.

“While staying at this 1930s former hunting lodge in Kenya, there’s no need to head out on safari; one of the continent’s best animal encounters is found at this boutique hotel and giraffe breeding sanctuary,” noted Forbes. 

“The resident Rothschild’s giraffes treat bedroom windows like drive-through service, poking their heads in search of the treats guests always have stocked for them. Or have breakfast with the animals; you will enjoy pancakes while they get the pellets you feed them,” Forbes added.

Karura is no ordinary forest. It is a sanctuary reclaimed through blood, sweat, and courage. In the 1990s, ordinary Kenyans, led by the late Nobel Laureate Wangari Maathai, stood against batons and bulldozers to save the woodland from the jaws of developers. Their victory birthed a vision: a forest run by the people, for the people, in harmony with nature.

For over 15 years, that vision has flourished. FKFCFA has conserved and managed Karura jointly with KFS, turning it into Nairobi’s most cherished green escape - serving Huruma, Githogoro, Runda, Muthaiga, and beyond. Clean air, safe trails, livelihoods, and national pride grew under community stewardship.

Now, critics warn, all that is at risk.

Without meaningful public participation, Principal Secretary for Forestry Gitonga Mugambi recently endorsed 11 recommendations that effectively end FKFCFA’s role in Karura’s daily management.

“We are growing increasingly concerned about what will happen to Karura going forward as there is no clear path for how it is being managed,” said Professor Karanja Njoroge, a long-time supporter of the community-led model.

“We need to urgently get Friends of Karura in again to jointly manage the forest’s day-to-day operations and work with the local communities,” he added.

Concerns are not only about governance. The construction of tarmac roads inside the forest has sparked heated debate across social media. Conservationists argue that the forest, designed as a nature trail and urban sanctuary, risks being carved into a traffic zone - undermining the very experience that makes Karura special.

Local leaders are pushing back against the militarisation of conservation.

“Guns never protected Karura forest reserve, and they won’t. It’s the people who always have, and always will,” said Fiu Nifiu, MCA for Karura Ward.

"Also, disrupting the community-led Karura forest conservation and management model only risks reversing the gains. Instead, the state department of Forestry should be asking: How can we strengthen the FKF collaboration? How can Karura’s success be replicated in other threatened forests across Kenya?"Fiu Nifiu.

Karura’s fate raises larger questions about how Kenya protects its green spaces. Community forest associations, born out of the Forests Act, have been celebrated as a model for grassroots stewardship. Karura, especially, has been proof that when government and communities work together, conservation wins.

To dismantle that partnership, critics warn, is to risk unravelling decades of progress.

Karura is not just trees and trails. It is memory. It is resistance. It is a promise kept to future generations.

And now, as Kenyans lace up for their Saturday walks, they do so with unease — uncertain if the forest they reclaimed will remain the forest they know.

Justice Lawrence Mugambi also ruled that the woman, identified in court documents only as M.R.W. for her protection, must be safeguarded from any form of harassment or intimidation while the case is ongoing.

After a long day at the shop, I wrapped up earlier than usual. My friends and I had been planning a low-key getaway to Naivasha, nothing fancy, just some grilled fish, cassava marinated with pilipili, a good view, and each other. These trips don’t happen often, which is why they always feel like a big deal when they do. They remind us of the magic hiding in plain sight, the kind Kenya is quietly famous for.

The road itself was already part of the fun. If you’ve ever driven along the Nairobi–Nakuru Highway, you know what I mean. The roadside vendors with those soft, rich wool carpets? They don’t just look like comfort, they are comfort. You can feel the story in every thread. I even bought one of those traditional wool hats; it’s the perfect blend of heritage and quiet class.

And by the time we got to Naivasha? We were all in. Tents up, grill sizzling, and lake shimmering. The air was cold but kind, the perfect setting. Nyaboke, my favourite person from Kisii, was glowing; it was her first time seeing the lake, and the joy on her face was contagious. The stories flowed, the laughter rolled, and the cold wasn’t even a factor anymore.

A photo of cocktails. /COURTESY

But I had a little twist planned for the evening. Back at a supermarket stop, I had quietly picked up a bottle of Kenya Cane Smooth. I had recently picked up a few cocktail tricks and figured, why not surprise the crew? So, I casually mentioned it, then came the not-so-funny jokes. “Wewe unatuchochanga tu. Do you even know how to make cocktails?”

I did. Well, sort of. I have been experimenting a bit this year. Mixing, shaking, tasting. Not a pro, but not the same person who used to think a cocktail was just juice and KC in a cup. I set up a little drink station by the tents, with a shaker, fresh fruits, some citrus, and ice from our cooler box.

I didn’t need much. The real star? Kenya Cane Smooth, the perfect balance between local heritage and a clean, modern finish. It was the kind of base you could build anything on, and I did. And once the drinks started flowing? Let’s just say the jokes stopped real quick.

I decided to recreate two KC Smooth signature cocktails I had seen my favourite artist, Yaba, make countless times on his socials, both easy and made within minutes. No fancy tools, no hard-to-find ingredients, just a bit of creativity, good company, and a love for great vibes.

Mzalendo Mix

1. KC Smooth - 60 ml
2. Mint Leaves 8-10 leaves 
3. Lime Juice 30 ml
4. Simple syrup 30 ml
5. Top up sprite 

Mautamu Mix 

1. KC Smooth- 30ml
2. Sugarcane juice- 30 ml
3. Assorted fruits
4. Top up ginger beer

By the end of the night, the lake had stilled, the fire was down to soft embers, and the last of the cocktails had long disappeared. We sat there wrapped in blankets and conversation, knowing we had stretched the day for all it was worth. It was an intimate, simple evening, filled with the best laughs and memories.

So next time you are planning a weekend hangout, bring KC Smooth along and create your own perfect vibe. Celebrate the small wins, the quiet laughs, and the moments that keep us pushing forward. That is the heartbeat of our Kenyan spirit worth toasting to.

The production, which kicked off in April 2025, has drawn global attention to Kenya’s cinematic potential and breathtaking scenery, with nearly 95 per cent of the African scenes being filmed locally.

Locations include the Maasai Mara, Lake Naivasha, Samburu, and Amboseli, where sweeping views of Mount Kilimanjaro form part of the backdrop.

Rajamouli—celebrated internationally for his epic hits Baahubali and RRR—is leading a 120-member crew in Kenya after the country was chosen over Uganda and Tanzania during an East African scouting tour.

Prime CS Musalia Mudavadi hosts renowned Indian filmmaker S. S. Rajamouli at his office on September 2, 2025. /MUSALIA MUDAVADI

On Tuesday, September 2, he was hosted by Prime Cabinet Secretary and Foreign Affairs CS Musalia Mudavadi, who praised the project as a milestone for Kenya’s creative economy.

“For Kenya, this decision goes beyond cinema; it is a landmark moment that showcases the country’s natural beauty, cultural richness, and unmatched hospitality to a global audience,” said Mudavadi after meeting with Rajamouli, adding that the government is committed to supporting international productions.

Mudavadi further noted that the project could open doors for local talent, create jobs, and boost tourism and hospitality revenues, while positioning Kenya as a hub for global filmmaking and cultural collaboration.

Scheduled for release across 120 countries, SSMB29 is expected to reach over one billion viewers worldwide, underscoring both the scale of the film and the exposure it will bring to Kenya.

Bollywood superstar Priyanka Chopra has also joined the cast, filming action-packed scenes in the country. The actress, who has won multiple awards, including two National Film Awards, gave her global audience a glimpse of Kenya’s wilderness by sharing photos from a luxury safari camp over the weekend.

Priyanka Chopra Quick Facts

As the winner of the Miss World 2000 pageant, she is one of India's highest-paid actresses and has received numerous accolades, including two National Film Awards and five Filmfare Awards. 

In 2016, the Government of India honoured her with the Padma Shri, and Time named her one of the 100 most influential people in the world. Two years later, Forbes listed her among the World's 100 Most Powerful Women.

Some of the famous movies she has acted in include Baywatch (2017), Isn't It Romantic (2019), The White Tiger (2021), The Matrix Resurrections (2021) and recently Heads of State.

This is notably not the first time Chopra has appeared in Kenya. Married to popular American singer, songwriter and actor Nick Jonas, she paid a visit to the East African country in 2022 alongside members of the United Nations International Children's Emergency Fund (UNICEF).

In October of that year, she was revealed to be in Lodwar, Turkana County, for a high-level mission as a Global UNICEF Goodwill Ambassador.

Known for hits like Sukari, Zuchu will headline the event at Moi International Sports Centre, Kasarani, alongside Kenyan musician Savara and Uganda’s Eddy Kenzo.

She expressed her excitement on social media about joining the star-studded line-up as the month-long tournament, co-hosted by Kenya, Tanzania, and Uganda, comes to an end this weekend.

“I’m so thrilled to announce that I will be headlining the African Champions League final this year. #CHAN2025 happening in Nairobi at Kasarani Stadium on August 30, 2025,” Zuchu wrote in her announcement.

The announcement comes barely two months after Zuchu swore off working with Kenyan artists, claiming Kenyans had disrespected Tanzanian President Samia Suluhu.

She further accused Kenyans of embarrassing President Suluhu during a period of heightened tensions between the two nations.

“I cannot collaborate with Kenyan artists because they have no respect at all; they have insulted our President and mocked her very badly. They must apologise so we can go our separate ways, but right now I absolutely refuse!” she stated.

Her remarks followed accusations by Kenyan activist Boniface Mwangi and Ugandan activist Agather Atuhaire, who claimed President Suluhu was behind their three-day detention by Tanzanian authorities.

The pair had travelled to witness the trial of Tanzanian opposition leader Tundu Lissu but were reportedly abducted during their stay.

Zuchu’s stance sparked outrage among Kenyans—many of whom make up a significant part of her fanbase—with some urging a boycott of her music and even pushing for her to be banned from the country.

CHAN Final Showdown

The CHAN final promises high drama, with Morocco chasing a historic third title while debut finalists Madagascar look to complete a fairytale journey by lifting their first-ever continental crown.

Morocco advanced to the final after edging Senegal 5-3 on penalties in the semi-finals, having earlier knocked out co-hosts Tanzania 1-0 in the quarter-finals. The North Africans had secured their place in the knockout stage by finishing second in Group A, just behind Kenya, whom they lost to.

Madagascar’s road to the final was equally dramatic. After finishing runners-up to Tanzania in Group B, they eliminated Kenya 4-3 on penalties in a tense quarter-final. The Barea then stunned Sudan with a late extra-time winner at the Benjamin Mkapa Stadium in Dar es Salaam to seal their place in Sunday’s decider.

This match has attracted huge interest from Kenyan fans, many of whom have already secured tickets to the final and will be hoping for a Morocco win as Madagascar silenced Kasarani Stadium on Friday, August 22, thus viewing this as an opportunity for 'karma' to strike the island nation.

A photo of the CHAN 2024 trophy. /CAF ONLINE

The incident, captured earlier this week, showed tourists flouting park rules and disrupting one of nature’s most remarkable spectacles.

Posted on Instagram on Tuesday, August 19, by the conservation group Cheetah Guardians, the video depicts an alarming scene: visitors stepping out of their safari vehicles, crowding along the riverbank, and standing dangerously close to wildebeests—some less than a meter away.

The disturbance forced several wildebeests back into the crocodile-filled river after tourists blocked their path. In the accompanying post, the individual who recorded the footage alleged that a park ranger not only oversaw the incident but also demanded $20 (about Ksh2,584) to allow the filming to continue.

"Today, we witnessed a shocking and infuriating video: in the Maasai Mara, tourists jumped out of their safari vehicles and rushed to the riverbank to watch the wildebeest migration up close-some even blocked the animals"
By ???? cheetahguardians Instagram

WTF!! ???? NO RESPECT!! pic.twitter.com/QelRFkVPoX

— LION LOVERS (@LIONLOVERS5) August 19, 2025

However, per CS Miano's statement sent to newsrooms on Wednesday, August 20, the County Government of Narok has clarified the circumstances surrounding the widely circulated footage.

According to the Chief Warden, the incident occurred at the flooded Purungat Gate, where visitors had briefly alighted while waiting for the water to subside, rather than during a game drive inside the reserve.

Despite this explanation, the Ministry of Tourism and Wildlife expressed deep concern over the images, noting their potential to damage Kenya’s reputation at a time when global attention on conservation is at its peak.

"Kenya is a global leader in conservation and sustainable tourism, and the Maasai Mara Wildebeest migration is one of the world’s most extraordinary natural events and a wonder of the world. The Government remains steadfast in its commitment to protecting our natural heritage, ensuring that conservation efforts are upheld as a cornerstone of our national identity and global reputation," the statement read in part.

The Ministry stressed that all stakeholders—including government agencies, tour operators, and visitors—must uphold the highest standards of conduct to protect both wildlife and tourists.

To support Narok County’s management of the reserve, the Ministry proposed a series of measures:

• Strict enforcement of park rules, requiring visitors to remain inside vehicles except in designated areas, alongside increased ranger presence at sensitive points.

• Accountability for tour operators, with disciplinary or legal action against drivers, guides, or companies that allow clients to flout regulations.

• Prioritisation of safety and wildlife protection, to prevent risky interactions that endanger both people and animals.

• Joint oversight and awareness, including harmonised visitor management, public education campaigns, and clearer signage at gates and key migration viewing points.

The Ministry reaffirmed that Kenya’s tourism future depends on safeguarding its natural heritage while ensuring visitor safety.

"Kenya’s tourism future is anchored in our ability to protect both visitors and wildlife. We must act decisively to preserve the Maasai Mara’s integrity, uphold visitor safety, and demonstrate Kenya’s unwavering commitment to conservation," added the statement.

The wildebeest migration remains not only a wonder of the world but also a symbol of Kenya’s global leadership in conservation.

Bernard Kipkosgei Koyumi, also known as Pavillion Motiryot, appeared before the Kibera Law Courts facing charges of robbery with violence and assault causing actual bodily harm.

The court was told that he robbed comedian Carren Chepchumba, popularly known as Bella Comedy, of Ksh 30,000 in cash and a Redmi 14 Pro mobile phone worth Ksh 26,000 during the event.

A photo of the Office of the Director of Public Prosecutions (ODPP). /ODPP

"The court heard that the accused person robbed Carren Chepchumba, alias Bella Comedy, of Ksh. 30,000 in cash and a Redmi 14 Pro mobile phone valued at KSh. 26,000 during the Kutit Festival at Carnivore Gardens on 9th August 2025," the DPP's office reported in a statement.

It is further alleged that at about 8:00 p.m. on the same day, at Carnivore Grounds in Langata, Nairobi County, the accused assaulted Chepchumba, inflicting serious injuries to her leg, stomach, and chest.

The incident reportedly occurred while she was engaging with fellow content creators at the festival.

Koyumi, however, denied the charges before Principal Magistrate C. M. Njagi and was released on a Ksh500,000 bond. The case is set for mention on August 18, 2025.

Sources privy to the matter revealed to Viral Tea on Friday, August 1, of his unfortunate demise, following a prolonged battle with tuberculosis (TB).

"The producer has been in contact with the family, he just confirmed," one source said. The family is yet to release an official statement.

On March 29, 2023, MC Fullstop shocked Kenyans online by revealing that he was surviving on one lung.

Collage of the late veteran reggae and dancehall MC and artist John Maina, popularly known as MC Fullstop. /NAIROBI GOSSIP CLUB

The renowned reggae emcee revealed through his social media handles that his left lung collapsed due to tuberculosis (TB). Other than affecting his day-to-day activities, he added that the disease also affected his ability to speak.

"This one is gone literally, my left lung has totally collapsed leaving me with one lung remaining, in 2021 I was diagnosed with TB in my lungs which resulted in complete lung failure, and in 2022 I was also diagnosed with TB in my throat, which has caused problems with my voice, running, walking, and speaking," he wrote in part.

MC Fullstop further explained that the lungs could not regenerate, unlike other organs such as the liver. This meant that his condition was irreversible and that he would have to retire from the entertainment industry.

"Lungs, unlike the liver, cannot regenerate. The lungs do not have the same capability, and I will have to adjust to the situation, and I see myself hanging boots. I want to thank those that have supported me in these difficult times God bless you," he went on.

MC Fullstop was a well-known Kenyan reggae hype man with a career in entertainment dating back to the 1990s.

He was once a key figure on K24 TV’s Supremacy Sound show, a widely followed dancehall reggae program that aired every Saturday at noon.

In addition to that, he hosted Riddim Vybz on K24. Prior to his stint at the station, he held roles at Kiss FM and Citizen TV.

He later moved to NRG Radio, where he teamed up with DJ Smash for the Saturday slot.

A photo of the late reggae hypemaster, MC Fullstop. /FILE

While the word “girlfriend” might make some people think of romantic partners, this unofficial holiday is all about the platonic bonds shared between women, whether it's your childhood bestie, your college roommate, or your favourite co-worker turned soul sister. In simple terms, National Girlfriends Day is not about romantic love between couples.

As society increasingly recognises the importance of emotional support networks, mental health, and authentic human connection, National Girlfriends Day is more relevant than ever. It’s a reminder that not all love is romantic and that friendship deserves to be honoured, too.

The Origins of National Girlfriends Day

Despite its growing popularity, National Girlfriends Day is not an official public holiday. It doesn’t have government recognition or historical roots in political or religious movements. As a matter of fact, its exact origin is a bit murky.

A group of women posing for a photo. /BLUSHING BLACK

Most sources trace the beginning of National Girlfriends Day to around 2004, with credits often going to authors Kathleen Laing and Elizabeth Butterfield, who co-wrote a book titled Girlfriends Getaway. While there’s no definitive proof that the authors created the holiday, their book and message—encouraging women to cherish and prioritise their friendships—align closely with the spirit of the day.

Other sources claim the day was started in 2004 by Mistress Susan, known for her luxury website, as a way for women to show appreciation for one another. However, the most commonly accepted origin traces it back to Allie Savarino Kline and Sally Rodgers, who are credited with launching the celebration in 2006.

Since then, the holiday has gained traction mostly through social media, blogs, and word of mouth. Platforms like Instagram, Twitter, and TikTok have helped catapult it into mainstream culture, where every year on August 1, thousands of women post appreciation messages, share throwback photos, or plan outings to commemorate their bonds with the women who make life more bearable—and more fun.

It’s Not About Romantic Relationships

Let’s get one thing clear: National Girlfriends Day is not Valentine’s Day Lite. It’s not about romantic couples or dating milestones. Instead, it focuses on the sisterhood between women—those ride-or-die connections that withstand time, distance, and even drama.

In a world where women are often pitted against each other—especially in pop culture or media—days like this are essential to reclaiming and reframing what it means to be a woman who supports other women. Think of it as an antidote to the stereotype of "mean girls" or "frenemies." National Girlfriends Day is about genuine connection, not competition.

That means it’s not a day to post about your romantic partner or celebrate a dating anniversary (although you're free to do that another day). Instead, it’s an opportunity to reach out to your girl gang, your sisters from other misters, and remind them that they matter.

Why Female Friendships Matter

Female friendships aren’t just emotionally fulfilling—they’re scientifically beneficial. Numerous studies have shown that strong social ties among women can:

• Reduce stress and anxiety levels

• Boost immunity and overall health

• Increase life expectancy

• Improve self-esteem and resilience

Psychologists often talk about the phenomenon of “tend and befriend”—a pattern of stress response in women that involves nurturing behaviour and building social alliances, particularly with other women.

This contrasts with the more commonly known “fight or flight” response. Essentially, when things get tough, women often lean into their friendships as a form of emotional regulation.

Plus, let’s be real—some of the most iconic moments in pop culture history were rooted in female friendships: Sex and the City, Girlfriends, Broad City, Insecure, and even real-life squads like Michelle Obama and Oprah. These friendships demonstrate the power of mutual upliftment, shared experiences, and unconditional support.

How to Celebrate National Girlfriends Day

The best part of National Girlfriends Day is that there are no rules! You can celebrate it however you want, as long as the spirit of appreciation and connection is there. Here are some fun and meaningful ways to mark the day:

• Send a heartfelt message to your closest girlfriends, reminding them why you’re grateful for their presence.

• Plan a girls’ night in or out—think spa day, wine and movie night, brunch, or even a weekend getaway.

• Share a social media tribute with photos, memories, or inside jokes that capture your bond.

• Write a handwritten letter or note if you want to go analogue and nostalgic.

• Do something thoughtful, like treating your friend to coffee or running an errand for them.

You don’t have to spend a lot of money or do anything extravagant. Sometimes, a simple "thank you for being in my life" can go a long way.

Debunking the Misconceptions

One of the biggest misconceptions about National Girlfriends Day is that it’s a “romantic” day, similar to Valentine’s Day or Sweetest Day. That confusion usually stems from the term “girlfriend,” which in common use can mean either a romantic partner or a female friend.

However, in the context of National Girlfriends Day, the term is used in the platonic sense, which has roots going back decades. In fact, before the rise of modern dating culture, women often referred to their close female friends as “girlfriends,” with absolutely no romantic connotation. Over time, the term evolved, but the original meaning still holds cultural weight.

Another myth is that the day is “just for teens” or a “Hallmark holiday.” While yes, brands and marketers have jumped on the trend in recent years, the heart of the day remains authentic. It's not about buying stuff—it's about celebrating emotional intimacy, loyalty, and shared history between women.

The Role of Social Media in Popularising the Day

National Girlfriends Day may have started with a book or a blog post, but social media is what gave it life. On August 1 every year, hashtags like #NationalGirlfriendsDay, #GirlGang, and #BestiesForever start trending. Users flood platforms with tributes, TikToks, Instagram reels, and nostalgic collages dedicated to the women who’ve seen them through the ups and downs.

This annual digital celebration has created a kind of cultural reset—a reminder in the middle of the year that friendship matters, and that we shouldn’t wait for birthdays or crises to express love and gratitude. It’s a powerful counter-narrative to the often individualistic, hustle-focused culture we live in.

Why It Deserves Recognition

In a society that puts a lot of emphasis on romantic love and nuclear families, friendships often get sidelined, even though they’re foundational to our mental health and sense of identity. National Girlfriends Day offers a rare moment to put friendships front and centre, and say: “Hey, you matter. You’re seen.”

This is especially important for women who are single, child-free, or navigating life outside traditional roles. For them, friendships are often the main support system—the chosen family that helps them weather life’s storms.

Acknowledging and celebrating these bonds isn’t just cute; it’s necessary. In a post-pandemic world where loneliness is rising, friendship is more than fluff but a lifeline.

Photo of a group of women at a past event. /THE NEST COLLECTIVE

In a statement released on Wednesday, July 30, hours after the authority released its National Policy for the Prevention, Management and Control of Alcohol, Drugs and Substance Abuse (2025) report, Butita expressed concern about the move despite what NACADA terms as a valid intent to curtail alcohol abuse across the country.

According to Butita, "the approach taken is misguided, uninformed, and fails to involve key stakeholders, especially content creators."

"As someone who has participated in responsible drinking campaigns, I’ve seen firsthand how strict codes of conduct ensure influencers promote safe, informed messaging. These campaigns are backed by mandatory training and clear rules against promoting irresponsible behaviour," stated Butita in part.

Comedian Eddie Butita. /FACEBOOK

He went on to outline that the main problem was not influencer marketing but rather the lack of regulation for the countless unmonitored posts promoting alcohol online, with the rising numbers on the internet that will not stop.

Butita argues that banning trained creators only removes structured, responsible messaging from the conversation and ends vital public sensitisation efforts. He further slammed the authority for not consulting the creators before moving ahead with publishing the proposals.

"We are not pawns in regulatory battles; we are partners in shaping modern communication. Instead of bans, NACADA should work with creators and industry players to co-develop ethical, informed guidelines for online alcohol promotion," he appealed, adding, "Let’s have a seat at the table. Let’s build better, together. Modern problems, modern solutions."

NACADA's policy to ban celebrity and influencer endorsements was viewed as effectively prohibiting alcohol brands from using celebrities, media personalities, influencers, or sports figures in promotional content. This drew uproar in the Kenyan showbiz space with a section of celebrities, including Femi One, accusing the government of frustrating a major source of income for this sector.

The policy was among many others that drew nationwide uproar, even though NACADA would reveal in a subsequent statement that the proposals were just that- proposals- and not an outright ban as initially reported.

The NACADA report focuses on curbing misleading alcohol advertising and protecting minors from exposure to harmful content. A key proposal is the Watershed Ban, which restricts alcohol advertisements on audio-visual platforms between 5:00 a.m. and 10:00 p.m.—a rule that also applies to foreign broadcasts. Additionally, anyone featured in these adverts must be at least 25 years old.

The report also proposes a ban on Lifestyle Marketing, which links alcohol consumption to success, attractiveness, popularity, or social standing. 

To further safeguard children, the policy proposes a prohibition of alcohol branding on items designed for minors, including toys, school supplies, and clothing.

Strict limits were also fronted on digital advertising, including a ban on online and social media promotions of alcohol—whether local or foreign—something that would exterminate a major source of income for digital media platforms.

Furthermore, the policy proposes outlawing promotional strategies like free samples, discounts, and prize giveaways that encourage consumption.

NACADA, in its statement, has since revealed that it intends to develop a multi-sectoral implementation framework, bringing together stakeholders from government, industry, civil society, and the public, a process that will set out practical steps towards achieving the policy’s aims. 

"Any proposal that requires legal backing will undergo a thorough law review process, which will be transparent and inclusive. Most importantly, public participation will be central to this process, enabling citizens, businesses, and interest groups to share their views and address any contentious issues before implementation," stated CEO Anthony Omerikwa.

Key Advertising Proposals Under the NACADA 2025 Policy

• Watershed Ban: No alcohol ads allowed on audio-visual platforms between 5:00 a.m. and 10:00 p.m.
• No Celebrity Endorsements: Celebrities, influencers, and public figures may not promote alcohol.
• Age Requirement: Only individuals aged 25 and above may appear in alcohol advertisements.
• Lifestyle Marketing Prohibited: Ads must not associate alcohol with success, beauty, or social status.

“Any advertisement of alcoholic products shall be expected to give factual information, not emphasise the strength or merit of alcohol, not negatively cast abstinence from alcohol consumption, and shall not depict alcohol consumption as a lifestyle,” NACADA warned.

• No Branding on Children’s Items: Alcohol logos banned from items like toys and school bags.
• Digital Advertising Ban: Alcohol promotion prohibited on all online platforms and social media.
• No Free Samples or Discounts: Promotions that encourage alcohol consumption outlawed.
• Outdoor Ad Restrictions: Advertising banned in residential areas, hospitals, government facilities, and within 300 metres of learning institutions.

National Authority for the Campaign Against Alcohol and Drug Abuse CEO Anthony Omerikwa during the NACADA strategic plan launch 2023-2027 on June 19, 2024. /PHOTO

According to a despatch dated Tuesday, July 29, this decision represents a significant shift in Kenya’s conservation strategy and follows a presidential directive responding to a petition from the Maasai community.

The transfer will be carried out in line with Article 187 of the Constitution, which permits the sharing of functions between national and county governments.

Under a phased co-management arrangement, Kajiado County will manage the park’s daily operations, while the Kenya Wildlife Service (KWS) will continue to oversee national-level conservation responsibilities.

An elephant at Amboseli National Park. /UGANDA SAFARIS

"On conservation, the Cabinet ratified the transfer of Amboseli National Park to the County Government of Kajiado, fulfilling a presidential directive following a petition by the Maasai community," the despatch sent to newsrooms read in part.

"The transfer, executed under Article 187 of the Constitution, introduces a phased co-management model in which Kajiado County assumes operational control while Kenya Wildlife Service (KWS) retains national conservation responsibilities."

The National Treasury will compensate KWS for any revenue losses, with a portion of park income still allocated to national conservation.

Cabinet went on to reveal that the move is intended to empower local communities, promote sustainable stewardship, and ensure equitable sharing of ecological and economic benefits. 

Amboseli, famous for its large elephant herds and breathtaking views of Mount Kilimanjaro, continues to be one of Kenya’s key wildlife sanctuaries. The revised management approach seeks to strike a balance between conserving the environment, involving local communities, and promoting economic growth.

The park has emerged as the fastest-growing wildlife park in Kenya, outpacing long-time favourites like the Maasai Mara in tourist numbers. The latest Economic Survey shows a 19 percent increase in visitors to Amboseli, while Maasai Mara experienced an 18 percent drop during the same period.

Tour operators link Amboseli’s surge in popularity to a rise in domestic tourism, made possible by more affordable rates, better infrastructure, and a growing appetite for local travel experiences. The park recorded 266,000 visitors last year—up significantly from just 50,000 five years earlier.

Overall, visits to national parks and game reserves grew by 2.8 percent, rising from 3.6 million in 2023 to 3.7 million in 2024.

The new arrangement is designed to enhance the protection of biodiversity while enabling nearby communities to play a more significant role in managing the park.

This move is viewed as progress toward more inclusive conservation practices that acknowledge the importance of local communities in safeguarding natural resources. It also responds to long-standing demands from the Maasai community for increased participation in the management and sharing of benefits from the renowned park.

Amboseli’s appeal has also been amplified by its strong presence on social media, with viral images of elephants framed by Mount Kilimanjaro and influencer-driven campaigns like #WhyAmboseli drawing the attention of a younger, digitally engaged audience.

A gate leading to the Amboseli National Park. /WIKIPEDIA

This has been announced by the concert organisers via their social media platforms on Thursday, July 24, with the event's next edition scheduled for September 28, 2025.

"Blankets & Wine — Nairobi Edition. The city’s favourite day out is back! Good vibes, great music, stylish fits, delicious bites, and you at the heart of it all," the statement read in part.

"Nairobi, you already know how we do! Get ready for an unforgettable time. Join us on the 28th September at the Laureate Gardens as we bring together an electrifying lineup featuring sensational talents."

Get ready for an unforgettable time on September 28th as we bring together an electrifying lineup featuring the sensational talents of @temsbaby @itsJoshuaBaraka @nubia_we @ZaituniWambui1 @fliermusic @billyblackKE @iamchimano & Toxic Lyrikali! ???? #ItsAlwaysAGoodTime pic.twitter.com/h1iPfooOLy

— Blankets & Wine (@blanketsandwine) July 24, 2025

The Love Me JeJe hitmaker, though yet to respond to the latest announcement by the time of publishing, is expected to feature alongside acts such as Toxic Lyrikali, Joshua Baraka, Hiribae, DJ Bune, Willis Chimano among others.

This announcement means that Kenyans will, possibly, finally get a chance to watch Tems live on stage. Many would remember her for her recent performance at the 2025 FIFA Club World Cup final in the United States (US) during the half time period.

She had got her Kenyan fans excited on Sunday, July 31, 2022 when she teased that she would visit Nairobi, Kenya, but did not exactly reveal what date she would visit the country. On October 6, 2022, she unexpectedly pulled out of her scheduled performance on October 15, 2022.

Tems is a Nigerian singer and songwriter born in Lagos on July 11, 1995. She grew up singing in her church choir in 2009 and rose to become one of the young famous singers in Nigeria.

After her primary education which she did in Lagos, she attended Dowen College in Lekki and later moved to Johannesburg, South Africa to study Economics at a South African university. 

She enjoyed listening to Solider by Destinys child ft Lil Wayne. Her favourite artist was Beyoncé and she always dreamt of becoming a music icon.

The alternative singer’s journey into the music industry began when she was 20 when she released her first Extended Play (EP) project, Time Swap EP in 2013.

Her first recognized single, Mr Rebel, a song that got more than 200,000 views on YouTube came after her album Illumination in 2018. She followed it up with another single, Looku Looku a song that was widely accepted and Nigerian radio stations gave it enough air-plays.

She measured up with another hit single, Try Me, and solidified her name in the hall of fame. It was released in August 2019 and gained more than 2 million views on YouTube alone.

In 2019, Tems was nominated for the Best Vocal Performance (Female) and Best Alternative Song for her single Mr. Rebel, during the Headies award.

In 2020, she collaborated with DJ Khaled on a single titled Know Your Worth. The uplifting music, which also featured Nigerian superstar, Davido, and Disclosure, made it to former US President Barack Obama’s playlist for the summer of 2020. During the same year, she rose to global fame with her feature on WizKid’s summer hit Essence which earned her a Grammy nomination.

Recently, she received Spotify’s Billion plaque as her collaborative hit with Future and Drake ‘Wait For U’ surpassed 1 billion streams on the platform. She joined Wizkid, Rema, and Tyla as the Afrobeats artists with Spotify’s Billion plaque.

The Blankets and Wine event is expected to make a comeback after its June edition was cancelled over security concerns. Originally slated for Sunday, June 29, the organisers revealed in a statement that the decision to cancel the event, one which they termed as 'necessary', was informed by the unrest within the country, citing the nationwide demonstrations on Wednesday, June 25, 2025.

While speaking to a group of clergy in the U.S., the former Second Lady dismissed the claims, saying it would be nearly impossible to control someone like Gachagua, whom she described as a strong political force in the country.

She went on to explain that Gachagua often let her speak first at public events because they operated as a united team.

According to her, there was nothing unusual about their close collaboration, as it reflected the family values they consistently promoted.

Pastor Dorcas and her husband Rigathi Gachagua during a past engagement. /NTV

“That is why sometimes, when he allows me to speak first, it is not because I heard I 'sit on him'. How can you sit on a man like this, who is causing the whole nation not to sleep?” she quipped.

“A man whom the President, the Deputy President, and MPs hardly stop talking about. I keep hearing them say Wamunyoro. Is that the kind of man you think your claims could apply to? You are such liars,” she stated.

Pastor Dorcas Rigathi reaffirmed her unwavering support for her husband, stating that no amount of public scrutiny would stop her from loving him, praying for him, or backing his vision for the country.

Her comments came shortly after National Assembly Majority Leader Kimani Ichung’wah publicly attacked her during a political rally, igniting widespread criticism.

In his remarks, Ichung’wah—while continuing his usual jabs at Gachagua—implied that the former Deputy President was facing marital issues and being controlled by his wife.

The remarks sparked backlash from Kenyans across the political spectrum, with many urging Ichung’wah to keep his criticisms focused on Gachagua and avoid dragging Pastor Dorcas into political disputes.

The situation escalated further when women leaders allied to Gachagua united in condemning the MP's remarks and even called on the Directorate of Criminal Investigations (DCI) to take legal action against him.

“We have information that you are targeting women, and as women in DCP, we are not happy. We want the DCI to apply the same energy they're using to pursue women in DCP to arrest Kimani Ichung’wah,” one of the leaders stated.

During the same press conference, Njeri Kahiga, a close ally of Rigathi Gachagua, slammed Ichung’wah’s remarks, calling them irresponsible and disrespectful.

She lauded Pastor Dorcas as a revered national leader, widely recognised for her compassion and her advocacy work in mental health, support for widows and orphans, and empowering the boychild.

So far, Ichung’wah has not issued an apology, even as the backlash surrounding his comments continues to grow.

Nzau, known for her Mwaki hit song, will take the stage in the sellout music extravaganza held in the recreation area De Schorre in Boom, Belgium. Boon is situated between Antwerp and Brussels and has hosted the electronic dance music (EDM) event every year since 2005.

She will feature alongside dance music legend Steve Aoki on Sunday, July 27 at 21:45 – 22:45 East African Time (EAT). Her debut will mark a significant milestone for African representation in the global electronic music scene.

“This has been an amazing experience and a life-changing moment for me to perform for my fans in Europe,” said Sofiya, reflecting on her tour so far. “This is where my music is mostly listened to, and feeling that love in person has been truly humbling.”

A stage at the Tomorrowland 2024 concert in Belgium. /TOMORROWLAND BELGIUM

Termed as a dream destination for many young Kenyans, Tomorrowland is one of the world’s largest and most iconic electronic dance music (EDM) festivals, held annually in Boom, Belgium. Since its launch in 2005 by brothers Manu and Michiel Beers, the festival has grown into a global cultural phenomenon, drawing hundreds of thousands of fans from around the world. 

It typically takes place over two weekends in late July and is renowned not only for its top-tier lineup of international DJs and producers but also for its elaborate stage designs, immersive themes, and surreal visual storytelling.

What sets Tomorrowland apart is its fantasy-like atmosphere. Each edition of the festival revolves around a unique theme—like “The Book of Wisdom,” “The Elixir of Life,” or “Adscendo”—which inspires everything from the main stage aesthetics to merchandise and promotional materials.

The stage production is nothing short of theatrical, often featuring towering structures, pyrotechnics, waterfalls, and synchronised light shows. This visual spectacle creates a fairytale-like world that feels part rave, part Disneyland for adults.

Musically, Tomorrowland hosts a diverse mix of EDM subgenres, including house, techno, trance, drum and bass, and hardstyle, with performances from some of the biggest names in the scene—think Martin Garrix, Armin van Buuren, Tiësto, David Guetta, and more. Each stage is curated to reflect different sounds and vibes, offering something for every kind of dance music lover. The lineup also tends to include surprise acts, special collaborations, and once-in-a-lifetime performances.

Beyond the music, Tomorrowland represents a larger movement of unity and cultural exchange. Its slogan, “Live Today, Love Tomorrow, Unite Forever,” encapsulates the community-driven spirit of the festival.

Attendees often describe it as a place where people from all walks of life and nationalities come together in peace, love, and shared joy. The festival even offers “Global Journey” travel packages to help fans from far-off countries attend with ease, reinforcing its international reach and appeal.

In recent years, Tomorrowland has expanded its brand through spin-offs like Tomorrowland Winter in the French Alps, One World Radio (its 24/7 digital radio station), and even virtual events during the pandemic. It’s not just a music festival anymore—it’s a global lifestyle brand that continues to redefine what immersive entertainment can look like.

Sofiya Nzau during a past performance. /UPTOWN RADIO

Posting on his official social media accounts on Monday, July 22, Itumbi revealed that the President donated Ksh1 million, while Nakuru Governor Susan Kihika gave Ksh200,000.

Itumbi also mentioned that other leaders, including Kikuyu Member of Parliament (MP) Kimani Ichung’wah and Lari MP Mburu Kahangara, offered their support through contributions as well.

He confirmed the donations during a candlelight vigil held on Monday, July 21, where content creators gathered to honor KK Mwenyewe, who Itumbi said had left a noticeable gap in Kenya’s comedy industry.

A photo of Mr KK Mwenyewe posted on social media on July 14, 2025. /KAFENGO

"Thank you, President, for contributing Shs. 1M to assist in the funeral arrangements. Asante pia, MP Kimani Ichungwah. I appreciate you too. Nakuru Governor Susan Kihika, too, for her 200k contribution. Local MP, Mburu Kahangara asante pia. Rest well, Ndugu," Itumbi said.

"KK, go make them laugh even harder in heaven. We lit a candle with the creators community to honour your light. But one big question remains: What happens to monetisation after death? We need a way to assign a next of kin. We will push that," Itumbi added.

The comedian who was famous for mimicking former Deputy President Rigathi Gachagua, passed away on Monday, July 14, at the Kiambu Level 5 Hospital after a short illness, according to fellow comedian and collaborator Kafengo.

"We Are Heartbroken To Announce The Sudden Demise Of Zakaria Kariuki A.k.a Mr Kk Mwenyewe. He Passed Away Yesterday Evening While Undergoing Medical Attention At Kiambu Level 5 Hospital. 

"During This Sad Moments, We Ask For Support And Prayers. To The Family And Friends, May God Give Us Strength at These Difficult Times. May His Soul Rest In Peace," wrote Kafengo.

Kariuki’s comedic takes on the ex-Deputy President earned him 1.1 million TikTok followers and another 412,000 on Facebook. His last post on both platforms dropped on July 4. His straight-faced, sketch-style humour clicked with a lot of Kenyans, as he regularly played characters that felt familiar to everyday life. 

Whether he was mimicking politicians, teachers, or Gen Z habits, each skit found its crowd, pulling in hundreds of thousands of views, especially on TikTok.

The siblings will take on the iconic roles of Viola and Sebastian, Shakespeare’s famous twins, in The Public Theatre’s star-studded staging of the classic comedy. This marks the first time the Nyong’o siblings will perform together professionally—a moment Lupita described as “deeply meaningful.”

“I can genuinely say that we've been preparing for these roles all our lives,” Lupita shared on Instagram ahead of the production's debut.

The highly anticipated play, directed by Saheem Ali and condensed into a 90-minute performance, will air nationally on November 14 as part of PBS’s Tony Award-winning Great Performances series. The production will stream simultaneously on PBS.org and the PBS app, coinciding with its television broadcast at 9 PM ET.

Photo of Lupita Nyong'o and Junior Nyong'o alongside Sandra Oh (centre). /VANITY FAIR

Star Power at the Delacorte

Alongside Lupita and Junior Nyong’o, the cast features acclaimed performers including Peter Dinklage, Jesse Tyler Ferguson, and Sandra Oh.

Twelfth Night marks the inaugural production at Central Park’s Delacorte Theatre following its $80 million (Ksh10.3 billion) renovation. Officially reopened on August 7, the venue has long been a cornerstone of New York’s Free Shakespeare in the Park tradition, offering free performances to the public—a practice that will continue through both in-person ticket distribution and a digital lottery.

However, with demand typically exceeding supply and attendees often queuing from the early hours to secure seats, PBS’s nationwide broadcast provides a critical alternative for audiences unable to experience the production live.

A Strategic Move Amid Funding Challenges

PBS’s decision to expand access to the production comes at a critical juncture for the broadcaster. Facing potential federal funding cuts under directives from the Trump Administration, PBS is seeking to reaffirm its public service mission.

An executive order issued in May calls for the defunding of both PBS and NPR. Although federal funds account for just 15% of PBS’s annual budget—primarily via the Corporation for Public Broadcasting—the U.S. House of Representatives has already approved a proposal to reclaim $1.1 million (Ksh142.3 million) in previously allocated funds. The cuts, now pending Senate review, could severely impact PBS’s ability to serve rural and underserved communities.

In response, PBS has launched a public campaign urging viewers to contact their senators and advocate for continued federal support.

A Broader Cultural Offering

The Twelfth Night broadcast headlines PBS’s upcoming fall arts programming, which includes The Magic of Grace Bumbry (October 3), Tiler Peck: Suspending Time (November 7), The Great War and The Great Gatsby concert at Carnegie Hall (November 11), and Starring Dick Van Dyke (December 12).

All programming will be available for streaming on PBS.org alongside the network’s traditional television broadcasts.

For fans of Shakespeare, theatre, or the Nyong’o family, the November broadcast offers a rare opportunity to experience a world-class stage production without leaving home.

With its timeless themes of mistaken identity, love, and comedic revelry, Twelfth Night promises to deliver a memorable performance—this time, with a personal twist as the Nyong’o siblings bring sibling chemistry to Shakespeare’s beloved twins.

Collage of Lupita Nyong'o and Junior Nyong'o. /FILE

Uproar ensued online after George held a concert at the Kenyatta International Convention Centre (KICC) on Friday night to mark the debut of his Ksh14 million matatu, an event which, free of charge, drew thousands of young people.

"From graffiti artists and sound engineers to digital content creators, DJs, and custom interior fabricators, the industry is creating real, tangible jobs for thousands of young people. What was once seen as chaotic and informal is now being recognized as a hub of street creativity, innovation, and cultural identity," he stated.

However, the Noma Ni hitmaker outlined that this did not mean that the matatu culture was in support of the Kenya Kwanza government and that the real enemy was its poor conduct and murderous tendencies, not George Ruto.

"It’s important, however, to make a clear distinction: while individuals like George Ruto support and appreciate matatu culture, this doesn’t automatically mean the culture endorses the political regime," he went on.

"The Enemy is not George, the enemy is bad governance and killer government. Ma3 Culture is a reflection of the people,complex, independent, and often resistant to co-option."

Octopizzo nonetheless supported George's efforts in rallying behind a long-standing culture that he says he is genuinely passionate about and understanding of. According to him, "His support represents a bridge,not control and it’s a sign of progress when leaders recognize and celebrate the raw, authentic expressions of Kenya’s urban youth."

The rapper urged Kenyans to focus on the creative milestone that has defined Kenya's modern culture instead of reading political undertones in every move. "Tuache feelings kidogo na tu celebrate culture (let's stop being emotional and celebrate the culture)," he concluded, calling for two of his tracks to be played in the new nganya; June 25th and Noma Ni.

Mood marks a fresh chapter in Kenya’s matatu culture, standing out as the first of its kind thanks to its unique features. The vehicle is said to have cost Ksh14 million and carries a customised number plate reportedly cleared by the National Transport and Safety Authority (NTSA).

Passengers on board can expect custom-designed bucket seats, each equipped with a cup holder and charging port. The matatu is also fully air-conditioned—offering a sharp contrast to the cramped, stuffy conditions typical of most public service vehicles.

As Kenya leans further into its distinctive urban subcultures, events like this ignite crucial discussions around identity, ownership, and the role of youth in shaping national narratives—not through politics alone, but through art.

At the end of the day, whether you're boarding a matatu for the music, the energy, or the iconic graffiti, one thing’s certain: the streets have a voice—and Kenya is paying attention.

In a joint announcement on Thursday, July 17, the couple revealed that they had mutually agreed to end their marriage, emphasising that the decision was made with mutual respect.

“After careful consideration and much reflection, we, Silas Jakakimba and Florence Adhiambo, have made the difficult but certain and oftentimes extremely considerate decision to separate.

“This decision was reached mutually and, with respect for one another, noting with deep appreciation and gratitude, the immense love and support from both sides of our Innermost Families and Spiritual Leaders as we sought to make this decision public,” read part of the statement.

City lawyer and political advisor Silas Jakakimba and his wife, Florence Adhiambo during their wedding. /THE STAR

Jakakimba and Adhiambo affirmed their dedication to protecting their family’s privacy and welfare during this period of transition.

They also appealed to the public to respect their privacy, stating that they do not intend to issue any further comments regarding their separation.

“We ask that our privacy be respected as we navigate this personal matter. We will not be making any further public statements whatsoever regarding this matter at this or at any other time - and we do appreciate your understanding,” the statement concluded.

Jakakimba and Adhiambo got married on October 16, 2021, in a vibrant ceremony hosted at Nairobi’s Safari Park Hotel.

The high-profile event drew several notable guests, including lawyer Donald Kipkorir, Lang’ata MP Phelix Jalang'o and his wife Amina Chao, Ugandan artist Bobi Wine, Babu Owino, Akothee, Ken Mijungu, Trevor Ombija, and Milly Odhiambo, among others.

On October 16, 2022, the couple marked their first wedding anniversary. Marking their special day, Jakakimba made sure to appreciate Florence in the most thoughtful way.

He shared a wedding photo alongside a heartfelt message to celebrate both his wife and their anniversary. Additionally, he invited Florence to choose any destination she wished, promising to fly her there as part of her anniversary gift.

Jakakimba formally joined President William Ruto’s United Democratic Alliance party (UDA) on March 26, 2024, after defecting from the Orange Democratic Movement (ODM) party.

Before his defection, Jakakimba had also resigned as the legal adviser to Homa Bay Governor Gladys Wanga in July 2023, just nine months into the position.

He was also provoked to resign from the post in March 2023 by insults from Raila's daughter, Winnie Odinga.

Silas Jakakimba received by UDA Secretary-General, Cleophas Malala at the party headquarters in Nairobi on March 26, 2024. /CLEOPHAS MALALA

This iconic migration sees millions of wildebeest, zebras, and gazelles move between Kenya’s Maasai Mara and Tanzania’s Serengeti, mainly during the rainy season, as they search for fresh pasture and water.

The spectacle attracts millions of tourists from across the globe, who flock to witness what’s widely regarded as one of the natural wonders of the world.

In an official letter to Narok Governor Patrick Ole Ntuntu, World Book of Records President Santosh Shukla described the event through a title that reads World’s Greatest Annual Terrestrial Wildlife Migration.

“We are delighted to inform you that the Maasai Mara National Reserve has been officially included in World Book of Records under the distinguished title: ‘World’s Greatest Annual Terrestrial Wildlife Migration’ for hosting the largest and most dramatic annual land animal migration on Earth, involving over 1.5 million wildebeests, zebras, and antelopes traversing the Serengeti-Mara ecosystem," the letter read.

"To commemorate this prestigious inclusion, we would be honoured to present the official World Record Certificate at the campus of Maasai Mara National Reserve. We request your kind confirmation for a suitable date and time for this presentation ceremony. Our official representatives would be pleased to coordinate and visit the reserve for this special occasion."

Shukla noted that the remarkable recognition honours the ecological significance of the Maasai Mara and highlights Kenya’s exceptional contribution to wildlife conservation, global biodiversity, and sustainable eco-tourism.

Ole Ntuntu, reacting to the news, hailed the recognition as the fruits being born from the hard work his administration has put into the world-famous national reserve.

“Upon assuming office two and a half years ago, my administration launched an ambitious campaign to restructure and revitalise the Maasai Mara National Reserve, with the objective of preserving and enhancing this invaluable natural asset," he said.

Ntuntu highlighted a range of reforms aimed at reviving the Maasai Mara’s ecosystem and reinforcing its global reputation. These measures include the implementation of the Maasai Mara National Reserve Management Plans, better equipping rangers, improving road infrastructure within the reserve, and adopting technology-driven conservation strategies.

He described the international recognition as a significant achievement for both Narok County and Kenya as a whole, celebrating the World Book of Records certification that officially acknowledges the Maasai Mara as the site of the world’s largest annual land-based wildlife migration.

What Is The Maasai Mara?

The Maasai Mara National Reserve is a world-renowned wildlife conservation area located in southwestern Kenya, within Narok County.

Covering roughly 1,510 square kilometres, the reserve forms part of the greater Mara-Serengeti ecosystem, sharing its southern border with Tanzania’s Serengeti National Park. Named after the Maasai people who inhabit the region and the Mara River that flows through it, the reserve is one of Africa’s most iconic safari destinations.

The Maasai Mara is best known for its incredible biodiversity and rich concentration of wildlife. It is home to the “Big Five” — lions, leopards, elephants, rhinos, and buffalo — as well as countless other species, including cheetahs, hyenas, giraffes, and hippos. Birdlife is also abundant, with hundreds of species recorded across the reserve.

However, the reserve’s most famous attraction is the annual Great Migration, when millions of wildebeest, zebras, and gazelles cross the plains in search of greener pastures. This migration, which involves perilous river crossings and predator encounters, has earned global recognition as one of the natural wonders of the world.

Beyond its ecological significance, the Maasai Mara plays a critical role in Kenya’s tourism industry. It attracts visitors from across the globe, contributing significantly to the local and national economy. Conservation efforts within the reserve focus on protecting its delicate ecosystems, supporting community-based initiatives, and employing modern technologies to manage wildlife and combat poaching.

In essence, the Maasai Mara National Reserve is not just a hub of wildlife tourism — it is a symbol of Kenya’s natural heritage and a global icon for biodiversity conservation.

Wildebeests at Maasai Mara National Reserve. /AMBOSELI NATIONAL PARK

The comedian passed away on Monday, July 14, at the Kiambu Level 5 Hospital after a short illness, according to fellow comedian and collaborator Kafengo.

"We Are Heartbroken To Announce The Sudden Demise Of Zakaria Kariuki A.k.a Mr Kk Mwenyewe. He Passed Away Yesterday Evening While Undergoing Medical Attention At Kiambu Level 5 Hospital. 

"During This Sad Moments, We Ask For Support And Prayers. To The Family And Friends, May God Give Us Strength at These Difficult Times. May His Soul Rest In Peace," wrote Kafengo.

A photo of Mr KK Mwenyewe posted on social media on July 14, 2025. /KAFENGO

Kariuki’s comedic takes on the ex-Deputy President earned him 1.1 million TikTok followers and another 412,000 on Facebook. His last post on both platforms dropped on July 4.

His straight-faced, sketch-style humour clicked with a lot of Kenyans, as he regularly played characters that felt familiar to everyday life.

Whether he was mimicking politicians, teachers, or Gen Z habits, each skit found its crowd, pulling in hundreds of thousands of views, especially on TikTok.

"Kenya has lost not just a comedian, but a cultural commentator and a brave young patriot. My heartfelt condolences go out to his family, friends, and the entire creative community," Omtatah stated.

"May his soul rest in peace, and may his light continue to inspire courage and creativity in those he leaves behind. Fare thee well, Mr KK Mwenyewe."

Gachagua, the figure whose impersonations helped skyrocket Kariuki’s fame, hadn’t publicly reacted to his death by the time this article was published. Details about the brief illness that led to Kariuki’s passing also remain undisclosed, though photos of him hospitalised have been circulating widely online. 

On April 5, 2024, Kariuki was admitted to the hospital after consuming a high number of chillies. The content creator is an ardent Manchester United fan and had dared his fans to a challenge ahead of his team's encounter with Chelsea in the English Premier League (EPL) on Thursday, April 4.

The game turned out to be one of the contenders for the match of the 2023/24 season as United blew a 3-2 lead in 82 seconds, deep into stoppage time, to lose 4-3 to the Blues at Stamford Bridge in West London, United Kingdom (UK).

To honour his dare, the comedian embarked on consuming a kilo of chilli pepper, raw. He stated, "As I had promised, I will take a full kg of chilli, I don't know what will happen, but let's go," as he shared a video of himself eating the chilli from his plate.

He had to battle through the burning sensation by washing down the chilli with a two-litre bottle of soda, a matter which appeared to worsen with his trip to the toilet.

KK Mwenyewe then revealed that he was admitted to the hospital, with a video showing him confined to a hospital bed. 

Collage of comedian KK Mwenyewe eating hot chilli pepper on April 5, 2024, in adherence to a dare he made before Manchester United's match with Chelsea. /KK MWENYEWE

Earlier on Monday, July 14, the authority introduced tough new drinking rules under the 2025 National Policy on Alcohol, Drugs and Substance Abuse, a policy which included a ban on celebrity endorsements of alcohol brands.

Others included raising the legal drinking age from 18 to 21 years and banning home delivery of alcohol, especially via digital platforms. In addition, bars and alcohol establishments would be restricted from operating within 300 metres of schools, churches, and residential areas.

The new policy also cracks down on online platforms that allow minors to access alcohol, and calls for the expansion of rehabilitation centres.

National Authority for the Campaign Against Alcohol and Drug Abuse CEO Anthony Omerikwa during the NACADA strategic plan launch 2023-2027 on June 19, 2024. /PHOTO

The policy was not taken lying down by a section of creatives, with Bien Aime, a once popular member of the Sauti Sol band, accusing the authority of misuse of morality.

"NACADA now proposes banning alcohol advertising, online sales and wants to change the legal drinking age to 21. The government recently banned advertising of betting.

“These bans affect the creative and advertising industries heavily. What is this fake morality? Pretending to care about the very youth they are killing. Are we the first country to have these vices? Then you wonder why unemployment is so rampant,” Bien wrote on his Instagram stories.

However, NACADA in its statement argued that it was regulating access and exposure, especially where it blurs the line between lifestyle and addiction.

Founded in 2019 by spirits expert Paul Jackson, World Rum Day was created to give rum the global spotlight it deserves. The day celebrates the craft, heritage, and cultural influence of rum, from its Caribbean roots to its global reach today calling on rum enthusiasts to raise their glasses to good times, bold flavours, and the spiced legacy.

In Kenya, Captain Morgan has redefined how rum is perceived and enjoyed. What was once a niche spirit is now a social centrepiece thanks to the brand’s bold identity, exciting flavours, and engaging activations.

“World Rum Day is the perfect moment to celebrate how Kenya has embraced this bold, spiced spirit. We are proud to be leading a new wave of rum culture in the region, where fun, flavor, and friendship come together” said Victor Adada, Brand Manager, Captain Morgan Kenya.

Over the past decade, Captain Morgan has mainstreamed Rum Cocktails from the coast of Mombasa to the nightlife of Nairobi, Kenyans now enjoy signature Captain Morgan cocktails like such as Captain Cola, Captain Ginger and Captain Lemonade. The brand has also made the once reserved for older generations or holiday resorts more accessible and embraced by a youthful, vibrant consumers in bars, restaurants, and homes across the country. Captain Morgan has also fostered a culture of celebration through spice takeover events and collaborations with artists, turning every bottle into an invitation to connect and create memorable moments.

This World Rum Day, Captain Morgan invites consumers to celebrate the day with unique signature serves.

Captain and Cola

Ingredients:

• 50ml Captain Morgan Spiced Gold
• 150ml Cola
• A squeeze of fresh lime
• Ice
• Garnish: Lime wedge

How to mix it:

• Fill your favourite glass with ice.
• Add Captain Morgan Spiced Gold.
• Pour over cola.
• Squeeze in lime and drop the wedge in.
• Stir gently and spice on.

Captain and Lemonade

Ingredients:

• 50ml Captain Morgan Spiced Gold
• 150 ml chilled lemonade
• Ice
• Garnish with lemon slice

How to mix it:

• Add ice to a tall glass.
• Pour in Captain Morgan Spiced Gold.
• Top with lemonade.
• Garnish with a slice of lemon and serve.

Captain and Ginger

Ingredients:

• 50ml Captain Morgan Spiced Gold
• 150ml chilled ginger ale or ginger beer
• Ice
• Garnish with lime wedge

How to mix it:

• Fill a glass with ice.
• Pour in Captain Morgan Spiced Gold.
• Top with ginger ale or ginger beer.
• Garnish with lime and enjoy.

Raise your glass, raise your flavour. However, you mix it, Spice on with Captain Morgan.

• Spiced Mutura – A Kenyan favourite flamed with rum, served with Ugali, kachumbari, and hearty beef broth.
• Beef Samosas – Minced beef slow-cooked with a splash of spiced rum, paired with tamarind-rum dip.
• Vegetable Samosas – Spicy glazed vegetable mix with a rum twist.
• Flamed Haggis with Mukimo – A bold cross-cultural fusion simmered in rum stock.
• Warm Pineapple Sundae with Rum Sauce – Donuts, pineapple, and ice cream drizzled with a spiced rum glaze.
• Coconut Rum Balls – A nostalgic treat with oats, raisins, condensed milk, and a tropical rum finish.

Speaking to the press on Sunday, June 22, Atwoli made the remarks in response to opposition from Karen residents over a planned 12.5-kilometre railway line linking Riruta to Ngong.

He argued that for the sake of economic progress and easing congestion in the capital, spaces like parks and forests might need to be sacrificed.

Atwoli proposed relocating all wildlife from Nairobi National Park to larger reserves like the Maasai Mara, suggesting the land could be better used for essential developments.

He emphasised that with Nairobi’s rapidly growing population, there’s a pressing need to free up land for new infrastructure projects—including roads, industrial parks, and more—to meet the demands of the expanding urban population.

"Even the national park, where we have animals, must be used to develop Nairobi. We need a new Nairobi with roads, facilities, and proper industrial parks because it is only Nairobi that has not been decongested in Africa," Atwoli said.

Adding "We must expand Nairobi through that National park, and we should take those animals to the Maasai Mara and make sure that Nairobi reflects an international city. You can't say that because Nairobi is the only city that has a National park should remain there."

Originally slated for Sunday, June 29 and set to feature international artistes, the organisers revealed in a statement that the decision to cancel the event, one which they termed as 'necessary', was informed by the ongoing unrest within the country.

They specifically cited the anticipated nationwide demonstrations on Wednesday, June 25, warning that any unrest witnessed on that day could have consequences that could spill over to the event.

"This decision has been made after deep consultations with our security teams and partners who have flagged the situation as volatile and high risk with regards to potential damage to property and physical harm to setup teams," the organisers stated in part.

The organisers emphasised that, although a lot had been invested in the event—as reflected in its large-scale production—the safety of the Blankets community remained their top priority. They also voiced their solidarity with fellow Kenyans amid the current heightened political tensions.

Everyone who purchased tickets for the event will receive a full refund, while season ticket holders will get a partial refund covering the June event. All refunds will be issued within 14 working days through the original payment method.

"Our work is creating and holding space for joy, and while we had planned an exciting experience this June, given the size and scale of our production, we believe it is imperative to prioritise security for our community while also standing in solidarity with fellow Kenyans," added the statement.

"We acknowledge your disappointment and deeply apologise for all the inconvenience caused. Truly, we are sorry. There will be a full refund for all tickets purchased for the June edition, and for season ticket holders, a proportional refund for the June portion of the ticket will be issued. Refunds will be processed within 14 working days via your original payment method."

The concert was to feature acts such as Mi Casa, South Africa’s soulful house trio renowned for global hits like “Jika” and “Tulale Fofofo”, as well as Kenya's Sauti Sol, Matata, Ssaru and Serro, among others.

Not too long ago, the organisers had introduced a 'Lipa PolePole' option for concertgoers unable to pay the full cost of the event upfront, allowing them to make payments in instalments in line with the high cost of living in the country.

In a notice issued on Wednesday, June 18, PAVRISK reminded the public that using copyrighted music without authorisation violates the Copyright Act of 2001 and is a criminal offence.

The warning targets a wide range of establishments, including shops, barbershops (kinyozi), salons, hotels, bars, restaurants, private clubs, motels, malls, and cinemas.

Also on the list are cybercafés, hospitals, clinics, banks, DJs, radio and TV stations, roadshows, events, amusement parks, political rallies, music academies, and even aircraft.

Photo of a recording studio in Kenya. /RED REPUBLIK STUDIO

"Did you know: Playing music, showing films, or using audiovisual content in your business without a copyright license is an offence under the Copyright Act, 2001 in Kenya," PAVRISK warned.

"Whether you have a salon, hotel, event space, matatu, bar, or even a clinic, you need a copyright licence to use music or audiovisual content legally."

In June 2024, the Kenya Copyright Board (KECOBO) granted PAVRISK the authority to issue copyright licences and invoices, as well as enforce penalties on businesses that fail to comply.

Businesses intending to use copyrighted music were directed to apply for the Unified Copyright License (UCL) via the agency’s website, license.pavrisk.or.ke.

PAVRISK warned that any business operating without the required licence risks being taken to small claims court and could face fines starting from Ksh 800,000.

This latest directive comes after legendary rapper Hubert Mbuku Nakitare, alias Nonini, was awarded by Principal Magistrate Hosea Ng’ang’a of the Milimani Commercial Magistrate Court Ksh4 million for a copyright infringement case against a multinational electronics company and social media influencer Brian Mutinda.

The judgment delivered in the commercial court was a landmark ruling for content creators in the country, as Kenya is gaining momentum as far as monetising creative content is concerned.

The Manzi wa Nairobi hitmaker had accused the social media influencer of publishing a short video meant to market one of the products of the company on his Instagram page and using one of his songs, which he argued were used without his permission.

The Digital Content Creators Association of Kenya (DCCAK), in a statement released on Friday, May 30, lamented the lack of stakeholder engagement before the issuance of the directive, particularly the blanket suspension of influencer participation in gambling promotions.

"As a body representing digital content creators and influencers across the country, we were not consulted, yet we remain a significant and legitimate player in the advertising and creative economy," read the statement in part.

The content creators and influencers clarified that they have consistently adhered to platform regulations, the Betting Control and Licensing Board's (BCLB) requirements, and international advertising standards.

They added that many have actively supported responsible gambling messaging and promoted verified, licensed operators, never glamorising betting or portraying it as a get-rich scheme.

"We believe that influencers should not be unfairly excluded from gambling advertisements when they can be instrumental in disseminating controlled, ethical, and approved content, especially in digital spaces where youth engagement is high. The move to ban influencers altogether disregards the professional discipline many of our members exercise when promoting any product, including betting," added the statement.

Nonetheless, the DCCAK commended BCLB for taking steps to regulate the gambling space and safeguard public interest, though underlining that regulation should include participation, not isolation. 

To address the stalemate, the group formally requested urgent engagement with BCLB,  the Office of the Attorney General, and other relevant parties to discuss how influencers and digital content creators can play a constructive role in responsible gambling communication.

DCCAK expressed that it is open to working alongside BCLB, AGOK (Association of Gaming Operators of Kenya), and other industry partners in co-developing guidelines for responsible digital gambling content.

"We would be honoured to collaborate on BCLB's 'Chukua Control' campaign, leveraging our networks and creative talent to extend its reach, especially among the youth. With the right framework, influencers can amplify the importance of moderation, financial literacy, and informed decision-making," added the statement.

In conclusion, the group urged BCLB to consider a more inclusive approach to regulation-one that leverages the influence, creativity, and reach of our members in support of safer gambling, rather than excluding them, adding that the digital economy is an integral part of Kenya's future, and content creators are ready to contribute responsibly to that future.

Per her statement in an Instagram post on Tuesday, May 27, the film is set to premiere on June 14, 2025 and will feature her as a 'supporting actress'.

Whereas details of the upcoming film are yet to be released, it is expected to feature popular Kenyan celebrity names such as Jacky Vike and Mammito Eunice, as well as Maryam Jawad, Elyas Moshkwani and Ronnie Kariuki.

Poster photo of the upcoming Netflix film 'Inside Job'. /SHIKSHA ARORA

Arora shared photos of behind the scenes in the making of the film and revealed that her journey began as far back as January last year when she received a call to audition for a film...for the first time in her life.

"Your girl is going to be on Netflix! Jan 2024, I got a call from @theonlybrianrobert to do something that I have never done: audition for a movie. I got the role and got the opportunity to star in a movie," she wrote in part.

"We are going to be premiering on NETFLIX in a few days!!! I am officially adding “supporting actress” to my CV. Mark your calendars to watch INSIDE JOB - June 14th 2025."

The award-winning journalist joined TV47 from the state-owned KBC on July 19, 2024 and has been there since. Her Easy Friday show on KBC every Friday from 9 PM saw her host more than 100 Kenyan celebrities and artists spanning different cultures.

She is a vibrant and bold person who is fearless in changing the game many Kenyans have known news anchors over the years for; personalities who put on serious faces anytime they present news bulletins.

Arora, who is of Indian descent, has been recognised for her on-air skills, and she bagged the Best Female Anchor award at the Asian Weekly Achievers Awards in 2019.

Her expanded move could see her join media personalities such as Catherine Ngarira, popularly known as Cate Rira, who are stepping into the film industry for the first time, having made their name on mainstream TV and radio.

Shiksha Arora on set for the upcoming Netflix film 'Inside Job'. /SHIKSHA ARORA

Blending contemporary elegance with relaxed charm, The Roof offers more than just sweeping panoramic views of the city skyline.

It delivers a curated dining and social experience designed to appeal to discerning locals, international travellers, and business professionals alike.

Guests share drinks at 'The Roof' at ibis Styles Nairobi. /IBIS STYLES

The venue features live cooking stations, an expertly crafted tapas menu, signature cocktails, and themed nights — all set within a sophisticated atmosphere that encourages connection and celebration.

Whether for after-work drinks, special occasions, or private events, The Roof provides a versatile and welcoming setting that adapts seamlessly to a range of guest experiences.

Positioned as Nairobi’s newest social landmark, The Roof captures the spirit of the modern urban lifestyle — where design, flavour, and ambience converge high above the city. From golden sunsets to starlit evenings, it promises an unmatched setting for memorable moments.

Kairo, known for flexing luxury rides online, appeared in court alongside his company, Kai & Karo Limited, at the Nyeri Law Courts. The case follows a probe by the Kenya Revenue Authority (KRA).

KRA claims that on January 10, 2024, Kairo allegedly misrepresented a Land Rover Range Rover Vogue as a used Range Rover Sport to dodge Ksh1.28 million in customs duty.

"Businessman Joseph Kairo Wambui, famously known as Khalif Kairo, and his company Kai & Karo Limited have been charged at Nyeri Law Court with tax fraud of Ksh1,283,830," read part of the KRA statement.

"Kenya Revenue Authority (KRA) investigations established that Kairo, being the director of Kai & Karo Limited, knowingly misdeclared a Land Rover Range Rover Vogue as a used Land Rover Range Rover Sport on January 10, 2024, to evade payment of customs duty of Ksh1,283,830."

Photo of a Range Rover Vogue. /INCHCAPE KENYA

Kairo was formally accused of knowingly taking part in the fraudulent evasion of duty. He pleaded not guilty to the charge and was granted release on a bond of Ksh500,000.

The case is set to be mentioned on June 4, 2025. If convicted, he could face up to three years in prison or a fine of up to Ksh1 million.

Price Of Range Rover Vogue

As of May 2025, the cost of a Range Rover Vogue in Kenya varies significantly depending on the model year, condition (new, locally used, or foreign-used), and specific trim features. Older models from around 2014 to 2016 are currently priced between Ksh 6.75 million and Ksh 9.5 million. These are typically locally used or low-mileage imports that offer the signature luxury feel of a Range Rover at a more accessible price point.

Mid-range models, such as those from 2017 to 2019, tend to go for Ksh 13 million to Ksh 19 million. These versions often come with upgraded features like advanced infotainment systems, enhanced interior designs, and more efficient engines. They are a solid choice for buyers looking for a balance between modern tech and a lower price compared to newer editions.

Newer models from 2022 and 2023 are priced around Ksh 13 million and above, depending on the condition and trim level. Some listings offer financing, making these more recent models slightly more accessible to premium buyers. 

Meanwhile, the 2025 models, especially top-tier variants like the Autobiography, can go up to KSh 45 million, thanks to their cutting-edge features, luxury finishes, and high performance. It is unclear which model is in focus in this particular case.

The overall pricing is influenced by factors such as trim level, mileage, vehicle condition, and added luxury features like panoramic sunroofs, premium leather interiors, and off-road enhancements.

Kairo, who has a 'boastful' personality, has been involved in multiple legal battles over failed car sale deals, spending the last days of last year and the beginning of this year defending himself in court.

In one of his recent arrests, Kairo described his detention as “politically motivated.” In a cryptic post, he hinted that his troubles stem from sabotage and a witch hunt, expressing confidence that he would make a comeback with the support of Kenyans.

"This is politically motivated. Every time I start waking up, getting deals here and there, and going back to work, the arrests mysteriously begin. No summons, no nothing. And conveniently, cameras are always rolling, even inside police stations," Kairo remarked.

“Can’t keep a man who is determined to win down. We will overcome everything. Keep praying for me, keep supporting and keep wishing me well. It's a tough economy that doesn’t favour youth-driven enterprise, but calm seas never make good sailors."

The car dealer stated that the ongoing cases, which have harmed his reputation, have also forced the closure of his offices.

''We have tried everything in our ability to try to resolve these issues amicably and ensure we do deliveries, but the negative media publicity and constant police involvement are putting us in deeper waters and severely affecting our ability to operate. All our offices are currently closed,'' Kairo once shared.

Despite the fraud allegations amounting to tens of millions of shillings, he has consistently insisted on his innocence. ''I have had an impressive 10-year run in business with zero criminal cases pertaining to cars, and thousands of people have successfully bought cars from me,'' he added.

"The surge in visitor numbers is a testament to Kenya’s growing appeal as a premier tourism and conference destination, driven by the ongoing international meetings in Nairobi and the successful marketing efforts. We are committed to making your future visits seamless, enjoyable, and memorable," she stated.

Adding "Your enthusiasm for Kenya’s natural treasures inspires us, and we’re thrilled to see so many of you embracing our prepaid ticketing system- over 60% of visitors on Sunday used this convenient option! This is a step forward in our shared journey toward smarter, faster, and more enjoyable park access. If you haven’t yet tried it, we invite you to purchase your tickets in advance via the eCitizen platform at http://kws.ecitizen.go.ke for a smoother entry."

These changes come just two days after prepaid ticket holders faced delays on Saturday, May 17, despite having bought their tickets early. Technical issues with the portal caused significant slowdowns, sparking frustration and backlash from tourists on social media.

As a result of the glitch, those with prepaid tickets had to queue alongside visitors still trying to purchase theirs at the gate via e-Citizen.

An upgraded ticketing system was launched by KWS on February 5, 2025. It was rolled out alongside enhancements to the eCitizen Payment System to boost revenue collection and make visitor entry more efficient, thus reducing the challenges reported by Kenyans in paying for the park services.

In a statement, KWS announced the introduction of two new express lanes exclusively for visitors with prepaid tickets.

The agency said the move is intended to cut down wait times and enhance the overall experience at one of Kenya’s most visited parks.

"To further enhance convenience and reduce entry wait times, we have introduced two express lanes exclusively for prepaid ticket holders at Nairobi National Park," the KWS announced.

KWS pre-paid tickets are digital entry passes that tourists can buy in advance when planning a visit to Nairobi National Park. To use the system, visitors must create an account on the e-Citizen platform.

The need for express lanes became clear after prepaid ticket holders faced delays on Saturday, May 17, despite having bought their tickets early. Technical issues with the portal caused significant slowdowns, sparking frustration and backlash from tourists on social media.

As a result of the glitch, those with prepaid tickets had to queue alongside visitors still trying to purchase theirs at the gate via e-Citizen.

In response, KWS encouraged tourists to keep using the prepayment option, highlighting that the new express lanes would allow for quicker and more efficient entry.

KWS also noted a major achievement: 60 per cent of visitors to Nairobi National Park are now using the prepaid ticketing system.

An upgraded ticketing system was launched by KWS on February 5, 2025. It was rolled out alongside enhancements to the eCitizen Payment System to boost revenue collection and make visitor entry more efficient, thus reducing the challenges reported by Kenyans in paying for the park services.

Earlier this year, a malfunction hit the eCitizen platform, leaving scores of Kenyans relying on it stranded. They took to social media to share their frustrations following the unavailability of the critical system.

Tourists, including those visiting Nairobi National Park, were left stranded after facing significant challenges due to the malfunction of the eCitizen platform. 

The footage, captured by an international journalist early in the morning of Saturday, May 17, showed a traffic jam at the park’s entrance, reportedly stretching for two kilometres, that left visitors waiting for hours just to get in.

The video also suggested that while tourists waited, park staff were letting friends and familiar faces bypass the queue, raising concerns about fairness and proper management.

''This is the shambolic system that continues to exist at the Nairobi National Park gate months after the new queueing system was introduced. People are still forced to wait in long queues, the management system is chaotic, people who are favoured by KWS staff are allowed to jump the queue, there is no rhyme or reason for it,'' the journalist revealed.

“We sincerely apologise for the long queues experienced this morning at the Nairobi National Park Main Gate. Your time and experience mean everything to us, and we’re working to make every visit as smooth as possible,” KWS stated.

KWS encouraged tourists to use the eCitizen platform to prepay for park entry, allowing quicker access through the Express Park Access lane.

They also reminded the public that aside from the Main Gate, the park has additional fully functional entry points—East Gate (off Mombasa Road) and Mbagathi Gate (on Magadi Road, across from Multimedia University)—which can help reduce traffic and long waits.

“By planning and exploring all available options, you help us protect your time, your experience, and your park,” KWS added.

The queuing system at Nairobi National Park was introduced as part of an upgraded ticketing system launched by KWS on February 5, 2025. It was rolled out alongside enhancements to the eCitizen Payment System to boost revenue collection and make visitor entry more efficient.

Earlier this year, a malfunction hit the eCitizen platform, leaving scores of Kenyans relying on it stranded. They took to social media to share their frustrations following the unavailability of the critical system. Tourists including those visiting Nairobi National Park were left stranded after facing significant challenges due to the malfunction of the eCitizen platform. 

Following the directive requiring all government services to be paid through the eCitizen platform, including park entry fees, the platform failed to process transactions. This left visitors forced to wait for hours at the main gate as the eCitizen platform crashed, with many taking to social media to complain about the delays.

The situation led to long queues of tourist vehicles and frustration among visitors who were unable to gain access to the park.

Hezena, on Friday, May 16, stated that she found it necessary to formally communicate the developments following "continuous malicious media attacks on me despite my silence and respect to both families."

"I recently, DEEPLY REGRETTABLY, posted that someone went to ask for my hand in marriage in what Samburu would call an ambush (siamu), as you all saw. The due procedure of the Samburu culture is that a background check must be conducted before the marriage. And so it was, and THOROUGHLY," she wrote in part.

However, the results of the background check would spell doom for the engagement, even though she did not specify what exactly prompted the elders to cancel the marriage process altogether.

"The elders of my family, therefore, halted the whole process after the background check and refused to accept dowry from that person, and as such, the whole process was immediately cancelled as of January 2025. All necessary steps were taken to ensure the conclusion to a COMPLETE final, including the return of the 100k that the elders were handed at the meeting," she added.

She went on to clarify that, contrary to recent claims, she is not married and has no intention of marrying the person in question. Nonetheless, Lemaletian thanked her family elders for their guidance and support, saying their role felt like that of a father figure and adding that her late father would have been proud.

She also asked for privacy for her family during this time and warned that any future attempts to tarnish her reputation would be met with legal action.

"Therefore, allegations that I was married are false and unfounded, and I shall also not be married to that person whatsoever. I deeply thank our elders. No amount of words can express my gratitude for being involved in my life like my father would if he were here with us today. 

"I respect the decisions of our elders and I hold them in very high regard and esteem(my fathers). My family and I request total privacy moving forward on this matter. Anything else that will slander my name out of failure to accept these decisions and move on will be handled legally," she concluded.

At the time of the announcement, Lemaletian, nicknamed the most beautiful Kenyan politician, posted a video from her engagement ceremony, featuring a convoy of luxurious cars heading toward a stunning mansion nestled in a peaceful, tree-lined village.

She had openly declared her love for her partner, vowing to honour and respect him. She playfully described him as one-of-a-kind, joking that he was made from a fabric that doesn’t even exist.

Lemaletian first teased details of her relationship during a 2023 interview with NTV, where she responded to a comment on how men were willing to slide in her Direct Messages (DMs), saying, "Just keep throwing those pickup lines. The good thing is it won't be me reading my inbox...the password is out there somewhere."

Since exploding into the limelight on December 10, 2021, during her public address at the Azimio La Umoja National Convention held at Kasarani Stadium, she has won over thousands of men countrywide, among others who have been instrumental in her rise from the Queen of the North to the Senate seat.

World Cocktail Day is here, and we are not about to let it pass without a proper celebration. While we will always appreciate the classic Gin and Tonic, let us add a little bit of creativity. Sometimes those special moments with your real ones deserve something a little more exciting. This year, Gilbey's is all about elevating those connections and celebrating Real Moments, genuine connections shared laughter that make life richer.

Gilbey's has always been about bringing people together, and this World Cocktail Day is no different. We know you value those friendships, appreciate quality, and are always looking for new ways to make those moments with your day ones even more memorable. That is why, as part of our 'Real Moments' campaign, we have created a cocktail that's as unique and unforgettable as the bonds you share.

Introducing the Real Ones Cocktail. Your New Go-To for Real Moments with Your Crew. 

Inspired by the magic of authentic friendships and the desire to make those moments a little more special, the ‘Gilbey’s Real Ones’ Cocktail is a refreshing and flavorful drink that is perfect for creating unforgettable Real Moments with your closest friends. Whether you are chilling with your crew, celebrating a milestone, or simply unwinding after a long day, this cocktail is designed to enhance the experience and strengthen those bonds.

Because Gilbey's is so mixable, you can adjust the sweetness, sourness, or any other flavour to perfectly match your taste and the vibe of your gathering. Here is what you'll need to share the Real Moments and the "Gilbey’s Real Ones" Cocktail:

• 50ml Gilbey's Gin: The smooth, classic base that ties everything together, perfect for sharing with your day ones. Gilbey's mixability means it will shine no matter what flavors you add!
• 30ml Passion Fruit Juice: That tangy, tropical goodness we all know and love. Freshly squeezed is best for those authentic flavours and genuine connections.
• 20ml Pineapple Juice: Adds a touch of sweetness and a hint of island vibes, bringing a touch of paradise to your gathering.
• 15ml Lime Juice: For that essential zesty kick, adding a vibrant energy to your Real Moments with your closest friends.
• Top with Ginger Ale: Adds a bubbly, refreshing finish, perfect for toasting to good times and lasting friendships.
• Garnish: A wedge of pineapple and a sprig of mint, making it picture-perfect for sharing those Real Moments online.

How to Make It and Share the Real Moments with Your Crew:

1. Fill a tall glass with ice.
2. Pour in the Gilbey's Gin, passion fruit juice, pineapple juice, and lime juice.
3. Top with ginger ale.
4. Gently stir to combine.
5. Garnish with a pineapple wedge and a mint sprig.

Most importantly: Gather your real ones, raise a glass of the "Real Ones" Cocktail, and enjoy the Real Moments.

Consider this your official permission slip to skip the chores, call up your day ones, and dedicate the rest of the day to creating Real Moments with the "Gilbey’s Real Ones" Cocktail in hand. We promise, no one will judge you except maybe your laundry pile. Just remember to drink responsibly, share the love, and tag us in your photos so we can live vicariously through your awesome adventures.

According to a press release, the season is a response to the growing demand for international collaboration across the creative sector.  

The programme aims at sparking meaningful connections and engagements between artists, institutions, cultural hubs and communities, while contributing to conversations around the role of creativity in shaping society between Kenyan and UK institutions, It will feature a diverse line-up of public events across both UK and Kenya —spanning music, film, visual arts, architecture, design, fashion, literature, and more.  

The Season responds to shared commitments in the UK-Kenya Strategic Partnership, by former UK Prime Minister Boris Johnson and former Kenyan President Uhuru Kenyatta in January 2020, which is built around 5 pillars: mutual prosperity, security and stability,  sustainable development, climate change, and people-to-people links. It recognises culture and education as drivers of diplomacy, innovation, and inclusive development.

"Kenya is a key partner for the UK in the region, and this Season marks an exciting moment to deepen those ties for mutual benefit. It also complements the UK’s broader cultural diplomacy efforts, which seek to build lasting relationships and expand opportunities through arts and culture and education. It recognises culture and education as drivers of diplomacy, innovation, and inclusive development," the statement read in part.  

A flagship event within the Season is the British Pavilion at the 19th International Architecture Exhibition at La Biennale di Venezia. Since 1937, the British Council has commissioned exhibitions to showcase the best of the UK’s creativity and spark international dialogue.

This year, for the first time in the Biennale’s history, the Pavilion is a unique UK-Kenya collaboration between a multi-disciplinary team of curators: Kabage Karanja and Stella Mutegi of Nairobi-based architecture studio Cave_bureau; UK-based curator and writer Owen Hopkins and academic Professor Kathryn Yuso. Titled Geology of Britannic Repair, the exhibition makes a case for architecture as an earth practice and examines the relationship between architecture and colonisation as parallel, interconnected systems. 

As part of preparations for the Season, the British Council launched an Open Call in 2024, offering Catalyst Grants of up to £5,000 (Ksh864,819) to support creative collaborations between the UK and Kenya. 19 were selected, laying the groundwork for new cross-border partnerships that will be showcased during the Season.

In 2025, 11 of these projects have received additional support to strengthen their collaboration and showcase their work to broader audiences as part of the Season.    

“We have been deliberate about bringing together diverse voices from both Kenya and the UK  to shape the Season. It’s important to us that these collaborations are rooted in mutual exchange and long-term value. It aligns with Kenya’s ambitions to grow its creative economy and reach new local and international audiences, positioning creativity as both an economic driver and a space for connection, dialogue, and innovation," Sandra Chege, Head of Arts at the British Council Kenya and Director of the UK/Kenya Season, remarked.

"We’ve engaged artists,  collectives, cultural hubs, and educational institutions, because we want the programme to  reflect the energy and innovation we see every day in the creative scenes across both  countries.” 

In the UK, the Season is being delivered in partnership with The Africa Centre, a cultural organisation based in London with a long-standing mission to educate, connect, and advocate for Africa and its global diaspora. The Season is also supported by the British High Commission in Kenya and the Kenya High Commission in the UK, whose diplomatic and cultural engagement has been instrumental in shaping the programme. 

“For the past 60 years, we have been delighted to be a platform for showcasing excellence from all across the African continent. The UK/Kenya Season gives us a unique opportunity to highlight Kenya, to help diasporans and wider UK audiences learn more about Kenya’s dynamic arts scene, and to showcase the incredible work coming from artists, cultural hubs, and communities across the country. We’ve got an exciting line-up of events and exhibitions planned in the UK, and we’re proud to be part of this partnership," Olu Alake, CEO, The Africa Centre, weighed in. 

Alongside the arts programme, the Season places a strong emphasis on education, reflecting the British Council’s broader commitment to enriching learning and promoting global citizenship. Learning and Design Lab, part of the UK–Kenya University Partnerships initiative, for example, brings together students and academics from UK and Kenyan universities to collaborate with local industry to co-design solutions around climate resilience throughout the Season. 

The Season reflects the British Council’s long-standing relationship with Kenya. It showcases work that centres youth voice, explores the impact of technology, responds to the climate crisis, and reflects on cultural heritage and identity, sparking dialogue and offering fresh perspectives. 

Without naming the media house, the Noma Ni hitmaker took to X on Monday, April 28, to reveal how his idea was pitched to the media house but never saw the light of day.

Octopizzo had suggested creating a space, be it online or otherwise, so that the protesters who were present during the anti-government protests could air out their views, as well as the parents and families of those killed during the Gen Z protests.

He revealed that he contacted two different top journalists, again whom he did not name, with that request, only to be informed that they were unable to consider it.

"During the protests, I reached out to a leading media house, suggesting they create space to hear directly from the protesters, victims’ parents, and their families," he stated in part.

"I made this request on at least three occasions, to 2 different leading journalists but each time I was informed that all slots were fully booked until next year."

With this, Octopizzo added that he was of the view that the Kenyan media had a political agenda and aimed to satisfy the interests of the elite in society. He went on to caution the media that they risk being confronted en masse by Kenyans in the future.

"It is clear that much of the Kenyan media is politically aligned and often prioritises the highest bidder. Their time is also coming; we will be visiting those media houses soon," he warned.

Reacting to the documentary, Octopizzo lamented the lack of accountability on those revealed to be responsible for the shooting of unarmed protesters, pinning blame on the Judiciary by stating, "It makes you wonder if the judiciary, if the law itself, was ever real. We keep pushing technology forward like it’s everything, yet humanity and justice are rotting away even faster."

The 37-minute documentary covered the June 25 anti-finance bill protests, which resulted in over 60 deaths, has captivated the nation since its release, sparking varied reactions from Kenyans.

It included interviews with prominent figures like activist Boniface Mwangi, student journalist Allan Ademba, who reported from the protest frontlines, Law Society of Kenya (LSK) President Faith Odhiambo, and Embakasi East MP Babu Owino.

The exposé highlighted the deaths of at least three protesters, with an analysis of over 5,000 photos from the protests revealing that Kenya Defence Forces (KDF) officers were responsible for the shootings.

While responses have been mixed, most Gen Z protesters have expressed shock, reflecting on the tragic loss of their peers. "The BBC documentary touched me somewhere, man. To hell with this government and all it stands for. At least we know it isn't standing with its citizens," one X user stated.

"For the BBC to air such a documentary, after all this while and IPOA had not done anything, it is an indictment of IPOA. It is time that Kenyans asked if we need IPOA or not. They are a toothless organisation and a burden to the taxpayer," another lamented.

Lawyer Miguna Miguna recalled having relayed information about hundreds of innocent people killed in Githurai and cremated in Kahawa Barracks in June 2024 and called for investigations into the matter, noting, "At the very least, we must demand for an INDEPENDENT investigation and judicial inquiry into the brutalities committed by police, military, NIS, and Kenya Forest Service between 2024 and 2025. We need accountability and justice for the victims."

However, the documentary has not been taken kindly by some quarters, with Homa Bay Town Member of Parliament (MP) Peter Kaluma urging the government to revoke the BBC's licence in Kenya, citing its crucial role in shaping societal conversations and criticising the documentary for being twisted, partial and reckless, in his opinion.

Graphic poster of BBC Africa Eye's documentary titled 'Blood Parliament'. /BBC

First launched in September 2023, Season 3 of SBOB spanned over five regions, with each audition round featuring more than 20 contestants—turning the competition into a nationwide showcase of Kenya’s most promising DJ talent. The top DJs from each region advanced to national showdowns, culminating in an unforgettable five-week finale series filmed live at TV47 studios. 

The final winner reveal event lived up to the hype, with lights, decks, and DJ culture taking centre stage. Guests were treated to bold performances, creative cocktails, and a pulse-raising announcement that officially named DJ Insta the new face of Kenya’s entertainment future. 

“Smirnoff Battle of the Beats is more than a competition—it’s a creative movement. DJ Insta embodies the boldness, authenticity, and originality that Smirnoff stands for,” said Kennedy Mutula, Spirits Marketing Manager at EABL.

DJ Insta (Dennis Odari) holds the dummy cheque announcing him the winner of the Smirnoff Battle of the Beats (SBOB) Season 3 Competition and holds a celebration dance with Smirnoff Dancers. /HANDOUT

“We’re proud to champion platforms that spotlight emerging talent, empower self-expression, and create lasting cultural impact.” 

As the winner, DJ Insta receives a top-tier DJ setup including a professional DJ Deck, MacBook Laptop, 2TB Flash Drive, Headphones, and a Flight Case—along with brand support and performance opportunities through Smirnoff’s upcoming experiences. 

The event also honoured the Top 5 DJs, including Rattihy the DJ (SOB Coast Region Winner) and runner-up of Smirnoff Battle of the Beats (SBOB) Season 3, KJ the DJ (SBOB Rift Valley Region), DJ Kryptic (SBOB Mt. Kenya Region Winner), and DJ Klasiq (SBOB Nairobi Region Winner), applauding their creativity and strong fan followings throughout the competition. 

“As someone who has had the privilege of working closely with this campaign on the ground, I can confidently say that Smirnoff has walked with these DJS every step of the way—from the very first regional audition to this grand moment right here at Tusker Bar. It’s been an incredible experience, not just watching the growth of individual talent, but also witnessing how deeply the brand has connected with our consumers," said Jonathan Rutto, Shopper Manager at EABL. 

“To all the DJs who took part: your talent and energy have made this season unforgettable. And to our consumers, who voted, danced, and cheered across five regions, thank you for choosing Smirnoff as the brand that brings people together. We’re proud to stand behind a campaign that uplifts, celebrates, and leaves a lasting impact in the hearts of Kenyans."

Hosted under Smirnoff’s “We Do We” campaign, Season 3 of SBOB stands as a powerful example of the brand’s commitment to inclusion, creativity, and collective celebration. The winner’s party captured that spirit perfectly, with non-stop vibes, fan energy, and the crowning of a true champion of the decks. 

The casting call follows backlash over the production, which was initially slated to be staged by Butere Girls but drew criticism from certain leaders due to its subject matter, likened to affairs of the current government.

In a formal announcement, Malala stated that auditions will take place between April 22 and May 5. “If you are an actor, love the stage, and have the confidence to own a role, this is your moment,” read part of the announcement.

How To Audition

According to the latest statistics from the Annual Tourism Sector Performance Report 2024, Nairobi Mini Orphanage recorded the highest number of tourist visits in Kenya, with a record 455,550 tourists paying a visit to the conservation site.

Kenya has successfully recovered from previous challenges that had impacted its tourism sector, now reporting significant growth in the industry.

Nairobi National Park — the only national park located within a major city globally — ranked second, drawing 431,165 visitors over the year. KWS credited the surge in numbers to strong collaborative conservation initiatives.

Lake Nakuru National Park came in third with 293,107 visitors. The park is famous for its rich biodiversity, especially the iconic flamingos that continue to attract both local and international tourists.

"With Nairobi Orphanage, Nairobi National Park, and Kisumu Impala Sanctuary leading the charts, the numbers speak volumes about the growing love for our parks and the success of collaborative conservation efforts," KWS noted. 

Nairobi Safari Walk and Amboseli National Park claimed the fourth and fifth spots with 286,165 and 266,102 visitors respectively during the reporting period.

Trailing closely behind in sixth to tenth positions were Tsavo East National Park, Hell's Gate National Park, Kisite Marine Park, and Tsavo West National Park. These destinations all recorded rising visitor numbers, further reinforcing their reputation as top tourism hotspots.

Why Tourists Are Flocking In

The data shows that holiday and leisure travel was the primary driver of park visits, accounting for 44.2% of all entries. Business and conference-related visits followed at 26.9%, while 22% of visitors were in the country to see friends and family, highlighting the importance of regional and diaspora-linked travel.

Transit visitors made up 4.2%, while smaller segments included those visiting for education and religious purposes (1% each), as well as medical and work-related travel (0.4% each). Sports tourism also made an appearance at 0.3%, hinting at opportunities for niche market growth.

Kenya continues to attract tourists with its stunning diversity, from breathtaking landscapes and rich wildlife to vibrant cultural experiences. One of its most iconic spectacles is the Great Migration, where millions of wildebeest, zebras, and gazelles thunder across the plains, delivering one of the most dramatic wildlife shows on Earth.

Even within the hustle and bustle of the capital, Nairobi National Park offers an extraordinary experience, being home to the Big Five just minutes away from the city center.

In Summary: Most Visited National Parks & Reserves In Kenya

1. Nairobi Mini Orphanage – 455,550 visitors
2. Nairobi National Park – 431,165 visitors
3. Kisumu Impala Sanctuary – 309,728 visitors
4. Lake Nakuru National Park – 293,107 visitors
5. Nairobi Safari Walk – 286,165 visitors
6. Amboseli National Park – 266,102 visitors
7. Tsavo East National Park – 238,545 visitors
8. Hell's Gate National Park – 230,314 visitors
9. Kisite Marine Park – 96,634 visitors
10. Tsavo West National Park – 89,594 visitors

Becoming a digital content creator is one of the most desired jobs for young people, and with studies showing that three-quarters of travel bookings are now inspired by content on social media, Visit Dubai and Beautiful Destinations are collaborating to champion the next generation of travel creators and make dreams come true.

Applications are now open for the Beautiful Destinations Academy Powered by Dubai – the world’s first dedicated training programme for travel content creators, launching in Dubai next month.

In a game-changing partnership with Visit Dubai, Beautiful Destinations is offering social media lovers a one-of-a-kind opportunity to transform their passion into a lucrative profession and have their videos seen by its audience of more than 50 million followers worldwide.

Turn your creative passion into a dream career

Starting in May 2025, the Academy’s three-month programme in Dubai is designed to help anyone master the art of travel storytelling while living a VIP experience in one of the world’s most vibrant cities, a fast-emerging global hub for the growing creator economy.

A beach overlooking the city of Dubai. /PHOTO

Lucky recruits will be coached by creative and business experts to become the next generation of talent bringing stunning travel videos to screens worldwide and embark on a career path with a high earnings potential, all while uncovering the world’s most enviable travel experiences.

An unmissable opportunity to ‘live your best life’ in Dubai… and beyond

Successful applicants will receive a generous package while enjoying the opportunity of a lifetime living in Dubai – a vibrant city with iconic landmarks and endless visual inspiration.

1. Free accommodation in serviced apartments in one of Dubai’s most sought-after neighbourhoods throughout the 3-month Academy residency
2. Generous salary to cover living expenses for the duration of the programme
3. Epic perks, including unparalleled access to shoot in some of Dubai’s most stunning and exclusive locations, normally reserved for celebrities and royalty
4. Insider knowledge and the chance to work alongside Jeremy Jauncey, CEO and Founder of Beautiful Destinations
5. Hands-on coaching and mentorship from Beautiful Destinations’ travel creators so participants can master the creative and technical skills to take their content to the next level
6. Certificate of Participation from one of the world’s leading tourism educational organisations, the Dubai College of Tourism  
7. Guaranteed pipeline of job opportunities with Beautiful Destinations upon graduation, setting alumni on an unrivalled career pathway as a social media content creator whose work will be showcased to millions of followers and brands

“We started Beautiful Destinations as a passion project with nothing more than a post on Instagram and have grown into a global business, working with the very best in the travel and tourism industry”, reveals Jeremy Jauncey, CEO and Founder, Beautiful Destinations.

“I want to share what I’ve learned with the next generation and give others the chance to experience the coolest career in the world. And there’s no better city than Dubai, which has inspired Beautiful Destinations’ creators since our earliest days, to do this in. You don’t need to be an expert to apply – we’re looking for raw, hidden talent”, adds Jauncey.

Jeremy Jauncey added that 76 percent of travel bookings are already inspired by social media content, a trend revolutionising the travel industry. 

"We want to equip young people with the skills to build a solid future in travel content creation, and to take advantage of this fast-growing sector. You don’t need expensive equipment or formal training – just a desire to turn your social media hobby into a dream career," he continued.

How to apply