Following weeks of growing anticipation among fans, the event marked the first major live performance of the album, a project that has steadily become part of everyday listening for many Kenyans. From the moment gates opened, the energy in Meru was unmistakable, with fans turning up in large numbers to be part of the experience.

The night was headlined by Mejja, whose performance brought fan-favourite tracks such as Manifest and Siaka. The live renditions transformed familiar songs into a shared, high-energy moment, as the crowd sang along and fully immersed themselves in the music.

Supporting acts including Toxic Lyrikali, Dyana Cods, Jaysoul, and ZJ Heno kept the momentum going, while DJs DJ Mawinch, DJ Deewiz, DJ Bee, and DJ Daffy delivered seamless sets that carried the crowd through the night. MC Azeezah brought her signature charisma to the stage, tying the entire experience together.

Beyond the performances, Captain Morgan curated an interactive space including photobooths and game zones. In addition, brand mixologists served fun favourite cocktails such as the Captain Cola and Muckpit & Sprite. These elements added depth to the event, ensuring that the experience extended beyond the stage and into every corner of the venue.

 “This activation reinforced Captain Morgan’s commitment to creating bold, culture-driven experiences that resonate with its consumers” Victor Adada, Captain morgan Brand Manager said that evening.

Kanyi Kiuru, Captain Morgan Muckpit brand manager reflected, “I have loved seeing consumers enjoy the Captain Morgan Cocktails, having fun in the experience zones, Meru never disappoints.”

Mejja also commented, “Manze nibambika, wasee wa Meru, big up, thanks for the support, this was night to remember.”

As the night ended, one thing was clear, this was a celebration of consistency, growth, and connection, reflecting both Mejja’s journey and the audience that has grown with his music over the years.

Occasionally, an album comes through and quietly becomes part of your everyday life. For many Kenyan listeners right now, Mejja’s Mtoto wa Khadija is doing exactly that. After close to two decades in the industry, this project feels less like a release and more like a milestone.

One minute you’re casually listening, the next you realize different tracks have seamlessly worked their way into your routine and playlists. Mboka, Manifest, and Motion hit differently on your commute, setting the tone with motivation and good vibes. Mental, Vulai, and Kale ka Uoga feel right at home at the gym or while winding down after a long day.

There’s a certain ease to it, music that feels familiar, yet fresh enough to keep you coming back. And as more people continue to discover it, the conversation has naturally shifted from “have you listened?” to “when do we get this live?”

That moment is now taking shape. In partnership with Captain Morgan, the album is moving beyond headphones into shared experiences. An exclusive listening session set the tone, bringing together media, creatives, and industry players for a first listen in an intimate, laid-back setting.

Now, that energy expands to a bigger stage. On April 11th, 2026, Captain Mejja Spice takes over Kinoru Stadium in Meru for the first major live showcase of the album. He will be joined by Toxic Lyrikali and Dyana Cods, both of whom feature in the album. Jaysoul, ZJ Heno, DJ Mawinch, DJ Deewiz, DJ Bee, DJ Daffy, and MC Azeezah, all coming together to set the tone for an unforgettable night.

For fans who have had the album on repeat, this will be the first real opportunity to experience it live, loud, shared, and in an atmosphere that brings the music to life in a whole new way.

How to get in:

• Grab a quarter Captain Morgan Gold or Muckpit → get 1 ticket
• Go big with a mzinga → get 2 tickets

To make it even more exciting, fans can stand a chance to win tickets and exclusive Captain Mejja Spice merchandise by participating in a live trivia challenge on Radio 47 and Meru FM from April 8th to 10th.

The album is a reminder of consistency and growth, the kind that doesn’t always need to be loud to be felt. And maybe that is what makes this moment worth paying attention to: the journey behind it, and the chance to celebrate it together.

The Fisherman Pwani Experience, in partnership with Kenya Cane, turned the Easter weekend into a vibrant coastal celebration, drawing revellers to Wild Waters Nyali on Saturday, April 4, 2026 for a high-energy fusion of music, culture, and unforgettable moments.

Set against the backdrop of the ocean and the long holiday weekend, the atmosphere was lively from the start. Coster Ojwang and the Fisherman’s Band headlined the performances, with the crowd singing along to Wabiro, Jowi and Hera word for word. The energy peaked when Okello Max came on stage. Makadem brought his signature Nyatiti Jazz sound, while Shad Mziki kept the momentum going with his hit Wajue ni wewe.

Performances by Partraw and Osogo Winyo added a soulful touch to the lineup, creating a well-rounded musical experience. The connection between the artists and the audience was evident throughout, with the crowd fully engaged from start to finish.

Beyond the stage, Kenya Cane elevated the experience with its signature serves, with the Safari Sunset emerging as a crowd favourite. Attendees also enjoyed curated chill spaces set against the ocean breeze, adding to the overall coastal experience.

“Seeing the crowd connect so deeply with the performances and the Kenya Cane experience is exactly what we set out to achieve,” said Victor Adada, Kenya Cane Brand Manager.

Reflecting on his performance, Coster Ojwang shared, “The energy from the crowd was incredible. This is what the Fisherman’s Experience is about, mziki ya kustaarabu and people enjoying the moment. This one is for the books.”

The Fisherman’s Pwani Experience delivered a memorable Easter weekend highlight, reinforcing the show as a must-attend music and cultural moment.

From the moment the evening began, the atmosphere shifted in a transformative way. Friends, colleagues, and newcomers merged into a vibrant crowd that exuded both energy and intention. The music, masterfully curated by Mwalimu Rachel along with DJs DJ Xclusive and DJ Chunky, established a captivating rhythm that flowed seamlessly throughout the night, enhancing the social experience without overshadowing the meaningful connections being made.

Instead of hosting a typical high-energy party, the Hangout focused on a more nuanced experience. It fostered an atmosphere for conversation, laughter, and what many referred to as "real moments." This approach reflects the brand's ongoing campaign that promotes more authentic ways to connect.

Participants engaged in various conversations and dance circles, periodically pausing to enjoy signature beverages. Among these, the newly introduced Gilbey’s Berry Bramble RTD cocktail quickly gained popularity among attendees, enhancing the overall experience of the event.

A photo of Gilbeys Brand Ambassadors

Visually, the space carried a subtle but striking red theme woven through outfits, lighting, and décor, giving the night a cohesive identity without overwhelming its relaxed tone.

Lilian Mbugua, the brand manager, said the intention behind the Hangout is rooted in shifting how people experience social spaces. She noted that the focus is increasingly on creating environments where people can engage more meaningfully, rather than simply attending.

“The Gilbey’s Hangout is about celebrating the moments that truly matter, the ones shared with friends, full of laughter and real connection. Through this platform, we are creating experiences that are not only memorable but also accessible, staying true to our commitment of delivering quality and value to our consumers,” said Lilian Mbugua, the Brand Manager, Gilbeys.

The event also quietly reinforced the brand’s effort to remain accessible, with ongoing offers that make premium experiences feel within reach for a broader audience.

As the night wrapped up, it became clear that what mattered most wasn’t just the music or the decor, but the warm atmosphere that filled the space. This vibe reflected a subtle change in Nairobi's social scene. Known for its vibrant nightlife, the Gilbey’s Hangout showed us that some of the best moments come from being relaxed and genuine.

Hosted by popular radio duo Mwalimu Rachel and DJ Xclusive, joined by DJ Chunky, the Gilbey’s Hangout experience promises the best of beats and moments perfect for you and your crew.

The Gilbey’s Real Moments campaign celebrates authentic connections and invites consumers to share their unfiltered moments with their “day ones”.

Date: Friday, 3rd April 2026

Venue: Burudani Address, Juja City Mall

Time: 5:00p.m till late

Hosts & Entertainment: Mwalimu Rachel, DJ Xclusive and DJ Chunky

Dress Code: A touch of Red

Entry: A 750ml bottle of Gilbey’s purchased upon entry

Please drink responsibly. Alcohol is not for sale to persons under the age of 18.

Launched in February, B2B is a new, bold career accelerator platform designed to support fast-rising Kenyan artists and help propel them to the next level of their musical journey, backed by Kenya Breweries Limited (KBL) through the Tusker brand, in partnership with music star Bien as principal mentor. 

The six artists, initially part of a shortlisted 30, were voted in by the select members of the public as well as industry experts during a live showcase event held at the Tusker Brew House.

Commenting on the announcement, Christine Kariuki, Head of Mainstream Beer at KBL, said, “Since the launch, we have been eager to witness the six artists in action, and we look forward to tracking the impact of this initiative on their growth and development."

"We want to support them every step of the way as they elevate their careers. As Tusker, this is who we are, celebrating talent, fostering growth, and strengthening Kenya’s music and cultural scene," Kariuki added.

Base to Billboardz Unveils Its Inaugural Six Finalists

Muringi is known for her popular song Managī, Manasseh for Dark Brown Eyes, Zawadi for Jua Tua, Chris Barr for Hamu, Peter Njuguna for Delulu, and Ras Amor for Hawa Wasichana. 

The unveiling of the inaugural six artists now signals the start of this deliberate journey that will not only focus on visibility but on longevity, ownership, and strategic growth in an increasingly competitive music landscape.

B2B is not a music competition or a raw talent from the grassroots search, nor does it offer a winner-takes-all cash prize. The platform is intentionally structured as a career accelerator for homegrown artists who already demonstrate clear momentum through the release of bodies of work such as an album or EP, live performance experience, at least One Million career streams, and a growing online audience of over 10,000. Through B2B, the artists will get the right support system and structure to break into stardom. 

Over the next six months, the artists will work closely with Bien and five additional coaches through weekly workshops on vocals, songwriting, and dance/movement, alongside monthly masterclasses covering the business of music, from branding and publishing to distribution, contracts, monetisation, and international scalability.

Commenting on the artists, Bien said, “I am quite optimistic about the level of talent and originality we are seeing from the artists in this programme. Each of them brings a unique sound and perspective that reflects the richness of Kenya’s music scene. I am excited about what lies ahead because with the right mentorship, structure, and commitment to the craft, they have the potential to grow into artists who can compete and thrive on bigger stages, both locally and globally.”

The programme will culminate with the six artists forming a new collective and releasing a joint album, to be released through a high-profile launch event marking their official debut as a unified musical force.

Despite the growing appetite for homegrown Kenyan music, many semi-established artists still struggle to convert momentum into long-term success due to limited mentorship, fragmented industry structures, and insufficient commercial backing. Base to Billboardz is intentionally designed to bridge this gap. 

Tusker has consistently championed Kenyan music through platforms such as Tusker Project Fame, Nexters, and Oktoberfest, and Base to Billboardz builds on this legacy by shifting focus from short-term wins to long-term artist development.

The intimate event brought together media personalities, industry stakeholders, creative collaborators, and select fans for a curated preview of what promises to be one of the year’s defining Kenyan music projects.

Set against the vibrant backdrop of The Microbrewery, the evening blended music, culture, and celebration, reflecting Mejja’s unmistakable energy and authenticity.

The album, which has been eagerly anticipated by fans across the country and diaspora, marks a powerful new chapter for the celebrated hitmaker. Known for his storytelling, streetwise wit, and ability to capture everyday Kenyan life through music, Mejja’s latest body of work showcases both artistic growth and signature flair.

Speaking at the event, Mejja shared his excitement about finally sharing the project, “This album is very personal to me. It represents growth, not just as an artist, but as a person."

"I’ve taken time to craft something that reflects where I am right now. Having people experience it for the first time in a room like this, feeling the energy together, that means everything," he added.

The listening party was hosted in partnership with Captain Morgan, reinforcing the brand’s continued commitment to championing bold self-expression and authentic cultural moments. As Mejja’s brand ambassador, Captain Morgan has supported his journey as an artist who embodies confidence, originality, and fearless creativity.

Victor Adada, Brand Manager for Captain Morgan, emphasized the importance of investing in homegrown talent and meaningful cultural experiences.

“At Captain Morgan, we believe in celebrating originality and the courage to own your story. Mejja represents that spirit perfectly. This listening party was not just about music; it was about bringing together culture, community, and creativity in an authentic way. We are proud to walk this journey with him as he unveils this new chapter," remarked Adada.

Throughout the evening, guests experienced a carefully curated playback session, exclusive insights into the creative process behind the album, and immersive brand moments that elevated the experience beyond a typical music preview.

With anticipation now at a fever pitch following Thursday’s preview, fans can expect the official album release to make a significant impact on Kenya’s music landscape.

As Mejja continues to redefine his sound and expand his cultural footprint, this listening party served as a powerful reminder of his influence and the exciting era ahead.

The initiative, unveiled this week, positions itself as a career accelerator rather than a music competition. It targets artists who already show measurable traction, including released albums or EPs, live performance experience, at least one million cumulative streams, and a growing online following of more than 8,000 fans. The programme does not feature a cash prize or a winner-takes-all format.

According to KBL, B2B is designed to address structural gaps that have historically hindered the growth of Kenyan musicians beyond the early stages of visibility. While local music has gained traction across digital platforms and live performance circuits, many artists struggle to sustain careers due to limited mentorship, weak industry structures, and a lack of commercial support.

Speaking during the launch, KBL Head of Mainstream Beer Christine Kariuki framed the programme as a long-term investment in Kenya’s creative economy.

Some of the participating artists, Tusker brand representatives at Kenya Breweries Limited (KBL), and Base to Billboardz (B2B) campaign organisers on the first day of the campaign launch on Wednesday, February 4, 2026, at the Tusker Microbrewery. /PHOTO

“Our goal is to grow homegrown talent from local stages to global platforms, reflecting Tusker’s spirit of unity, celebration, and cultural pride. By bringing artists together, we strengthen Tusker’s iconic legacy and champion the rise of Kenya’s next music stars,” she noted.

The selection process began with 30 artists drawn from across the country. The initial shortlist was compiled by Bien, working alongside industry experts from diverse musical backgrounds. Public participation and further expert evaluation then reduced the list to six artists, who will form the inaugural Base to Billboardz cohort.

The selected artists will embark on a six-month development programme running from February to July 2026. The programme will be anchored on mentorship, training, and industry exposure, led by Bien and supported by three additional coaches.

Weekly workshops will focus on vocals, songwriting, and dance and movement, while monthly masterclasses will cover key areas of the music business, including career management, branding, and commercial strategy.

Participants will also gain access to professional studio sessions, industry listening forums, and curated exposure opportunities aimed at sharpening performance skills and preparing them for larger stages.

At the conclusion of the programme, the six artists will be brought together to form a collective, a central outcome of the initiative. The collective will release a joint album, which will be unveiled through a high-profile launch event. The artists will also be featured in the Oktoberfest 2026 lineup, touring various towns across the country.

Bien described the project as an opportunity to address challenges he encountered during his own career.

“Having walked the music journey myself, Base to Billboardz is deeply personal. It represents the opportunities I wished for when starting out.

"Many of these artists are already established, but what they need is that next level of recognition. This platform allows me to give back, share my lessons, and help nurture the next generation to reach heights they once only dreamed of,” he explained.

Over a career spanning more than two decades, from his time with Sauti Sol to his solo work, Bien has remained actively involved in artist development through platforms such as Sol Generation and Sol Fest, which have helped launch acts including Bensoul, Nviiri the Storyteller, and Watendawilili.

Tusker’s involvement builds on its long-standing association with Kenyan music through initiatives such as Tusker Project Fame, Nexters, and Oktoberfest. However, B2B represents a shift in focus from short-term exposure to sustained artist development.

KBL indicated that the success of the programme will be measured through tangible artist growth, including improvements in musical output, performance quality, audience engagement, and visibility. Additional indicators will include bookings, partnerships, and post-programme opportunities, alongside broader cultural impact and brand alignment.

Beyond the six-month training period, Tusker plans to continue supporting select participants, with longer-term partnerships to be considered based on performance and growth outcomes.

From L-R: Simon Maina, Head of Talent, ACE, Mark Mugisha, Director Marketing and Innovation at Kenya Breweries Limited (KBL), Bien, Base to Billboardz campaign lead, Chiki Kuruka, Dance and Choreography Coach, and Marek Fuchs, CEO and Co- Founder, ACE. /PHOTO

The stampede occurred after hundreds of people without tickets reportedly stormed the venue during the concert headlined by Afrobeats sensation Asake. Witnesses stated that the chaos erupted after security was overrun, enabling non-ticket holders to enter the stadium freely, with some allegedly spilling into the VIP area.

The confirmed fatality from the chaotic scenes was identified as Lojore, described as being in her mid-20s. She was allegedly trampled and was pronounced dead on arrival at the hospital. Her body was taken to the City Mortuary.

Collage of Asake and crowds at Nyayo National Stadium in Nairobi, Kenya on December 20, 2025. /VIRAL TEA KE

According to friends of the deceased, Karen had a valid ticket and sustained fatal injuries while trying to get into the venue as the situation spiralled out of control.

Her grieving mother shared a photo of Karen in a viral Instagram post on Sunday, December 21, pouring out her anguish and demanding that those responsible, including the organisers, should be held to account.

“Karen, why? What happened? You had that damn ticket. What happened to my child? Why her, why? I want justice for my child. Please bring back my child,” she wrote.

Although the event organizers have yet to issue an official statement confirming the death or the disorder, concertgoers criticized the event as poorly organized, leaving several attendees who had even paid for VIP access frustrated and disappointed.

Attendees also pointed to long delays in ticket processing at the entrance, which stretched for hours, creating a restless crowd and contributing to chaos in the VIP area.

Citizen TV journalist Immanuel Ndungu also gave his account of the events leading to the stampede, which was not a sudden accident, but the direct result of a predictable and preventable chain of failures in crowd management.

The situation had intensified as huge crowds formed at the main entrance. Security had set up two lines—one for men and a slightly longer one for women—but the narrow entry and inadequate crowd control quickly led to problems.

Entry was temporarily stopped for about 30 minutes, which heightened tensions as more people continued to arrive. Police reportedly intervened to restore order, allegedly using force, which worsened the chaos.

Attempts by stewards to let small groups of around 10 people in at a time only fueled more pushing as the crowd struggled to get through.

Neither the police nor the Directorate of Criminal Investigations (DCI) has released an official statement regarding the incident. Lojore's death has since shocked the nation, triggering public outrage and reigniting discussions on crowd management and safety at large entertainment events.

Even before the incident, there was already a red flag raised for attendees after popular music collective Kodong Klan withdrew from the concert, merely hours before showtime.

Past Asake Concert Stampede

The Nairobi incident echoes a comparable tragedy at an Asake concert in December 2022 at London’s O2 Academy in Brixton.

On that night, what was meant to be one of three sold-out shows by the Nigerian Afrobeats star turned deadly after massive crowds, including many without tickets, overran the venue’s entrances. Fans later recounted scenes of panic and confusion as crowds pressed against the venue’s narrow entrances.

The Guardian reported that many people gained access without proper ticket checks, leaving genuine ticket holders stuck outside in dangerously overcrowded conditions. One attendee described a sudden surge that left people “suffocated” and “hemmed in,” with minimal visible security.

As the chaos escalated, police were called, and the concert was stopped shortly after starting. A member of Asake’s team reportedly informed the crowd that thousands had “breached” the doors, leading to the show’s cancellation for safety reasons.

The Brixton tragedy resulted in the deaths of Rebecca Ikumelo, a 33-year-old mother of two, and Gaby Hutchinson, a 23-year-old security guard, while another woman suffered critical injuries.

Photo of a past concert in Kenya. /BUZZROOM KENYA

Prominent reports reveal that one woman was among three people who lost their lives, with dozens injured during the chaos that unfolded at the event headlined by Nigerian Afrobeats star Asake.

According to Ndungu, who narrated the ordeal on his social media pages, the stampede was not a sudden accident, but the direct result of a predictable and preventable chain of failures in crowd management. The critical breakdown began at the outermost security perimeter, where a fundamentally inadequate entry system was in place.

For the high-profile event attracting thousands, a rare scenario of a concert held within one of the country's major stadiums, the organizers funneled the entire crowd through a single, small, one-person gate. 

Collage of crowds at Nyayo National Stadium in Nairobi, Kenya on December 20, 2025. /VIRAL TEA KE

Compounding this bottleneck was a complete lack of basic crowd control infrastructure; there were no barriers or serpentine lines to organize the flow. Attendees were simply told to line up on the road, a system that relied entirely on patience and good order, which are always finite resources in a dense, waiting crowd.

"The security had set out two lines of women and two lines of men, all funneling into this one small, single-man gate in the middle. Now, for men, there were about two lines of 40 people, so it wasn't too bad. I just joined the back. But for the women, there were a few 100, at least a couple of 100 women who were waiting to get in," he recounted.

The situation escalated due to a baffling and unexplained decision by security personnel. After a period of slow movement, the flow of people through this solitary gate was completely halted for a prolonged period of 30 to 45 minutes. This stoppage, without clear communication, transformed orderly queues into a large, frustrated, and restless mob numbering in the hundreds.

As people naturally tried to advance or form new lines, the security response was tragically counterproductive. Police officers began using their batons, hitting people in the midst of the densely packed crowd. This use of force did not restore order; instead, it instilled panic, causing surges as people tried to escape the blows.

Ndungu noted that this was the first moment where a dangerous push and crush dynamic began, with attendees themselves warning each other about the risk of a stampede.

"So it got to the point where they eventually started funneling people in. They would open this small one-person gate, allow like 10 people through, and then try and close it again. But every time they opened it, there was a massive rush to get forward. And now the men's and women's lines were mixing together to try and get through this gate. So they did this process a few times, until eventually I started getting a lot closer to the gate itself. 

"And this is the moment I started hearing way more screams. It was much tighter. People saying, I can't breathe. People are just panically screaming anyways. And there were a few guys who would try and come backwards, saying 'No, I can't do this'. Like, it's you actually can't breathe down there," he continued.

Faced with literal suffocation, the crowd at the front made a collective decision born of survival instinct. Recognizing that the official process was now the primary threat to their safety, they deliberately breached the gate and overwhelmed the security.

Ndungu was emphatic that this was not a case of gate-crashing by non-ticket holders, but a desperate act of self-preservation by paying attendees who felt they had no other option to survive.

This breach, while a breakdown of security, likely averted an even greater tragedy at that location. However, the danger simply shifted to a second choke point inside the stadium complex: the tunnel leading to the pitch itself.

The surge of people who breached the outer gate immediately ran into another sealed barrier at this tunnel. With hundreds of people pressing from behind, a second and potentially more severe crush occurred here.

"Now there's a big gate in front, and everyone starts banging on it, saying, 'Let us in. Let us in'. And obviously, people are getting crushed, left, right, and center. This section here was now a lot more rowdy, where people were now just angry, 'let us in, let us in, let us in'. And I believe this is the place that the paramedics had to attend to at least one person.

"And as you would walk past, you would see people lined up on the side, mainly girls, just crying, and shoes everywhere, belongings everywhere, that people are just left behind because they just wanted to get out of that situation," he went on.

According to police, the incident occurred while fans were waiting to enter the stadium, but the show continued.  Frustration in the crowd, attributed to long delays, heavy rainfall, and poor communication from event officials, reportedly built throughout the evening. The situation reached a breaking point when fans pushed open a gate, causing the stampede that resulted in people being trampled.

Police stated that the woman was declared dead on arrival at a hospital, with other injured attendees reported in stable condition at various facilities.

Nairobi Regional Police Commander George Seda confirmed that investigations are underway. The event organisers had yet to issue a statement, even as Asake, known for hits including Lonely At The Top, Remember, PBUY, and MMS, continued his performance uninterrupted.

The group was slated to perform as a key supporting act for the Nigerian superstars on Saturday, December 20. However, mere hours before showtime, they dropped a bombshell statement on Instagram, announcing their withdrawal and exposing behind-the-scenes chaos.

The statement paints a picture of repeated broken promises and a final, unacceptable incident during the crucial soundcheck.

According to Kodong Klan, their team faced direct "interference from another performer's team" while event organizers failed to step in and resolve the conflict.

A photo of Kodong Klan during a past performance. /PULSE KENYA

“We will not be performing today,” the collective declared, revealing that “This follows a consistent pattern of disrespect and disregard for agreed-upon standards, culminating in unacceptable treatment of our artist and team during soundcheck this evening.”

The message is a fierce defense of artistic integrity, framing the walkout as a necessary stand. In their words, "Respect for the art, the people behind it, and the work required to deliver excellence is non-negotiable for us. Performing under these conditions would signal that such treatment is acceptable, and it is not."

The statement released mid-morning sparked outrage by this afternoon on social media platforms; some users demanded that the organisers either address the situation with urgency, or refund them their tickets.

Singer Bien-Aimé commended them for the move, saying, “Go where you’re celebrated, not tolerated.” Bien is part of the acclaimed Kenyan Afropop band Sauti Sol, which is hosting a concert of their own just kilometres away on the same night.

Organisers Respond

The organisers, in response, released a statement clarifying that they duly contracted the group to provide musical performance services for the event.

"We confirm that the group was paid in full, and that all contractual and logistical obligations on the part of Tukutane Entertainment were fully met in accordance with agreed terms and applicable professional standards," the organisers' statement read.

"The decision by Kodong Klan to withdraw from the event was made independently by the group, citing concerns relating to their experience with some of the other artists during sound check. While we respect their position, we wish to clearly state that Tukutane Entertainment bears no responsibility or liability for this withdrawal."

Still, the incident raises immediate questions about the treatment of supporting local acts at major concerts and the professionalism of the event's organization.

As thousands of ticket holders head to Nyayo Stadium tonight, the atmosphere is now charged not only with anticipation for Asake & Gabzy, but also with a heated conversation about dignity, contracts, and the value of Kenyan artistry on its own soil.

Asake Concert

The festive season's major musical event, "Tukutane Presents Asake & Gabzy Live in Nairobi," was set to headline Nigerian stars Asake and Gabzy at Nyayo Stadium.

An 18+ event with sponsorship from brands like Kenya Airways, Martell, and Coca-Cola, it was also highly anticipated for featuring the popular local collective, Kodong Klan, alongside the international acts.

Kodong Klan is a notable ensemble of leading Kenyan male artists. Its members are prominent figures in the industry, including Okello Max, Bensoul, Mordecai Dex, Charisma, Ywaya Tajiri, Coster Ojwang, and Onyach Pala.

Photo of a past concert in Kenya. /BUZZROOM KENYA

The festival brought an unforgettable wave of energy, with show-stopping performances from some of Kenya’s most exciting homegrown acts. Fans were treated to dynamic sets from Coaster Ojwang, Tipsy Gee, Masauti, Dede, Kabuda, Mwashumbe, Yollo, and high-voltage mixes by DJ Most Wanted and DJ Shacky, who kept the crowd dancing well into the early hours. The event showcased not just music but the vibrancy and unity that define the modern Kenyan cultural experience, an essence deeply aligned with Kenya Cane’s longstanding heritage.

Speaking after the event, Victor Adada, Brand Manager, Kenya Cane, emphasized the significance of the celebration, saying: “Jamhuri Festival was much more than a concert, it was a powerful expression of who we are as Kenyans. Kenya Cane has always stood for heritage, resilience, and community, and last night we saw that spirit come alive on stage and in the crowd. Bringing people together to celebrate our culture and amplify local talent is at the heart of what The True Kenyan Spirit represents.”

The festival drew revellers from across the Coastal region, reaffirming Voi’s growing reputation as a cultural hotspot and reinforcing Kenya Cane’s commitment to platforms that elevate Kenyan artistry and authentic shared experiences. From the electric performances to the vibrant atmosphere, the Jamhuri Festival delivered a memorable night of celebration, proof that when Kenyans come together in the spirit of heritage and joy, the rhythm is unmatched.

KCB on Tuesday, November 25, announced a collaboration with Sauti Sol Group Limited aimed at enhancing the festival experience for thousands of attendees expected at this year’s fifth edition of the event, now recognised as one of Africa’s leading showcases of music, culture, and creative expression.

The collaboration consists of a Ksh8 million sponsorship package that stands out as one of this year’s biggest corporate boosts to Kenya’s creative industry and is expected to significantly elevate the upcoming festival’s scale and operations.

What This Deal Entails

Under the partnership, Kenyans attending the concert will be able to purchase tickets using KCB Cards and make on-site payments for goods and services through KCB Tills and POS terminals, positioning SolFest 2025 as a largely cashless event. The bank says the move reflects its broader plan to deepen investment in Kenya’s creative economy.

Sauti Sol members pose with a dummy cheque capturing the Ksh8 million sponsorship deal with KCB on November 25, 2025. /KCB

KCB Bank Director of Digital Financial Services, Angela Mwirigi, underscored the bank’s commitment to supporting the country’s creative sector. “Kenya’s creative industry is a powerful engine for innovation, entrepreneurship, and youth empowerment," she remarked.

Adding "Our partnership with Sauti Sol reflects our commitment to investing in homegrown talent and creating opportunities for creatives to thrive. SolFest 2025 will not only be a celebration of music and culture but also a platform for economic participation and community impact.”

On her part, KCB Group Marketing and Communications Director, Rosalind Gichuru, reiterated the bank’s focus on strengthening community engagement. 

“KCB has always been centered on enabling progress for the communities we serve. Partnering with Sauti Sol allows us to extend that promise into the creative space, supporting talent, powering experiences, and building meaningful connections with the next generation.

"SolFest 2025 is a chance to show how financial solutions can elevate culture, convenience, and customer experience in one moment," she weighed in.

In the grievance submitted by lawyer Francis Wanjiku, Blankets & Wine and its partner company, GoodTime Africa, are accused of failing to deliver the premium experience advertised for the event, which was headlined by Nigerian Grammy-nominated singer-songwriter Tems (Temilade Openiyi).

Wanjiku claimed that despite earning millions from ticket sales, vendor payments, and major sponsors, the show underperformed, especially for fans who bought high-end packages.

When the issue went public in October, CAK director-general David Kemei confirmed to Nation.Africa that the Authority was “reviewing” the complaint as part of initial checks.

Muthoni Ndonga, Creative Director of Blankets & Wine, shares insights on the evolution of the festival during a panel conversation held on October 29, 2025 at the Stakeholder breakfast. /CITIZEN DIGITAL

A letter sent to the lawyer this week had indicated that CAK officially summoned the organisers—MDQ included—as the probe into the event that sparked widespread public backlash gains momentum. 

“We will provide an update once the preliminary assessment of your complaint is finalised,” read the letter signed by Ronald Okong’o of the CAK Consumer Protection Department.

Wanjiku, on his part, took to X on Friday, November 14, to announce that Blankets and Wine organisers were summoned to appear before it. However, he went on to state that "That's why they have decided to release the lineup for the December edition."

Coincidentally, the developments came on the same day the event organisers released the musical lineup for its upcoming December 21, 2025 edition. This includes local artists such as Iyanii, Okello Max, Matata, Bridget Blue, Ssaru, and Shad Mziki, followed by Kenyan-born Australia’s Elsy Wameyo (ELSY), South Africa’s Mi Casa and Scorpion Kings, Tanzania’s Marioo, and Donae’o from the United Kingdom (UK).

Also Read: Blankets & Wine Admits Fault For Flopped September 28 Concert, Vows Major Changes

Two weeks ago, MDQ told reporters at Nairobi Street Kitchen that she had not been contacted. “We have officially not received any legal summons. We learned of this information through the media. Should we receive any notice from the Authority, we will follow due process,” she revealed.

“Our legal team reached out to the Competition Authority, and they said they received thousands of vexatious claims. When you make a complaint, you have to back up your complaint, and they give you time. Yesterday was the lapse of 30 days. They don’t have a full-on complaint, so there’s no investigation and there’s no suing,” adding that anyone who felt short-changed had every right to pursue redress.

The festival founder also criticised sections of the media for what she termed as “intentional misrepresentation” of facts, claiming that some reports had amplified the issue without verifying details.

Even though she acknowledged that dissatisfied attendees have a right to seek redress, MDQ questioned the framing of reports suggesting Blankets & Wine was being sued for millions of shillings. She then concluded by linking the controversy to what she had viewed as a wider societal problem—an online environment quick to condemn rather than engage constructively.

“There's something I find quite strange about that. Our desire, our takedown culture. We're gonna take you down. We want you to suffer, we want to punish you,” she said, describing the public’s tendency to sensationalise issues instead of pursuing dialogue and accountability.

Wanjiku had urged CAK to investigate the matter under Section 9 of the Competition Act (Cap. 504), arguing that paying attendees endured a substandard experience that failed to meet the advertised premium expectations. He called for both accountability and compensation for what he described as a “shoddy” event experience. 

The authority's findings are typically made public, and with the reported updates, this could still result in significant reputational damage for the organisers. The fallout could also affect their ability to attract sponsorships, partnerships, or secure permits for future festivals.

The Attela Beach Resort was transformed into a scenic celebration of beer and culture featuring an all-star entertainment lineup and live music performances by hitmakers Bensoul and Fathermoh, and Harry Craze. The electrifying atmosphere was sustained by an impressive ensemble of top DJs: Gordo, Ves, Daffy, and Dimore, who kept the party at peak energy. The night was seamlessly hosted by crowd favorite MC Gogo and Kisumu’s own Hype Amollo, ensuring the grand finale was nothing short of legendary.

MC Gogo seized the stage early, igniting the crowd with a powerful opening performance that set the tone for the entire night. Harry Craze then commanded the stage, leading the crowd in an energetic dance frenzy before an exciting surprise: he brought Fathermoh out to perform their chart-topping collaborations. The unforgettable night concluded on a high note with a captivating and soulful final set by Bensoul.

The vibrant fusion of great beer, homegrown music, and an enthusiastic crowd reaffirmed Tusker Oktobafest’s position as East Africa's premier beer and culture festival.

Commenting on the spectacular success of the final leg, Brigid Wambua, Senior Brand Manager for Tusker, said, “We set out to reach as many consumers as possible with the Oktobafest experience this year, and we have successfully done that. Oktobafest exists to provide a platform for the celebration of Kenyan beer and culture every year. We have enjoyed the enthusiasm and support of our consumers and partners across the regions, and Kisumu has delivered a truly exceptional finale to our nationwide festival.”

Tusker Showstoppers pose for a photo at the Tusker Oktobafest in Kisumu.

Launched in September, the sixth annual edition of the celebrated beer festival promised an expanded, nationwide celebration of Kenyan beer and culture, featuring authentic local experiences. The nationwide festival featured a series of regional events, including:

• Nairobi Edition: October 4 at Carnivore Grounds
• Rift Edition: October 11 at Baniyas, Eldoret
• Coast Edition: November 1 at Big Tree, Mombasa
• Mountain Edition: November 1 at The Stinger Lounge-Kinyuki, Nanyuki

In addition to the main festivals, Tusker Oktobafest was supported by over 200 on-trade activations nationwide. Beer enthusiasts across the country enjoyed flash sales and exciting discounts on their favorite KBL beers, including lagers, stouts, ciders, and malts on ke.thebar.com and select e-commerce partner platforms.

Tusker extends its deepest gratitude to all consumers, talent, and partners who made the nationwide Tusker Oktobafest tour and its Kisumu Grand Finale an overwhelming success, reaffirming its dedication to celebrating Kenyan music, beer, and culture across every region of the country.

For more details on the festivals and ongoing promotions, follow @TuskerKenya on Instagram and Facebook.

Following successful editions in Nairobi, Eldoret, Mombasa, and Nanyuki, the final stop promises an unforgettable celebration of Kenyan beer, music, and culture at the stunning Attela Beach Resort.

The Kisumu finale boasts a star-studded entertainment lineup including Bensoul, Fathermoh, and Harry Craze alongside top DJs Gordo, Ves, Daffy, and Dimore. The festival will be hosted by dynamic hype masters MC Gogo and Kisumu’s own Hype Amollo, promising an ecstatic night for attendees.

Access to the experiences will be by purchasing tickets at the venues for 1,000 KES, redeemable for either five bottles of Tusker Lager, Pilsner, or Balozi, or four bottles of Whitecap, Manyatta, Tusker Cider, Tusker Malt, Tusker Lite, or Guinness.

Launched in September, the sixth annual edition of the celebrated beer festival promised an expanded, nationwide celebration of Kenyan beer and culture, featuring authentic local experiences. The Kisumu finale offers an opportunity to explore how enthusiasts in the lakeside city celebrate their unique beer culture.

For more details on the festivals and ongoing promotions, follow @TuskerKenya on Instagram and Facebook.

Speaking during a media briefing at Nairobi Street Kitchen on October 29, 2025, Ndonga, alias Muthoni Drummer Queen (MDQ), addressed the widespread speculation that followed the September 28 edition of the event, which attracted heavy online criticism. She clarified that despite the online chatter, no formal case had been filed against the company.

“We actually saw someone on Twitter (X) said they had filed a complaint to the Competition Authority, I believe?” Ndonga said, explaining how the rumour started.

“And so, we waited to hear from the Competition Authority, we waited to hear what the complaint is, and we haven't heard what the complaint is.”

Muthoni Ndonga, popularly known as Muthoni Drummer Queen (MDQ), during a past event. /FILE

According to the celebrated Kenyan rapper, drummer, songwriter, and cultural entrepreneur, the alleged complaint to the CAK never materialised into a formal investigation.

“They (CAK) receive thousands of vexatious complaints, and if you do make a complaint, you have to back up your complaint, and in 40 days or 30 days. Today was the lapse of the 30 days, so they don't have a full-on complaint, there is no investigation, there is no suing,” she clarified.

Also Read: Why Blankets & Wine Risks Hefty Fines Over September 28 Concert That Angered Fans

The festival founder also criticised sections of the media for what she termed as “intentional misrepresentation” of facts, saying some reports had amplified the issue without verifying details.

Even though she acknowledged that dissatisfied attendees have a right to seek redress, Ndonga questioned the framing of reports suggesting Blankets & Wine was being sued for millions of shillings.

“I think what's pissing me off about this story is the intent behind it. And there's intent on multiple parts,” she revealed, questioning the motives of those spreading the narrative, adding “But the person who then reports that story leads to this kind of perception, that we're (Blankets & Wine brand) being sued for millions and millions of shillings, um, I wonder what the intent there (was)."

Ndonga concluded by linking the controversy to what she views as a wider societal problem—an online environment quick to condemn rather than engage constructively.

“There's something I find quite strange about that. Our desire, our takedown culture. We're gonna take you down. We want you to suffer, we want to punish you,” she said, describing the public’s tendency to sensationalise issues instead of pursuing dialogue and accountability.

The Blankets & Wine founder maintained that the festival remains operational and that no legal action has been initiated against it.

Ndonga's remarks followed a formal complaint lodged with CAK by city lawyer Francis Wanjiku, who accused the organizers of unfair trade practices over the poorly managed Kasarani event. Wanjiku urged CAK to investigate the matter under Section 9 of the Competition Act (Cap. 504), arguing that paying attendees endured a substandard experience that failed to meet the advertised premium expectations.

He called for both accountability and compensation for what he described as a “shoddy” event experience. CAK has begun preliminary investigations into the event, with organisers reported to be facing the risk of penalties running potentially into millions of shillings.

The organisers released a lengthy statement admitting to multiple shortcomings during the September 28, 2025, edition, pledging major improvements ahead of the December 21, 2025, “Kenyan Summer” show.

Also Read: Blankets & Wine Admits Fault For Flopped September 28 Concert, Vows Major Changes

Meanwhile, CAK had yet to respond to Ndonga's remarks by the time this story was published. The authority's findings are typically made public, which could still result in significant reputational damage for the organisers. The fallout could also still affect their ability to attract sponsorships, partnerships, or secure permits for future festivals.

The song, titled “Pumzika Baba”, celebrates Odinga’s legacy, highlighting his immense contribution to Kenya and the African continent.

In the track, Shusho commends Raila’s dedication, courage, and the lasting mark he left through his political journey.

Listen to it below:

In a statement released on Friday, October 17, Shusho extended her condolences to Kenyans, describing the country as her second home.

“Kenya is my second home. My Ministry has immensely grown through the support of my Kenyan family. I stand with you as we celebrate this great son of Africa, ⁦Raila Odinga⁩. I had to do this for Kenyans,” she said.

Her song added a spiritual tone to the growing wave of musical tributes across the region as Africa mourns one of its most influential leaders.

Raila Song Tributes

Shusho joined other artists who have honoured Odinga through music.

Kenyan rapper King Kaka recently released a touching song in his memory, while Benga star Prince Indah also paid tribute through a heartfelt composition.

Music was a central part of Odinga’s life, often featuring in his public appearances. One of his favourite songs was Harry Belafonte’s “Jamaican Farewell,” which carries the poignant line, “But I am sad to say, I'm on my way, won’t be back for many a day…”

On Friday, October 17, during Raila's state funeral, President William Ruto led thousands of mourners in singing the song.

“Fellow mourners, one of the Honourable Raila Odinga’s favourite songs was ‘Jamaica Farewell’ by Harry Belafonte — a melody of longing and gentle sorrow. He often broke into a dance, and with a big smile, sang along,” President Ruto said as the song began to play.

Visibly emotional, Ruto joined the crowd in singing the opening lines, moving many to tears. Mourners, including Mama Ida Odinga, the Odinga family, and leaders from across Africa, stood in reflection.

Ruto noted the song’s message of farewell and homecoming mirrored Raila’s journey, calling him a man who had “sailed many seas for the sake of his country.”

President Ruto sings Raila Odinga’s favourite song “Jamaica Farewell” by Harry Belafonte during State Funeral#ViralVideos pic.twitter.com/aEG8Klv6dN

— Viral Tea Ke (@ViralTeaKe) October 17, 2025

In his complaint, Francis Wanjiku argued that attendees who paid for what was marketed as a premium experience were subjected instead to a poorly organised and chaotic event.

Wanjiku is now calling on CAK to investigate the organisers for unfair trade practices and to ensure that attendees are compensated for what he described as a “shoddy and misrepresented” event experience.

“Today, I have filed a formal complaint regarding the Blankets and Wine event held on 28th September 2025 at Kasarani – Laureate Grounds.

Nigerian global sensation Tems delivered an electric performance that lit up the Blankets & Wine stage on September 28, 2025. /VIRAL TEA KE

"I have requested the Competition Authority of Kenya to conduct an investigation under Section 9 of the Competition Act (Cap. 504) due to unfair trade practices and consumer welfare concerns,” Wanjiku announced on his X account on Tuesday, October 7.

What Could Happen?

If the Competition Authority of Kenya (CAK) proceeds with an investigation and finds merit in the complaint, several outcomes are possible under the Competition Act (Cap. 504).

Should CAK determine that the event organisers engaged in misleading marketing, false advertising, or failed to deliver services as promised, the festival could be found to violate the consumer protection and fair trade provisions of the law. This would establish that attendees were subjected to unfair trade practices or deceptive conduct.

In such a case, the organisers could face administrative penalties, including fines of up to 10 percent of their annual turnover, depending on the seriousness of the misconduct and the financial scale of the event.

CAK could also order corrective action, compelling the organisers to refund or compensate affected consumers for the poor experience. This may include partial reimbursements or other forms of restitution for ticket holders.

The Authority may further issue cease-and-desist orders to stop misleading advertising or similar practices in future events. Such directives are often accompanied by requirements to improve transparency in ticket pricing, advertising, and event management.

CAK’s findings are typically made public, which could result in significant reputational damage for the organisers. The fallout could affect their ability to attract sponsorships, partnerships, or secure permits for future festivals.

However, if the Authority finds insufficient evidence of wrongdoing, the organisers could be cleared of all allegations, and the case would be closed with no penalties.

Overall, the possible outcomes range from public reprimands, financial penalties, and compensation orders to complete exoneration, depending on what CAK uncovers during its investigation.

What Actually Happened

The festival, headlined by Nigerian Grammy-nominated singer-songwriter Tems (Temilade Openiyi), was riddled with technical failures, including distorted sound, delayed performances, and acts performing out of order — leaving many revellers frustrated. Most notable was a last-minute change to the performances' schedule, which saw Ugandan musician Joshua Baraka surrender his slot to Tems, making him the last main act of the event.

Away from the stage, the situation worsened as the bars opened late, creating long queues and near-stampede incidents within the venue. 

However, network issues, as we found out while covering the event, were arguably the most frustrating, with a majority of revellers reporting being unable to make and receive phone calls, complete their payments via mobile money transactions, and log onto the internet to share minute-by-minute updates of the highly anticipated event.

Also Read: EXPLAINED: Can Too Many People At A Concert Cause A Network To Fail?

The event drew close to 20,000 fans and, other than Tems, featured acts such as Baraka, Willis Chimano, We Are Nubia, Toxic Lyrikali, and Zaituni. It made a comeback after its June edition was cancelled over security concerns ahead of nationwide demonstrations on Wednesday, June 25, 2025.

The organisers are yet to release an official statement on the matter at the time of publishing this story.

Joshua Baraka and Bien in a surprise collaboration on a special rendition of “Nana.” during their performance on September 28, 2025. /BLANKETS & WINE

Held on Saturday, October 4, at the Carnivore Grounds, the night was a resounding, nostalgic tribute to the golden era of Kenyan music, perfectly blending local beer and vibrant culture.

The event marked the first major stop in the deconstructed festival’s nationwide tour and delivered on its promise to bring the biggest hitmakers of the decade onto one epic stage.

The air was electric as thousands of attendees gathered to witness performances from the artists who defined a generation.

The lineup was stacked with Kenyan music royalty. Attendees were treated to performances from Nameless and Wahu, the industry’s first couple, delivering their iconic hits; pioneering hip-hop group Kalamashaka; chart-topping ensemble P-Unit; the legendary trio Kleptomaniax; Genge maestro Jua Cali; classic hitmakers Big Pin, Mr. Lenny, and Prezzo; the influential duo Necessary Noize; and the soulful Sainapei.

Iconic Hip-hop trio Kleptomaniax reunite on stage for a thrilling performance during the Tusker Oktobafest x Kulture event at Carnivore Grounds on Saturday, 4th October.

The night’s soundtrack was expertly curated by Kenya's most celebrated DJs, ensuring an uninterrupted flow of nostalgia. Crowd favourites DJ Pinye, DJ John Rabar, and DJ Nijo commanded the decks.

Keeping the energy high and guiding the audience through the night were charismatic hosts Muthoni Bwika and the legendary Jimmi Gathu, who broke the norm by MCing the event in a dynamic radio show format.

“Working with Tusker to bring this experience to life has been amazing. The 2000s defined a uniquely Kenyan sound, and seeing the massive turnout proved that the music and the culture are timeless,” said Fakii Liwali from the Kulture team.

The Senior Brand Manager, Tusker, Brigid Wambua, added that “The Kulture night wasn't just a concert; it was a cultural reunion. Witnessing artists who shaped a generation share the stage and feeling the passion from the attendees confirmed that Kenyan heritage is alive and thriving. This is exactly the spirit we want to carry across the country as Tusker Oktobafest connects with local communities and celebrates what makes our beer and music truly Kenyan.”

The revelers also had an opportunity to experience the premium taste of Johnnie Walker, the event’s key sponsor, at its flavour lounge, where guests sampled an array of signature cocktails served for free. The brand’s participation underscored its continued investment in Kenya’s creative economy, supporting platforms that celebrate music, culture, and local talent.

Tusker Oktobafest is set to continue its regional journey throughout October and early November, bringing the celebration closer to beer lovers across Kenya. Don't miss these upcoming festival stops:

• Rift Edition: October 11 at Tamasha, Eldoret
• Coast Edition: October 18 at New Big Tree, Bamburi
• Lake Edition: October 25 at Atella Beach Resort, Kisumu
• Mountain Edition: November 1 at The Stinger Lounge-Kinyuki, Nanyuki

In addition to the main festivals, Tusker Oktobafest will be supported by over 200 on-trade activations nationwide. Beer enthusiasts can also look forward to flash sales and exciting discounts on their favourite KBL beers, including lagers, stouts, ciders, and malts. These exclusive offers will be available on ke.thebar.com and through select e-commerce partners.

For more details on the festivals and ongoing promotions, follow @TuskerKenya on Instagram and Facebook.

KBL's Josephine Katambo and Christine Kariuki pose for a photo during the Tusker Oktobafest x Kulture event at Carnivore Grounds on Saturday, 4th October.

We're celebrating the best of Kenyan beer and culture with the biggest 2000s hitmakers, all on ONE stage, for ONE epic night! Come pay homage to the legends, groove to iconic tunes, and toast to the good ol’ days with fantastic beer, and bold, iconic experiences powered by Johnnie Walker.

Don't miss out! Tickets available at getaticket.co.ke Event starts 2 PM till late.

See poster for full details or check out Tusker Kenya / Kulture experience

The details of the event are as follows:

When:        Saturday, 4th October 2025

Where:      Carnivore Grounds

Time:          2:00PM till late

The final lineup is stacked with some of Kenya’s most dynamic entertainers. Fans can look forward to explosive live performances from Mejja, Iyanii, Maandy, and Tipsy Gee, with high-energy hosting from hype machines MC Gogo and Azeezah. To keep the decks blazing, DJ Gibbz Tha Daqchild, DJ Malaika, and DJ Bash will be joined by Nakuru’s very own talents DJ Ruby, DJ Jomba, and Jussneera. Adding extra spice to the experience, TikTok sensation Collo Blue will bring his unmatched online energy to the live stage.

The takeover will also feature interactive brand experiences, bold surprises, and unforgettable Captain Morgan cocktails crafted to keep the vibe flowing all night. Consumers will also enjoy sizzling treats from the Captain’s Grill station, making this event more than just a party, it’s a full-on adventure in spice and flavour.

“We are excited to bring the Captain’s Yard experience to Nakuru, a city that knows how to celebrate life with energy and style. Captain Morgan is all about unleashing boldness, fun, and unforgettable moments, and this takeover will be no different. We are looking forward to creating lasting memories with our consumers as they enjoy great music, spiced cocktails, and unique experiences at Rift Valley Sports Club.” Said Victor Adada, Brand Manager, Captain Morgan.

To join the Captain’s Yard Takeover, consumers will need to purchase a 750ml bottle of Captain Morgan for 2 tickets or a 250ml bottle for 1 ticket. Gates open at 2pm, and fans are encouraged to come ready to unleash their spice, However you spice Spice On.

The festival, which brought together an eclectic mix of international and Kenyan acts across its Live and DJ (Onja Onja) stages, unfolded with artistic pomp and glamour on Sunday, September 28, 2025, as a number of artists made their Blankets & Wine debuts to enthusiastic festivalgoers. 

Thousands of fans gathered to witness a bold fusion of African talent, global artistry, and cultural innovation that has defined sounds at the festival for over 16 years. Headliner Tems delivered a commanding set that merged alluring and intimate vocal moments with high-energy crowd interactions.

Rising artists Joshua Baraka, Willis Chimano, We Are Nubia, Toxic Lyrikali, and Zaituni each defined the day with their own signature performances that lit up the live stage, reinforcing Blankets & Wine’s reputation for drawing international acts with emerging Pan-African talent. 

The night hit a high when Joshua Baraka brought out Bien for a surprise collaboration on a special rendition of “Nana.” Their effortless chemistry and soulful harmonies left the crowd both emotional and electrified, turning the stage into a celebration of East African talent and unity. /BLANKETS & WINE

Coming on at 9.20 pm, resplendent in all white, Tems closed the Live Stage with an hour's set that balanced slow, affectionate moments with her fuller, more anthemic numbers, drawing sustained crowd sing-alongs with her vocal control and stage presence. 

“I love you, Nairobi. This is the most enthusiastic welcome I have received anywhere in Africa. Thank you for the love”, she said to her thousands of singing, chanting, and cheering fans.

Closing the night was Joshua Baraka, whose equally anticipated performance did not disappoint, with highly engaged crowds dancing and singing along. Baraka's polish on stage, songwriting, and charisma shone through, translating into a strong emotional connection with fans in several of his mid-tempo and up-tempo numbers.

“Festivals like Blankets & Wine give us consistent exposure and credibility as performers. That’s what builds careers. Blankets & Wine is not just a festival but an honoured institution that will continue to professionalize and globalize East Africa’s music scene into the future,” said Joshua Baraka during an earlier interview, as he reflected on the thrill of performing on the Blankets & Wine stage once again.

More than entertainment, Blankets & Wine has, since its inception, mirrored the transformation of Kenya’s live music and festival landscape. From a laid-back Sunday afternoon concert, Blankets & Wine has grown into a continental cultural force, shaping audience expectations and musical palates.

From innovations such as “Lipa Pole, Pole” fan-friendly ticket payment options to staging world-class musical entertainment and lifestyle events that celebrate experimental and genre-pushing musicians, Blankets & Wine continues to grow into a cultural powerhouse and launchpad for African musical talent. 

“As audiences have grown more diverse, digitally savvy, and culturally proud, Blankets & Wine has evolved alongside them, transforming into a vibrant celebration of Africa’s appetite for live music. Today, that appetite is being fueled by generational shifts, bold experimentation in African genres, rising technical excellence, and the growing impact of digital platforms in curating audiences,” said Justine Mbugua, Head of Festivals at GoodTimes Africa.

Additionally, the vibrant Onja Onja stage showcased performances from Akoth Jumadi, Itendera, Santa Currie, Bune, Corinne Kahi, and Mr Lu, with the electrifying B3B set comprised of Ghedi, DJ Paps, and Hiribae bringing a unique fusion of beats and dynamic creativity to the festival.

Integral to the festival’s unique atmosphere, the renowned Onja Onja market offered a vibrant platform for SMEs and artisans, showcasing the diversity in Kenyan food, crafts, and culture. The marketplace not only enriched the festival experience but also highlighted Blankets & Wine’s commitment to uplifting small businesses within the creative economy.

Back on the live stage, Willis Chimano, making his Blankets and Wine debut, delivered a powerfully charged show, belting some of the crowd’s favourite jams by Sauti Sol alongside his new material. Fans swayed to his signature vocal runs and emotive performance, which earned applause after applause. 

Earlier in the day, the live stage had played host to up-and-coming acts, Flier, Toxic Lyrikali, Billy Black, Zaituni, and We Are Nubia. Flier took to the stage with a measured intensity, unveiling tracks like “Wazungu wako Ulaya” that drew close attention from a crowd keen to connect with his introspective, romantic sound. 

Billy Black followed with a more expansive, high-energy presence, his smooth vocals and commanding stage energy earning immediate acclaim while bringing the festival magic with his ability to shift from mellow to powerful vocal moments.

Zaituni stood out with her soulful delivery and charismatic presence. Backed by her strong vocal control and audience rapport, she moved and connected with the crowd for an impressive Blankets and Wine stage debut. 

The ‘We are Nubia’ duo of Margaret Atieno and Gloria Munga, also marking their first appearance at Blankets & Wine, gave their unique blend of Nairobi and regional sounds with a set that included both fan favourites and collaborative moments that reinforce the group’s growing reputation for bringing lush harmonies and communal stage energy. 

A notable on-stage moment came when We Are Nubia shared the stage with Zaituni for a collaborative performance. The energized exchange between the acts, with vocal interplay and call-and-response segments, in a show that not only amplified both acts’ profiles but also created one of the festival’s most energetic and memorable moments.

Another standout act, Toxic Lyrikali delivered one of the most arresting sets of the day, grounding the festival’s polished lineup with raw lyricism and street-sharp delivery that resonated deeply with fans. His performance fused biting social commentary with crowd-friendly hooks, drawing chants and call-backs that quickly turned casual listeners into active participants. 

By the end of his set, it was clear that Lyrikali had not only introduced himself to the Blankets & Wine faithful but had also staked a claim as one of Kenya’s most compelling new rap voices to watch.

“Blankets & Wine has always been intentional about creating space for artists who are not afraid to innovate, blending ancestral roots with modern expression. That is the true spirit of our festival – a bold, fearless, and authentic celebration of African creativity,” said Creative Director, Muthoni-Drummer Queen-Ndonga (MDQ). 

A staple of East Africa’s Music festival culture, amplifying local sounds and elevating them onto global stages, Blankets & Wine is renowned for spotlighting the Future of African Music in its artists. Artists like Akoth Jumadi embodied this renaissance, delivering performances infused with ancestral sounds and modern sonic experimentation, resonating deeply with audiences seeking authenticity and cultural pride. 

The Blankets & Wine September 2025 edition, stretching beyond the stage, underscored Blankets & Wine’s role as both a cultural mirror and a creative compass. Coming just days after the successful international debut in the United Kingdom (UK) of Blankets & Wine - Bradford Edition, held on September 6, 2025, the festival continues to expand its footprint by creating bridges between African artistry and global audiences.  

Bringing the authentic Blankets & Wine experience to audiences in the UK, the Bradford edition featured a full day and evening of live music, DJ sets, and the warm Blankets & Wine festival atmosphere. The lineup included some of Kenya’s most exciting artists, such as Bensoul, Boutross, Njerae, Elsy Wamweyo, DJ Euggy, Tina Ardor, Blinky Bill, Coster Ojwang, alongside Muthoni Drummer Queen herself. 

This milestone reflects Blankets & Wine’s ongoing commitment to cultural exchange and artistic collaboration in showcasing African creativity on a global stage while shaping the region’s creative economy through live music shows and performances. 

The next Blankets & Wine-Kenyan Summer Edition is scheduled for December 2025.

Toxic Lyrikali kept the energy sky-high with rapid-fire delivery and unapologetic charisma, igniting the crowd with his gritty sound and streetwise storytelling. His performance was a powerful nod to Nairobi’s vibrant underground music culture. /BLANKETS & WINE

This year, Tusker Oktobafest embraces a deconstructed, nationwide approach, bringing the celebration closer to beer lovers across Kenya. The festival will kick off with a special treat for Nairobi fans: a nostalgic "Kulture" experience at Carnivore Grounds on October 4, featuring a throwback to 2000s Kenyan music.

Addressing the attendees, Marketing Manager Mark Mugisha outlined the brand's vision for this year's festival. "In the six years of providing a platform to celebrate Kenyan beer and culture, we have built a phenomenal property with Oktobafest," he stated.

"Even as the brand evolves and the format varies to meet the needs of our consumers, our commitment to celebrating how we do beer and culture remains unwavering. This year, we are taking the festival to our consumers, allowing us to truly meet them where they are and deepen our social and economic impact across the country."

Musician and Songwriter Mbithi performs the Oktobafest anthem during the launch of the 6th Edition of the Tusker Oktobafest at the Tusker Brew House on Thursday, September 25

The Ag. KBL Commercial Director, Edward Kimathi, also spoke, highlighting the business strategy behind the new format. "This year's deconstructed approach is about creating richer, more authentic experiences that resonate with our consumers," he said. "It also allows us to open up our value chain to a wider network of local service providers and talent. As a proud Kenyan brand, KBL remains committed to growing and supporting the local economy."

The launch event provided a first glimpse into the festival’s exciting calendar, which will feature a series of regional events designed to offer unique, localized experiences:

1. Nairobi Edition: October 4 at Carnivore Grounds
2. Rift Edition: October 11 at Tamasha, Eldoret
3. Coast Edition: October 18 at New Big Tree, Bamburi
4. Lake Edition: October 25 at Atella Beach Resort, Kisumu
5. Mountain Edition: November 1 at The Stinger Lounge-Kinyuki, Nanyuki

In addition to the main festivals, Tusker Oktobafest will be supported by over 200 on-trade activations nationwide.

Beer enthusiasts can also look forward to flash sales and exciting discounts on their favourite KBL beers, including lagers, stouts, ciders, and malts. These exclusive offers will be available on ke.thebar.com and through select e-commerce partners.

For more details on the festivals and ongoing promotions, follow @TuskerKenya on Instagram and Facebook.

Bernard Kipkosgei Koyumi, also known as Pavillion Motiryot, appeared before the Kibera Law Courts facing charges of robbery with violence and assault causing actual bodily harm.

The court was told that he robbed comedian Carren Chepchumba, popularly known as Bella Comedy, of Ksh 30,000 in cash and a Redmi 14 Pro mobile phone worth Ksh 26,000 during the event.

A photo of the Office of the Director of Public Prosecutions (ODPP). /ODPP

"The court heard that the accused person robbed Carren Chepchumba, alias Bella Comedy, of Ksh. 30,000 in cash and a Redmi 14 Pro mobile phone valued at KSh. 26,000 during the Kutit Festival at Carnivore Gardens on 9th August 2025," the DPP's office reported in a statement.

It is further alleged that at about 8:00 p.m. on the same day, at Carnivore Grounds in Langata, Nairobi County, the accused assaulted Chepchumba, inflicting serious injuries to her leg, stomach, and chest.

The incident reportedly occurred while she was engaging with fellow content creators at the festival.

Koyumi, however, denied the charges before Principal Magistrate C. M. Njagi and was released on a Ksh500,000 bond. The case is set for mention on August 18, 2025.

This has been announced by the concert organisers via their social media platforms on Thursday, July 24, with the event's next edition scheduled for September 28, 2025.

"Blankets & Wine — Nairobi Edition. The city’s favourite day out is back! Good vibes, great music, stylish fits, delicious bites, and you at the heart of it all," the statement read in part.

"Nairobi, you already know how we do! Get ready for an unforgettable time. Join us on the 28th September at the Laureate Gardens as we bring together an electrifying lineup featuring sensational talents."

Get ready for an unforgettable time on September 28th as we bring together an electrifying lineup featuring the sensational talents of @temsbaby @itsJoshuaBaraka @nubia_we @ZaituniWambui1 @fliermusic @billyblackKE @iamchimano & Toxic Lyrikali! ???? #ItsAlwaysAGoodTime pic.twitter.com/h1iPfooOLy

— Blankets & Wine (@blanketsandwine) July 24, 2025

The Love Me JeJe hitmaker, though yet to respond to the latest announcement by the time of publishing, is expected to feature alongside acts such as Toxic Lyrikali, Joshua Baraka, Hiribae, DJ Bune, Willis Chimano among others.

This announcement means that Kenyans will, possibly, finally get a chance to watch Tems live on stage. Many would remember her for her recent performance at the 2025 FIFA Club World Cup final in the United States (US) during the half time period.

She had got her Kenyan fans excited on Sunday, July 31, 2022 when she teased that she would visit Nairobi, Kenya, but did not exactly reveal what date she would visit the country. On October 6, 2022, she unexpectedly pulled out of her scheduled performance on October 15, 2022.

Tems is a Nigerian singer and songwriter born in Lagos on July 11, 1995. She grew up singing in her church choir in 2009 and rose to become one of the young famous singers in Nigeria.

After her primary education which she did in Lagos, she attended Dowen College in Lekki and later moved to Johannesburg, South Africa to study Economics at a South African university. 

She enjoyed listening to Solider by Destinys child ft Lil Wayne. Her favourite artist was Beyoncé and she always dreamt of becoming a music icon.

The alternative singer’s journey into the music industry began when she was 20 when she released her first Extended Play (EP) project, Time Swap EP in 2013.

Her first recognized single, Mr Rebel, a song that got more than 200,000 views on YouTube came after her album Illumination in 2018. She followed it up with another single, Looku Looku a song that was widely accepted and Nigerian radio stations gave it enough air-plays.

She measured up with another hit single, Try Me, and solidified her name in the hall of fame. It was released in August 2019 and gained more than 2 million views on YouTube alone.

In 2019, Tems was nominated for the Best Vocal Performance (Female) and Best Alternative Song for her single Mr. Rebel, during the Headies award.

In 2020, she collaborated with DJ Khaled on a single titled Know Your Worth. The uplifting music, which also featured Nigerian superstar, Davido, and Disclosure, made it to former US President Barack Obama’s playlist for the summer of 2020. During the same year, she rose to global fame with her feature on WizKid’s summer hit Essence which earned her a Grammy nomination.

Recently, she received Spotify’s Billion plaque as her collaborative hit with Future and Drake ‘Wait For U’ surpassed 1 billion streams on the platform. She joined Wizkid, Rema, and Tyla as the Afrobeats artists with Spotify’s Billion plaque.

The Blankets and Wine event is expected to make a comeback after its June edition was cancelled over security concerns. Originally slated for Sunday, June 29, the organisers revealed in a statement that the decision to cancel the event, one which they termed as 'necessary', was informed by the unrest within the country, citing the nationwide demonstrations on Wednesday, June 25, 2025.

Nzau, known for her Mwaki hit song, will take the stage in the sellout music extravaganza held in the recreation area De Schorre in Boom, Belgium. Boon is situated between Antwerp and Brussels and has hosted the electronic dance music (EDM) event every year since 2005.

She will feature alongside dance music legend Steve Aoki on Sunday, July 27 at 21:45 – 22:45 East African Time (EAT). Her debut will mark a significant milestone for African representation in the global electronic music scene.

“This has been an amazing experience and a life-changing moment for me to perform for my fans in Europe,” said Sofiya, reflecting on her tour so far. “This is where my music is mostly listened to, and feeling that love in person has been truly humbling.”

A stage at the Tomorrowland 2024 concert in Belgium. /TOMORROWLAND BELGIUM

Termed as a dream destination for many young Kenyans, Tomorrowland is one of the world’s largest and most iconic electronic dance music (EDM) festivals, held annually in Boom, Belgium. Since its launch in 2005 by brothers Manu and Michiel Beers, the festival has grown into a global cultural phenomenon, drawing hundreds of thousands of fans from around the world. 

It typically takes place over two weekends in late July and is renowned not only for its top-tier lineup of international DJs and producers but also for its elaborate stage designs, immersive themes, and surreal visual storytelling.

What sets Tomorrowland apart is its fantasy-like atmosphere. Each edition of the festival revolves around a unique theme—like “The Book of Wisdom,” “The Elixir of Life,” or “Adscendo”—which inspires everything from the main stage aesthetics to merchandise and promotional materials.

The stage production is nothing short of theatrical, often featuring towering structures, pyrotechnics, waterfalls, and synchronised light shows. This visual spectacle creates a fairytale-like world that feels part rave, part Disneyland for adults.

Musically, Tomorrowland hosts a diverse mix of EDM subgenres, including house, techno, trance, drum and bass, and hardstyle, with performances from some of the biggest names in the scene—think Martin Garrix, Armin van Buuren, Tiësto, David Guetta, and more. Each stage is curated to reflect different sounds and vibes, offering something for every kind of dance music lover. The lineup also tends to include surprise acts, special collaborations, and once-in-a-lifetime performances.

Beyond the music, Tomorrowland represents a larger movement of unity and cultural exchange. Its slogan, “Live Today, Love Tomorrow, Unite Forever,” encapsulates the community-driven spirit of the festival.

Attendees often describe it as a place where people from all walks of life and nationalities come together in peace, love, and shared joy. The festival even offers “Global Journey” travel packages to help fans from far-off countries attend with ease, reinforcing its international reach and appeal.

In recent years, Tomorrowland has expanded its brand through spin-offs like Tomorrowland Winter in the French Alps, One World Radio (its 24/7 digital radio station), and even virtual events during the pandemic. It’s not just a music festival anymore—it’s a global lifestyle brand that continues to redefine what immersive entertainment can look like.

Sofiya Nzau during a past performance. /UPTOWN RADIO

Originally slated for Sunday, June 29 and set to feature international artistes, the organisers revealed in a statement that the decision to cancel the event, one which they termed as 'necessary', was informed by the ongoing unrest within the country.

They specifically cited the anticipated nationwide demonstrations on Wednesday, June 25, warning that any unrest witnessed on that day could have consequences that could spill over to the event.

"This decision has been made after deep consultations with our security teams and partners who have flagged the situation as volatile and high risk with regards to potential damage to property and physical harm to setup teams," the organisers stated in part.

The organisers emphasised that, although a lot had been invested in the event—as reflected in its large-scale production—the safety of the Blankets community remained their top priority. They also voiced their solidarity with fellow Kenyans amid the current heightened political tensions.

Everyone who purchased tickets for the event will receive a full refund, while season ticket holders will get a partial refund covering the June event. All refunds will be issued within 14 working days through the original payment method.

"Our work is creating and holding space for joy, and while we had planned an exciting experience this June, given the size and scale of our production, we believe it is imperative to prioritise security for our community while also standing in solidarity with fellow Kenyans," added the statement.

"We acknowledge your disappointment and deeply apologise for all the inconvenience caused. Truly, we are sorry. There will be a full refund for all tickets purchased for the June edition, and for season ticket holders, a proportional refund for the June portion of the ticket will be issued. Refunds will be processed within 14 working days via your original payment method."

The concert was to feature acts such as Mi Casa, South Africa’s soulful house trio renowned for global hits like “Jika” and “Tulale Fofofo”, as well as Kenya's Sauti Sol, Matata, Ssaru and Serro, among others.

Not too long ago, the organisers had introduced a 'Lipa PolePole' option for concertgoers unable to pay the full cost of the event upfront, allowing them to make payments in instalments in line with the high cost of living in the country.

In a notice issued on Wednesday, June 18, PAVRISK reminded the public that using copyrighted music without authorisation violates the Copyright Act of 2001 and is a criminal offence.

The warning targets a wide range of establishments, including shops, barbershops (kinyozi), salons, hotels, bars, restaurants, private clubs, motels, malls, and cinemas.

Also on the list are cybercafés, hospitals, clinics, banks, DJs, radio and TV stations, roadshows, events, amusement parks, political rallies, music academies, and even aircraft.

Photo of a recording studio in Kenya. /RED REPUBLIK STUDIO

"Did you know: Playing music, showing films, or using audiovisual content in your business without a copyright license is an offence under the Copyright Act, 2001 in Kenya," PAVRISK warned.

"Whether you have a salon, hotel, event space, matatu, bar, or even a clinic, you need a copyright licence to use music or audiovisual content legally."

In June 2024, the Kenya Copyright Board (KECOBO) granted PAVRISK the authority to issue copyright licences and invoices, as well as enforce penalties on businesses that fail to comply.

Businesses intending to use copyrighted music were directed to apply for the Unified Copyright License (UCL) via the agency’s website, license.pavrisk.or.ke.

PAVRISK warned that any business operating without the required licence risks being taken to small claims court and could face fines starting from Ksh 800,000.

This latest directive comes after legendary rapper Hubert Mbuku Nakitare, alias Nonini, was awarded by Principal Magistrate Hosea Ng’ang’a of the Milimani Commercial Magistrate Court Ksh4 million for a copyright infringement case against a multinational electronics company and social media influencer Brian Mutinda.

The judgment delivered in the commercial court was a landmark ruling for content creators in the country, as Kenya is gaining momentum as far as monetising creative content is concerned.

The Manzi wa Nairobi hitmaker had accused the social media influencer of publishing a short video meant to market one of the products of the company on his Instagram page and using one of his songs, which he argued were used without his permission.

In a statement, events production, travel and ticketing company Madfun announced on Wednesday, February 26 that no entries will be allowed to the venue beyond 9 pm, a move geared at crowd control and ensuring that concertgoers get value for their money.

With gates opening at 3 pm, attendees have been encouraged to arrive early to avoid disappointment. Madfun also emphasized the importance of checking ticket types to ensure entry through the correct gates.

Furthermore, regular ticket holders are further encouraged to use public transport (Uber, Matatus and Motorbikes), with the event organizers noting that there is very limited parking at Ulinzi Sports Complex along Lang'ata Road.

"For those attending, gates will open at 3 pm and close at 9 pm. There will be no entry to the venue after 9 pm. Please ensure you’re aware of the correct access points based on your ticket type. Regular Ticket Holders: We encourage you to Uber as we have very limited parking at Ulinzi Sports Complex," the statement read in part.

“We would like to inform you that the Madfunxperience at Uhuru Gardens (off Lang'ata Rd) will cause significant traffic disruptions. Expect road closures, detours and congestion, especially during the start and end of the event,” added part of the advisory.

“To minimize delays, we recommend planning ahead, allowing extra travel time and considering alternative routes.”

Event attendees are encouraged to stay informed about real-time traffic updates through Madfun’s official communication channels. Additionally, they should follow signage and comply with instructions from traffic authorities and event organizers to ensure a safe and seamless experience for all.

The Madfun Xperience, headlined by Nigerian music sensation Burna Boy, was originally scheduled for December 30, 2024, at the Nairobi Polo Club Grounds.

The Grammy-winning Afrofusion artist is celebrated for his unique genre-blending sound and hit songs such as Anybody, Last Last, and Ye. Known for his signature Afrobeat rhythms and electrifying stage presence, the African Giant was set to end December on a high note. However, the concert was rescheduled to March 1, 2025, and will now take place at Uhuru Gardens in Nairobi.

Burna Boy will be joined on stage by some of Africa’s top artists, including Kenyan Afro-pop sensation Charisma, who expressed his excitement during the official concert announcement.

Known for his dynamic performances and smooth vocals, Charisma described the event as a pivotal moment in his career. “This is a dream moment, and I’m ready to give fans an unforgettable show,” he stated.

The event will also feature South African Amapiano DJ and producer Virgo Deep, a trailblazer in the genre. Adding to the excitement is Kenyan star Bensoul, known for hits like Forget You and Nairobi.

Madfun emphasized that security will be a top priority, given the large crowd expected at the event. Speaking at the official announcement press conference, Nairobi Regional Sub-County Police Commander Monica Kimani reassured attendees that strict security measures will be implemented. “There will be no room for any aspect of criminality. We will also secure hotels where guests are staying and ensure smooth traffic flow,” she stated.

Burna Boy during a concert performance in the United Kingdom (UK). /MDUNDO

The report was released on Monday, January 27 titled Silencing Women: Tracking and humanising femicide cases in Kenya, by Odipodev, a data analytics and research firm and independent investigative media company Africa Uncensored.

It revealed that 170 women were killed in 2024, an increase from the annual average of 85 cases recorded from 2016 to 2023. This however excluded the Kware cases, though included 18 cases confirmed by the Mukuru Social Justice Centre, in which Collins Jumaisi Khalusa later confessed to killing 42 women.

However, an intriguing finding was the link between femicide and other murders to the viral dance style called ‘Mapangale’, which had been trending on social media since November 2024 but attracted controversy owing to its violent gestures.

The report depicted how violence is evolving, with perpetrators leaning into more accessible, intimate, and brutal methods. There has been an increase in the number of cases that involve sexual assault before murder, by 7%. The same goes for hacking, with a 6% increase in prevalence. 

"Perpetrators are also increasingly using bladed weapons,(often easy to access home cutlery) rather than methods like strangulation. In the midst of the “Mapangale” craze, there are a number of gruesome killings with several mutilations, fire burns and even someone being doused in acid," the report read in part.

'Mapangale' involved two dancers facing each other, moving and swaying while gradually lowering their bodies. They use their arms to imitate the actions of cutting their partner with a panga.

Anyone may dance on their own; all one has to do is follow the up-and-down movements while feigning to slash oneself from the neck down to the shoulders and around the arms.

When it first emerged, Tiktok was inundated with videos of the dance style, and some of the most well-known creators joined in, contributing to its unstoppable popularity. Other content creators however went a step further by demonstrating their dance styles with an actual panga – some filming videos of themselves while dancing to the tune at supermarkets, where they could be seen brandishing fresh new pangas from the shelves.

In the same month, Ezekiel Mutua, the CEO of the Music Copyright Society of Kenya (MCSK), strongly criticized the viral “Mapangale Dance” Challenge and suggested banning it.“I am inundated with complaints about the “Mapangale dance” challenge on TikTok. I have reviewed the clips, and I agree that this kind of content normalises violence and is misogynistic,” Mutua wrote in an X post, even revealing that he was in contact with the Ministry of Interior to ensure such content does not compromise safety.

Meanwhile, the report highlighted intimate partner violence as the primary cause, with husbands or boyfriends responsible for 70 per cent of the murders.

By county, Nairobi is leading in femicide cases nationwide, whereas Kisii, Kitui, Meru and Nyeri are new entrants to the top ten counties with killings recorded.

According to the researchers, the high level of public outcry around femicide seems to have spurred the justice system to action; convictions have increased by 118 per cent in 2024 from the previous year, the highest level it has been since 2018 and even pleading guilty does not exempt perpetrators from severe sentences; the average sentence was 20 years up until 2023. The number has increased to 23 years in 2024.

Furthermore, younger women remain the prime target, with those aged 18 to 35 making up more than half of the victims. The perpetrators are primarily young men, with 66 per cent of suspects in court cases between 2016 and 2024 aged between 18 and 35.

The report recommends getting to the heart of the problem by figuring out how to stop women from being killed. It suggests getting support for the younger men who are the majority of the perpetrators. This can be done through creating opportunities and engaging in meaningful work, fostering positive male role models, and promoting education around gender equality and conflict resolution.

"Community programmes that provide mentorship, mental health support, and safe spaces for emotional expression can be pivotal in shifting toxic narratives around masculinity," the report added.

"It’s not just about young men—it’s about a deep-rooted cultural issue, a misogyny that transcends generations; a witchhunt in the literal sense of the word, with women still being targeted on suspicion of practising witchcraft. For example, a woman was killed in 2024 on the suspicion that she was a witch."

The report cited that while challenges like fatherlessness and unemployment may exacerbate violent tendencies in younger men, the problem is far bigger, woven into the fabric of society. Addressing it means confronting the norms, attitudes, and systems that enable misogyny to persist—across all ages.

More than just a song, Weza doubles as a standout advertisement for Wezabet, one of Kenya’s top online betting platforms. This collaboration highlights Wezabet’s commitment to blending creativity with business, pushing boundaries in both the entertainment and betting industries.

Wezabet’s Vision for Creativity

Felix Mulandi, Head of Marketing at Wezabet, expressed his pride in supporting the project. “Weza represents who we are as a brand—champions of creativity, talent, and togetherness. At Wezabet, we are committed to empowering upcoming artists and giving them the platform they need to succeed,” he said.

Wezabet has been at the forefront of fostering talent in Kenya. Beyond music, the company supports sports and other forms of artistry, cementing its reputation as a partner for the country’s creative minds.

A Music Video That Stands Out

The music video for Weza is a visual treat, brimming with energy and style. It captures the essence of Kenyan creativity while showcasing the unique artistry of Ssaru and Wakadinali.

Photo of the 'Weza' music video. /WEZABET

This project is another example of how Wezabet integrates its brand into dynamic cultural content, creating memorable experiences for audiences while promoting its services.

Investing in Kenyan Talent

Felix Mulandi outlined Wezabet’s broader mission to uplift creatives in Kenya. “We are here to invest in the best talent, whether it’s in music, sports, or other artistic avenues. Our goal is to elevate Kenyan creatives and take their work to the next level,” he said.

Wezabet’s efforts don’t stop at music videos. The company has consistently supported local artists through collaborations, sponsorships, and creative campaigns, making a tangible impact on Kenya’s entertainment landscape.

Innovation in Marketing

Wezabet is redefining what it means to be a corporate sponsor. By aligning with trailblazing artists like Ssaru and Wakadinali, the platform demonstrates how businesses can merge brand promotion with meaningful contributions to the arts.

“We’re more than just a betting platform,” Mulandi emphasized. “We’re about inspiring people. We aim to create opportunities for creatives to grow while delivering the best betting experience to our customers.”

Setting an Industry Standard

The partnership between Ssaru, Wakadinali, and Wezabet sets a new standard for corporate-creative collaborations in Kenya. It shows that businesses can use their platforms not only to market their services but also to uplift communities and create lasting cultural impact.

Through high-quality projects like Weza, Wezabet encourages other brands to view the arts as a viable and meaningful avenue for investment.

A Celebration of Kenyan Culture

As Weza continues to gain traction, it stands as a testament to what’s possible when corporate brands support artistic talent. The song is not just an anthem for fans—it’s a celebration of Kenya’s vibrant culture and creative potential.

Watch the Weza music video on YouTube and experience the magic of this groundbreaking collaboration.

With its infectious beats and bold message, Weza is more than just a song. It’s a statement of what Kenyan talent can achieve when backed by visionary support like Wezabet’s.

Beyond entertainment, the concert aims to raise awareness and support for Kenya's deaf community. The event is organised through a collaborative partnership between Dutch social enterprise The Long Trail's Roots and Culture Travel brand, the Deaf Centre Kwale (a community hub serving Kwale County and Kibera), Mtaani.com, and King Lion Sounds.

"Don Campbell ranks among the greatest lovers of rock artists of all time," says Edwin Muyera, also known as selector Crown King Tubbs of King Lion Sounds. "His timeless songs, from 'Storm Is Over' to 'That Girl Can Dance,' are club favourites embraced across generations."

DJ Heartical emphasises the event's significance: "The calibre of artistic talent taking the stage is remarkable. These artists have built massive followings because their music resonates with people from all walks of life."

Poster for Reggae With A Cause concert set for February 14, 2025. /PRINCE OTACH

UK-based Kenyan promoter Prince Otach highlights the event's unique focus on inclusion: "This concert is dedicated to raising awareness for Kenya's deaf community. Deaf staff will serve food and beverages using sign language, creating an unforgettable and inclusive experience."

"This event represents a powerful fusion of music and social change," says Jos Wesemann, Managing Director of The Long Trail and Senior Consultant at the Deaf Centre.

Born to deaf parents and fluent in sign language, Wesemann has dedicated his career to supporting deaf communities across Africa. "When I got in touch with Alborosie last year, I invited him to be part of this movement, and he accepted. This will be his first performance in Africa with a band," he adds.

Wesemann’s connection with East Africa began in 2009, leading him to work with deaf communities across Kenya, Tanzania, Ethiopia, and Zambia.

"There is a severe lack of awareness about deafness in Kenya, especially in rural areas," he says. "Many people mistakenly view it as a mental disability, a contagious condition, or even a curse. These misconceptions must change."

The concert features several innovative elements designed to promote inclusion:

• Deaf community members will actively participate by selling food and drinks
• Attendees will be encouraged to order in sign language
• On-site workshops will teach basic sign language
• Interactive booths from charitable organizations focusing on disability inclusion, climate action, and food security

Proceeds from the event will support vital social programs benefiting marginalized deaf communities in Kwale County and Nairobi. The initiative aims to challenge misconceptions about deafness and demonstrate the capabilities of deaf individuals in society.

International reggae icon Alborosie, who visited the Deaf Centre in Kwale in November 2024, has expressed strong support for the cause and eagerly joined this meaningful initiative.

Event Details

Date: February 15, 2025

Venue: Tsavo Ballroom, KICC, Nairobi

Featured Artists: Alborosie with full band, Don Campbell, Nazizi, Wyre, and Gravitti Band

How To Buy Tickets

Ticketing information: https://mtaani.com/sevent/21

Fans from across the city cast their votes, and DJ Klasiq emerged victorious on December 19, 2024, in an electrifying contest that brought together the region’s top 4 DJs.

The final round featured incredible performances by DJ Klasiq, DJ Vancie, Funkeed Mixxingenious, and DJ Leeboy, each showcasing exceptional talent and creativity.

However, it was DJ Leeboy’s high-energy set, a seamless blend of genres that resonated deeply with the audience, that earned them the prestigious title.

Reflecting on the competition, DJ Grauchi remarked, “The talent displayed in the Nairobi region has been outstanding. DJ Klasiq’s ability to connect with the crowd, innovate with their mixes, and maintain electric energy throughout their set made them the deserved winner. The audience truly made the right choice with their votes.”

The competition celebrates the unity and joy that music brings. It is more than just a competition — it is a platform for discovering and nurturing Kenya’s best DJ talent while empowering them to grow as artists. 

“This competition is a reflection of our commitment to celebrating creativity and innovation within Kenya’s music scene. We are proud of all the participants in the Nairobi edition and look forward to working with them in future events that continue to unite and inspire our communities," Kennedy Mutula weighed in.

DJ Klasiq now joins an elite group of regional winners, including DJ Insta from the Lake region, DJ Kryptic from the Mountain region, Kay Jay the DJ from the Rift region, and Rattihy the DJ from the Coast region. These regional champions will compete for the ultimate Battle of the Beats title, bringing their A-game to the grand finale.

The concert took place at Uhuru Gardens and was part of the grand celebrations all over Nairobi to usher in the New Year 2025. However, what should have been a smooth sailing event turned chaotic, with unruly crowd behaviour disrupting the show.

The highly anticipated event was marred by unruly scenes that overshadowed performances by international and local stars.

In one video circulating on social media, Shenseea was seen performing briefly before a security guard rushed her off stage reportedly after just nine minutes. This was after police lobbed tear gas near the arena, creating panic among attendees.

The time fans overpowered security at Raha Fest and caused a stampede.

Police were forced to use teargas after this incident to control the crowd that was still outside Uhuru Gardens #Shenseea #Rahafest #Alikiba @dennothefamous pic.twitter.com/vq960gMx7x

— FAMOUS MEDIA (@thefamoustvke) December 31, 2024

The artiste had reportedly only performed two songs before the situation became untenable, leaving fans upset and disappointed. 

Another video captured chaotic scenes of a stampede as revellers without tickets forced their way into the venue. The situation quickly escalated, prompting police to use tear gas in an attempt to restore order, but this only served to worsen the already chaotic atmosphere.

The Hit and Run hitmaker took to X to make her feelings crystal clear. “Now Kenya. Not gonna lie, I’m a bit mad y’all.” Her remarks resonated with that of many fans who had looked forward to her full performance.

Tanzanian superstar Alikiba, who also performed at the event, addressed the incident with humour on his X account, saying, “Experienced tear gas for the first time in my life, but the show must go on. #RAHAFEST Hapa ni amani tu.”

Despite the star-studded lineup, the disorder overshadowed the event, leaving fans and performers alike disappointed by the turn of events. CNN International's Victoria Rubadiri, whose X post immediately drew our attention in the early hours of Wednesday morning, wrote "Tear gas certainly wasn’t one of the scents of choice as I kicked off 2025.

"Sure hope this isn’t a sign of what’s to come. What started as normal coverage of the New Year festivities, quickly turned into some pretty chaotic scenes," she remarked.

What followed was a flurry of enraged reactions on social media, many Kenyans online disappointed at a scenario that has occurred not once but on multiple occasions; Kenyan concerts being infiltrated by non-ticket holders after some hours, seemingly inspired by the 'Occupy Parliament' protests that occurred on June 25, 2024.

Organisers React

Meanwhile, Raha Fest issued a stern statement, lamenting a growing trend of some Kenyans "exhibiting unhealthy and deeply worrying entitlement towards events. They believe they should not buy tickets to events and are entitled and deliberately willing to "occupy" events."

"This trend is disappointing, regretful, and retrogressive. This behaviour poses an immense danger for all, especially people who have spent their hard-earned money to pay for these events. This entitlement poses immense danger to the artists, who must perform in a safe and secure environment, potentially seeing Kenya as an unsafe environment for them. This entitlement poses immense danger to organizers, security personnel, vendors, sponsors, and investors, to name a few," the statement read in part.

"Unfortunately, such behaviour if met by force, by the security personnel, will quickly earn the sympathies of the majority. This dilemma of how to deal with such unruly behaviour creates further risks for all and was fully the crux of the matter on December 31st, 2024 (into the 1st of January 2025)."

Raha Fest nonetheless thanked its security personnel for not disappointing them and hailed the success of its security plan and support, pointing an accusing finger at the "unruly (occupying) Kenyans" for failing them.

"The growing entitlement of a section of Kenya failed us, and there are no winners - we are all worse off for it. We call for soul-searching at this point, what more can event organizers do in Kenya? What more could we have done in the dilemma?" they posed.

"What security lapses on our part were present, with unpaying individuals attacking the gates, forcing down barriers, attacking our staff, destroying property, and violating our security protocols at every opportunity."

Shenseea performing at the Raha Fest concert on December 31, 2024. /CAPITAL FM.THE SAUCE

Speaking during the Jamhuri Day celebrations at Uhuru Garden, Governor Sakaja highlighted E-Sir’s impact on the music industry, describing him as a trailblazer whose work continues to inspire generations.

“A South C road will be named after the late Kapuka artiste E-Sir. He was a great artist, and his influence still resonates with many today. His brother has performed here on his behalf, keeping his memory alive,” Sakaja hailed.

E-Sir’s brother, Habib who is a rapper was among the artists that performed at the celebrations.

Nairobi Governor Johnson Sakaja speaking on November 28, 2024. /JOHNSON SAKAJA 

E-Sir, whose real name was Issah Mmari Wangui, is remembered as one of Kenya’s most iconic musicians, known for hits like Boomba Train and Hamunitishi. Despite his untimely death in a car accident in 2003, his music remains a staple in Kenyan pop culture.

South C, E-Sir’s home neighbourhood, therefore holds special significance as the birthplace of his musical journey.

The road renaming is part of a broader initiative by the Nairobi County Government to honour individuals who have made a lasting impact on Kenya’s cultural and social landscape.

Governor Sakaja assured the public that the process would involve consultations with relevant stakeholders to ensure proper recognition of E-Sir’s legacy.

The move to honour the late artist by naming a road after him is credited to Kenyan Artist and E-Sir’s close friend Nameless. The singer filed a petition at the National Assembly to which the governor committed to following up.

Nameless also credited South C’s popularity to E-Sir who never failed to mention his neighborhood in his music. E-Sir rose to fame in the music industry in the early 2000s as the leading hip-hop artist in Kenya.

In 2003, he released his debut album titled ‘Nimefika’ under the ‘Ogopa Deejays’ record label, an album that catapulted his career to the country's limelight. It featured hit singles like ‘Moss Moss’, ‘Boomba Train’ and Leo ni Leo’.

These hits earned the hip-hop artist Best Male Artist at the Kisima Awards. His songs were characterized by a blend of English, Kiswahili and Sheng, but it was his style of music that earned him a massive following from wide audiences.

On the fateful day of March 16, 2003, E-Sir got involved in a tragic road accident around Naivasha and died. He was coming from a concert in Nakuru together with fellow musician and friend Nameless, who survived the accident. His death marked the end of his music career which had just begun to blossom.

Despite his passing, E-sir’s legacy lives on through his music. He is remembered for revolutionizing Kenyan urban music and setting the stage for the artists that followed him.

A photo of one of E-Sir's albums 'Nimefika'. /LAST FM

"Intersexy" represents DESIREE's aspiration to create music with a profound emotional arc. The EP features two tracks that push the boundaries of her signature sound while maintaining the soulful essence that has made her a rising star in the global house music scene.

The first of two tracks Khuluma Nami (meaning "speak with me" in Zulu) combines a pensive, animate bassline with an electronic backdrop, featuring the tender vocals of Jabulile Majola. It invites listeners to embrace their sense of personhood and pride while pursuing their dreams.

About Intersexy

The title track is a powerful proclamation for those often overlooked, as well as a landmark moment for DESIREE herself. It represents her coming into her power and finding her voice as an intersex woman navigating new spaces in the music industry.

Cover art for South African producer DJ DESIREE's new EP, "Intersexy". /HANDOUT 

DESIREE describes the EP as "very different" from her previous releases, particularly highlighting the title track: "Intersexy is cinematic and sounds like a house music track that was created with an orchestra. There's a lot of strings and not so many electric sounds."

The EP reflects DESIREE's growth as an artist and her commitment to authenticity. "It is a reflection of my identity and values," she says.

"Being a black intersex woman from South Africa, I frequently perform in places where individuals like me are scarce. It comes with a significant sense of responsibility, knowing that I represent diverse groups who support me.”

Coinciding with the release of Intersexy, DESIREE is embarking on an Africa tour and launching her label, MMINO (meaning "music" in Sepedi). The imprint will celebrate diverse sounds beyond Afro House and showcase DESIREE's skills as an A&R, capturing her deep affinity for the transformative power of music.

DESIREE's career has seen meteoric growth over the past year. Her recent accolades include a standout remix of the legendary Selaelo Selota's Thrrr... Phaaa! and gracing the cover of North American DJ Mag as their 2023 Future Star.

Ruto, who spoke at the graduation ceremony of the National Defence Univerity in Lanet, Nakuru County, had called on graduates to work jointly with other graduates across the country to examine the place of society in the upbringing of children.

He urged the graduates to similarly identify the place of parents and religion in raising a morally upright generation.

Turning to the track by music artist Exray Taniua, real name Tony Njuguna, the Head of State took fault with the moral and ethical significance of some words portrayed by the song such as "Maisha ni yangu, shughulika na yako," loosely translated as "My life is up to me, concentrate on yours."

President Ruto questions the moral significance of the lyrics of popular hit song 'Sipangwingwi'#ViralVideos pic.twitter.com/inIJVX9eio

— Viral Tea Ke (@ViralTeaKe) November 22, 2024

"You now hear of incidences of Maisha ni yangu, shughulika an yako, where does that leave family, society, community, religion, tradition and culture?" Ruto questioned.

"What is the place of the region in bringing up a morally upright, patriotic citizenry, so that we can better understand the breakdown that leads to young people committing femicide," he added.

According to Ruto, such terms as used in the song, greatly hamper efforts to foster unity and peaceful coexistence among family members and the community.

However, Ruto's latest comments on the song are contradictory to the heavy usage of the song to propel his campaigns ahead of the 2022 general elections.

During the electioneering period, Ruto adopted the song as his campaign slogan, basing it around his Bottom-Up Agenda. The song featured prominent Gengetone artists including X-Ray and Trio Mio.

When the song was banned by the National Cohesion and Integration Commission (NCIC) on the grounds that it used hateful language that promoted violence, Ruto turned on the commission for trying to police Kenyans on their language.

"I think it is an exercise in futility to try and tell us which Swahili or English words we should use. We are decent, intelligent and knowledgeable people. We know what we are saying.

"To our competitors, please try and cobble together a plan and an agenda to sell to the people of Kenya. Stop wasting your time trying to re-engineer our literature. The people of Kenya know how to speak and they will speak at the ballot. Let us not involve institutions of government in a circus that will not help anyone," Ruto said in April 2022.

Around the same time that NCIC had flagged the phrase, Ruto released a music video of the song alongside E-Xray as a direct rebuttal to the commission.

Exray features Deputy President William Ruto in 'Hatupangwingwi', a remix of his hit song 'Sipangwingwi'

What do you think? Hit or miss? pic.twitter.com/ikUU4abTyb

— Viral Tea Ke (@ViralTeaKe) April 8, 2022

In September 2023, the president mourned the Sipangwingwi producer, Byron Muhando Kivisi, terming him as talented. He further recalled their interaction at his Karen residence and lauded his works of art.

"Deeply saddened by the death of music producer and artist Byron Muhando Kivisi. Byron was first introduced to me by music sensation Xray during a music recording session of the hit song Sipangwingwi at the Deputy President's residence in Karen.

"I recall with fondness his calm and collected demeanour, but more importantly his immense talent that made him an acclaimed music producer. It is disheartening that we have lost Byron at a prime age. We are comforted by the fact that his works of art will live on," wrote the President at the time.

The judgement delivered in commercial court is a landmark ruling for content creators in the country as Kenya is gaining momentum as far as monetising creative content is concerned.

The judge, while delivering the judgement virtually through Microsoft Teams video link, declared that the defendants were liable for illegal publishing and directed that profits made from the infringement be recovered, as well as Mutinda and the company to bear additional interest costs.

The Manzi wa Nairobi hitmaker had accused the social media influencer of publishing a short video meant to market one of the products of the company on his Instagram page and using one of his songs, which he argued were used without his permission.

Popular social media influencer, Brian Mutinda. /MUMA PIX

The short video in question was published on the company's verified Facebook page and used his hit song, We Kamu, to synchronise with the visuals without a synchronisation license, which is against copyright laws.

In his defence, Mutinda argued that he made the video without any music in the background at the time of the creation.

He told the court during cross-examination that he submitted the video with its natural audio and was not synched to the music. He, however, did not have a copy of the original video he submitted in evidence.

Mutinda admitted that the content in the video fit with the music used, but said that the company looked for the song to fit the visual content. He further asserted that he could not control what the client asked him to make the video posts, adding that he was not their agent.

“The plaintiff avers that the video was created by the first defendant on his TikTok account and the same is referenced in the bottom left corner of the video. The plaintiff avers that the video was then reposted by the second defendant on its corporate account on Facebook,” Ng’ang’a said in the judgment.

“The plaintiff avers that his song entitled “We Kamu” was playing throughout the skit as the soundtrack. He avers that the video was posted by both defendants on their social media pages. He avers that the posts were captioned as follows: “Netflix and chill right. The all-new Synix U51 series has got you and bae this long holiday. #Syinix U51Series HomeCinemaExperience”. He asserts that the meaning of this caption is that the first defendant was promoting the second defendant’s TV products as its influencer.”

Magistrate Ng'ang'a ruled that after his analysis, both defendants were deemed culpable of copyright offences against Nonini. However, he denied Nonini the prayer for aggravated and punitive damages as the judge felt that the critical threshold to validate these charges in Kenyan law had not been met.

On his part, the renowned rapper hailed the judgement, saying that intellectual property (IP) was like any other property, and thus it required protection.

“There are persons out there who don’t see value in IP, and so they’re always going to have a problem. IP is like any other property. Protection of IP and copyright is a key aspect of economic development. But the most important thing about IP versus the creative expression is that copyright law was created not to stifle creativity, but to encourage creativity,” said Nonini.

The ruling came as a reminder to content creators to seek permission before using third party intellectual property, as previously cautioned by entertainment and IP lawyer Liz Lenjo.

She noted that brands that engage influencers must ensure that they have the necessary rights to use intellectual property assets such as music, pictures, or any other intellectual property, to avoid legal disputes.

Nonini has been sharing updates on the case on Twitter (now X) since July 27, 2022, including an update from the Kenya Copyright Board (KECOBO) on the same.

"Get ready for an unforgettable night of music and entertainment as Tusker Ndimu brings an electrifying live concert to Moran Lounge, Nanyuki, on Saturday, August 31, 2024," a press statement sent to Viral Tea reads in part.

The highly anticipated event promises to be the ultimate celebration of Kenyan talent, featuring an incredible line-up of top artists and DJs who will have Kenyan lovers of music and entertainment dancing the night away. 

The event will be held at Moran Lounge in Nanyuki and promises a night filled with high-energy entertainment.

Poster for the upcoming Zest Fest concert. /HANDOUT

Other than Wadagliz, guests are anticipated to groove to live sets from Kenya's top artists, including Mejja,  Ndovu Kuu and Fathermoh. These artists are set to deliver high-energy performances that will resonate with fans and create an unforgettable experience. 

Renowned DJs Pierra Makena and DJ Cupid will be on the decks, keeping the vibes electric throughout the night.

To ensure the party never stops, charismatic host MC BMshaxxy will be on hand to elevate the experience. 

"Tusker Ndimu Live Concert is more than just an event; it’s an experience designed to bring people together in celebration of great music, good vibes, and the spirit of Tusker Ndimu," the statement added.

With an expected turnout of music lovers from all over the region, this event will have a significant impact on the local community, boosting the economy and showcasing Nanyuki as a vibrant cultural hub.

Speaking ahead of the event, Kanyi Kiuru, Innovations Manager, Brand Manager, EABL, stated: “We are thrilled to host the Tusker Ndimu Live Concert in Nanyuki this August."

"This event is a testament to the brand’s commitment to celebrating Kenyan music and culture. With Tusker Ndimu’s refreshing taste and the incredible line-up we have in store, we’re confident  that this will be an unforgettable night for everyone involved.” 

How To Buy Tickets

Tickets for this event are available at just Ksh1,000 and are redeemable for 2 Tusker Ndimu at the venue.

Don’t miss out on the chance to be part of this extraordinary night filled with music, good vibes, and the signature Tusker Ndimu refreshment. 

For more information and to purchase tickets, visit www.ticketyetu.com

Foreign Affairs Principal Secretary Sing'oei Korir announced this on Tuesday, August 20, revealing that the event will now take place on Sunday, September 8, 2024.

The concert, organised in collaboration with the Africa 4 Haiti (A4H) Initiative, was allocated the new date, with Sing'oei outlining the need for more time to raise awareness and broaden participation among artists from various regions. 

A poster of the Harmony4Haiti concert slated for September 8, 2024. /KORIR SING'OEI

"Harmony4Haiti Concert has been postponed to 8 September 2024 to allow for further awareness creation and expand participation of artists from different jurisdictions," Sing’oei stated.

The event aims to highlight the rich cultural heritage of Haiti and Africa, fostering mutual understanding and cooperation.

The PS, who spoke during the event's announcement on August 7, revealed that it will feature a series of activities which will include musical performances by renowned artists from Haiti and Africa. There will also be a cultural exhibition showcasing Haitian and African art, crafts, and cuisine.

"Africa and Haiti share deep historical and cultural ties. To demonstrate solidarity with the people of Haiti, the State Department for Foreign Affairs and A4H will jointly host an event dubbed ‘Harmony4Haiti Concert and Cultural Festival.’ This event aims to highlight the rich cultural heritage of Haiti and Africa, fostering mutual understanding and cooperation," the Principal Secretary noted.

The concert is not only a cultural celebration but also an opportunity to showcase Haiti to the world, emphasising the country's rich history, resilience, and the enduring connections between Haiti and the African Continent.

With the additional time, the organisers aim to amplify the event's reach and ensure it reflects the diverse artistic expressions that both Africa and Haiti have to offer. 

This announcement came after the Ministry of Foreign Affairs held a joint briefing with the Africa4Haiti254 Initiative (A4H) to highlight Kenya's commitment to the Multinational Security Support (MSS) Mission in Haiti. 

PS Sing'oei underscored Kenya's support for Haiti which reflects its unwavering dedication to global peace and stability.

“The MSS Mission has seen substantial progress, with Kenyan forces playing a pivotal role in support of the Haitian Government and the maintenance of security,” he revealed.

Organisers of the Raha Festival (Raha Fest) revealed on Thursday, August 8 that they managed to secure the Hit & Run hitmaker as a headlining act during the Raha Fest concert, which will be a two-day event between December 30 and 31, 2024.

The failure of a Shenseea concert in the 254 last year led to many fans wondering if another chance for the musician to grace the country would come, a matter the organisers observed keenly on social media, thus leading to the popular announcement which nearly went unnoticed.

"You asked and we have delivered!!! It’s official, the queen is coming!! Ladies and Gentlemen, we are proud to present your Day 2 headliner for Raha December, the phenomenal Shenseea. Shenyeng where y’all at?!?!?" Raha Fest announced on Instagram in a reel video viewed over 136,000 times.

View this post on Instagram

A post shared by Raha Fest (@rahafest)

However, attending the concert during what is expected to be a party atmosphere crossing into 2025 will come at a cost, spanning the two days. A regular ticket will go for Ksh6,000, with the cost five times that amount (Ksh30,000) for a VVIP slot.

VVIP ticket holders will however be treated to an exclusive VVIP dinner and party with the artists, allowing fans to meet the performing artists up close, Shenseea included.

While Shenseea is yet to officially confirm on her side if she will be indeed performing in the country, she did promise on August 23, 2023, that she would give her Kenyan fans a show they will never forget.

The 27-year-old had expressed her heartbreak on learning that her highly anticipated concert in Kenya on August 26, 2023, was rescheduled to a later date, apologizing to Kenyans who had waited for more than a month to see her perform live.

"First off Kenya, let me start by saying that I love you guys so much but I'm sorry everything did not go as we were all expecting. I'm really disappointed because I was looking forward to coming there and having a grand time with you guys but just know that when I do touch down there it's going to be problems," she promised.

Viral Tea had first reported that event organisers of the Sababisha Festival which was set to be held at Uhuru Gardens, confirmed her visit to Kenya, noting that they had sought her consent first before making public the announcement.

Shenseea Music Career

Fans can expect high energy from her performances on stage, with the Jamaican star growing from strength to strength since her debut song Loodi with Vybz Kartel in 2016.

Her meteoric rise to fame has seen her collaborate with artists like Tarrus Riley, Vybz Kartel, Swae Lee, Young Thug, and Kanye West's new album 'Donda,' for which she was nominated for a Grammy for Album Of The Year at the 64th Grammy Awards.

Foreign Affairs Principal Secretary Singoei Korir announced this on Wednesday, August 7, remarking that Africa and Haiti share deep historical and cultural ties.

"To demonstrate solidarity with the people of Haiti, the State Department for Foreign Affairs and A4H will jointly host an event dubbed ‘Harmony4Haiti Concert and Cultural Festival," he announced. 

Principal Secretary in the State Department of Foreign Affairs Korir Sing'oei speaking on August 7, 2024. /KORIR SING'OEI

Korir further noted that the event aims to highlight the rich cultural heritage of Haiti and Africa, fostering mutual understanding and cooperation.

Scheduled for August 24, 2024, the PS said the event will feature a series of activities which will include musical performances by renowned artists from Haiti and Africa. 

There will also be a cultural exhibition showcasing Haitian and African art, crafts, and cuisine

Korir added that a panel discussion on the historical, cultural, and socio-economic ties between Haiti and Africa will be held as well.

The PS reiterated Kenya’s commitment to continued support in security, governance, and development initiatives, stating that "Kenya looks forward to a stable and prosperous Haiti in the long term."

This announcement came after the Ministry of Foreign Affairs held a joint briefing with the Africa4Haiti254 Initiative (A4H) to highlight Kenya's commitment to the Multinational Security Support (MSS) Mission in Haiti. 

PS Sing'oei underscored Kenya's support for Haiti which reflects its unwavering dedication to global peace and stability.

“The MSS Mission has seen substantial progress, with Kenyan forces playing a pivotal role in support of the Haitian Government and the maintenance of security,” he revealed.

The 'Harmony4Haiti Concert and Cultural Festival' is more than just a cultural event; it symbolizes Kenya's solidarity with Haiti and a shared vision for a harmonious and prosperous future. 

The festival promises to be an enriching experience, bridging cultures and strengthening bonds between the people of Africa and Haiti.

In a statement on Thursday, July 4, the recording studios will be easily accessible to upcoming musicians and content creators who will not have to pay fees to make use of them.

“We are going to work with county governments for the establishment of recording studios in every county where artists and content creators will record for free,” stated KECOBO.

This initiative will help boost the prominence of the Kenyan entertainment scene as upcoming creators including musicians and podcasters can make use of the studios to grow their craft.

Inside a recording studio. /THE BEST IN KENYA

Many of the country's talented youth come from poor backgrounds and cannot afford the cost of producing and recording their music or other creative content.

The plan is set to be realised through Studio Mashinani, a government initiative through the Ministry of ICT that aims to bring recording studios closer to the grassroots providing access to talented youths in their local communities.

The studio Mashinani project falls under the umbrella of the Ajira Digital Program, which offers innovative digital solutions to address youth unemployment in Kenya on a large scale.

Meanwhile, KECOBO announced that the government was also planning to create a Sacco which will issue loans to creatives.

“The Board is in the process of engaging the Ministry of Cooperatives and Micro/ Small and Medium Enterprises Development to establish artists and creatives' savings cooperative society (SACCO) that will allow artists to borrow at a lower rate,” read the statement in part.

These initiatives come after the Board of Directors of KECOBO appreciated music users for their support to the creatives by paying royalties as per the license issued by the Board in June.

The Board noted that following the issuance of a Collective Management Organization license to the Performing and Audio-Visual Rights Society of Kenya (PAVRISK), the collection of royalties from music users increased from a daily collection of Ksh600,000 to Ksh2.2 million. 

As of June 18, Ksh22 million had been collected, according to KECOBO. This was 10 days after the issuance of the licence.

"This was an improvement from the collections that was being done previously by the three CMOS jointly. The daily collection is expected to rise to Ksh3 million daily with the introduction of an enhanced system and support from music users," added the board.

The Board encouraged transparency in the collection and distribution of royalties by the CMO to help cut costs and increase royalty distribution to artists to at least 70 percent of the collection.

Members of Sauti Sol during a past live performance on stage. /NATION MEDIA GROUP

In a statement released on Thursday, July 4, the organisers revealed that they had been holding day-to-day briefings with its security teams in order to prepare effectively for the event's next edition, which was set for July 7.

The move to reschedule was informed by the events that have been unfolding across the country, with the current political atmosphere on that day informing their latest move, which now sees the event pushed to Sunday, July 28.

"We bear heavy news that after extensive consultations, we do not have the necessary security clearance to proceed with Blankets & Wine this coming Sunday. Due to the politically charged nature of 7th July, there is a potentially significant threat to life & property including but not limited to road closures, flash protests, and infiltration after dusk, among others.

Attendees at a past Blankets & Wine concert. /BLANKETS & WINE

"On this solid intel, we have made the unprecedented decision to reschedule this upcoming edition of Blankets & Wine to 28th July 2024," the statement read in part.

The event organisers, while recognising the absolute inconvenience for all, however, assured that the safety of the attendees, vendors, suppliers, partners and working teams comes first.

"All purchased tickets are valid for 28th July 2024. However if you cannot make it, you can transfer your tickets to either 6th October 2024 or 22nd December 2024 (Nairobi) or 29th September or 15th December (Kampala) by reaching out to us on DM or emailing info@blanketsandwine.com.

"We will continue to stay vigilant and communicate with you in case any changes arise before the new date," the statement continued.

July 7 happens to be Saba Saba Day, which is remembered as the day when nationwide protests took place.

On July 7 1990, Kenyans took to the streets to demand free elections. The politicians who had called for the protests, Kenneth Matiba and Charles Rubia, were arrested days before the protest day.

In present-day Kenya, Saba Saba has taken on a new meaning, with human rights defenders (HRDs) and civil society organisations such as Inuka Kenya Ni Sisi, Kenya Human Rights Commission, National Coalition for Human Rights Defenders, the Social Justice Centres' Working Group and Mathare Social Justice Center among others asking for respect of the constitution, an end to police brutality and killings, advocating for a favourable legal and policy environment in Kenya.

This is now the third event to be either rescheduled or cancelled since the protests against the Finance Bill began on June 18.

Coincidentally, the 2024 Nairobi City Marathon which was lined up for the same day was postponed, though to September 8, 2024.

“The postponement has been occasioned by unavoidable, external circumstances beyond the control of the organizing committee,” the statement by the organisers read in part.

The committee added that thousands of athletes who had already registered for the event had proposed for it to be shelved to a later date.

On Thursday, June 27, the Global Peace Foundation released a statement following the cancellation of its opening ceremony which President William Ruto was meant to attend on Wednesday, June 26, with the unpredictability of the protests likely leading to more event cancellations in the future.

In a video she shared on her Instagram account, the Mwaki hitmaker disclosed that she had purchased donations for distribution to the residents amidst the mass displacement of people following the floods and the government's directive for evacuations from riparian land.

Nzau had initially intended to donate food and a few essentials to the residents, including clothes, but discovered that the scenario in Mathare manifested into a humanitarian crisis.

Watch the video below:

View this post on Instagram

A post shared by Sophia Wanjiku (@sofiyanzau)

On Monday, April 22, she shared a snippet of her upcoming project in the form of a track titled 'Zakayo' which went viral on X, amassing more than 1,500 reposts, 3,500 likes and viewed more than 187,400 times, a term that bears huge significance across the board.

In a statement he posted on his social media handles on Tuesday, April 2, the Skelewu hitmaker revealed that he was alerted by a series of phone calls regarding the false report which claimed he was arrested by police on Sunday, March 31.

Davido was in the country for a night of performance at the Raha Fest, which was held in Uhuru Gardens, Nairobi on Saturday night, March 30.

"Fam, it has come to my attention that false reports regarding an arrest circulated online on April 1st, which has since led to a barrage of calls," he addressed.

"I want to assure my fans that these reports are entirely untrue. I successfully completed my scheduled shows in Uganda and Kenya and have since returned home to Nigeria."

The star musician, regarded as one of the most important Afrobeats artists of the 21st century, further noted that he has never been arrested by anyone in any country for any crime in the world.

While finding the allegations irresponsible even though the story was published in light of April Fools Day on Monday, April 1, Davido added that he instructed his lawyer to institute legal action against K24 under Mediamax Networks Limited.

"I'd also like to note that I have never been arrested by anyone in any country for any crime in the world. Not my home Nigeria, my home America, or any of the hundreds of countries I've made home throughout my career.

"I find the fabrication of allegations of such international crimes extremely irresponsible regardless of the light of 'April Fools', and my lawyer is seeking legal recourse against the media parties responsible for generating this misinformation," he added.

Notably, the statement comes after the Directorate of Criminal Investigations (DCI) flagged the editorial news article after it claimed that he was arrested by the Anti-Narcotics Police Unit at the Jomo Kenyatta International Airport (JKIA) alongside his seven crew members following a search on his private jet, where narcotic drugs were found. 

The media outlet also released a statement maintaining that the editorial piece was part of the April Fools' Day content.

"Were you fooled," the media house posted in reaction to the online uproar that ensued on social media.

Headlining the event that will be starting on Saturday from 2 pm to Sunday at 2 am is renowned Kenyan R&B artist, Karun, currently making waves in the nascent but growing alternative music scene.

She will be playing alongside the talented musical band. Other supporting artists are female DJs Tina Ardor, Ms Bune, Mumbe and Jirani, and TBE’s in-house DJs. 

TBE, which comprises an urban fusion of sounds has witnessed a steady rise in its fan base over the last four editions held since May 2023.

Poster for The Butterfly Effect 5 event set to take place on March 23, 2024. /THE BUTTERFLY EFFECT

This first edition of 2024 takes a different approach combining a daytime and night extravaganza, allowing attendees to maximize the well-curated fusion of experiences such as games and a pop-up market.

According to founding member Andrew A. Njuguna (DJ Panik), the TBE musical experience is heavily tasked with breaking stereotypes around alternative sounds in Kenya.

“The typical mindset is often boxed into specific genres and not exploratory of the positive vibes that different sounds provide. Most shows tend to be single genre, that no longer take people through a musical journey,” says Njuguna.

Locally, urban fusion that borrows from various genres to create a modern sound, is slowly taking shape. With influence from diverse traditional genres, urban fusion helps to bridge the gap between different cultures and backgrounds giving it the unique diversity appeal as a music genre.

“Plans are underway to have a quarterly cadence to explore different styles of TBE to close the gap between international and local acts thus amplifying the wealth of local talent present in Kenya,” added Njuguna.

With the upcoming fifth edition, TBE continues to present opportunities that can be explored in further popularizing urban fusion, with a long-term goal to create Kenyan music in identity but goes beyond local boundaries to appeal to a wider audience.

In addition, the TBE musical experience seeks to provide an avenue where musical events tie into productive community engagements and social initiatives.

Proceeds from the event will be directed to partners, Heels for Pads, which seeks to raise awareness of period poverty while advancing gender equality and equity through menstrual health education workshops and access to sanitary pads.

About The Butterfly Effect (TBE)

Founded in May 2023, TBE was born to provide a musical experience like no other. TBE is not just a music event; it’s a cultural awakening, bringing to life diverse exciting African urban sounds that connect East Africa to the rest of the world.

TBE is anchored but not limited to the groundbreaking fusion of Amapiano, Afro house, Afro dance, and Alternative R&B genres. Just like how the flapping of a butterfly’s wings can cause a ripple effect around the world; TBE aims to make a difference through the ultimate musical revolution.

How To Buy Tickets

To buy tickets to TBE 5, fans are urged to visit the Hustlesasa Shop at https://thebutterflyeffect.hustlesasa.shop/.

There are two categories of tickets, with regular going for Ksh2,000 and group tickets going for Ksh7,500.

For more information, please visit The Butterfly Effect linktree.

Collage of Michael Basil Ogutu - Founding Member, The Butterfly Effect (left) and Andrew Alf Njuguna also known as DJ Panik - Founding Member, The Butterfly Effect / TBE In-house DJ. /VIRAL TEA KE

The release marks a significant moment for the Kenyan music scene as these talented artists came together to create a track that promises to be a hit.

The fusion of Bensoul, Nviiri, Savara, Father Moh, Jovial, Ndovu Kuu, and Maandy in “Tujengane” brings together a diverse range of musical styles and influences.

Each artist is known for their unique contributions to the industry, making the collaboration a melting pot of creativity and talent. The synergy among these artists is palpable, creating a sonic experience that resonates with listeners.

Cover art for the Tujengane song. /HANDOUT

The title “Tujengane,” which translates to “Let’s build each other,” hints at a positive and uplifting message within the song.

It reflects a sense of unity and collaboration, encouraging individuals to come together and support one another. The lyrics, coupled with the infectious beats and melodies, aim to inspire and energize the audience.

The collaboration between these respected artists is not only a celebration of their talents but also a testament to the vibrant and evolving Kenyan music scene.

As the song makes its way into playlists and charts, it is likely to leave a lasting impact on the industry and further solidify the reputation of Bensoul, Nviiri, Savara, Father Moh, Jovial, Ndovu Kuu, and Mandy as musical powerhouses.

“Tujengane” is more than just a song; it’s a musical celebration that brings people together through the universal language of music. As fans continue to enjoy and share the track, it is expected to resonate for a long time, leaving a positive mark on the hearts of those who listen.

The artiste had just performed two of his tracks; Freshi Barida and Vichuna, bringing the energy and good vibes onto the stage as he danced alongside the attendees.

However, during his interview with media personality Azeezah Hashim, Stevo appeared to be slouching forward and clutching onto his knees before falling flat on his back.

This was a moment that led to pin-drop silence from the audience which tried to digest the shocking turn of events, with Azeezah, in a shaking voice, signalling a commercial break so that the musician could be attended to.

Here's the video (WARNING: SOME VIEWERS MAY FIND THIS DISTURBING):

Ala? Stevo Simple Boy fainted while live on stage at Citizen TV's #10over10 show.

Is he okay, @azeezah_h ? pic.twitter.com/inqPrRqkTI

— Marvin Chege (@marvin_chege10) March 15, 2024

The incident spread like wildfire on social media come the midnight hours of Saturday, March 16, with Kenyan netizens expressing concern for Stevo's well-being.

One of them was Music Copyright Society of Kenya (MCSK) Chief Executive Officer (CEO), Ezekiel Mutua who in July 2023 met Stevo who made headlines over reports of being in financial difficulties.

"I pray that all is well with my friend Stevo Simple Boy. Was watching the 10over10 Show on Citizen TV where he was being interviewed and saw he suddenly collapsed. Hope all is well. Wishing you a quick recovery my guy," he posted on X.

Others questioned why there wasn't a medical team stationed nearby in case of any emergencies, which would have helped promptly address the situation.

In real-time, Azeezah alongside her co-host Guda Man confirmed that the artiste was being attended to.

“We just want you to know that he is feeling well and we will get him on call…he is coming back and if he returns, we will get him on call," updated the show host who appreciated Kenyans for showing concern and care for one of the biggest musical talents in the country.

As promised, Stevo offered an update on his health through a phone call and confirmed that he was doing well and that all would be well, with Azeezah promising to bring him back for another feature on the show.

Crafted with over a decade of collective experience in the music and creative realms, MIGATI Music is poised to propel the East African dance music scene onto the international stage.

The label is dedicated to musical freedom, high-quality music, and celebrating African dance rhythms.

To mark its arrival on the dance stage, Migati Music unveils its debut release, 'CREATE', a soul-stirring collaboration between the enchanting singer/songwriter Tina Ardor and the masterful producer Hendrick Sam, both from Nairobi, Kenya.

Sibling trio of MGM Kenya (DJ/Producer), Gabriel (UI/UX designer), and Tina Ardor (House Music singer/songwriter/DJ/A&R). /HANDOUT

The single defies traditional genre boundaries, seamlessly blending Afrohouse, 3-step, and Amapiano elements, a move by the composers to intentionally steer away from conventional genres.

'CREATE' captivates a listener with its intense beat, featuring a robust kick, orchestral sounds, rhythmic chanting, and echoes of the word 'create,' symbolizing the societal pressure on artists to keep churning music.

'CREATE' is not just a song; it's a powerful declaration of artistic independence, a rhythmic rebellion against conformity, and a testament to the boundless creativity that defines MIGATI Music's distinct sound.

Lastly, Migati Music is set to officially launch its new imprint via a luxury garden party [TRILOGY] set for March 16, 2024, at a yet-to-be-revealed location within Nairobi. The launch marks a significant milestone in MIGATI Music's journey, promising a fresh perspective on the music scene.

The sibling trio invites music enthusiasts, industry professionals, and supporters to join them in this exciting venture.

In a statement on Tuesday, March 12, KFCB arrested Getumbe after he failed to comply with the Films and Stage Play Act, Cap 222 of the Laws of Kenya.

In particular, he failed to stop distributing and exhibiting a gospel song that had been classified as obscene and blasphemous.

The arrest came after a seven-day notice issued to him for violations of the aforementioned law expired.

"Getumbe's arrest comes after the lapse of a seven-day 'Demand Notice' issued to him for violating Sections 4 and 12 of Cap 222 governing the creation, possession, distribution and exhibition of audio-visual content in Kenya, specifically the creation, distribution, and exhibition of the blasphemous 'Yesu Ninyandue' music video, among others," stated KFCB in part.

The artist will be arraigned in Court on Wednesday, March 13, 2024, to face the following charges:

222. a) Filming without a license which contravenes Part II, Section 4 of Cap 222. b) Distribution and exhibition of unclassified audio-visual content in breach of Part III, Section 12 of the Cap 222.
223. c) Distribution, public exhibition, and possession of 'obscene' cinematograph films and public exhibition of indecent shows/performances tending to corrupt morals contrary to Section 181 (1) (a) and (e) of the Penal Code.

The KFCB affirmed its strong stance against the creation, distribution, possession, broadcasting, and exhibition of 'indecent' content that goes against the values and morals of Kenyan society.

"As the Government agency mandated to regulate film and broadcast content space within the country, the Board urges all content creators to create content that promotes Kenya's culture, moral values, and National aspirations, while ensuring that children are not exposed to inappropriate content.

"To this effect, the Board is collaborating with relevant platform owners to pull down the targeted content," added KFCB.

To this end, the country's film regulator encouraged members of the public to report to the board any instances of 'indecent' content distributed or exhibited via social media platforms and other broadcast channels for appropriate action to be taken.

Further, the Board appealed to members of the public to desist from circulating inappropriate audio-visual content that the Board has flagged, as doing so will result in legal action.

Isacco had to go into exile in Kenya in 1994 following the war in Rwanda, which separated him from his parents when he was only three years old.

He later moved to France where he launched his music career as a member of the IC-KS music group.

“I used to spend hours in the studio of my cousin who is a producer, Rukuz Pro. I was fascinated by the way he worked on recording different well-known Kenyan artists," he reveals.

Rwandese singer Isacco with models. /HANDOUT

"One day, he made a beat and he made me listen and sing, it was my first time recording a song. I was very excited to listen to my voice. However, I had to leave Kenya to continue with my studies in France. while in France together with my friends we formed a group.”

The group's existence was brief, spanning only three years before their breakup.

“Towards the end of 2015, because of work and studies, no one had time anymore. I decided to continue music as a solo artiste.”

Recently, Isacco made headlines when he released his latest single and disclosed he spent millions making the video.

“Truthfully, the music video expenses were substantial. Flying Julien to France and covering all his costs, especially given his experience with top artists like Diamond Platnumz, was a significant investment.

Securing models for the shoot, renting the filming location, and managing the entire crew also added to the high costs.

"Despite my initial budget of $6,000 (Ksh873,000), unforeseen events led to a total expenditure of $12,500 (Ksh1,818,750). However, I have no regrets as long as it translates into a quality production for my fans.” Isacco disclosed.

Isacco’s latest single delves into his unique life experiences, offering a glimpse into his world, with a seamless fusion of captivating beats and heartfelt storytelling,

“The song is about my journey, filled with highs and lows. Despite the challenges, I persevered, maintaining a positive mindset to reach my goal. While the path wasn't easy, nothing is impossible with determination. Now, I celebrate my success, the key is to stay focused and work hard.

"There will be discouragement, scepticism, and loneliness, but this is where one must never give up. Finding peace within yourself during such moments is gratifying, especially when you prove doubters wrong with unexpected achievements.” Isacco adds.

Isacco is currently working on his second album set to drop at the end of this year.

Watch his music video below:

KECOBO had on Wednesday, February 21 invited the Ethics and Anti-Corruption Commission (EACC) to open a probe into MCSK's activities as well as those of other Collective Management Organisations (CMOs) including the Kenya Association of Music Producers (KAMP) and Performers Rights Society of Kenya (PRISK), which are also composed of KECOBO

However, Mutua dismissed the pointing of fingers by KECOBO by arguing that MCSK had followed the necessary procedures to ensure that the appropriate funds were being paid to the deserving artists.

"We ran a public notice on January 19 citing the amount of money to be distributed and the criteria to be used for distribution. This was way before the ongoing distribution started. The distribution which started on 25th January runs all the way to March 29, 2024," he stated.

Kenya Copyright Board Chairperson Joshua Kutuny at a press address. /NATION MEDIA GROUP

"We cited the rules of distribution and criteria based on log sheets from licensed broadcasters and the amount of money declared for distribution. But today KECOBO says we should have paid using something they are calling the 70% rule. Where exactly in the Copyright Act or any other law in Kenya does it talk of the 70% rule?"

The following day, in his defence, Mutua argued that before commencing the 3-month distribution exercise, the period and criteria for distribution were well stipulated in the public notice that was published in the national dailies on Friday, January 19, 2024.

According to him, MCSK posted the same on all its social media platforms way before the distribution commenced and had been updating its members on the process.

The three-month distribution period, he added was meant to give MCSK members sufficient time to update their music catalogues and other personal data such as bank accounts, mobile money accounts and Kenya Revenue Authority (KRA) PIN. Mutua added that his plan to distribute Ksh20 million royalty to artists was ratified by Jumwa.

"Since the distribution started, we have received positive responses from our members who have been engaging us online and others on social media. Many artists have visited our offices to update their catalogues and are getting their dues in line with MCSK distribution rules," read the letter in part.

"It's imperative to note that the MCSK Royalties Distribution Notice published in the dailies on January 19 (way before the distribution began) was done after consultations with the CS in charge of Gender, the Arts, Culture and Heritage, Hon. Aisha Jumwa, the KECOBO and relevant stakeholders. The notice stated clearly that the monies available for distribution for Quarter One of 2024 was Twenty Million Kenya Shillings (Ksh20,000,000)."

Mutua also argued that the information on the amount allocated for distribution was shared with MCSK members through the public notice and other platforms way before the distribution commenced and there was no objection or query on the amount and the criteria to be used.

Unlike in the past when members got monies through mobile money platforms and were denied the opportunity to ask any questions, the former Kenya Film Classification Board (KFCB) CEO invited MCKS members to a physical event at a city hotel on January 25 and shared the information with them, adding that there was no query on the amount declared for distribution nor the criteria used.

"We are therefore disturbed to see documents circulating on social media questioning the amounts distributed and raising malicious and unfortunate allegations of misappropriation. How can anyone reach the conclusion of misappropriation in an ongoing process?

"Out of the three CMOS licensed by the Kenya Copyright Board for collection and distribution of royalties, only MCSK is distributing. Yet we use the same system imposed on us by the regulator and share the revenue proportionate to our membership. How come no one has an issue with the ones that have not been distributed? Is it a crime for MCSK to have taken the decision to distribute?" Mutua strongly posed.

KECOBO, in a five-page letter, had accused the three organisations, among them MCSK, of paying less than a third of all royalty collections (estimated at Ksh249 million) to artists and abusing the rest of the monies, prompting the board to call upon EACC to launch the probe.

"Where did the Kenya Copyright Board get the amounts they claim to base on what he calls the "70% rule?" Where is the 70% rule in the Copyright Act, in the regulation or Constitution?" Mutua indicated in his latest letter refuting claims that the amount was collected, showcasing instances of artists complaining of meagre pay in public to back his sentiments.

"This time round we have used both general and scientific distribution methods and increased the royalties to our members by a huge percentage, strictly relying on log sheets from our licensed broadcasters and the amount of money available for distribution. Where is the other money KECOBO claims should have been distributed? Why were these figures not used to question the amounts we declared in the public notice on distribution before we started the process?"

Mutua accused KECOBO of making remarks meant to incite unsuspecting members to think they have been cheated and revealed that the MCSK board engaged with its lawyers to address the matter, setting the precedence for a legal showdown.

The KECOBO board had indicated that the three organisations ought to have distributed Ksh173 million representing 70 per cent of the collected revenues, backing this up with data showing that the highest earner Rehema Lugose took home Ksh757,092, a figure lower than Ksh4,540,000 she was entitled to while the second, Reuben Kigame, received Ksh122,410 down from Ksh734,460.

"Let me take this opportunity to assure our members that MCSK shall serve them in line with the mandate they have given the Board through the Articles and Memorandums of Association and that we shall not succumb to pressure from corrupt cartels who want to divert attention as they continue to exploit gullible artists," Mutua vowed.

"MCSK is on a rebound after years of being in the doldrums and the cartels are worried that the newly found vibrancy and optimism among artists is going to enlighten them about their rights to the detriment of those who have impoverished artists for years."

The event came to life at the Ngong Racecourse Grounds on Saturday, February 17, where the waterfront grounds were transformed into a haven of good vibes, elite consumer experiences, live music, and games this past weekend, during the highly anticipated Gordon's Fun Fair "Uncoupled Edition." 

Introduced in 2022, The Gordon’s Fun Fair is a one-of-a-kind event designed to bring out inner playfulness and create immersive experiences for consumers.

This year's "Uncoupled Edition" took the brand's "Shall We…?" campaign to new heights by providing attendees with experiential zones that fostered connections among like-minded individuals. 

Bensol performing live at the Gordon's Fun Fair with TV Presenter Amina Mohamed hosting the event on February 17, 2024. /PHOTO.HANDOUT

The Fun Fair once again captivated attendees with an elevated experience, featuring stellar performances by amazing live bands the Juxe Box who thrilled consumers with electrifying performances along with Charisma, Ayrosh, Mutoria as well as the Untamed Band.

Elite Kenyan DJs graced the stage including DJ CNG & Dream, DJ CNG, DJ Red Bone, DJ Grauchi, G. Money, and DJ UV.  

The magnetic MC duo, BV Accurate and the charismatic Amina served as the lively hosts for the event, engaging consumers throughout the night and contributing to the overall electric atmosphere. 

On the grounds, attendees were immersed in interactive zones where they had the opportunity to Savor and enjoy Gordon's cocktails.

Additionally, the event brought to life the essence of Gordon's commitment to fostering connections and creating memorable moments for its consumers through playful zones where consumers got to engage in an array of activities. 

“At Gordon's, we believe in knowing that life can be heavy and rarely do people take time to connect with friends and just relax.

"The world can be fast-paced and we tend to postpone taking time to relax and unwind. The Fun Fair Uncoupled Edition goes beyond entertainment; it's a testament to our commitment to fostering connections and creating vibrant spaces where people can come together, celebrate, and make memories," stated Zipporah Ndung'u, Senior Brand Manager, EABL.

"As we witnessed the positive energy and enthusiasm from our attendees, it reaffirmed our belief in the importance of bringing people together and enriching the communities we serve. This event is not just about fun; it's about building lasting relationships and making a meaningful difference whilst permitting consumers to inject levity in their lives albeit momentarily." 

The success of Gordon's Fun Fair "Uncoupled Edition" marks another milestone in Kenya Breweries Limited's dedication to creating unforgettable experiences whilst celebrating our consumers. 

Media personality Joanna Kinuthia with a friend during the Gordon's Fun Fair Uncoupled Edition on February 17, 2024. /HANDOUT

The 3:17 song whose audio was uploaded on YouTube on Friday, February 9 at midday captured Jowie singing praises to the Lord and acknowledging how significant of an impact He has made in his spiritual life.

He added that the Word of God comforts him in his time of need and that the Lord guides him through his trials and tribulations.

"I will praise you Lord forever. I am forever in your hands, I am returning to you," sings the now-classified murder convict.

Former Citizen TV Anchor Jacque Maribe and Jowie Irungu in court on Friday, February 9, 2024. /ALINUR MOHAMED

The video shows Jowie's thumbnail photo as he lifts his hands while looking above whereas moving soundwaves act as a guide for those with hearing problems.

"At the cross, I am healed, I will not be afraid for you are with me. Your word comforts me, Lord. I praise you, I worship you. It's you," added the lyrics.

Viral Tea was informed that the song was released just before the High Court deemed Jowie guilty of the murder of Kimani on September 19, 2018.

The video by the time of publishing this article amassed over 102 comments and 277 likes, viewed more than 2,500 times.

Kenyans online encouraged the convict, who awaits his sentencing on March 8, 2024, to maintain his relationship with the Lord even behind bars.

However, others questioned the timing of the release, even though how the ruling date was moved forward from March 15 to February 9 caught many Kenyans who had been keenly following the case, off guard.

Lady Justice Grace Nzioka had found that the prosecution had proved to the court that the security personnel committed the offence of murder.

"It is the finding of this court that all this evidence taken cumulatively leads to a strong conclusion that the first accused person murdered the deceased," Justice Nzioka ruled.

"Therefore, it is the finding of this court that the prosecution has proved beyond a reasonable doubt all the ingredients of the offence of murder, the death that occurred, the cause of death and the person who committed that offence. It was not a case of homicide, It was unlawful. Therefore I find the first accused person guilty as charged herein of the offence of murder."

Justice Nzioka found that Jowie deliberately misled the court by denying any prior acquaintance with the late Monica Kimani, as she found conclusive evidence contradicting his assertions, establishing his prior knowledge of Monica Kimani before her tragic demise.

In 2023 during the trial, Jowie told the court that he never knew Kimani and never visited her city residence in Kilimani the night she was killed.

While defending himself against allegations of murdering Monica, Jowie told Justice Nzioka that he was not at her house in Lamuria Gardens when she was killed in September 2018.

"The 1st accused (Jowie Irungu) claimed he did not know the deceased at all. George Kimani, the deceased’s brother submitted that Jowie and Monica Kimani were in the same class in 2002 taking the same course in hotel and beverage management," the judge countered.

The court further agreed with the prosecution's evidence that the security personnel was the last person to be with the businesswoman before her death.

This heightens the online battle between the two which began after the Wee Kamu hitmaker accused Mutua of allegedly mismanaging funds meant for artists.

In a post on LinkedIn, Otiende revealed that Avril was responsible for procuring the best in branded merchandise for the company, utilising her knowledge from attaining a degree in Product Design from the University of Nairobi.

The merchandise ranges from embroidery, screen printing, promotional merchandise and gifts for clients among others.

Singer Avril with Kevin Otiende, Managing Director of Calla PR, during a visit to his office. /LINKEDIN.KEVIN OTIENDE

"I wanted to start the week by telling you about my good friend Nyambura who is popularly known as Avril in her music life. Every time we need any branded merchandise, we call her.

"Most people don’t know that she actually has a degree in Product Design from the University of Nairobi. She applies this by getting us the best designs, screen printing, embroidery, engraved promotional merchandise and gifts for our clients," Otiende revealed, sharing a photo of Avril paying him a visit to his office.

The PR professional added that he was amazed to learn that his team nicknamed her the Queen of Value Adds, stating that the Nikimuona hitmaker "always goes far and beyond what you ordered to include what you didn’t order as an extra!"

"This year, if you’re looking to have anything extra produced, please talk to Nyambura. Thank me at a time of your choosing," Otiende stated while promoting her work.

Avril Profile In A Nutshell

Growing up in Nakuru, the talented singer became interested in music at a very tender age as she was an active performer in drama and music festivals while in secondary school.

After clearing high school, Avril relocated to Nairobi to join the University of Nairobi where she studied design. Her fortunes would change in 2005 when the singer participated in the Jaza Lorry Initiative where she met with Emmanuel Banda of Ogopa Deejays.

Emmanuel attempted to convince Avril to venture into music; however, she was hesitant at the time before she took music seriously during her second year on campus.

She recorded her first single dubbed ‘Mama’ after signing with Ogopa Deejays record label, a song released in 2009 which received much airtime on various radio stations across Kenya. The rest, as they say, is history.

Avril also started her acting career by taking up a role in the second season of Shuga in 2011/2012 playing the character of Miss B’have.

Her character was a celebrity personality who was a firm believer in monogamous relationships. Additionally, in the same series, she was given a minor role as Belinda after the producers of the show saw she could pull it off.

Later in 2013, Avril was also featured as a cast in Noose of Gold playing the role of Corrine, a drug trafficker. 

What you also may not have known is that she revealed in an interview in 2018 that she is a Candy Crush fanatic being that she loves to play the game daily, moreso before going to bed at night, as a therapeutic way of unwinding for her.

Singer Avril during a past photoshoot. /INSTAGRAM.AVIEWAY.MUMA PIX

The United Democratic Alliance (UDA) lawmaker on Thursday, January 11 took a trip down memory lane through a post on her official Facebook page showcasing a photoshoot she had in 2015.

Maina was a singer (stage name Carola Jayne-CJay) under Grandpa Records and her last song was a love song titled Mr Left released nine years ago, though her music did not shake up the country's airwaves.

"I had this performance at CBD for my new song at the time. I was certain that I was the next big thing in music, certainly, it wasn’t true," she wrote.

The post sent a flurry of mixed reactions from her followers and fellow politicians including Nominated Senator, Karen Nyamu, as some asked if one of her songs was still in existence on the internet, which Viral Tea managed to retrieve here:

As though that was not enough, Viral Tea stumbled upon Bahati's music video for his song Najua featuring Vivian, where Njeri was among guests at Bahati's mock wedding, indicating that she may well have been versed in the entertainment scene before her sharp rise in the Kenyan political scene.

Here it is below:

Njeri Maina Profile

Njeri was born in 1994 in Mugumo, Kirinyaga County and began her education at Kiangoma Primary School in the same county. As the last born, her short stature meant that she walked to school slower than her peers and was often punished for lateness.

After her Kenya Certificate of Primary Education (KCPE), Njeri proceeded to Kabare Girls High School and later Nairobi University to pursue law and was admitted to the bar as an advocate of the High Court in 2019.

Other than musician, she also tried her hand at entrepreneurship, where she sold anything she could think of in Nairobi, other than quail eggs.

She would venture to the Gikomba market very early in the morning, purchase mitumba clothes, photograph them, and post them on her Facebook page dubbed Carolla Njeri Collections, taking advantage of numerous buyers as her competition was yet to explore the social media platform to bring in prospects.

“I would do the marketing and delivery, even though I did not have a shop. My parents discouraged me, saying that I was stooping too low for money. But I wanted to be independent,” Njeri, who is fondly nicknamed Gacheri by Kirinyaga residents, told Inooro TV in an interview.

In 2017, Njeri made her first foray into politics when she vied for the position of Speaker of the Kirinyaga County Assembly at the age of 23 and out of 25 contestants, she emerged third with just one vote.

She, the speaker and the second runner-up were the only ones who received votes and while the experience left her with valuable lessons, it stepped up her political ambitions even more.

In 2022, she vied for the Kirinyaga women rep seat. Many people had discouraged her, with one person remarking that she would fail so hard that she would leave an imprint of a person on the ground.

For campaign money, she organized harambees and one of them was attended by 200 people which managed to raise Ksh250,000. Half of the money was contributed by family members, and she used it to pay for her UDA nomination ticket.

However, tragedy struck when her father died even before she had actualized her dream of becoming a woman rep. She went into grieving while still on the campaign trail.

“I would hide somewhere and cry before I went to address the crowd,” she said, adding that she did not want sympathy votes.

Despite the setback, she would clinch the seat with an overwhelming 175,001 votes, outcompeting big names such as former County Assembly Speaker Anne Githinji, former County Director of Administration Shujaa Rose Wachira, Narc Kenya’s Elizabeth Kamami and businesswoman Emma Wambui. Her predecessor, Purity Ngirici, switched from the Kirinyaga woman representative seat to the gubernatorial race.

According to Njeri, her mother continues to treat her the same way she did before becoming a legislator. She still commands her to wash utensils and do other house chores.

Unsurprisingly, the beautiful lawyer has received many proposals from admirers, stating that "I blue tick them to protect my space because 99% of them did not know me before I became a leader."

Screengrab of Njeri Maina featuring in Bahati's music video 'Najua' on October 22, 2020. /YOUTUBE

Taking to her Instagram stories on Tuesday, January 2, Ntazola criticised the nature of Kenya's current music as one that lacks substance and fails to draw interest among its listeners.

She specifically expressed her dissatisfaction with Gengetone music, saying it lacks meaningful content thus she finds it hard to appreciate it and Kenyan music as a whole.

Ntazola thought it was better for the country to focus on other important matters such as raising the profile of its current athletes in the global space instead of using its music to market itself.

She also didn’t hold back in her criticism of Gengetone artists, claiming that they fail to invest adequately in their craft.

“I don’t listen to Kenyan music because there is nothing to listen to. With my beautiful face, I should listen to gengetone? Noo hell no," she affirmed.

"Very lazy musicians can’t invest in their art. Let’s stick to running. Heri niskize nyimbo za Waluhya kuliko gengetone. (I’d rather listen to Luhya songs than Gengetone any day).”

Her comments however sparked debate online, with most netizens accusing her in response of failing to appreciate local talent and giving foreign music a greater pedestal.

"It’s disheartening to hear someone working in Kenya dismiss local art as trash. She mentioned having a shop in town, but imagine if people refused to buy Kenyan products, claiming they are inferior and opting for imports instead.

"It’s fair not to consume, listen to Drake or Nigerian music or Amapiano, but avoid speaking negatively about Kenyan music and art just as you wouldn’t want anyone undermining your business," one user commented.

"The attention she received seems to have gone to her head, and now she’s acting like the next Nicki Minaj."

"I’m left hanging on the “beautiful face” comment. Not all light-skinned individuals are automatically beautiful," other comments read.

Ntazola in 2023 lost her TikTok account for violating restrictive community guidelines on the social media app after her altercation with the kanjo officer, whom she accused of illegally entering her car in response to an alleged parking offence.

Worry no more, one of the biggest events in Kenya is going down at Absa Grounds along Thika Road dubbed Crossover Mugithi.

The event has attracted Kikuyu maestro musicians who will be headlining the event including Samidoh and Muigai wa Njoroge.

To make sure you don’t miss the event, one of the leading betting firms in the country, Odibets is giving you a chance to win mugithi tickets.

All you have to do is register, deposit, and play with a minimum of Ksh99 on a single or multibet on Odibets.

Once you place the bet, you will automatically enter into a draw and stand a chance to win a mugithi ticket for today’s event.

At the same time, Odibets has been running a one-of-a-kind promo dubbed Shinda Mbuzi ya Krisi na Odibets.

The betting firm announced that it would be giving out 100 goats daily to lucky winners starting from December 1, 2023, to midnight December 31, 2023.

The 'mbuzis' each will be worth Ksh5,000 and will be rewarded to the lucky customers via M-Pesa.

Angel has dropped her new track titled Mother Kenya, a patriotic song that arrives just in time for Jamhuri Day 2023, as Kenya celebrates 60 years as a republic.

The song serves as a testament to Angel's deep-rooted connection to her homeland and her commitment to celebrating its rich heritage.

“At just 12 years old, I've noticed that everything I hear about our country seems negative—politics, education, the economy," she says.

Official artwork for Angel Atieno's new song dubbed 'Mother Kenya'. /PHOTO

"But you know what? This song I've made is all about spreading joy and inspiring people because, honestly, there's nowhere else like home.”

About Angel Atieno

Angel Pamela Atieno is a 12-year-old multitalented Kenyan artiste who extends her prowess beyond music.

Not only is she a singer but also an accomplished actress and gymnast. Her talent has been showcased in various Kenyan productions, including a prominent role in the Kenyan series Zora aired on Citizen TV.

Angel notably starred as the lead in the short film "Finding Lulu" and featured in the documentary "Chozi" on MNET.

With two music videos and two covers already under her belt, Angel Atieno has captivated audiences with her versatility and undeniable charm.

She has amassed an estimated following of around 2 million across her social media platforms, where she shares her artistic journey and engages with her fans.

Follow Angel Atieno on Social Media:

Facebook: https://web.facebook.com/angelatienoP 

TikTok: https://www.tiktok.com/@atienangel 

Instagram: https://www.instagram.com/angel_atieno_official_page 

Twitter: https://twitter.com/angelPatieno 

In a statement on Wednesday, December 6, the investigative agency revealed that the five were arrested following an intelligence-led operation conducted by a team of officers based at Central Police Station in Mombasa 

They were suspected to be members of an organized criminal group that has been operating within Sargoi area and it's neighborhoods.

Following an intelligence led operation, a team of officers based at Central Police Station in Mombasa has arrested five individuals suspected to be members of an organized criminal group that has been operating within Sargoi area and it's neighborhoods.

Upon search, a navy blue jacket that had been captured in the video recording, three iphones, a samsung phone, a memojo phone, a bluetooth headphone among other items were recovered from them.

The five have been processed pending arraignment. pic.twitter.com/WmIau2eTY6

— DCI KENYA (@DCI_Kenya) December 6, 2023

"The five suspects had earlier been captured in a video recording while displaying items that they had stolen from their victims.

"Upon search, a navy blue jacket that had been captured in the video recording, three iphones, a samsung phone, a memojo phone, a bluetooth headphone among other items were recovered from them," stated the DCI in part.

The five have been processed pending arraignment in a court of law.

The clip which went viral both on TikTok and Twitter, showed them bragging about the items they stole, including a stylish coat and a set of car keys.

The suspects dared Kenyans to show up with more expensive phones at the upcoming Christina Shusho concert slated for December 31, 2023, under the guise that they were preparing to steal more goods.

Meanwhile, comedy guru Daniel Ndambuki popularly known as Churchill could be reconsidering his lineup for Shusho's upcoming event after criticism emerged over plans to hold Shusho's music performance jointly with his comedy show.

Through his Instagram account, Churchill engaged netizens asking them to give suggestions for their ideal NYE gig this year and most are pushing for a full-blown gospel concert headlined by the Tanzanian songstress.

Besides Shusho, fans are also suggesting Kenyan artistes to perform including Eunice Njeri, Evelyne Wanjiru and Mercy Masika among others.

Shusho is known for songs such as Shusha Nyavu, Unikumbuke, Wa Kuabudiwa, Bwana Umenichunguza among others.

A photo of gospel singer Christina Shusho. /CHRISTINA SHUSHO

Spotify Wrapped typically includes the five musicians a user has listened to most often, the songs which they have listened to most, and their favourite music genres. It has been released annually since 2016, at the start of December.

Producers of content on the platform also have access to a version of Spotify Wrapped, which includes the number of times their content has been streamed that year.

In addition to individualized data, Spotify Wrapped also includes information about activity on the Spotify platform as a whole. While Spotify Wrapped is commonly referred to as an annual collection of data, only activity from January 1 to an unknown date in the last two months is counted for any given year.

Screengrabs of Spotify Wrapped. /SPOTIFY

For Kenyan artists, 2023 has been a significant year for the Kenyan music scene with highlights such as Sauti Sol's hiatus, Gengetone being recognised as a genre for Grammy consideration and the featuring of Kenyan artists on the COLORSxSTUDIOS platform.

Taking to her X account, Shusho, known for songs such as Unikumbuke, Wa Kuabudiwa, Bwana Umenichunguza among others revealed that her and her team were engaging media personality Daniel Ndambuki alias Churchill on the matter.

In a bid to take early advantage of the huge activity that comes with the New Year period, she hinted at hosting a concert in the country on December 31, 2023.

A photo of gospel singer Christina Shusho. /CHRISTINA SHUSHO

"Due to increasing demands for a concert in Kenya, my team and I are working with Mwalimu Churchill to have a concert on December 31, 2023 (Kingereza Kimeisha)," the songstress stated.

After the message, she translated the information in Kiswahili for purposes of her fans in Tanzania, further hinting at staging an overnight concert, which many would call a 'kesha'.

"Kutokana na maombi ya wengi, tumeyafanyia nyinyi ni watu wangu wa muhimu. Expect an overnight concert on December 31. Mwalimu Churchill is working on it. See you soon 254," she added, leaving her fans on X thrilled with excitement.

Shusho hails from Kigoma, Tanzania. Her parents were very religious people and little Christina grew up in strict religious education. When the eventual gospel star was only fifteen years old, she had managed to find her own salvation which continues to date.

She got married immediately after her school graduation to her significant other who became a Christian preacher. The wedding ceremony was held in Dar es Salaam, afterwhich happy couple was blessed with three wonderful children - two sons and one daughter. 

After her work as a janitor in the church, she managed to join a church choir, were her God-given talent was revealed. This experience inspired her to begin a career of a solo singer.

Shusho tried to perform on her own and write her own songs and music. It was then, that she began to dream that one day she would be able to release her own album and become a famous gospel singer.

Recently, she drew criticism online regarding the use of Bible quotes in the lyrics of her songs after a video emerged showing that the origin of the lyrics of her song Shusha Nyavu was the book of Luke Chapter 5, verse 4 translated into Swahili.

The song which tells a tale of Jesus and his search for disciples majorly focuses on the scene between Jesus and Simon Peter in the lake of Galilee.

"Yesu alipokwisha kunena, alimwambia Simoni, tweka mpaka kilindini, mkashushe nyavu zenu. Bwana mkubwa tumefanya kazi ya kuchosha usiku kucha, Bwana mkubwa tumefanya kazi ata tusipate kitu," the lyrics captured from the Bible read in parts.

However, despite outright accusations by netizens of plagiarism and lack of originality, some netizens may have become die hards of her music owing to her use of the scripture formulate songs, arguing that quoting the Bible was a common practice among preachers and gospel singers.

A portrait of gospel singer Christina Shusho. /CHRISTINA SHUSHO

Speaking at Nairobi Serena Hotel in a forum jointly organised by the Kenya Young Parliamentarian's Association (KYPA) and Siasa Place, an NGO, Malema commended the Orange Democratic Movement (ODM) for what he believed was her maintainig her cool while meeting the Crazy In Love hitmaker in person.

According to the leader of the Economic Freedom Fighters (EFF), Hezena viewed Beyonce as merely a human being and believed that everyone can achieve the accolades she has amassed in her illustrious music career.

"We must join them in producing our own movies and music and do away with Beyonce. I saw Senator Hezena saying she saw Beyonce in Dubai and did not even get starstruck.

"It's supposed to be like that. She's a human being so we're seeing one of our own but you do that once you start having self-respect to know that we are all her and we can do what they are doing," he encouraged.

During a recent interview with Pulse, the Senator opened up on her encounter with Beyonce in Dubai even though they were on separate yachts, and owing to her high self-esteem, she didn't feel overexcited.

"I have never met somebody who has got me starstruck. I was one time at a beach in Dubai on a different yacht and Beyonce was on another yacht and I felt like I was not starstruck, probably because I am always the star," she stated.

Beyonce's estimated net worth is $500 million (Ksh62.3 billion). Having risen to fame as the lead singer in girl group Destiny's Child, the 41-year-old has established herself as a solo artiste, earning 88 Grammy Award nominations in the process.

Known as "Queen Bey", she has been recognized for her boundary-pushing artistry, vocals, and performances. Named one of the greatest singers of all time by Rolling Stone, her contributions to music and visual media and her concert performances have led her to become a prominent cultural icon of the 21st century.

Some of Beyoncé's most successful songs include Crazy in Love, Baby Boy, Irreplaceable, If I Were a Boy, Halo, Single Ladies (Put a Ring on It), Run the World (Girls), Love On Top, Drunk in Love, Formation, Break My Soul, and Cuff It.

Her collaborative music ventures include Everything Is Love (2018), an album with her husband Jay-Z, as the Carters, and the musical film Black Is King (2020), inspired by the music of the film soundtrack The Lion King: The Gift (2019).

Having sold over 200 million records worldwide, Beyoncé is one of the best-selling music artists of all time. Her accolades include 32 Grammy Awards (the most Grammys won by any artist), 26 MTV Video Music Awards (including the 2014 Michael Jackson Video Vanguard Award), 24 NAACP Image Awards, 35 BET Awards, and 17 Soul Train Music Awards, all of which are more than any other artist in the music industry.

Her success during the 2000s earned her recognition as the Recording Industry Association of America (RIAA)'s Top Certified Artist of the Decade and Billboard's Top Female Artist of the Decade.

In 2014, Billboard named her the highest-earning black musician of all time. She is the most successful black touring act in history and received the Pollstar Touring Artist of the Decade award in 2021.

Time magazine included her as one of the 100 women who defined the 21st century.

Beyonce performs onstage during the Renaissance world tour. /HARPER'S BAZAAR

The news of his demise surfaced on Wednesday, November 1, which Viral Tea can now authoritatively confirm.

Orange Democratic Movement (ODM) Director of Communications Philip Etale was among the first to mourn the demise of the musician, who will be remembered for hits such as Bembea, Maria, Kadzo and others.

"Lala salama (rest well) my friend," he wrote on X (formerly Twitter).

The late legendary Kenyan musician Ally B. /X

Mombasa-based blogger Mykol Machampali revealed that Ally B died on his way to the Coast General Teaching and Referral Hospital. 

"Ally B is dead. The person who was with him last week said he had been diagnosed with pneumonia.

"He developed complications today. It seems his pressure went up, and as he was being rushed to the hospital, he passed on," Mykol was quoted by TUKO.co.ke

The artiste had recently been diagnosed with pneumonia and had only been discharged a few days prior. Tragically, complications arose, and while en route to the hospital, he passed away. 

The news of his death has since sent shockwaves across the entire music industry.

"Oh, Nooooo.This is the saddest news I have heard today. Ally B is no more. Rest in Power," award-winning Kenyan singer, Suzanna Owiyo mourned.

“We're in deep grief to announce the death of our big brother Ally B Khamisi. May his soul Rest In Eternal Peace. Rest in Peace Bro (sic),” singing duo CSM Wazito mourned the departed artiste.

Ally B, real name Ali Khamisi Mwaliguli, had tried his hand at politics and vied for a Member of the County Assembly seat in Junda Ward in Kisauni, Mombasa county under a Jubilee party ticket in 2017. However, he lost out to Musumba Raphael Bwire of the ODM Party.

He however rejected the outcome released by the Independent Electoral and Boundaries Commission (IEBC) insisting that he was rigged out.

The singer is also known for spearheading peace efforts in the coastal city, especially in Kisauni.

The altercation in the video seen by Viral Tea took place during the three-day OktobaFest event that was held at the expansive Ngong Racecourse between Friday, October 27 and Sunday, October 29.

In the clip, a group of male revellers were seen violently attacking the thief suspected to have robbed a reveller of their mobile phone, the altercation causing a commotion in front of one of the concert stages where award-winning Tanzanian singer Diamond Platnumz was performing.

A female reveller was at one point captured joining her counterparts in raining blows on the thief before a male reveller stepped in to stop the fight from escalating into serious consequences.

Here is the video (WARNING: GRAPHIC NATURE):

Huyu thegi alikapitia Jana ???? adi Sammyro akamkumba maheader. pic.twitter.com/sjH7nX6gzz

— Justo (@JustinTenai) October 29, 2023

The clip sparked mixed reactions, with a section of netizens remarking Platnumz performing in front of thousands of fans oblivious of the ensuing altercation.

Viral Tea was unable to independently establish whether action was taken against the suspected thief through the necessary authorities and the nature of the injuries he incurred in the process.

Many Kenyans raised concerns yet again regarding the level of insecurity during live concerts, with some criticising the security deployed for protecting revellers at the venues.

One Yvonne Buluma weighed in by disclosing the inside job that goes on between the security officers and the pickpocketers, the latter who bribe their way out of trouble during the events.

"Never seen so many thieves/pickpockets in a single place and to make matters worse some would be identified and they would talk themselves out of the security guys and the police and to some extent give something small then they are released back to the crowd. It was bad," she wrote.

Chilling Stories Of Kenyans Robbed During Concerts

Notably, this isn't the first time Kenyans have witnessed chilling revelations of revellers robbed at concerts, especially with the festive season on the horizon packed with crowded events for thrift-loving Kenyans, especially in Nairobi.

On November 13, 2022, Kenyans shared a series of posts on Twitter (now X) recounting how they have been faced with the most chilling incidents of mugging at concerts held in the capital.

From losing valuables such as money, phones, accessories, and clothes, Kenyans narrated how they came face to face with heartless groups of well-organised gangs, some of whom even infiltrated VIP sections, the most secure location at any concert.

In a detailed Instagram statement on Wednesday, October 25, Magix Enga, who has garnered fame as a prolific beat-maker, claims that he is struggling to make ends meet despite making significant contributions to the improvement of the Kenyan music industry.

Enga, known as the “beat King” of Africa, rose to prominence with hits such as Dundaing, Watoto Na Pombe, featuring Otile Brown, and Maja, as well as Mapenzi Hisia, but revealed that he was yet to reap fruits financially from them.

He also claimed that he has been shortchanged by the artists that he has collaborated with for music projects.

Magix Enga posing for a past photo near a Porsche. /X

"Magix Enga the most talented beat King in Africa and the rest of the world. Some of the artists that I did collaborate with took advantage of Me.

"Most of the songs that I produced i.e. Dundaing, Watoto na Pombe Otile brown ft Enga and Maja, Mapenzi Hisia and many others I'm not benefiting from them," he stated in part.

Enga went on to reveal that he is staring at unemployment after the studio in which he was using for his musical works was shut down due to rent arrears.

He also emphasized the importance of providing for his one-month-old baby boy, who depends on him for care and support.

"Right now am writing this I have a one-month-old baby boy who is depending on me. I tried to pull myself together but the studio I was working in was shut down because of rent issues," he added.

Nonetheless, the music producer expressed the belief that he is the best there is, citing some popular songs he has worked on which have since made waves in Kenya, such as Mamiondoko and Digidigi by Arrow Boy, which garnered more than 10 million views on YouTube, despite not getting a single cent for his contributions.

This revelation however ignited a fierce debate within the Kenyan music industry, with fans being divided over whether Enga’s claims are legitimate or if there is more to the story.

While some are quick to empathize with the talented producer, expressing outrage at what they perceive as exploitation, others are sceptical, demanding to hear the artists’ side of the story.

Enga went on to urge President Ruto to address his woes and provide support not just for him but also for his colleagues in the Kenyan music industry.

"Currently I don’t have a job. Our president Dr. William Samoei Ruto I urge you to please help me in whatever support you can starting from the music industry to my colleague," he pleaded.

The post, which has since gone viral, has prompted various reactions from Kenyan artists and music enthusiasts alike. Some argue that it’s essential for artists to be compensated fairly for their work, while others point out the complexities of music industry contracts and the need for a more transparent system.

In January 2023, the producer opened up about his personal struggles, revealing that he was grappling with significant challenges and expressing that he was not in a good place.

"Hey people, place life has taken me, I don't understand anything. I love you all so much. There is talent though I am not doing okay.

"Am going through a lot and I do not understand why. Somebody, please. If I wronged you, I apologize. More love to all of you," Enga said then.

Back in October 2022, he revealed to YouTuber Eve Mungai that he had embarked on a transformative journey, shaving his signature locs and quitting substance abuse.

He conveyed that his decision to cut his locks and renounce drugs marked the beginning of a new chapter in his life.

President Ruto by the time of publishing this story was yet to respond to Magix Enga's latest plea.

Mukami and Otieno, who both performed at the awards ceremony, were nominated for the Best Female Artist and Best Gospel Artist categories respectively.

Mukami, known for songs such as Radio Love, Kai Wangu, Zawadi among others lost out to Viviane Chidid of Senegal who won Best Female Artist and caused an upset by beating Rush hitmaker Ayra Starr of Nigeria.

Otieno on her part lost out to KS Bloom of Ivory Coast who won Best Gospel Artist. She was the only female gospel artist in contention.

A trophy on display at the Trace Awards 2023 on October 21, 2023. /TRACE

Mukami took to her Instagram stories in reaction to losing out on the award by sharing a screengrab of a quote which read "There is no growth without mistakes. Allow yourself to make mistakes and learn from them."

On her part, Otieno wrote on her Instagram post "Dear God, I come before you this Sunday with a heart full of gratitude."

"These past few months you have brought me new opportunities to make a bigger impact in the world through my music ministry. May your will always be done. In Your name, we pray. AMEN."

Nonetheless, Otieno reshared reactions from her Kenyan fans who were keenly following the proceedings of the awards from home as streamed on Trace TV, radio and digital channels and on global streaming platforms, national terrestrial TV and satellite channels.

Bongo flava star Diamond Platnumz dominated East Africa by winning Best Artiste and delivered an impressive performance at the awards event accompanied by his signee, Zuchu, beating the likes of Kenya's Khaligraph Jones.

Nigerian stars Davido and Rema dominated the awards, each taking home two trophies. Nigeria's prominence in African music was evident, with Davido receiving the Best Male award and sharing the Best Collaboration prize with South Africa's Musa Keys for their song 'Unavailable.'

Sharing on her Instagram, Lady Bee, known for songs such as Nakuinua and Ni Mkuu, opened up on the harrowing experience which she noted caught her offguard.

Furthermore, she recounted narrowly escaping a potentially fatal incident on Saturday, October 14, a day after President William Ruto issued orders over land grabbed from the East Africa Portland Cement Company (EAPCC) in the Mavoko sub-county.

“I can’t thank God enough for salvation because Saturday ningedie (I would have died), but I am here to testify that indeed the joy of the Lord is my strength.

Here is the video:

View this post on Instagram

A post shared by Minister Lady Bee254 (@ladybee_254)

"Watching helplessly as my property goes down is the most painful thing ever. My heart is so broken. Why didn’t you give us notice then?” Lady Bee challenged the government.

She expressed her heartfelt condolences to her neighbors in Athi River, Mavoko County, where the brunt of the traumatic events transpired.

Effecting Ruto's directive, more than 20 heavy machinery, under the security of armed General Service Unit (GSU) officers, began flattening permanent and temporary structures on the prime land on Friday, October 13. Notably, some of the homes were still under construction as the exercise forced residents to seek alternative means of accomodation.

“My deepest condolences to all my neighbors in Athi River, Mavoko County. What happened to us was profoundly inhuman, lacking all sensitivity, and felt like an evil act. I have never felt as emotionally shattered as I do now,” she conveyed.

Lady Bee further recounted the sleepless nights she endured and sacrifices she made only to see her prized investment reduced to rubble.

This was announced on Saturday, October 15 by Trace, Visit Rwanda and Martell, according to a press release sent to Viral Tea.

Diamond Platnumz and his fellow performers join a glittering lineup that brings together 50+ stars from around Africa and the African diaspora including Davido (Nigeria) Bamby (French Guiana), Benjamin Dube (South Africa), Blxckie (South Africa), Bruce Melodie (Rwanda), Bwiza (Rwanda), Didi B (Ivory Coast), Dystinct (Morocco), Janet Otieno (Kenya), Josey (Ivory Coast), Lisandro Cuxi (Cape Verde), Locko (Cameroon), Perola (Angola) and Plutonio (Mozambique).

List of artists to perform at the Trace Awards 2023 in Kigali, Rwanda on October 21, 2023. /TRACE

Others include Princess Lover (Martinique), Ronisia (France), Rutshelle Guillaume (Haïti), Soraia Ramos (Cape Verde), Terrell Elymoor (Mayotte), The Compozers (Ghana), Viviane Chidid (Senegal), Yemi Alade (Nigeria), Mr Eazi (Nigeria), Azawi (Uganda), BNXN (Nigeria), Camidoh (Ghana), Chriss Eazy (Rwanda), Danni Gatto (Cape Verde), DJ Illans (Reunion), Donovan BTS (Mauritius), Emma’a (Gabon), Gaei (Madagascar), Gerilson Insrael (Angola), Goulam (The Comores) and Juls (Ghana),

Also lined up to perform include Kader Japonais (Algeria), Krys M (Cameroon), K.O (South Africa), KS Bloom (Ivory Coast), Levixone (Uganda), Mik’l (Réunion), Moses Bliss (Nigeria), Musa Keys (South Africa), Nadia Mukami (Kenya), Pabi Cooper (South Africa), Segael (Réunion) and Show dem Camp (Nigeria).

To buy your tickets for the Trace Festival, priced at 2,500 RWF (Ksh303) for those under 18 and 5,000 RWF (Ksh605.99) for those over 18, Trace encourages you to go to https://tracefestival.hustlesasa.shop.

Unfolding over three days and nights, the Trace Festival aims to put Rwandan creativity and the country’s flourishing creative economy on the map in a celebration of music, entertainment, fashion, food, design, photography, arts & crafts, hair and beauty, home decor and much, much more. 

A host of Rwandan and international musical talent has been added to the lineup while Rwandan creators and brands have flocked to be part of the dynamic marketplace. 

Among the highlights to look out for at the Trace Festival are:

• Rwandan headliners and hitmakers: Bruce Melodie, Sema Sole, Angell Mutoni, Boy Chopper, Mike Kayihura, Tsonpa, Ish Kevin and Kenny K-Shot.
• International bangers: Performances by international artists including special guest performer Nomcebo plus fellow Trace Awards nominees Roseline Layo, Gerilson Insrael, Soraia Ramos, Lisandro Cuxi, Donovan BTS, Gaei, Mik’l, and Goulam.
• Hot DJ action from DJ Illans, DJ Hottempah Collective, DJ Fans-T, DJ Higa, DJ Rusam, and DJ Irah.
• Sunday “Block Party”: A closing jam with sizzling Rwandan and international artists including lam, Kivumbi King, Maalhox, Mani Bella, Koppo, Lisandro Cuxi, Mike Kayihura, and Gerilson Insrael.
• Hot Looks and Trends in Fashion and Beauty: Fashion showcases & tutorials, beauty treatments and super-glam Trace Awards look to get you camera-ready for the red carpet.
• Uplifting Gospel vibes: A heavenly Sunday gospel concert with The Soweto Gospel Choir, Benjamin Dube, KS Bloom, and local heroes Nyundo School of Music Art, and Ubuhanzi Cohort.
• Shopping Dreams & gorgeous goods from Moshions, House of Tayo, Sonia Mugabo, Inzuki, KT'SOBtE, Maison Munezero, Uzi Collection, Rwanda Clothing, N'intoki, Ki-pepeo Kids, Wearfragile, Bibi Creations, Kalunza, Ahaya Links, Irebe, Mwinda, Tugirimana, Art Rwanda Ubuhanzi, KomezArt, Wood Habitat, Lisa Marler, Laini, In Wood, Mass Made, and Master Weavers.
• Delicious bites, snacks and treats from: Pat's Bangerz Food Truck, Bunz, Choma'd, A La Brunch, Akwaaba Kigali, Issa Brochettes, Turambe Salad Bar, Jollof Kigali, Torino's, Vital Organics, and BICU.
• Stimulating conference sessions on Music rights, the edutainment revolution, the creative economy, sustainable fashion, songwriting, content creation and much, much more. 

The Trace Festival opens at 16H00 on Friday, October 20 and continues until 20H00 on Sunday, October 22. 

The ruling coalition announced in a notice that Rufftone will be tasked with overseeing grassroots elections as the party prepares to elect new officials in December this year. 

Rufftone was appointed alongside other individuals picked as regional managers and they include Alex Khamisi (Western) Khalif Abdi (Coast), Paul Kiprop (North Rift), and Peter Mbogo (Central Kenya) among others.

In a statement, UDA Secretary General Cleophas Malala emphasised that the appointments were made to guarantee smooth, transparent grassroots elections.

The latest appointments were a result of resolutions passed by the National Governing Council (NGC) concerning party structure expansion and the election process, which UDA resolved to hold electronically.

"Top on their in-tray is the smooth and seamless execution of the UDA Party's forthcoming grassroots elections scheduled for December 9, 2023,"  the party stated as Malala met the appointed officials at the party headquarters to sensitize them on their new roles before deployment to their respected counties.

Rufftone, who is an ardent ally of President William Ruto, initially intended to run for the Nairobi Senatorial seat but shelved his ambitions to back Margaret Wanjiru.

Nonetheless, he played a key role in Ruto's presidential campaigns in Nairobi and its satellite towns in the Metropolitan as an emcee at various campaign events in the city zone.

UDA has been courting musicians in an increasing fashion and winning them over to the party to enhance its profile and create a positive appeal among its youthful supporters.

On Wednesday, April 12, the party embarked on a poaching spree of renowned Kenyan musicians, including celebrity couple Diana Marua and Bahati.

The couple were among the likes of MC Jessy, KRG The Don, Diana Marua, DJ Kwenye Beat, Sammy Boy, Mash Mwana, and Dufla Diligon among other musicians and entertainers who joined the ruling party.

This is according to a press release by Trace on Saturday, September 23 seen by Viral Tea, with ticket sales having gone live from Friday, September 22.

Trace made the announcement while unveiling new additions to the lineup of performers set to grace the Trace Awards and Festival in Kigali, Rwanda.

"The hottest tickets in Africa go on sale from Friday 22 September 2023 as Trace announces more stellar additions to the dazzling lineup for the Trace Awards & Festival. 

List of artists to perform at the Trace Awards 2023 in Kigali, Rwanda on October 21, 2023. /TRACE

"Presented by Visit Rwanda and Martell, the Trace Awards will take place at the BK Arena, Kigali, Rwanda on 21 October 2023," read the statement in part.

New additions to the star-studded lineup include Yemi Alade (Nigeria), Mr Eazi (Nigeria), Azawi (Uganda), BNXN (Nigeria), Camidoh (Ghana), Chriss Eazy (Rwanda), Danni Gatto (Cape Verde), DJ Illans (Reunion), Donovan BTS (Mauritius), Emma’a (Gabon), Fireboy DML (Nigeria), GAEI (Madagascar), Gerilson Insrael (Angola) and Goulam (Comoros).

Others include Juls (Ghana), Kader Japonais (Algeria), Kalash (Martinique), Krys M (Cameroon), KO (South Africa), KS Bloom (Ivory Coast), Levixone (Uganda), MIKL (Réunion), Moses Bliss (Nigeria), Musa Keys (South Africa), Nadia Mukami (Kenya), Olamide (Nigeria), Pabi Cooper (South Africa), Segael (Réunion), Show dem Camp (Nigeria) and Uganda Ghetto Kids (Uganda). 

"Tickets for the Trace Awards go on sale priced from 20,000 RWF. BK Arena Prepaid Cardholders receive a 25% discount on all tickets.

"Early bird discounts and student discounts apply. To buy your ticket for the Trace Awards, go to www.ticqet.rw," added the statement.

The artists join previously announced performers and nominees such as Davido (Nigeria), Asake (Nigeria), Bamby (French Guiana), Benjamin Dube (South Africa), Black Sherif (Ghana), Blxckie (South Africa), Bruce Melodie (Rwanda), Bwiza (Rwanda), Didi B (Ivory Coast), Dystinct (Morocco), Janet Otieno (Kenya), Josey (Ivory Coast) and Kizz Daniel (Nigeria).

Others include Lisandro Cuxi (Cape Verde), Locko (Cameroon), Mikl (Reunion), Perola (Angola), Plutonio (Mozambique), Princess Lover (Martinique), Ronisia (France), Rutshelle Guillaume (Haïti), Soraia Ramos (Cape Verde), Tayc (France), Terrell Elymoor (Mayotte), The Compozers (Ghana) and Viviane Chidid (Senegal). Further performers will be announced at a later date.

To mark its 20th anniversary, global music powerhouse and Afro-music tastemaker Trace is staging the Trace Awards at the BK Arena, Kigali, to celebrate the creativity, talent and influence of African and Afro-inspired music and artists. 

Read Also: List Of Trace Awards 2023 Nominees

The Trace Awards showcases the excellence and diversity of Afro-centric music in genres such as Afrobeat, Dancehall, Hip Hop, Afro-pop, Mbalax, Amapiano, Zouk, Kizomba, Genge, Coupé Décalé, Bongo Flava, Soukous, Gospel, Rap, Rai, Kompa, R&B, and Rumba. Competing in 25 award categories are platinum-selling artists from more than thirty countries in Africa, South America, the Caribbean, the Indian Ocean and Europe. 

Targeted at lovers of African and Afro-inspired music and culture, the Trace Awards will broadcast live on October 21, 2023, on Trace TV channels, radio and digital channels and on global streaming platforms, national terrestrial TV and satellite channels. The viewership and social interaction is expected to exceed 500 million fans in 190 countries.

Rwandan creativity and excellence are represented by the involvement of BK Arena, RwandAir and RBA as partners to the Trace Awards & Festival.

Visitors to the Trace Awards and Festival in Rwanda are eligible for a 15 per cent discount on their flight prices to Kigali using the code TRACE23.  

For more information about the Awards, follow Trace on Facebook, Instagram, Twitter YouTube or TikTok To join the conversation about the awards please use the hashtags #TraceAwardsRwanda2023, #TraceAwardsandFestival and #TraceAwardsTour.

Nadia Mukami and Janet Otieno at the Trace Awards Nominee Party on August 31, 2023. /TRACE

Kivisi, a multi-talented creative force behind some of Kenya's most prominent music hits, such as 'Sipangwingwi' and 'Usherati,' suffered a fatal arterial rupture on Monday morning, September 18.

In his message, Ruto recounted the first meeting he had with Kivisi courtesy of music sensation Tonnie Kinyanjui, popularly known as Exray Taniua, during a recording session of the hit song which the President had used prominently during his 2022 presidential election campaigns.

President William Ruto and the late music producer and artist Byron Muhando Kivisi at the Deputy President's official residence in Karen. /DPPS

"Deeply saddened by the death of music producer and artist Byron Muhando Kivisi. Byron was first introduced to me by music sensation Xray during a music recording session of the hit song Sipangwingwi at the Deputy President’s residence in Karen. 

"I recall with fondness his calm and collected demeanour, but more importantly his immense talent that made him an acclaimed music producer. It is disheartening that we have lost Byron at a prime age. We are comforted by the fact that his works of art will live on," he stated on his social media handles.

Adding: “To the family, friends and his fans, accept our sincere condolences. Rest In Peace, Byron.”

Kivisi’s sudden passing sent shockwaves throughout the nation, leaving his family, the entire music industry, and fans in a state of profound grief.

This was given that he was renowned for his exceptional talent in producing chart-topping songs that became anthems in the Kenyan music landscape.

Through a statement released by his family, they expressed their deep sorrow and provided insight into the cause of his tragic death.

Some of Kivisi’s most notable contributions to the music industry dominated the music charts and found their way into the political sphere. “Sipangwingwi” for instance was used by President Ruto during his 2022 campaigns, highlighting the widespread appeal of his music, and so popular it was that he even tweaked it to the version of 'Hatupangwingwi'.

His family announced that the body of the only son of Evans Muhali was taken to Kenyatta University Morgue (KU morgue), and his final resting place will be in Maragoli Bugina village, Vihiga county, with the burial ceremony scheduled for October 7, 2023.

Kivisi’s legacy will endure through his unforgettable songs, which have become integral to Kenyan popular culture.

He collaborated with some of the most prominent rappers in the country, including Trio Mio, Mejja, X-Ray, and Ssaru.

Speaking during a church service, Hinn revealed that after Rachel flew to Orlando, Florida, together with her team, she asked him if he could attend a crusade in Nairobi, over 20 years since his last visit.

The televangelist added that not only did the First Lady promise him that the crusade would be nationwide but also the government would pay for staging the crusade whose date would be communicated later.

Here is the video:

The First Lady travels Business Class. The current KQ Return ticket to and from JFK New York is 1.6 million shillings.

Benny Hinn says she went with her team. Let's say 5pax. Ksh8M on flights only minus hotels and per diem, just to invite Benny Hinn for a crusade when they… pic.twitter.com/ICBSARGJ5X

— Gabriel Oguda (@gabrieloguda) September 20, 2023

"Something amazing happened, the First Lady of Kenya flew from Nairobi to New York, just for one reason to ask me to come back to Nairobi for a national government-sponsored crusade," the pastor revealed.

Such was the magnitude of the invite that Pastor Hinn disclosed that Rachel's kind suggestion took him by surprise.

"We haven't had that in a long time for a First Lady of a nation to come and say we want to have a nation-sponsored crusade. The last time such happened it was in Papua," he added.

Pastor Benny Hinn is a notable televangelist, teacher, and the author of best-selling books including Good Morning and Holy Spirit. 

He is best known for his regular revival meetings and faith healing summits that are usually held in stadiums in major cities which are later broadcasted on his television programme.

First Lady Rachel Ruto is known to be a prayer warrior, known to hold national prayer sessions and regularly interacts with popular members of the clergy in Kenya and abroad.

The Rutos are not shy of publicly professing their Christian faith and it was one of the reasons many were drawn to them and voted him into office in 2022.

However, the news was criticised by Kenyans who criticised the First Lady for splurging millions of shillings to fly directly from Kenya to the US using public funds when she could have relied on Zoom which only needs an internet connection, nearly 20 times cheaper than the trip itself.

"The First Lady travels Business Class. The current KQ (Kenya Airways) Return ticket to and from JFK New York is 1.6 million shillings. 

"Benny Hinn says she went with her team. Let's say 5pax. Ksh8 million on flights only minus hotels and per diem, just to invite Benny Hinn for a crusade when they could've done so on Zoom," bashed Gabriel Oguda.

President William Ruto and First Lady Rachel Ruto pray at the Wailing Wall in Jerusalem, Israel, on May 9, 2023. /PCS

This realization has led to a welcome trend where corporations are actively seeking partnerships with young, emerging musicians. These collaborations are mutually beneficial, with brands gaining exposure through music and artists receiving the support they need to pursue their passion.

In the ever-evolving landscape of Kenyan music, one genre that has carved its own niche and captured the hearts of many is Gengetone. This genre has not only become a cultural phenomenon but also a powerful platform for artists to make statements, tell stories, and even collaborate with brands.

Fathermoh, a rising star in the Gengetone scene, has recently joined forces with Shabiki Kenya to create a musical masterpiece that transcends boundaries. Titled "Shabiki," this song is more than just a catchy tune; it's a spirited jingle that encapsulates the essence of Shabiki Kenya.

Fathermoh speaking to Radio Citizen's Shatta Bway during a Shabiki interview on September 8, 2023. /SHABIKI KENYA

Fathermoh, known for his distinctive style and knack for producing music that resonates with the youth, has taken a unique approach with "Shabiki." Instead of crafting another run-of-the-mill Gengetone track, he has expertly blended his artistic talent with Shabiki Kenya's vision, creating an energetic and memorable anthem.

The partnership between Fathermoh and Shabiki Kenya is not merely a commercial endeavour but a testament to the power of collaboration in the entertainment industry.

It exemplifies how music can seamlessly merge with a brand's identity, forging a connection with audiences that transcends traditional marketing methods. In this case, Fathermoh's "Shabiki" serves as an effective promotional tool, with its catchy hooks and infectious beats making it impossible to forget.

Shabiki Anthem

"Shabiki" opens with an irresistible melody that immediately grabs your attention. Fathermoh's distinctive voice takes centre stage as he invites listeners to join the Shabiki Kenya community, setting the tone for an unforgettable musical journey. The lyrics are a perfect blend of celebration and inclusivity, reflecting Shabiki Kenya's commitment to engaging with its fans and creating a sense of belonging.

What sets "Shabiki" apart is its undeniable energy and vibrancy. Fathermoh's delivery is brimming with enthusiasm, and the beats are designed to make you move.

It's not just a song; it's an anthem that encourages fans to celebrate their love for Shabiki Kenya. The track's production quality is top-notch, showcasing the immense talent that Fathermoh brings to the Gengetone genre.

The music video for "Shabiki" is another testament to Fathermoh's creative genius. It captures the essence of Shabiki Kenya's spirit, featuring colourful visuals, energetic dance routines, and a diverse cast of characters coming together to revel in the excitement of Shabiki.

In an era where marketing and advertising have become increasingly sophisticated, "Shabiki" stands as a brilliant example of how music can elevate a brand's message. It not only serves as a promotional tool but also as a piece of art that resonates with fans on a deep level.

As the song "Shabiki" continues to gain momentum and becomes a cultural sensation, Fathermoh's partnership with Shabiki Kenya is a testament to the power of collaboration, creativity, and the influence of music in our lives. It's a reminder that in the ever-evolving world of Gengetone, artists like Fathermoh are pushing boundaries, breaking stereotypes, and creating music that brings people together, all while promoting brands that connect with the pulse of Kenya's youth.

In summary, "Shabiki" by Fathermoh is more than just a song; it's a vibrant ode to Shabiki Kenya and a shining example of how music and brands can harmoniously collaborate to create something truly exceptional.

Fathermoh's talent and Shabiki Kenya's vision have come together to produce an anthem that will undoubtedly continue to resonate with fans across Kenya and beyond.

Watch the music video below:

Taking to her Instagram stories, the Kai Wangu hitmaker expressed gratitude to God for surviving the car crash which was part of a spiritual attack that she had witnessed.

Shaken by the experience, Mukami added that both she and some of the members of her team were involved in separate road accidents simultaneously though they were at different locations.

"Story time. I've never experienced what I experienced today. I'm just grateful to God that I'm alive.

"So today was just like a spiritual attack. I swear to God Yeah..but I don't know So we got into an accident like we were in different places heading in the same direction and the accident happened at the same time," she narrated.

According to Mukami, the accident she was involved in saw her car collide with another small vehicle, narrowly cheating death, adding that the consequences would have been more dire if the other vehicle happened to be a trailer.

"The other guy I cannot talk much coz of protecting his family and just, not protecting even, just respecting his family because he is in no position, is in a very critical state, very critical state.

"I can't even explain, but today it was traumatizing, it was...accidents are so traumatizing. But I thank God that I'm alive and I got to go home to my son," Mukami expressed relief.

NTSA Accident Statistics

The National Transport and Safety Authority (NTSA) revealed that during the period between January to June 24, 2023, Kenya witnessed a total of 2,124 road fatalities.

Out of these fatalities, 729 individuals were pedestrians, while 561 were motorcyclists. 

Additionally, the data indicated that 403 passengers lost their lives, alongside 196 pillion passengers and 189 drivers, all as a result of road accidents.

The remaining casualties were pedal cyclists.

Singer Nadia Mukami posing for a photo. /INSTAGRAM.NADIA MUKAMI

Otieno, who is the only Female Gospel artiste in Africa to be nominated in the awards and the only Kenyan Gospel artiste to be nominated in the awards, was announced among African and Afro-inspired musicians from around the globe set to perform at the spectacular live event.

According to a press release by Trace and seen by Viral Tea, other music stars in the lineup include Davido (Nigeria), Asake (Nigeria), Bamby (French Guiana), Benjamin Dube (South Africa), Black Sherif (Ghana), Blxckie (South Africa), Bruce Melodie (Rwanda), Bwiza (Rwanda), Didi B (Ivory Coast) and Dystinct (Morocco).

List of artists to perform at the Trace Awards 2023 in Kigali, Rwanda on October 21, 2023. /TRACE

Others include Josey (Ivory Coast), Kizz Daniel (Nigeria), Lisandro Cuxi (Cape Verde), Locko (Cameroon), Mikl (Reunion), Perola (Angola) and Plutonio (Mozambique).

Princess Lover (Martinique), Ronisia (France), Rutshelle Guillaume (Haïti), Soraia Ramos (Cape Verde), Tayc (France), Terrell Elymoor (Mayotte) and Viviane Chidid (Senegal) were also included. Many more performers will be announced at a later date.

"Influential UK-based Afrobeat band, concert headliners and “Best Live” nominees The Compozers are also heading to Kigali as the house band to the Trace Awards.

"Presented by Visit Rwanda and Martell, a Pernod Ricard brand offering connoisseurs the very best in cognac, the Trace Awards takes place at the BK Arena, Kigali, Rwanda on October 21, 2023. Seven thousand music fans will have the opportunity to experience the live event, which will be presented on a purpose-built stage," the statement read in part.

To pre-register for tickets for the exclusive event, fans can go to https://bkarena.rw/trace-awards-preregistration/.

To mark its 20th anniversary, global music powerhouse and Afro-music tastemaker Trace is staging the Trace Awards at the BK Arena, Kigali, to celebrate the creativity, talent and influence of African and Afro-inspired music and artists.  More than 150 artists have been nominated for the Trace Awards.

The Trace Awards showcases the excellence and diversity of Afro-centric music in genres such as Afrobeat, Dancehall, Hip Hop, Afro-pop, Mbalax, Amapiano, Zouk, Kizomba, Genge, Coupé Décalé, Bongo Flava, Soukous, Gospel, Rap, Rai, Kompa, R&B, and Rumba.

Competing in 25 award categories are platinum-selling artists from more than thirty countries in Africa, South America, the Caribbean, the Indian Ocean and Europe. 

Targeted at lovers of African and Afro-inspired music and culture, the Trace Awards will broadcast live on 21 October 2023 on Trace TV channels, radio and digital channels and on global streaming platforms, national terrestrial TV and satellite channels. The viewership and social interaction is expected to exceed 500 million fans in 190 countries.

Rwandan creativity and excellence are represented by the involvement of BK Arena, RwandAir and RBA as partners to the Trace Awards & Festival. 

To vote for your favourite artist, go to https://trace.plus/awards.

From left to right: Esther Muhoro, head of marketing Pernod Ricard, Trace award nominee Janet Otieno, CS Ababu Namwamba and Trace EA MD Danny Mucira at the Trace Awards Nominee party on August 31, 2023. /TRACE

The Trace Awards & Festival is presented by Visit Rwanda and Martell. Musicians Nadia Mukami and Janet Otieno were on hand to receive the congratulations of hundreds of people gathered at Nairobi night spot Milan, led by the Cabinet Secretary in the Ministry of Youth Affairs, Sports and The Arts, Ababu Namwamba.

Frederic SOULIGNAC Managing Director, Pernod Ricard Kenya and Eastern Africa, Danny Mucira  Managing Director, East Africa, Trace and Esther Muhoro, Head of Marketing, Pernod Ricard Eastern Africa were also present at the event graced by media houses such as Viral Tea.

From left to right: Esther Muhoro, head of marketing Pernod Ricard, Trace award nominee Janet Otieno, CS Ababu Namwamba and Trace EA MD Danny Mucira at the Trace Awards Nominee party on August 31, 2023. /TRACE

Speaking at the event, the CS noted that the time for African music on the world stage had arrived and that the awards were the perfect platform to celebrate our own artists while telling our narrative to the world. 

He lauded the two artists for their nomination and Trace for the initiative to celebrate and recognize African talent, further reiterating that all talented persons working hard behind the scenes and showcasing their artistic prowess must be paid for their work.

“This is why as a ministry, we created Talanta Hela. Our industry is ripe for success, and we are glad to have Trace as our partner for this initiative where we can provide value for the youth behind the creative sectors of the economy," he addressed.

While receiving their official nomination, the two artists shed light on their incredible music journeys and their appreciation of the award as a badge of honour for their hard work over the years. 

“This is a testament to the hard work that goes behind every production, I am happy to be nominated to represent not just my music but the Kenyan entertainment industry and the leaps we have made,” Nadia remarked, adding that with the support of every Kenyan, this award is already home. 

“I thank God for the far He has brought me. The journey has not been easy and alongside my fellow nominee, the very talented Nadia, I am sure our Kenyan industry will shine during the awards,” weighed in Otieno who reiterated the fact that with the right support, they can bag both awards. 

Nadia Mukami and Janet Otieno at the Trace Awards Nominee Party on August 31, 2023. /TRACE

The Kenyan nominees were named on Monday, August 21, alongside giants of the African music scene such as Burna Boy, Diamond Platnumz and Davido. 

“We are proud to power an event such as the Trace Awards which not only celebrates but elevates the music and entertainment industries across Africa but in the diaspora as well," praised Esther Muhoro, Pernod Ricard Head of Marketing, East Africa.

“We know that our  partnership will spur exponential growth and inspire many more to believe in the success  of our artistes on a global scale.” 

Global music powerhouse and Afro-music tastemaker Trace is to stage the Trace Awards at the BK Arena, Kigali, in a live event & global TV spectacular that celebrates the creativity, talent and influence of African and Afro-inspired music and artists.  

“This is the first-ever Trace Awards to be held in Africa and this award will bring together the African continent and diaspora in a celebration of our music and entertainment cultures,” commented Danny Mucira, MD Trace Eastern Africa who added that these nominations speak to the hard work and resilience of our Kenyan industry players in seeking out and maintaining excellence. 

The Trace Awards highlights the excellence and diversity of Afro-centric music in genres such as Afrobeat, Dancehall, Hip Hop, Afro-pop, Mbalax, Amapiano, Zouk, Kizomba, Coupé  Décalé, Bongo Flava, Soukous, Gospel, Rap, Rai, Kompa, R&B, and Rumba. Competing in  22 award categories are platinum-selling artists from more than thirty countries in  Africa, South America, the Caribbean, the Indian Ocean, and Europe.

Targeted at lovers of African and Afro-inspired music and culture, the Trace Awards will broadcast live on Trace TV, radio, and digital channels and on global streaming platforms, national terrestrial TV, and satellite channels. The viewership and social interaction are expected to exceed 500 million fans in 190 countries.

Read more: List Of Nominees For Trace Awards 2023

To vote for your favourite artist, go to https://trace.plus/awards.

More photos from the launch party:

Taio and Calvin Wanguku, official MCs for the Trace Awards Nominee Party on August 31, 2023. /TRACE

Brenda Mukami and Trevor Osiebe from Pernod Ricard. /TRACE

CS Ababu Namwamba with Kenyan artists Nadia Mukami and Janet Otieno who were nominated for the best female artist and best gospel artist respectively at the Trace Awards 2023. /MARVIN CHEGE.VIRALTEAKE

In a video she shared on her Instagram stories, the Shen Yeng Anthem hitmaker issued an apology to Kenyans who had waited for more than a month to see her perform live in the 254.

She divulged the unfortunate circumstances that led to the concert being postponed to a yet-to-be-disclosed date in October, though she did not dive deeper into the details.

Shenseea however promised that she would give her Kenyan fans a show they will never forget when a new date will be announced.

"First off Kenya, let me start by saying that I love you guys so much but I'm sorry everything did not go as we were all expecting.

"I'm really disappointed because I was looking forward to coming there and having a grand time with you guys but just know that when I do touch down there it's going to be problems," she promised.

Her sentiments come hot on the heels of an official announcement made by the organisers of the festival, the Sababisha Festival, that the concert which was set to take place on Saturday, August 26 was moved to a later date in October.

They noted that the decision followed lengthy consultations involving the Blessed hitmaker's management team, even though they termed it as a tough one to make given that concert-goers and fans of the songstress had already made plans in advance to attend the showpiece.

"We are deeply sorry to announce that after long consultations between our ground team and Shenseea management team, we have made the decision to postpone the Sababisha Festival which was scheduled to happen on 26th August 2023 at Uhuru Gardens, Nairobi, Kenya to a later date in October.

"This decision has not been easy on both parties. We acknowledge the disappointment you may feel, especially those who had locked in the date. However, we seek your patience and understanding during this time as we shall bounce you back to a thriving and vibrant experience soon," Sababisha Festival stated in part.

The organisers added that they are currently working and coordinating with all stakeholders to secure a new date, which shall be communicated in the coming days.

Shenseea confirmed on Thursday, July 6 that she would perform in Kenya, saying in a post that "Kenya I'm coming on August 26th at Uhuru Gardens", two days after Viral Tea first reported that she was set to perform in the Kenyan capital, Nairobi.

The event organisers had revealed to us at the time that they had sought her consent first before making public the announcement, evidenced by a poster which showed her as the headline act.

Ticket sales for the highly anticipated concert began on Tuesday, July 4, with a regular ticket setting one back Ksh3,000 while VIP tickets will go for Ksh8,000.

She is the only Female Gospel artiste in Africa to be nominated in the awards and is the only Kenyan Gospel artiste to be nominated in the awards 

Focusing a global spotlight on musicians, creators, entrepreneurs and achievers from across Africa and the African diaspora, the Trace Awards and Festival will take place in Kigali, Rwanda from Friday 20 to Saturday 21 October 2023, in partnership with Visit Rwanda and QA Venue Solutions Rwanda, the venue management company of BK Arena. 

Gospel singer, Janet Otieno. /PHOTO

Below is the category in which she is nominated: 

Best Gospel Artist 

1. Benjamin Dube (South Africa) 
2. Janet Otieno (Kenya) 
3. KS Bloom (Ivory Coast) 
4. Levixone (Uganda) 
5. Moses Bliss (Nigeria) 

"My heart is full of gratitude for the honour of being nominated in the inaugural Trace Awards. The recognition means more to me than words can express, and I wanted to take a moment to extend my sincere thanks to Trace TV. 

"As a gospel artiste, my mission is grounded in sharing the message of hope, love, and salvation through my music. While awards are not the focus of my journey, I am truly appreciative of this gesture.

"It signifies not only a personal achievement but also an opportunity to reach more hearts with the good news that I am so passionate about," Otieno said following her nomination.

Voting goes live on Monday, August 21, 2023, at 18H00 CEST (7 pm EAT) at https://trace.plus/awards.

Read Also: List Of Trace Awards 2023 Nominees

Taking place live on October 21, 2023, at the BK Arena, Kigali, Rwanda, the Trace Awards & Festival is presented by Visit Rwanda and Martell.

“African and African diaspora artists are extraordinarily creative and dynamic. They represent a massive cultural force and deserve more global recognition and celebration.

"The Trace Awards’ nominations salute achievement and excellence from more than 150 performers, producers, DJs, writers, composers, directors, established artists and rising stars, and their management and labels. We congratulate all the nominees, most of whom will attend and perform in Kigali on October 21. It will be an unmissable experience for lovers of African and Afro-inspired music," stated Olivier Laouchez, Chairman & Co-Founder of Trace.

From North to South, from East to West, the entire African continent will be represented by its best artists at the Trace Awards, showcasing the excellence and diversity of Afro-centric music in genres such as Afrobeat, Dancehall, Hip Hop, Afro-pop, Mbalax, Amapiano, Zouk, Kizomba, Genge, Coupé Décalé, Bongo Flava, Soukous, Gospel, Rap, Rai, Kompa, R&B, and Rumba.

Graphic of musicians nominated for the Trace Awards 2023. /PHOTO

Competing in 22 award categories are platinum-selling artists from more than thirty countries in Africa, South America, the Caribbean, the Indian Ocean and Europe including Algeria, Angola, Brazil, Cameroon, Cape Verde, Comoros, DRC, France, French Guiana, Gabon, Ghana, Guadeloupe, Haiti, Ivory Coast, Jamaica, Kenya, Madagascar, Martinique, Mayotte, Mauritius, Morocco, Mozambique, Nigeria, Reunion, Rwanda, Senegal, South Africa, Swaziland, Tanzania, Tunisia, the UK and Uganda. The winners will take home one or more Trace Awards Trophies - unique pieces of art designed by acclaimed Congolese sculptor and designer, Dora Prevost.

Leading the nominations are West African artists, particularly Nigerian artists, who underscore the global popularity of Nigerian Afrobeat with over 40 nominations in total, including multiple nominations for Burna Boy, Ayra Starr, Davido, WizKid, Tiwa Savage, Yemi Alade, Fireboy DML and Rema.

The contribution of female artists is recognised in multiple categories including Best Female Artist, where Cape Verde’s Soraia Ramos is competing against Josey from the Ivory Coast, Senegal’s Viviane Chidid, Kenya’s Nadia Mukami and the double threat of Tiwa Savage and Ayra Starr (Nigeria). 

The diverse music of the African diasporas is represented by nominations for some of the most acclaimed artists in France, Brazil, the UK, The Caribbean and the Indian Ocean including Stormzy (UK), Booba and Aya Nakamura (France), Leo Santana (Brazil), Shenseea (Jamaica), Donovan BTS (Mauritius), Princess Lover and Kalash (Martinique), Bamby (Guyane) and Admiral T (Guadeloupe).

Africa’s enduring love of the uplifting Gospel genre is reflected in the Best Gospel Singer category, which sees South Africa’s Benjamin Dube going head-to-head with Kenya’s Janet Otienao, Uganda’s Levixone, KS Bloom from the Ivory Coast and Moses Bliss from Nigeria. 

In a fitting tribute to the host country for the inaugural Trace Awards, Rwandan artists come to the fore in Best Rwandan Artist, highlighting the talent of Rwandan musicians Bruce Melodie, Kenny Sol, Ariel Wayz, Bwiza and Chriss Eazy. Also representing the east of the continent, Tanzania’s Diamond Platnumz notches up several nominations, including Best Male and Best Music Video, while Azawi, Lexivone and the Uganda Ghetto Kids carry the torch for Uganda. 

South African artists make their mark in the nominations, with Hip Hop artist K.O. scoring an impressive three nominations including Best Male, Song of the Year and Best Collaboration.

Also honoured are Musa Keys (Best Live, Best Collaboration), and Blxckie (Best Music Video), while Pabi Cooper squares up against a strong field in the Best Newcomer award category. Just over the border in Swaziland, Uncle Waffles scores a well-deserved nomination in the Best DJ category.

Further north, Algeria’s Raja Meziane and Kader Japonais are competing against Tunisia’s Artmasta and Morocco’s Amira Zouhair, Dystinct and El Grande Toto in Best Artist - North Africa.

Francophone music and artists take their fair share of the accolades with 10 nominations including two nods for Didi B from Ivory Coast as Best Male and Best Artist - Francophone while Libianca from Cameroon earned two nominations, for Best Newcomer and Song of the Year, respectively. DRC’s Fally Ipupa also scored two nominations: one for the Best Live (Global) and one for the Best Artist Africa - Francophone categories.

Portuguese-speaking artists from Lusophone Africa are highlighted with nominations in Best Artist Africa - Lusophone for Gerilson Insrael and Perola from Angola, who are both pitted against Cape Verde’s Lisandro Cuxi and Soraia Ramos, as well as Plutonio (Mozambique).

Up-and-coming artists make their mark in the nominations, too, in the hotly contested Best Newcomer Award, sponsored by Belaire, which sees popular Cameroonian artists - Libianca and Krys M - squaring up against Cote d’Ivoire’s Roselyne Layo, Azawi from Uganda, Pabi Cooper from South Africa and Nigeria’s Nissi and Odumodublvck.

Targeted at lovers of African and Afro-inspired music and culture, the Trace Awards will broadcast live on October 21, 2023, on Trace TV, radio and digital channels and on global streaming platforms, national terrestrial TV and satellite channels. The viewership and social interaction are expected to exceed 500 million fans in 190 countries.

Rwandan creativity and excellence are represented by the involvement of BK Arena, RwandAir and RBA as partners to the Trace Awards & Festival. 

Voting goes live on Monday, August 21, 2023, at 18H00 CEST (7 pm EAT) at https://trace.plus/awards.

THE OFFICIAL NOMINATIONS FOR THE TRACE AWARDS 2023

Best Male

1. Asake (Nigeria) 
2. Burna Boy (Nigeria)
3. Davido (Nigeria)
4. Diamond Platnumz (Tanzania)
5. Didi B (Ivory Coast)
6. K.O (South Africa)
7. Rema (Nigeria)

Best Female

1. Ayra Starr (Nigeria)
2. Josey (Ivory Coast)
3. Nadia Mukami (Kenya)
4. Soraia Ramos (Cape Verde)
5. Tiwa Savage (Nigeria)
6. Viviane Chidid (Senegal)

Song Of The Year

1. “BKBN” - Soraia Ramos (Cape Verde)
2. “People” - Libianca (Cameroon)
3. “Suavemente” - Soolking (France)
4. “Encre” - Emma’a (Gabon)
5. “Sugarcane” - Camidoh (Ghana)
6. “Last Last” - Burna Boy (Nigeria)
7. “Rush” - Ayra Starr (Nigeria)
8. “Calm Down” - Rema (Nigeria)
9. “Peru” - Fireboy DML (Nigeria) with Ed Sheeran (UK)
10. “Sete” - K.O (South Africa)
11. “Cough” - Kizz Daniel (Nigeria)
12. “MORTEL 06” - Innoss’B (Ivory Coast)

Best Music Video

1. “2 Sugar” - Wizkid (Nigeria) feat. Ayra Starr (Nigeria)
2. “Baddie” - Yemi Alade (Nigeria)
3. “Kpaflotage” - Suspect 95 (Ivory Coast)
4. “Loaded” - Tiwa Savage(Nigeria) & Asake (Nigeria)
5. “Ronda” - Blxckie (South Africa)
6. “Tombolo” - Kalash (Martinique) 
7. Yatapita” - Diamond Platnumz (Tanzania)

Best Newcomer sponsored by Martell

1. Azawi (Uganda)
2. Krys M (Cameroon)
3. Libianca (Cameroon)
4. Nissi (Nigeria)
5. Odumodublvck (Nigeria)
6. Pabi Cooper (South Africa)
7. Roseline Layo (Ivory Coast)

Best Collaboration sponsored by Martell

1. “Many Ways” - BNXN (Nigeria) with Wizkid (Nigeria)
2. “Mine” - Show Dem Camp (Nigeria) with Oxlade (Nigeria)
3. “Peru” - Fireboy DML (Nigeria) with Ed Sheeran (UK)
4. “Second Sermon” - Black Sherif (Ghana) with Burna Boy (Nigeria)
5. “Sete” - K.O (South Africa) with Young Stunna (South Africa), Blxckie (South Africa)
6. “Stamina” - Tiwa Savage with Ayra Starr (Nigeria) & Young Jonn (Nigeria)
7. “Trumpet” - Olamide (Nigeria) with Ckay (Nigeria)
8. “Unavailable” - Davido (Nigeria) with Musa Keys (South Africa)

Best DJ

1. Danni Gato (Cape Verde)
2. DJ BDK (Ivory Coast)
3. DJ Illans (France)
4. DJ Spinall (Nigeria)
5. Michael Brun (Haiti)
6. Uncle Waffles (Swaziland)

Best Producer

1. DJ Maphorisa (South Africa)
2. Juls (Ghana)
3. Kabza de Small (South Africa)
4. Kel-P (Nigeria)
5. Tamsir (Ivory Coast)

Best Gospel Artist

1. Benjamin Dube (South Africa)
2. Janet Otieno (Kenya) 
3. KS Bloom (Ivory Coast)
4. Levixone (Uganda)
5. Moses Bliss (Nigeria)

Best Live

1. Burna Boy (Nigeria)
2. Fally Ipupa (DRC)
3. Musa Keys (South Africa)
4. The Compozers (Nigeria)
5. Wizkid (Nigeria)
6. Yemi Alade (Nigeria)

Best Dancer

1. Robot Boii (South Africa)
2. Tayc (France)
3. Uganda Ghetto Kids (Uganda)
4. Yemi Alade (Nigeria)
5. Zuchu (Tanzania)

Best Artist Africa - Anglophone

1. Asake (Nigeria)
2. Ayra Starr (Nigeria)
3. Black Sherif (Ghana)
4. Davido (Nigeria)
5. Diamond Platnumz (Tanzania)
6. Fireboy DML (Nigeria)

Best Artist Africa - Francophone

1. Didi B (Ivory Coast)
2. Emma’a (Gabon)
3. Fally Ipupa (DRC)
4. KO-C (Cameroon)
5. Locko (Cameroon)
6. Serge Beynaud (Ivory Coast)
7. Viviane Chidid (Senegal)

Best Artist Africa - Lusophone

1. Gerilson Insrael (Angola)
2. Lisandro Cuxi (Cape Verde)
3. Perola (Angola)
4. Plutonio (Mozambique)
5. Soraia Ramos (Cape Verde)

Best Artist - Rwanda

1. Ariel Wayz (Rwanda)
2. Bruce Melodie (Rwanda)
3. Bwiza (Rwanda)
4. Chriss Eazy (Rwanda) 
5. Kenny Sol (Rwanda)

Best Artist - France & Belgium

1. Aya Nakamura (France)
2. Booba (France)
3. Nihno (France)
4. Ronisia (France)
5. Soolking (France)
6. Tayc (France)

Best Artist - UK

1. Central Cee (UK)
2. Headie One (UK)
3. Ms Banks (UK)
4. Raye (UK)
5. Stormzy (UK)

Best Artist - The Caribbean

1. Admiral T (Guadeloupe) 
2. Bamby (French Guiana)
3. Kalash (Martinique) 
4. Maureen (Martinique)
5. Popcaan (Jamaica)
6. Princess Lover (Martinique)
7. Rutshelle Guillaume (Haiti)
8. Shenseea (Jamaica)

Best Artist - Indian Ocean

1. Donovan BTS (Mauritius) 
2. GaEi (Madagascar)
3. Goulam (Comoros)
4. Mikl (Reunion)
5. Sega el (Reunion)
6. Terell Elymoor (Mayotte)

Best Artist - Brazil

1. Djonga (Brazil)
2. Iza (Brazil)
3. Leo Santana (Brazil)
4. Ludmilla (Brazil)
5. Luedji Luna (Brazil)

Best Artist - North Africa

1. Amira Zouhair (Morocco)
2. Artmasta (Tunisia)
3. Dystinct (Morocco)
4. El Grande Toto (Morocco)
5. Kader Japonais (Algeria)
6. Raja Meziane (Algeria)

Album of the Year

1. “DNK”- Aya Nakamura (France)
2. “Love Damini” - Burna Boy (Nigeria)
3. “Maverick” - Kizz Daniel (Nigeria)
4. “More Love, Less Ego” - Wizkid (Nigeria)
5. “Timeless” - Davido (Nigeria)
6. “Work of Art” - Asake (Nigeria)

In a statement on Monday, August 21, the organisers disclosed that the concert which was set to take place on Saturday, August 26 has been moved to a later date in October.

They noted that the decision followed lengthy consultations involving the Blessed hitmaker's management team, even though they termed it as a tough one to make given that concert-goers and fans of the songstress had already made plans in advance to attend the showpiece.

"We are deeply sorry to announce that after long consultations between our ground team and Shenseea management team, we have made the decision to postpone the Sababisha Festival which was scheduled to happen on 26th August 2023 at Uhuru Gardens, Nairobi, Kenya to a later date in October.

"This decision has not been easy on both parties. We acknowledge the disappointment you may feel, especially those who had locked in the date. However, we seek your patience and understanding during this time as we shall bounce you back to a thriving and vibrant experience soon," Sababisha Festival stated in part.

The organisers added that they are currently working and coordinating with all stakeholders to secure a new date, which shall be communicated in the coming days.

"Meanwhile, please stay connected with us through our social media channels for official announcements and guidelines.

"We shall keep you posted on all the latest developments and any details regarding the festival as well as the new date. Your support means everything to us hence we want to ensure that you are fully informed," the organisers added.

The postponement comes as a blow to Kenyans who were anticipating attending the concert, particularly those on payroll as the concert had fallen on a date when most remittances are made at the end of every month. 

Also affected were business persons who had anticipated using the concert to reap huge profits from the sale of their products and services to the concertgoers on top of the performances.

Shenseea confirmed on Thursday, July 6 that she would perform in Kenya, saying in a post that "Kenya I'm coming on August 26th at Uhuru Gardens", two days after Viral Tea first reported that she was set to perform in the Kenyan capital, Nairobi.

The event organisers had revealed to us at the time that they had sought her consent first before making public the announcement, evidenced by a poster which showed her as the headline act.

Ticket sales for the highly anticipated concert began on Tuesday, July 4, with a regular ticket setting one back Ksh3,000 while VIP tickets will go for Ksh8,000.

The announcement was made after Principal Secretary (PS) of the State Department for Tourism, John Ololtuaa, held a meeting with the renowned Moipei Sisters quartet alongside Mr and Mrs Nicholas Moipei at his office.

"The Principal Secretary (PS), State Department for Tourism, John Ololtuaa PS Tourism, today morning received in his office Mr and Mrs Nicholas Moipei, with their daughters the Moipei sisters quartet. The sisters are promoting Destination Kenya globally through traditional Kenyan songs.

"The PS lauded them as true patriots who are selflessly promoting everything Kenyan during their world tours. He said the Ministry will continue to utilize the homegrown talent to market Kenya globally," stated the Ministry.

Tourism PS John Olotua hosts Moipei Sisters in Nairobi on July 31, 2023. /MINISTRY OF TOURISM AND WILDLIFE KENYA

In a subsequent communiqué, the ministry acknowledged the profound influence artists, especially musicians, possess and can proficiently convey the essence of the nation to a global platform. 

Furthermore, the collaboration will provide travellers with a holistic and transformative journey through Kenya's tourism opportunities through a plethora of unique narratives from individual parties. 

The Ministry gave the example of the Moipei Sisters, praising them for their enchanting music and soulful melodies which have been captivating audiences both at home and abroad.

"Their harmonies masterfully weave the stories of Kenya's rich cultures, magnificent wildlife, mouthwatering cuisines, and warm hospitality. Beyond mere entertainment, their music serves as an educational medium, inspiring listeners to explore the awe-inspiring wonders of Kenya," added the statement.

Alongside the quartet-singing group, the Ministry noted that it has leveraged other influential personalities to showcase Kenya's captivating sceneries among them world record holder Eliud Kipchoge to musicians such as Grammy-nominated Ugandan singer and music executive Eddy Kenzo. 

According to a statement from the First Lady's office, the meeting was aimed at addressing the problems that have impacted the music scene in Kenya for a long time.

During the meeting, Rachel committed to establishing ways in which musicians can earn good money from their craft, uncovering plans to stage four national music conferences in four years.

First Lady Rachel Ruto meets pioneer musicians at State House on July 25, 2023. /OFFICE OF THE FIRST LADY

"The First Lady of Kenya, Mama Rachel Ruto, held a consultative meeting with 36 pioneer Kenyan musicians at State House to understand the issues plaguing the sector and find ways to help establish the music industry as a stable economic pillar.

"Mama Rachel Ruto outlined plans to organise four national music conferences and conduct 47 county music talent forums, over the next four years, through the Talent Expression directorate of MaMa Doing Good," the statement read in part.

The First Lady congratulated MCSK on the steps taken to make the music industry a significant contributor to our economy and address music legends' needs through the MCSK Foundation.

Mutua commended the meeting with the Pioneer Gospel Musicians for recognising the men and women in Kenya's music industry who have laid the foundation for authentic music and continue to inspire hope and positive aspirations in the music industry and the country at large.

"Under the Kenya Kwanza Government, MCSK has been granted an operating licence, and new tariffs have been gazetted," added the statement.

The meeting is seen as a strategic move for Rachel Ruto to make the most out of the music industry in Kenya by empowering musicians to reap big profits from showcasing their talent to their loyal fans and popularise the multi-billion dollar industry in the country which in turn attracts new talents.

During the launch of Talanta Hela on Friday, June 9, President William Ruto revealed that the initiative was meant to promote youth's creativity and talents including in the music scene.

To realise this, the Kenya Kwanza government launched a new talent search digital platform, the Talanta Hela application, which is aimed at making the process of scouting for creatives across counties, nurturing them and monetising their skills much easier.

In simple terms, talented Kenyans can now have their craft discovered, be it sports or creatives, through the app which is available for download through the Google Play Store for Android users and the App Store for Apple iPhone users.

Read more: Download The Talanta Hela Govt App & Submit Your Talents In 5 Steps

Meanwhile, MCSK is in the final stages of negotiating an increase in the commission earned by content developers from YouTube from 1.7 per cent to 16.5 per cent.

In addition, implementing the Blank Tape Levy by the Kenya Copyright Board is estimated to generate over Ksh6 billion annually.

The levy will be imposed on blank recording media and is intended to compensate copyright owners for private, non-commercial copying of blank media such as DVDs, flash disks and memory cards.

The Lalala hitmaker had appealed to the Head of State to fulfil his pledge and appoint him to a government office in an effort to bolster the creative space in Kenya.

To ensure that the President did not have an excuse for reneging on his promise, Willy Paul shared a screenshot of Ruto's Twitter post which depicted their meeting at the Karen residence when Ruto was serving as Deputy President at the time.

President William Ruto with musician Willy Paul on October 28, 2020, at the Deputy President Karen residence. /DPPS

"Dear Mr President, I know you're a man of your word. Not just that, you're also very God-fearing. Men of God don't lie and i've never seen you lying to anyone.

"Now, remember this tweet? We agreed to partner and make the industry bigger and better. I'm now ready for the office we talked about," stated the musician.

The strategic meeting coming less than two years prior to the August 9, 2022, general elections was Ruto's move to expand his 'hustler' ideological brand to the Kenyan creative industry.

Ruto met Willy Paul at the Karen residence and furthermore announced a collaboration between them to support young creatives in the country, specifically partnering to promote the growth and development of the industry.

“We are investing in the dreams of young people through creative arts with the appreciation that music, dance, drama, and more can promote positive and powerful economic and social transformation in our society.

“During an engagement with Wilson Abubakar Radido, popularly known as Willy Paul of the popular hit song “Sitolia”. We agreed to partner in our journey to make the creative economy flourish, Karen, Nairobi County,” wrote Ruto at the time.

Notably, no further details were revealed regarding the partnership nor the position Willy Paul claimed he was offered.

Since then, the Head of State launched the Talanta Hela programme at State House in Nairobi on Friday, June 9, an initiative meant to promote youth's creativity and talents.

The initiative has been digitised following the launch of a talent search digital platform, the Talanta Hela application, which is aimed at making the process of scouting for creatives across counties, nurturing them and monetising their skills much easier.

In simple terms, talented Kenyans can now have their craft discovered, be it sports or creatives, through the app which is available for download through the Google Play Store for Android users and the App Store for Apple iPhone users.

The program will also collaborate with other organizations that are already doing great work in sports and the creative industry. This includes working with the Ministry of Education to utilise sports, music, and drama festivals.

Read more: Download The Talanta Hela Govt App & Submit Your Talents In 5 Steps

However, for renowned gospel DJ Karumba Ngatia popularly known as DJ Krowbar, he made a change of heart which saw him uphold his integrity and values, beating the traps financial gain usually brings about to tempt individuals to compromise themselves.

Speaking during a recent Point Of View (POV) podcast interview hosted by Cate Rira, DJ Krowbar recounted how he shunned a lucrative Ksh7 million business deal after noticing that a certain request the company contracting him had made was in danger of ruining his integrity.

DJ Krowbar speaking with Cate Rira on the Point Of View (POV) podcast on June 29, 2023. /POINT OF VIEW PODCAST

It began when the company tried to poach him to be a brand ambassador and after talks, the parties settled on a deal lasting up to three years worth Ksh4 million.

However, the DJ was surprised to learn of the deal taking a twist by urging him to enhance the deal by increasing the Ksh4 million but on the condition that he gives them a share of the amount, what is referred to as a kickback.

"I walked away from Ksh4 million. I was called to be a brand ambassador for this big company, I go into a room filled with about seven to 10 people, and we sat and talked and they liked my brand It was a two to three-year deal and after our valuation, we agreed on Ksh4 million.

"Then a few weeks later two of the guys from the meeting called me for lunch to clear legal stuff but now they wanted me to up the rate to Ksh7 million so that when the money was released I would give them Ksh3 million," Krowbar disclosed.

DJ Krowbar however stuck to his values and swiftly turned down the offer on the basis of refusing to participate in a deal which would see him accused of attempting to steal from the firm in one way or another.

"I thanked them for honouring me with the opportunity but I told them I was not going to steal from a company. If you work for a company, you get remunerated for working in that institution," he stated.

As the warm-up DJ, Krowbar would begin pumping up the crowds before other established deejays took to the turntables, but after a while, he felt he had more talent than he was permitted to show.

Following his departure from Homeboyz, Krowbar joined the Nairobi Light House Church while looking for a new home, where he became a Christian DJ and disposed of his secular music collection.

Krowbar kicked off his career in the gospel industry by joining the K-krew gospel deejays, and it was during this time that he was invited to join a nationwide deejay talent search.

Many Kenyan deejays participated in the nationwide hunt with the goal of winning the top prize, which included a customized minivan outfitted with deejaying equipment and speakers worth millions of dollars, as well as a radio deejaying contract that would launch their careers.

Krowbar became victorious after gruelling rounds of furious deejaying, narrowly defeating Nakuru's Dj Tibz. Following this, he established himself in the Kenyan entertainment scene as the best gospel DJ.

A photo of DJ Krowbar. /STANDARD DIGITAL

Odibets made the announcement on Saturday, July 8 when unveiling the new campaign dubbed ‘Zoza na Odibets App Bonus.’

Ngesh wa Vasha will be spearheading the new campaign ‘Kazoze na Odibets’ where customers will stand a chance of winning up to Ksh50,000 weekly.

How do Punters Participate in the Kazoze na Odibets Campaign?

Customers will be required to place a cash bet of at least one or more games on Odibets using the Odibets App with a stake of Ksh49 or more. Placing soccer bets or aviator still qualify for this campaign.

They will automatically enter the draw to win various daily and weekly prizes. Daily winners will receive a Zoza na Odibets App Bonus award of Ksh200 credited to their OdiBets' account.

Key to note is that all cash bets, Odi League (Virtuals) and live bets will be considered as entries in the promotion and the various prizes will be credited to their OdiBets' account.

Winners will include 200 Daily winners of a Ksh200 bonus each and five (5) weekly winners of a Ksh50,000 cash prize each - Withdrawable via Mpesa.

The promotion will run from July 7, 2023, to December 31, 2023.

This campaign comes barely weeks after Odibets launched its highly anticipated Android mobile app, providing an immersive and convenient betting experience for sports enthusiasts across the country.

The Odibets mobile app represents a significant milestone in the company's commitment to innovation and enhancing customer satisfaction.

With the new mobile app, Odibets users can now enjoy seamless access to a wide range of sports betting options, including football, basketball, cricket, rugby, and more, right at their fingertips.

Mutua revealed in a statement that he had met the Freshi Barida hitmaker who made headlines over reports of being in financial difficulties.

After Stevo opened up on his struggles, the MCSK CEO immediately linked him up with John Muteti, the current acting CEO of the National Authority for the Campaign Against Alcohol and Drug Abuse (NACADA) who awarded him an ambassadorial role at the semi-autonomous state corporation.

Mutua further noted that Muteti was happy about the request as one of Stevo's songs had created awareness towards the youth on the dangers of drug and substance abuse.

"When I met Stevo Simple Boy earlier today he was very clear on what he wants - to become an Ambassador for the Campaign Against Drug Abuse. I picked up my phone and called the CEO of NACADA Prof. John Muteti who graciously granted me an appointment to discuss the matter.

"He was very impressed by the request given the commitment by the "Vijana Tuache Mihadarati" singer to using his talent to sensitise the youth against drug and substance abuse. Prof. Muteti immediately granted the appointment," he stated.

On his part, Mutua expressed his desire to empower the youth and link them to opportunities to grow their craft.

"Our desire is to give hope to young people and connect them to opportunities. So fulfilling to have had the chance to put a smile on Stevo's face today," he added.

Mutua also revealed that he registered him as a member of MCSK after learning of his financial woes.

This comes after Mumias East Member of Parliament, Peter Salasya met the artist on Monday, July 3 and fulfilled his promise to provide him with a house.

Speaking to Viral Tea, event organisers of the Sababisha Festival which will be held at Uhuru Gardens, confirmed her visit to Kenya despite the Blessed hitmaker yet to announce the same on her social media handles by the time of publishing.

They revealed that they had sought her consent first before making public the announcement, evidenced by a poster seen by Viral Tea where she will be the headline act.

Poster for the upcoming Shenseea concert in Kenya set for August 26, 2023. /SABABISHA FESTIVAL

Ticket sales for the highly anticipated concert began on Tuesday, July 4, with a regular ticket setting one back Ksh3,000 while VIP tickets will go for Ksh8,000.

The rapper had on November 8, 2021, hinted via a Twitter post that she would visit Kenya and that the trip would be worth the wait.

In a letter to the Freshi Barida hitmaker, MIB revealed that the termination of the contract will take effect on July 31, coming amidst allegations of mismanagement by the managers.

"We would like to notify you that we no longer wish to proceed with our musical contract with you. This letter serves as a notice to you of our intent to terminate the contract in a lawful and in accordance with the protocols.

Kibera-based Kenyan singer, Stephen Otieno aka Stivo Simple Boy. /STANDARD DIGITAL

"Please note that your cooperation will be needed during this period of transition for smoothing running of the termination process," stated the letter in part.

MIB added that they allocated the next 35 days to tabling both parties' interests for a smooth transition.

Furthermore, all projects with the rapper will be suspended and a process will be followed according to the law.

"Termination of the contract will be effective as of 31st July hence we have 35 days of tabling both parties' interests for a smooth transition, during the process all projects will be paused and a lawful process of events will be followed in accordance.

"We thank you for your cooperation during the contract, please don't hesitate to get in touch," added the letter.

Stevo's wife, Grace Atieno, had recently pleaded for financial help alleging that the much-loved artist is struggling to make ends meet.

She also claimed that some unnamed persons took over the artiste’s social media handles for their personal gain.

“People always think that Stevo is the one using his Instagram and TikTok accounts, but it’s not him.

"Some people complain that if they want to send him something small, they cannot find him, this is because he is not the one managing the accounts. Anaumia sana (he is suffering) and this always hurts me,” Atieno said in an interview with YouTuber Vincent Mboya.

She further claimed that her husband’s management team took advantage of him, potentially contributing to his financial challenges.

Stevo's ex-girlfriend and socialite, Pritty Vishy thereafter weighed in on the matter and in a provocative statement on her Instagram stories, she declared, “Just a reminder, go for looks; even the ugly ones cheat.”

Stivo Simple Boy is known for his unique musical style and inspiring lyrics which have endured him to his fans. One of his popular songs, Vijana Tuache Mihadarati resonated well with his fans and propelled him to music stardom.

Commenting on the issue that highlighted the challenges Kenyan artists face behind the scenes, comedian Eric Omondi stated that something must be done to stop the government from taxing content creators.

“If Stivo is like this and you want to tax upcoming artists, we will have a lot of these posts in the next year. We have to do something if the Government won’t,” Omondi said.

Digital content creators were classified as professionals in the Finance Bill 2023, and following its assent to law by President William Ruto, they will be liable to pay a five per cent tax.

President William Ruto signs Finance Bill 2023 into Law at State House, Nairobi on Monday, June 26, 2023. /PCS

The concert, which took place in tandem with the Paris Summit, took place in front of the iconic Eiffel Tower and was held as a rallying cry to global leaders attending the Summit for a New Global Financial Pact to tackle the global climate and debt crises.

In front of a large crowd of attendees at the Champs de Mars Park in front of the famous tower, the Kenyan Head of State, known by many for his flawless, articulate, inspiring and thought-provoking speech, moved the lively revellers with a tone of love and adoration in his welcoming remarks.

President William Ruto addressing youth at the Champs de Mars, Paris, France, on Thursday, June 22, 2023. /GLOBAL CITIZEN

World Music Day, observed annually on June 21, is a momentous occasion that celebrates the rich tapestry of musical genres and cultures around the globe.

On this special day in 2023, we commemorate the significant milestones achieved in the music industry, highlighting the transformative journeys of Gengetone, Genge music, and the upcoming Trace Awards & Festival.

These three remarkable narratives showcase the evolution of Kenyan music, the recognition of Genge on the international stage, and the global celebration of African and Afro-inspired music and culture.

Gengetone: From Nairobi Streets to International Fame

Originating from the vibrant streets of Nairobi, Gengetone has emerged as a powerhouse in the Kenyan music scene. This distinctive genre, born out of its predecessor Genge-rap, has captivated the hearts of Kenyan youth and garnered widespread popularity both within the country and beyond.

King Kaka, Femi One & Jua Cali pose for a photo before the Trace Fest online concert during the COVID-19 Lockdown period. /FILE

Gengetone's fusion of rap, reggaeton, and dancehall creates a high-energy and dance-ready sound that resonates with a passionate fan base.

Genge-rap, which paved the way for Gengetone, gained traction in the early 2000s with influential artists such as Jua Cali and Nonini. Their contributions to the genre popularized it among the masses, using "sheng" - a version of Swahili slang - to convey authentic narratives that resonated with the streets.

In 2018, the viral hit Lamba Lolo by Ethic marked the beginning of the Gengetone revolution, propelled by the #PlayKeMusic movement that aimed to support and consume Kenyan urban music.

What sets Gengetone apart is its ability to thrive outside traditional media channels. Gengetone music videos have gone viral on YouTube, accumulating millions of views with minimal support from mainstream outlets.

The genre's success can be attributed to a passionate fan base primarily composed of youth who relate to the music originating from Nairobi's Eastlands region. Kenya's fast and affordable internet infrastructure has also played a significant role in sharing and consuming Gengetone music, bypassing traditional industry gatekeepers.

The Gengetone revolution intertwines with matatu culture, also known as "moving clubs," which blast DJ Gengetone mixes.

Matatus serve as a platform for promoting the genre, showcasing extravagant artwork and creating a unique and immersive experience for passengers. This symbiotic relationship between Gengetone and matatu culture has propelled the genre's popularity even further.

Genge to the World: Trace Awards & Festival, a Global Showcase of African Music and Culture

As Trace, the global music powerhouse and Afro-music tastemaker, commemorates its 20th anniversary, it prepares for a groundbreaking event: the Trace Awards & Festival to be held at the BK arena in Kigali, Rwanda.

The highlight of the Trace Awards & Festival will be a three-hour live televised music ceremony that will shine a global spotlight on African and Afro-inspired music, honouring musicians, creators, entrepreneurs, and achievers from Africa and the African diaspora.

 This night of celebration will showcase the diversity of African music, honouring artists across a wide range of genres from Afrobeat to Dancehall, Afro-pop, Mbalax, Amapiano, Zouk, Kizomba, Genge, Coupé Décalé, Bongo Flava, Soukous, Gospel, Rap, Kompa, R&B, and Rumba while saluting artists in a number of cultural/lifestyle categories.

Genge Music: From the Streets of Nairobi to the GRAMMY Awards

In a historic moment for Kenyan music, Genge, the precursor to Gengetone, has found its rightful place at the GRAMMY Awards.

The Recording Academy has introduced the Best African Music Performance category, recognizing the diverse and influential music originating from the continent. Genge, with its raw energy and unfiltered expression of urban life, stands shoulder to shoulder with other prominent African genres like Afrobeats, Amapiano, and Ndombolo.

Genge, born on the streets of Nairobi in the early 2000s, became the powerful voice of the urban youth, reflecting their experiences, struggles, and aspirations. Blending influences from hip-hop, dancehall, and local Kenyan sounds, Genge became a musical revolution, fearlessly addressing social and political issues.

In recent years, Genge has transcended national borders, gaining recognition beyond Kenya. Artists such as Ethic, Ochungulo Family, and Sailors have leveraged social media platforms to reach international audiences, propelling Genge onto the global stage.

The genre's unique fusion of Swahili and English lyrics has resonated with music enthusiasts worldwide, leading to collaborations with renowned international artists and performances at prestigious music festivals.

The inclusion of Genge at the GRAMMY Awards signifies a significant milestone for Kenyan music, positioning it alongside other internationally acclaimed genres.

This recognition validates the talent and creativity of Kenyan artists, opening doors for collaborations and global opportunities. It celebrates the exceptional contributions of pioneers and contemporary artists who have elevated Genge to new heights, showcasing the power of music in transcending boundaries and celebrating artistic excellence.

Josephine Wanja MPRSK is a seasoned Public Relations (PR) practitioner and consultant. She is also the founder of Black Dot Limited, a Communications PR and Events outfit in Kenya. You can reach her through her email at jwanja@blackdotlimited.com

Do you have an opinion article to share with us? Reach us on info@viraltea.co.ke 

Olivier Laouchez, co-founder and Executive Chairman of Trace with Danny Mucira, Managing Director of Trace Eastern Africa. /COURTESY

The highly-anticipated event was dominated by complaints regarding the sound system and in particular, a screen which malfunctioned at the venue which would have provided revellers with an easier option of watching the American vocal harmony group from Philadelphia, Pennsylvania perform on stage.

The media company however promised a better experience in future events while accepting the blame for not meeting the expectations of the revellers.

A photo of Boyz II Men musical band during a performance on May 11, 2023. /BOYZ II MEN

"We want to acknowledge the incredible experience we shared together last year. The overwhelming success of that concert motivated us to curate and bring an even more remarkable event this year.

"We however sincerely apologize for falling short of your expectations with regards particularly to the sound quality and layout in the General Arena. We acknowledge it was a concert of two parts. We understand the disappointment and frustration you may have felt, and we want to assure you that we take your feedback seriously," Radio Africa explained.

The organisers added that they were working hard to establish what led to the sound problems as well as come up with ways of avoiding a repeat of what happened on Saturday. To do this, Radio Africa contacted sound technicians to get to the root of the problem.

"Our team has been diligently working to investigate the root causes of the sound issues and find solutions to prevent their recurrence in the future.

"We have engaged experienced sound engineers and technical experts to analyse the situation thoroughly. We are committed to rectifying these issues and ensuring that all future concerts deliver the exceptional audio and layout experience you deserve," it added.

The outcry from Kenyans who felt cheated for not getting the experience they paid for drew the attention of the Consumers Federation of Kenya (COFEK) who invited formal complaints stating that it received reports from concertgoers who said the event was not what they paid for.

In particular, tickets to the event were being sold for Ksh30,000 for VVIP, Ksh15,000 for VIP, and Ksh8,000 for regular tickets, which should have granted the revellers an exquisite concert experience.

The Yetu Festival was conceived as a Kenyan festival that enables Radio Africa to bring the best and most iconic and internationally renowned artists to play, connect and interact on the same stage with Kenya's very best icons and emerging talent in the most magical performances of our time.

The event also supports and creates an opportunity for many events companies, sound, tent, security and logistic companies, musicians, songwriters, producers, artists, designers, makeup specialists, beverage companies and many other service providers, an opportunity to grow and support their employees.

"Our vision is to create one of Africa's biggest festivals to not just build great experiences but also regenerate and stimulate the creative economy by putting millions of shillings back into the music, events and logistics industry. In the longer term, we see the beginning of and the creation of a massive new concert tourism industry with visitors coming from all over the world to Kenya.

"Our commitment to providing you with outstanding musical experiences remains steadfast and clear; dreaming big and creating unimaginable shows in our country," the organisers made a solemn promise.

A photo of Boyz II Men musical band on June 2, 2023. /BOYZ II MEN

Popular boy band Sauti Sol on Saturday, June 10 clarified reports of their looming breakup for the first time in 18 years, after they announced that they will be taking an indefinite hiatus from the music scene.

The four-man band, known for songs such as Suzanna, Kuliko Jana, Midnight Train, Short and Sweet among others elaborated that their statement announcing their hiatus was taken out of context, resulting in speculation as well as misinformation that they would part ways for good.

Band member Polycarp Otieno who addressed the press before the Boyz II Men concert noted that Sauti Sol was stepping back after a while, following a blissful 15 years that has seen them overcome new limits in the world of entertainment.

Kenya Boy Band Sauti Sol performing during the Stanbic Yetu Festival at Uhuru Gardens in Nairobi on June 10. /RADIO AFRICA GROUP

“It's been an amazing journey. It’s been 15 years and we just need to step back a bit.

Speaking during an interview on TV47's Bomba La Sanaa show, the China Love hitmaker called for content creators starting out on their craft to be spared from the tax proposal on content creators as indicated in the Finance Bill.

Instead, she suggested that the government should target content creators making millions of shillings and showcasing their fast-paced life full of fame and fortune on social media with the belief that they can afford to pay the tax.

"I have two takes, the first one is I don't think it's fair for up-and-coming content creators because they don't even make enough money.

"My second take is for the people who can afford it...they're on social media, they're flaunting that they have it so they should be able to afford it," she stated.

Kimani further challenged the government to use the proposed tax for the right reasons, adding that President William Ruto's administration should set up opportunities for creatives to make money from their work, which it is currently doing from the newly-launched Talanta Hela Programme.

She believed that with more opportunities, more jobs would arise for content creators, thus would be realistic for content creators to pay the tax.

"I would hope that the tax would get into the right hands. If they want to demand a 15 per cent tax they need to create opportunities, more opportunities for creatives to make money because without those opportunities, you're relying on our sweat, not rewarding us nor supporting us and then you're taxing us, it's unfair. 

"If the opportunities are created and there is a plethora of jobs for creative content creators, then it makes sense, otherwise it's not good," she went on.

Talanta Hela was launched by President Ruto on Friday, June 9 at State House in an elaborate event attended by sports personalities, artists, and government dignitaries.

The initiative was formed under the directive of the president with the aim of monetizing the talents of Kenyans in the creative and sports industries.

The dispute between Prince Otach and Boutross emerged after the latter claimed he was financially scammed following a performance at a festival organised by Otach.

Prince Otach organized the Kenya Diaspora Festival which he termed and marketed as the largest Kenyan concert held in Europe.

“Boutross is quite talented, but he is still new in this music business. He will gradually learn that contracts are signed by both parties for a reason.

"I invest my hard-earned money to put up these events, so it’s in order for me to protect my investments. I can not fly an artist from Kenya to the UK only for them to come and start arranging side events behind my back," he stated.

Prince Otach termed Boutross' claims as defamatory and vowed to seek legal counsel on the matter in three days, ordering him to pay damages in two weeks, failure to which he would escalate the matter in court.

"Whether he is right or wrong is not for me to determine. From my end, this additional show in Scotland and online defamation is a legal issue.

"Boutross will be hearing from my lawyer in less than 72 hours outlining the damages I am claiming. If the damages are not paid in 14 days. The matter will be in court on the 15th day. Unfortunately, the law does not allow me to comment further on social media,” asserted Prince Otach.

Prince Otach's response was backed by John Maloba, a renowned radio journalist in Kenya, who poked holes in Kenyan artists' failure to understand the business that goes on between them and event promoters.

“These Kenyan artistes are something else. Any promoter who wants to ride on the availability of an artist must buy the show from the promoter who facilitated the availability.

"Common sense is not common after all. Any artist who does a sideshow must pay his promoter for expenses incurred to land the artist in Europe. Prince Otach, teach them a lesson,” Maloba opined.

Boutross is not new to legal clashes. On Saturday, March 11, he threatened to sue controversial blogger Edgar Obare over nude photos allegedly leaked by a runs girl he took for a steamy session.

Obare had claimed that Boutross met the young woman at a club in Mombasa, took her home for a one-night stand and paid her Ksh4,000.

In a detailed statement, the four-man band, known for songs such as Suzanna, Kuliko Jana, Midnight Train, Short and Sweet among others, revealed that they will split after their world tour and drop their last album at the end of this year (2023).

They will embark on a final tour in the US, Europe and Canada between May 21 to September 3 in a “celebration of their remarkable journey” before each member takes some time to work on personal endeavours.

“Sauti Sol has been an incredible journey for us, both as musicians and friends, We are filled with gratitude for the love and support we have received throughout the years. While we take this hiatus to pursue our individual and collective passions, we remain committed to our friendship and our shared businesses. The bond between us is unbreakable and we are excited for what the future holds,” they wrote in part.

The upcoming tour across the US, Europe, and Canada will present a chance for fans to immerse themselves in the magic of Sauti Sol one last time before the band takes a break from group projects for a while. Each performance will be infused with a sense of deep love and gratitude, as the ensemble delivers their timeless hits and fan favourites that have left an indelible mark on the collective memories of their fans.

The band added that while the indefinite hiatus marks the end of a specific chapter, it also represents a new beginning for Sauti Sol.

"As close friends and business partners, the band members, Bien-Aimé Baraza, Willis Chimano, Polycarp Otieno, and Savara Mudigi, are eager to explore fresh creative avenues and embark on personal endeavours. However, their friendship and shared vision will continue to be the driving force behind their future projects," added the statement.

"Sauti Sol has been an incredible journey for us, both as musicians and friends. We are filled with gratitude for the love and support we have received throughout the years.

"While we take this hiatus to pursue our individual and collective passions, we remain committed to our friendship and our shared businesses. The bond between us is unbreakable, and we are excited for what the future holds," the band members said.

Kenyan fans will get a chance to see them make two landmark performances alongside American R&B legends Boyz II Men on June 10 and 11, 2023, which will be a meeting of musical legends creating an experience that will be etched in the annals of history. This will be followed by an encore performance at the annual Sol Fest in Nairobi on December 16, 2023.

Their tour of the US, Europe and Canada, they noted, promises to be an unforgettable experience, a symphony of nostalgia, gratitude, and good vibes. Don't miss out on the chance to see Sauti Sol at their Farewell Tour on the following dates:

1. 21 May - Atlanta
2. 24 May - Dallas
3. 26 May- Seattle
4. 28 May- Los Angeles
5. 02 June- New York
6. 04 June- Washington DC
7. 16 June- Stockholm
8. 17 June - Oslo
9. 18 June- Copenhagen
10. 20 June - Paris
11. 21 June London
12. 22 June- Bristol
13. 23 June- Sheffield
14. 25 June - Amsterdam
15. 26 June- Hamburg
16. 27 June- Berlin
17. 28 June- Cologne
18. 30 June- Afro Nation, Portugal
19. 01 July - Frankfurt
20. 30 Aug - Montreal
21. 01 September - Toronto
22. 02 September - Calgary
23. 03 September - Vancouver

"Adding to the excitement, Sauti Sol will also be dropping their last album together this year, which promises to be a fitting reflection of their musical journey as a band. Fans can look forward to a new single coming very soon, which will be a taste of what's to come from the band's final album," added the band.

Sauti Sol was formed in 2005 as an acapella group by Baraza, Chimano and Savara, who had met at the Upper Hill High School and performed in Voices in the Light, a music group at the school. They then met guitarist Otieno, who attended Strathmore School, at the Alliance française in Nairobi, where they would frequent and decided to form Sauti (Swahili for "sound") and immediately wrote their first song, "Mafunzo ya Dunia" (lessons of the world), which would later feature in their debut studio album Mwanzo.

The band later added the Spanish word "Sol" (sun) to their name and formed Sauti Sol (supposed to mean "voices in the sun").

In 2006, the band participated in the Spotlight on Kenyan Music competition, hosted by the Alliance française in Nairobi. They were included in the album compilation recording and later got signed to Penya Records.

The four members all completed their university education in Kenya. Baraza studied journalism at the United States International University- Africa (USIU), while Savara studied commerce and finance at Africa Nazarene University.

Chimano studied journalism at the University of Nairobi (UoN), while Otieno studied actuarial science at the Jomo Kenyatta University of Agriculture and Technology (JKUAT).

Speaking on his Instagram stories, the Noma Ni hitmaker who often resides outside the country while managing his other businesses, recalled his return to Kenya where he had conversations with Kenyans regarding the new fuel prices for the month of May 15 to June 14.

He voiced complaints from residents regarding the high prices of Kerosene and cornered Members of Parliament (MP) who are yet to speak regarding the cost of fuel in the country.

A man fills a bottle with Kerosene in Mathare, in Nairobi, Kenya August 10, 2017. /REUTERS

Octopizzo believed that the hike in Kerosene prices was hurting the common mwananchi who use the fuel product for their domestic use, including cooking.

"I'm around the ghetto and residents are complaining because of Kerosene, whose prices have increased a lot and I've not heard a single MP talk about it, that the price of Kerosene should go down.

"This is a shoutout to President Ruto, you are hurting us. We still cook with paraffin stoves in the ghetto. You can increase the petrol and diesel prices but not paraffin and the way you said you are depending on the hustlers to help us," he lamented.

Octopizzo emphasised that it was crucial for President Ruto to intervene and tackle the rising cost of fuel in the country, especially for Kerosene which is even used to light up houses and assist children while doing their homework.

"Do something about it, people are in a bad place, someone can buy paraffin for lamps for lighting their houses and children use it to do their homework," he added.

Kerosene was the hardest-hit fuel product in EPRA's price increase as it went up by Ksh15.19 per litre to retail at Ksh161.13, up from Ksh145.94.

Kerosene’s uses vary dramatically from fuel for oil lamps to cleaning agents, jet fuel, heating oil or fuel for cooking. It is mainly used in informal settlements in the urban areas and rural parts of Kenya to power cookstoves and lanterns.

It also has several industrial uses for example it is widely used as a solvent.

EPRA also announced an increase in Super Petrol and Diesel by Ksh3.40 per litre and Ksh6.40 per litre to retail currently at Ksh182.70 and Ksh168.40 up from Ksh179.3 and Ksh162 in Nairobi.

"Super Petrol, Diesel and Kerosene increase by Kshs.3.40 per litre, Kshs.6.40 per litre and Kshs.15.19 per litre respectively. The subsidy on Diesel and Kerosene has been removed," stated EPRA in part on Sunday, May 14.

During an interview, the Cheza Kama Wewe hitmaker revisited the terrifying encounter whereby he was on his way home from the studio past midnight when he encountered three people hanging around, whom he initially ignored.

He proceeded to walk to his car, which was parked a few feet away, but one of the robbers recognised him and called him out while approaching him to exchange greetings before proceeding to his vehicle.

As he was trying to lock his car, two out of the three guys drew closer to him and one of them pulled out a gun as the other brandished a panga, leaving the rapper wondering if he had done anything to the criminals or if he knew them.

Rapper Trio Mio. /FILE

Trio Mio froze as one of the goons placed the gun at his stomach, forcing him into his pocket and handing over his mobile phones, clothes, and car keys.

"First, they got off their bike while I was locking the car. By the time I was done, they took out a gun, and the other one had a machete.

"I was ready to give them everything, my shoes and clothes as long as they spared my life. They had cocked the gun and placed it on my stomach. They took my two phones and I gave them the car keys," he narrated.

Other than threatening to take away his life, the robbers also threatened to shoot a security officer who could have rescued the rapper.

UDA Secretary-General, Cleophas Malala made the announcement while welcoming newly recruited members from the Kenyan entertainment industry to the party, who will assist in determining the best-composed song for the anthem.

"This afternoon, while addressing the 4th Estate, newly recruited members from the Kenyan entertainment industry vowed to spearhead the hunt for the best-composed song to be used as the UDA party anthem where the winner is sure of bagging lucrative deals from reputable recording companies as well as cash awards from the UDA Party.

"A vibrant UDA Party is an attractive, progressive outfit for any sane Kenyan." The new members insisted," Malala shared on his social media accounts.

The UDA party, which was formed after a fallout with the Jubilee party, is looking to solidify its position as the current ruling party in the country by tapping into Kenya's creative industry which has been on a rapid rise since the COVID-19 pandemic in 2020.

It has been on a relentless poaching spree of politicians drawn from other parties, most of which are affiliated with the Azimio la Umoja coalition.

"This afternoon, our party reaped big yet again as we welcomed members defecting from Maendeleo Chap Chap Party, Wiper Party, CCU Party, Muungano Party and several other parties from the vast Kamba nation into the Ruling party, UDA.

"The leaders who included, Senatorial candidates, Lucas Muthoka, Dr Musila and Stephen Kyallo, Women Reps, Rita Ndunge, and Selina Mwende amongst 17 other Parliamentary candidates and over 70 MCA candidates from the Kamba nation, pledged to fully stick to the UDA Party ideals and rally their unwavering support behind President Ruto's administration," stated Malala.

The party earlier on welcomed musician Kevin Bahati to its ranks alongside his wife, Diana Marua and the likes of MC Jessy, KRG The Don, Diana Marua, DJ Kwenye Beat, Sammy Boy, Mash Mwana, and Dufla Diligon among other musicians and entertainers.

Bahati lost in the race for Mathare Member of Parliament (MP) in the August 9, 2022 elections while running under a Jubilee ticket.

He finished third with 8,166 votes behind the incumbent Anthony Oluoch of the Orange Democratic Movement (ODM) party who secured his seat for another term.

Wale was seen at the Jomo Kenyatta International Airport on Friday, March 31, immediately after arriving in the country.  

The dancehall artist was spotted with Aggrey Sayi, the Odibets country marketing manager.

He is best known for his singles Dancehall King, My level and We taking over. 

West African superstar Shatta Wale at JKIA on March 31, 2023. /FILE

This journalist has established that the dancehall artist has been brought to Kenya by mad fun travel. 

This journalist reached out to Mrs Martina Kitavi, who is the head of operations at Mad fun, to ask more about Shatta’s visit. However, Mrs Kitavi could not disclose why the reggae artist is in Kenya. 

Mad Fun Travel is a new and innovative online travel agency that aims to revolutionize the industry and tourism in Kenya. 

The company provides event ticketing, movie ticketing, and travel packages that include hotel and flight bookings all under one platform.

On Thursday, March 23, the defendants were ordered by the Milimani Law Courts on Thursday to pay Nonini Ksh1 million in general damages for infringing his copyright.

The Manzi wa Nairobi hitmaker had accused the social media influencer of publishing a short video meant to market one of the products of the company on his Instagram page and using one of his songs, which he argued were used without his permission.

Popular social media influencer, Brian Mutinda. /MUMA PIX

While celebrating his victory on social media on Friday, March 24, Nonini compelled both the defendants to ensure that the damages are paid to him by Monday, March 27.

"General Damages plus the cost of suit and interest! I'm gonna need that by Monday," he stated.

Nonini’s lawyer David Katee told NTV that the company and Mutinda were ordered to remove the infringing content from all of their platforms, pay the cost of the suit, and pay interest at the court’s rate.

“Intellectual property is a property like any other.

"The same way you cannot trespass on someone’s land is the same way you cannot use someone’s intellectual property without their permission. So copyrights and any other intellectual property must be respected,” Katee stated.

The ruling came as a reminder to content creators to seek permission before using third-party intellectual property, as previously cautioned by entertainment and IP lawyer Liz Lenjo.

She noted that brands that engage influencers must ensure that they have the necessary rights to use intellectual property assets such as music, pictures, or any other intellectual property, to avoid legal disputes.

Nonini has been sharing a Twitter thread since July 27, 2022, containing updates on the case, including an update from the Kenya Copyright Board (KECOBO) on the same.

The short video in question was published on the company's verified Facebook page and used his hit song, We Kamu, to synchronise with the visuals without a synchronisation license, which is against copyright laws.

Nonini also accused Mutinda of using his copyrights for his own financial gain and for the capitalistic gain of the company without his permission, which is an act of copyright infringement.

The detectives headed to the apartment where the DJ lives, on the same day a directive from Interior Cabinet Secretary Kithure Kindiki and Director of Criminal Investigation Amin Mohamed was issued to the investigative agency.

During the visit, the detectives interrogated the entertainer as they sought to piece together the events that transpired leading to Mwathi's death.

In a statement on Friday, March 10, Kindiki instructed Amin to deploy a homicide team to investigate Mwathi's death.

He further appreciated the efforts of the DCI in swinging into action on the matter which had generated an online uproar since Wednesday, March 8.

"On the matter of the late Jeff Mwathi, I have spoken to the DCI Mr Amin this morning and instructed him to send a homicide team from the DCI headquarters to thoroughly investigate the incident and take the necessary action.

"I thank the DCI for his quick action on this matter. The homicide team from the DCI headquarters is dispassionate, and this will help resolve the claims of collusion at Kasarani Police Station where the matter was reported," stated Kindiki.

The DCI had indicated earlier that the homicide detectives had taken over investigations into Mwathi's death following Amin's directive.

"The public is assured that no stone shall be left unturned in the investigation of this case and any person found to have been involved in the death shall face the full force of the law. 

"Meanwhile, anyone with information that may assist us in this case is asked to volunteer it to the head of Homicide at DCI headquarters or call our toll-free number," stated the DCI.

Mwathi was said to have fallen from the 10th floor of Redwood Apartments along USIU Road at the residence which was rented out to DJ Fatxo.

The mother of three, in the music video titled Narudi Soko, saw her dressed in a royal white dazzling short dress while rapping about the importance of picking yourself up after a setback in your life.

While naming fellow stars who have gone through pitfalls, Marua poked holes at Kibe yet again, reminding him how poor he is and that he will die and be buried in poverty due to his bad attitude.

“Andrew Kibe wewe unatusi watu na wewe ni maskini… utakufa ghetto… utazikwa ghetto…(Andrew Kibe, you insult people yet you are poor...you will die and be laid to rest in the ghetto...)," she stated.

She also fired at haters promising that they won't even know about her future milestones, including her next pregnancy and birth.

“Form ni kuoga na kurudi soko. Hata mimi very soon hamtajua nilizaa… nimeoga na kurudi soko…(The plan is to shower and get back to the market. You won't even realise I've given birth...I've showered and gone back to the market...)," she went on.

Her relentless putting down of Andrew Kibe comes despite criticism towards her from Kenyans and fellow celebrities after she published past photos of Kibe with a woman believed by many to be his former wife on Instagram hours ago.

Mwathi was said to have fallen from the 10th floor of Redwood Apartments along USIU Road at the residence which was rented out to DJ Fatxo.

The interior designer, according to media reports, was contracted by the popular ‘mugithi’, artist for a makeover on two spaces: an office and a shop.

Redwood apartments along USIU Road. /MASKANI KENYA

He allegedly left his home on February 21, 2023, to meet with the deejay and discuss the specifics of the job.

Mwathi’s mother, who currently resides in Qatar, released WhatsApp recordings which revealed that her son pleaded with her for Ksh200 in order to attend the meeting in Ruiru, Kiambu County.

Speaking to YouTuber Nicholas Kioko, moments after landing from Dubai at the Jomo Kenyatta International Airport (JKIA) on Monday, March 6, the Cheza Kama Wewe hitmaker rebuked Kenyans for being too focused on his life instead of their own lives.

Clarifying that he didn't refuse to declare his results, he added that Kenyans recognise him because of his music and not his grades.

Rapper Trio Mio. /CAPITAL GROUP

"I didn't refuse to announce my results. Do you all want to pay my university fees? Come on, concentrate on your lives.

"You didn't know me because of books, you knew me because of music and I know I'm good at what I'm doing. It's my life and you cannot control me," he stated.

Reports had surfaced as early as Friday, January 20 with social media users speculating that Trio Mio was among 75,545 male students who scored D in the exams.

However, in a statement, his mother, Irma Sofia noted that her son had done well in the exams, whose results were released by Education Cabinet Secretary (CS) Ezekiel Machogu.

She also played cagey with Trio Mio's fans regarding the actual results, assuring them that he did well in the exams.

"Now I won't breathe because KCSE results have been released? Relax.

"The boy did his best and am very proud of him. And those speculating a D, I'm sorry," she said.

The artist also shared the same statement released by his mother on his social media platforms.

There were also reports that Trio Mio scored a Grade A, which emerged as a section of Kenyans called out those who were trolling him.

The artist meanwhile spoke after receiving the results, praising his fellow candidates for doing their best.

"Congratulations to all candidates receiving results today. We all did our best to get to this milestone.

"Ndo life inaanza na nawawishia kismat in all you intend to do next (Life is just beginning and I'm wishing you the best in all you intend to do next)," he stated.

In a diss track aimed at Kiss 100 FM presenters Chito Ndhlovu and Cyd Wambui, he addressed the sad situation affecting many Kenyan youths who complete their studies and get good marks but fall victim to an economy that has for years failed to create jobs that not only are capable of accepting their good grades but also sustain them in life.

Trio also noted that at the end of the day, the grades one gets will not put food on the table, as a way of advising youth not to give up on their dreams as someday they will be profitable.

Rapper Trio Mio with his mother. /FILE

The dancehall beats that composed the popular song remain a vibe that people of all ages move to and one which they enjoy. Countless remixes have since been made as millions of music lovers continue playing the popular song that changed R&B/Soul and dancehall Reggae music as we know it today.

Nyla and Nyanda were moreover celebrated for their musical artistry and beauty, with their ravishing good looks pulling hundreds of thousands of netizens to their social media pages to date.

Over 78,700 people follow Nyanda on Instagram for example, with her sister amassing over 102,000 followers on the same platform.

Brick and Lace during their 'Love Is Wicked' music video. /YOUTUBE

However, despite their rise to fame, the two parted ways after singing together, releasing separate projects, more than 15 years since Love Is Wicked's release. This led to speculations on why the two broke up, despite being sisters.

Nyla recently took to social media to address the behind-the-scenes events that culminated in the split of the popular music duo.

“Hi guys, I just wanted to come here (TikTok) and address a comment. Somebody had asked why after Love Is Wicked, my sister and I stopped singing, and I just wanted to address certain points.

"First of all, we did not stop singing after Love Is Wicked, we actually shot another music video but it was not as big as Love Is Wicked but it had some marginal success…we did some other stuff after that too that really could not take the place of Love Is Wicked," she addressed.

Focusing on the aftermath of pursuing different projects alone, Nyla touched on the achievements she made working with other global music stars after the split, including writing for Jennifer Lopez, Christina Aguilera and Nicole Scherzinger.

"We did a lot of stuff after Love Is Wicked. But I wanted to touch on why I decided to leave the group; or why we split.

"You know, Nyanda and myself, we are sisters; and I was in a group from my adolescents even before Brick and Lace being a group on a professional level- meaning getting signed, doing it on a bigger scale," she added.

According to Nyla, she had got to a point where she felt underappreciated and after discussions with Nyanda, they decided to part ways to find out their true potential as individuals.

"We were in a group, and I was much younger so just to cut the long story short, I got to a place where I did not feel like I was not being served anymore. I didn’t feel – and I know people may find this weird or funny to digest- but I feel like I needed to find my own voice.

"And you know, we just came to a place of ‘we need to just take a break’ and after being together and being in a group for so long, we kind of had to figure out who we were as individuals,” stated Nyla.

The group officially disbanded in 2013. Their Brick and Lace name was chosen to represent femininity’s tough and soft sides.

Nyanda was already juggling motherhood with her solo career when the renewed spotlight on Brick and Lace was flung into the mix.

She dropped a four-song EP in 2021 and was in the middle of pushing the project’s title track, All Fruits Ripe with Stonebwoy, when she got the call that Love is Wicked was taking flight once more.

The song went viral on TikTok and Nyanda even shared a TikTok video of Kenyan dancers jamming to the hugely-popular beat on her Instagram page on September 8, 2022.

View this post on Instagram

A post shared by NYANDA : Brick & Lace (@nyandabnl)

The day to night time event saw a huge turnout of consumers that were entertained by artists such as Bien, Chris Kaiga, Karun, Brandy, DJ Pierra, DJ Brownskin, DJ Redbone, DJ Linsey, Sir M, DJ Pierra and Kaneda.

Revellers show up dressed with shades of pink sticking with the theme and set up of the event that was elegant and stylish.

Comedian Njugush and Brian Mutinda among attendees at the Gilbey’s Mixed Berries Mixed and Matched Pinknic party at Absa Sports Club on January 28, 2023. /DONPAUL PHOTOGRAPHER

KBL innovations manager, Shirlyn Ndumbu, stated that the first edition of the Gilbey’s Mixed Berries Mixed and Matched Pinknic party comes at a time when our consumers are looking for memorable experiences and occasions to celebrate with their friends.

“This will be the first of a series of events that we have planned across the country and calendar year. Sticking to Gilbey’s tagline Open Good Times we will be showcasing music, games and fashion that our gin lovers will enjoy, accompanied with amazing cocktail drinks from our Diageo certified mixologists, "she added.

Gilbey’s Gin is a segment leader in the gin category in Kenya hence KBL is looking to increase its momentum with the new variant of its berries flavour. Gilbey’s gin is trusted by consumers for its liquid authenticity and quality that can be shared amongst friends.

Gilbeys Mixed berries is one of the recently introduced innovation brands that has seen Kenya Breweries invest heavily in as it seeks to address consumers’ needs and wants to offer them a wide variety of brands to choose from.

 The flavoured gin sits in the bottle with a refreshing pink colour and is best enjoyed poured with tonic, bringing out the refreshing mixed berry fruit. It has a pink chevron logo that distinguishes it from the Gilbey's original pack.

It is available in 250ml, 350ml and 750ml packs, which have a recommended retail price point of Ksh500, Ksh700 and Ksh1,460 respectively thus meeting the pricing needs of each consumer segment. It has an ABV of 37.7%.

Here are more photos from the concert:

Winnie Njenga at the Gilbey’s Mixed Berries Mixed and Matched Pinknic party at Absa Sports Club on January 28, 2023. /DONPAUL PHOTOGRAPHER

A TV47 reporter at the Gilbey’s Mixed Berries Mixed and Matched Pinknic party at Absa Sports Club on January 28, 2023. /DONPAUL PHOTOGRAPHER

Revellers at the Gilbey’s Mixed Berries Mixed and Matched Pinknic party at Absa Sports Club on January 28, 2023. /DONPAUL PHOTOGRAPHER

Revellers at the Gilbey’s Mixed Berries Mixed and Matched Pinknic party at Absa Sports Club on January 28, 2023. /DONPAUL PHOTOGRAPHER

Joyce Maina at the Gilbey’s Mixed Berries Mixed and Matched Pinknic party at Absa Sports Club on January 28, 2023. /DONPAUL PHOTOGRAPHER

Revellers at the Gilbey’s Mixed Berries Mixed and Matched Pinknic party at Absa Sports Club on January 28, 2023. /DONPAUL PHOTOGRAPHER

Taking to her Instagram account, Nazizi announced that her Tuesday show, Cease and Sekkle would be her last at the Mombasa Road-based media house.

The show runs from 7 pm to 10 pm every day. Nazizi thanked her fans and colleagues for giving her massive support as she soothed them with reggae tunes.

"Sadly my journey at Vybez Radio has come to an end. Tune in tonight for the very last show with the HEADMASTER.

Nazizi Hirji at Westgate Shopping Mall on January 27, 2023. /INSTAGRAM.NAZIZI HIRJI

"The last 3 years have been such a blessing to me, I'm thankful we had the chance to show the world that a reggae show can be more than just silly jokes," she wrote.

Turning to her co-host, Sheriff Juma, popularly known as Muzikal Sheriff, Nazizi added that she will miss his presence at the show, even though she did not reveal her next destination.

"To the vybez nation thanks for Reasoning with us, thanks for tuning in and supporting CEASE N SEKKLE from day 1. I will truly miss you all.

"Positive vibes will keep going, and the journey Continues. To my bredrin Muzikal Sheriff, thanks for all the memories you're the best Co-host I'll miss your jokes. Until we link again family! MAN A LION NO CYAT!" she signed off.

Nazizi was widely known across the country for her partnership with Wyre the Love Child under the hip-hop and reggae group Necessary Noize, which changed the way Kenyans listened to local music. They reunited on April 2022 after more than 10 years of pursuing solo projects.

“Wyre and I have always been in discussion about doing something together as Necessary Noize but because of individual commitments we just kept on postponing it until now.

"The universe just aligned for us. We never particularly intended for it to be this year, but if you ask me, this is the perfect time,” Nazizi stated at the time.

She is the second big name to leave the station after Sheila Kwamboka (Kwambox) who was poached by Radio Africa Group and is set to replace Kamene Goro at Kiss FM. 

Meanwhile, woes at SMG continue to worsen as reports indicated that the cash crunch crisis at the station forced journalists to sleep at the offices owing to a three-month delay in salary remittances. 

In addition, arrangements were made to have a good number of sub-editors and editorial production editors work from home to cut transportation costs to and from both the Mombasa Road-based media house and its offices in the Nairobi CBD.

The SMG, listed at the Nairobi Securities Exchange (NSE) and arguably Kenya’s second-largest media house, is also paying the price of over-expansion with many projects introduced over the past five or so years (mostly radio and TV stations) yet to break even.

Much of the blame was directed at CEO Orlando Lyomu for the mass firings initiated to cut costs, a move that was understood to have slowed down after the company discovered that it did not have the requisite finances to pay laid-off staff, giving them temporary relief.

Among the big names to have left SMG include Mercy Korir, news anchor Sharon Momanyi, seasoned Foreign Affairs editor, Lilian Odera, seasoned journalist Frank Otieno and editor Ted Malanda.

Inside the Standard Media Group (SMG) converged newsroom. /STANDARD DIGITAL

Legendary rapper Hubert Mbuku Nakitare, alias Nonini has issued an update on the lawsuit he filed against content creator and influencer Brian Mutinda and a multinational electronics company over infringement of copyright.

In a statement on Thursday, January 26, the Manzi wa Nairobi hitmaker revealed that March 23, 2023, will be a big day for him in the case whereby he accused the social media influencer of publishing a short video meant to market one of the products of the company on his Instagram page and using one of his songs, which he argued were used without his permission.

“It's January 26th 2023! I shared the first Tweet on this Thread in July 2022 and Pinned it. I said I will unpin this thread when the matter ends.

Popular social media influencer, Brian Mutinda. /MUMA PIX

"Well. Mark your calendars! 23rd March 2023. 23 the year of the Jordan (Si Tafadhali- and it's not please),” Nonini stated.

Nonini has been sharing a Twitter thread since July 27, 2022, containing updates on the case, including an update from the Kenya Copyright Board (KECOBO) on the same.

The short video in question was published on the company's verified Facebook page and used his hit song, We Kamu, to synchronise with the visuals without a synchronisation license, which is against copyright laws.

Nonini also accused Mutinda of using his copyrights for his own financial gain and for the capitalistic gain of the company without his permission, which is an act of copyright infringement.

Speaking on Monday, January 23, during the burial of Trade CS Moses Kuria’s sister Pauline Nyokabi in Gatundu South Kiambu County, Gachagua blamed Githae and a section of other musicians from the region for dumping their natives to chase wild dreams sold by the coalition.

The DP told the Tano Tena hitmaker to sing according to his real identity and not to fill the opposition with dreams of conquering a region that he had failed to conquer in past election seasons.

Musician Ben Githae during a past performance. /YOUTUBE

"When things were very difficult, all musicians; gospel and secular from this region abandoned us for money. But these young men stood for what they believed in.

"I want to tell you, Ben Githae, next time, sing what you believe in from your heart. It was you that lied to Raila that he could climb the mountain, yet it belonged to us. You must apologise for that; you're among the group that misled the old man that he has climbed the mountain," Gachagua addressed.

During the same burial, Githae had officially declared that he joined the Kenya Kwanza government at the expense of the Azimio la Umoja coalition, further disclosing that he learnt of President William Ruto's visit through Kuria.

“I visited Moses Kuria on Friday and learnt about your visit. I wondered whether to attend the burial or not. But I had to swallow my pride and come face you.

"When things go bad the only option is to move forward. I am here now, I have left them. I met Kiambu Woman Representative Anne Wamuratha and she asked me why I did not attend today's Kamukunji rally. I told her this is where I belong,” he announced.

He recalled Ruto's speech where he stated that his government belongs to the whole nation, using it as an example to describe how he was like a prodigal son who abandoned his people but was ready to be accepted back. 

Reports had surfaced as early as Friday, January 20 with social media users speculating that the Cheza Kama Wewe hitmaker was among 75,545 male students who scored D in the exams.

However, in a statement, his mother, Irma Sofia noted that her son had done well in the exams, whose results were released by Education Cabinet Secretary Ezekiel Machogu.

She also played cagey with Trio Mio's fans regarding the actual results, assuring them that he did well in the exams.

Trio Mio with his mother. /FILE

"Now I won't breathe because KCSE results have been released? Relax.

"The boy did his best and am very proud of him. And those speculating a D, I'm sorry," she said.

The artist also shared the same statement released by his mother on his social media platforms.

There were also reports that Trio Mio scored a Grade A, which emerged as a section of Kenyans called out those who were trolling him.

"In a few years' time, Trio Mio will employ top A students as his managers. Soon!," Chris Kirwa commented.

The artist meanwhile spoke after receiving the results, praising his fellow candidates for doing their best.

"Congratulations to all candidates receiving results today. We all did our best to get to this milestone.

"Ndo life inaanza na nawawishia kismat in all you intend to do next (Life is just beginning and I'm wishing you the best in all you intend to do next)," he stated,

In a recent diss track aimed at Kiss 100 FM presenters Chito Ndhlovu and Cyd Wambui, he addressed the sad situation affecting many Kenyan youths who complete their studies and get good marks but fall victim to an economy that has for years failed to create jobs that not only are capable of accepting their good grades but also sustain them in life.

Trio also noted that at the end of the day, the grades one gets will not put food on the table, as a way of advising youth not to give up on their dreams as someday they will be profitable.

Beginning with "Sasa huu msee anasema nini? (what is this guy saying?)", Trio Mio talked about how he dreamt of being a rapper having been born and raised in the ghetto environment, and that he would not lose sleep thinking about the KCSE results.

Ndhlovu and Wambui were responding to online banter about what would become of the rising talent during a past on-air show as they urged the rapper to pay more attention to his music because even though he passed KCSE and failed in his music, he would be forgotten in Kenyan showbiz.

20-year-old award-winning Kenyan singer Nikita Kering believes that Kenya does not have a unique identity in terms of music.

In a video seen by Viral Tea on Thursday, January 19, Kering criticised Kenyan music for lacking its own genre compared to other countries in Africa.

According to her, Kenya is reeling from the effects of colonial rule by the British, thus its lack of identity shows in terms of its music, among other things in showbiz.

“I think the one thing that's definitely confusing is the fact that there's so much going on. So even if Kenyan music was to hit we still don't know what Kenyan music is.

Nikita Kering posing for a photo. /INSTAGRAM.NIKITA KERING

"I think we were heavily colonised and our identity doesn't even show in our music. Our identity lacks in very many things,” Kering stated.

Her sentiments elicited mixed reactions, with some Kenyans agreeing with her and going to the extent of culture and language in the country being heavily borrowed from Western culture.

However, others believed that Kering missed out on mentioning genres such as gengetone and Benga, the latter of which is commonplace within local entertainment joints across the country.

"We have Benga. Taarab. People need to go to local clubs and listen to local musicians especially those who sing in vernacular and have a band. I mean, Afrobeat is a very recent Nigerian Genre of music that is derived from Fela Kuti’s style.

"By and large, many Afro-centric Kenyan bands are borrowing heavily from Benga & Rhumba….but do we really listen to the music or we simply hear it?" Cate Odera questioned.

Despite gengetone enjoying mixed trends as of now, many believe that one of the most popular local genres can be traced back to the 2000s when the Calif Records label completely changed the atmosphere of Kenyan music.

Stars such as Nonini, Pilipili, Flexx, Lady S, Jimwat, Mejja and many more had some of their music successes attributed to Calif Records which was co-founded by celebrated music producer Clement Rapudo Sijenyi, alias Clemo, who was nominated by Nairobi governor, Johnson Sakaja as County Chief Officer on Tuesday, December 13, 2022.

Even if her sentiments are arguably relatable, Kering has had one of the fastest ascensions to the top in her short time of being in the music industry, winning accolades along the way. In November 2021, she won two awards; Best Artiste RnB and Soul Award and Best Female Artiste East Africa Award.

Her most played song on her recent album The Other Side was On-Yah, released on October 14, 2022, which received over 33,000 views on the morning of its release.

Kering was also featured on the New York Times Square Billboard and bagged Spotify’s Equal Program ambassador title.

Kiss 100 FM presenter Chito Ndhlovu praised a freestyle released on Tuesday, January 17 by rapper Mario TJ Kasela, better known as Trio Mio, despite the fact that the diss track was targeted at him and his colleague.

“Trio has done a dope freestyle one could say possibly inspired by a conversation Cyd Wambui and I had most recently.

"We are always happy to be conversation shapers and starters, especially for the Kenyan music/entertainment scene. Looking forward to that Trio 2023 major hit!” he said in a post on Twitter.

However, Kenyans were not too happy with the radio presenter's comments, urging him to apologise to Trio Mio for mocking him instead of praising what he can do.

Others expressed that they had no idea who the presenters were until they were made famous by Trio Mio, who at the time of publishing was mentioned over 42,200 times on Twitter.

Here is the freestyle video:

I'll just leave this here ????‍♂️ pic.twitter.com/ABvhi7EHyW

— TrioMio_Official (@TriomioOfficial) January 16, 2023

The raid targeted entertainment joints located in Donholm, Pipeline, Fedha and North Airport road which were operating without licences and those operating beyond the time indicated in those licences.

Speaking to the media, Rhoda Otieno, director of Liquor Licensing, confirmed that the officers had arrested the revellers and would be arraigned in court on Monday, January 16.

A police car in Nairobi CBD. /TWITTER.SARAH KIMANI

"We have arrested quite a number of people who will be arraigned in court on Monday to face various charges according to the offences they have been arrested for. We want to urge bar owners, people who operate bar businesses, to operate within the law," she stated.

Otieno further noted that the operation was meant to ensure that the directive by Nairobi Governor Johnson Sakaja to prevent entertainment joints in residential areas from playing loud music past 10.00 pm was enforced.

"Actually it is about peaceful nights. We are going to make sure Nairobi people have peaceful nights," she added.

A section of online users believed that Ken Wa Maria's performance at a local club in Embakasi was interrupted by police officers, leading to rumours regarding his arrest.

Sakaja in November 2022 cancelled licenses issued to nightclubs operating in residential areas as well as stopped renewals of the same.

The first-time governor added that bars and restaurants in residential areas must operate within the specified time and control noise emanating from the premises. Specifically, the playing of music must stop by 10 pm.

The operation received recognition from President William Ruto who was in support of the move as a way of ensuring that Nairobi upholds the standards of a capital city.

"To Governor Sakaja, keep the noise away from our children. You have our support in ensuring that we reorganize the city. Ensure that the Standards of Nairobi are the Standards of the Capital City of Kenya," the President said.

“I know I have discussed with you this before and you have my support in ensuring we reorganise the city and make it work for all the residents."

The man, popularly known as Akhasamba Lukale and raps in Luhya, ignited a debate with netizens hailing his rapping skills.

Through its official Twitter account, Odibets on December 30, 2022, asked its fans on how it could locate Mr Lukale.

The betting firm shared a clip of the man rapping in the Luhya language and captioned it: “Ma-Odi, huyu jamaa ana talent. Tutampata aje?”

Here is the video:

Viral Luhya rapper Akhasamba Lukale advising Kenyans om how to beat the infamous 'Njaanuary' pic.twitter.com/4QWvg8UwMn

— Marvin Chege (@marvin_chege10) January 2, 2023

Kenyans wasted no time in helping Odibets land the rapper and in no time, the betting firm reached out to him.

Upon finding him, Odibets used the man’s skills in one of its advertisements deals as the man showcased his skills in the advert.

In the advert, he was urging gamblers to bet with Odibets to beat the infamous ‘Njanuary’ after the festive season.

“Christmas tumesherehekea, tumekula hizo chakula kwa video, vunja mifupa kama ungali young... Vitu zimeisha na njanuary vitu zimeisha, hakuna chakula na kuna msoto. Tafuta pesa.... wekelea hapo Odibets,” he rapped.

In addition, Odbets will also sponsor Mr Lukale as he launches his EP album this year.

Tory Lanez, whose real name is Daystar Peterson, has since been found guilty of shooting fellow artiste Megan Thee Stallion in both of her feet after an argument in 2020.

Lanez's father, in the video shared by US gossip website The Shade Room, expressed his fury after a Los Angeles jury found Lanez, 30, guilty of three felony counts: carrying a loaded and unregistered firearm in a vehicle; assault with a semiautomatic handgun and discharging a firearm with gross negligence.

Sonstar Peterson was seen shouting "It's not over, God does not lose" while accompanied by a cluster of presumably friends and family who nodded in agreement with his spirited remarks.

Here is the video:

Continuance of Tory’s fathering speaking pic.twitter.com/euvEqEcfUi

— TheShadeRoom (@TheShadeRoom) December 24, 2022

"You want to know exactly how I'm feeling? I just stood here in this Los Angeles county and witnessed the worst miscarriage of justice that this world has ever seen...I got some names that I want to call," he ranted while listing those he claimed were responsible for the act, including rapper and business mogul Jay-Z.

Meanwhile, the woman behind him was voicing out his sentiments in agreement, with an accent that can easily be established by any Kenyan who watches the clip. She would interject with "It's just b-e-g-a-n" and "This is not the f-i-r-s-t t-i-m-e", with the same brazen articulate intonation that you would hear daily with Kenyans and their English.

A section of Kenyans had taken to Twitter to express displeasure with how the concert went down, with some stating that the band took the stage at 3.00 am for a performance lasting 37 minutes.

In their statement, while thanking all stakeholders as well as the sponsors of the concert for supporting them, the band explained that the purpose of the now-annual showpiece was to provide a platform for a variety of Kenyan musicians, even those not attached to their Sol Generation music label.

The concert, they added, also sought to focus on international guest performances, a matter they admitted might have sparked a few delays in keeping the show running as per their set schedule.

"Sol Fest was conceptualised as a showcase for musicians and businesses within Sol Generation's core values - Discipline, Order, Passion and Excellence (D.O.P.E.), and is intended to serve as a platform not just for Sauti Sol and Sol Generation artists, but for a variety of talented African musicians. Our intention was to put on a spectacular event, ensuring each artist and group received enough time to deliver their very best performances to all fans.

"We also put more focus on the local talent who were performing, and our international guests. We acknowledge that this may have led to some unfortunate delays in keeping the show running in a timely fashion and would like to reassure all our fans and supporters that we will plan better for this in the future," Sauti Sol stated.

The concert also saw Tanzanian celebrated musician Harmonize perform, and is set to return to Kenya to stage a performance in less than a week's time.

"In the spirit of festivals around the world, we were determined to curate a buffet of local and international experiences from food, fashion, dance, and music, and in the future, our intentions are to only make the experiences more memorable," the band further noted.

Through the organisers, Sauti Sol extended their heartfelt thanks to everyone who came out in large numbers, endured the long queues, and braved the long night to show them love and support, noting that this would help them build bigger and better platforms for African talent.

Multimedia journalist Marvin Gakunyi shared his experience of the concert in a Twitter thread and many Kenyans followed suit in coming out and criticising the conduct of the boy band during the concert, referring to the previous Sol Fest concert whereby they also delayed in performing in front of their local fans.

In an attempt to diffuse the situation, one of its band members Savara, born Delvin Mudigi, complained that Sauti Sol was turned into a punching bag in an early morning tweet on Monday, December 19, but that only worsened the situation. A section of fans had complained that they felt cheated given that they had begun streaming to the venue as early as 4 pm.

The concert came two days to the day (December 19) that the band had cancelled its much-awaited ‘Sol Saturday’ concert in the eleventh hour in 2020, leaving many fans across the country disappointed.

Fans at the Sol Fest concert on December 17, 2022. /TWITTER.SAUTI SOL

The concert on Saturday night, December 17 saw Tanzanian celebrated musician Harmonize, Norway-based group Matata, Octopizzo, and Nadia Mukami among the many artists from across the continent entertaining fans before the band took over.

A section of Kenyans expressed displeasure in how the concert went down, with some stating that the band took the stage at 3.00 am for a performance lasting 37 minutes.

“We attended the Sol Fest only for us to listen to Afrobeat for a better part of the night and that didn’t feel worth it. Sauti sol got on stage at 3.05 am, gave us a 37 mins performance and left for a break,” multimedia journalist Marvin Gakunyi tweeted his experience at the event.

Fans at the Sol Fest concert on December 17, 2022. /TWITTER.SAUTI SOL

The concert was rated 5/10 in his opinion, praising Braandy Maina, Nadia Mukami and Matata for great performances, with Fena Gitu's being commendable.

"Nviiri The Storyteller entered when sound was having issues and his first few minutes were off. He knew what he came to deliver and got back the energy. He made us sing our hearts out like hopeless romantics.

"My two seconds unsolicited insights is that artists should do their homework and if you charge premium, deliver premium," he addressed.

Gakunyi's sentiments soon led to other fans coming out and criticising the conduct of the boy band during the concert, referring to the previous Sol Fest concert whereby they also delayed in performing in front of their local fans.